A few examples of appraisal values for
INUIT ART

• GROUP OF INUIT ARTIFACTS AND FRAGMENTSGroup
  GROUP OF INUIT ARTIFACTS AND FRAGMENTSGroup of Inuit artifacts and fragments, longest - 6 3/4". Competitive in-house shipping is available for this lot. Condition: As found.
• PITALOOSIE SAILA, R.C.A. (1942-2021)
  PITALOOSIE SAILA, R.C.A. (1942-2021) CAPE DORSET"Mother & Child", drypoint etching, no. 3/5, signed and stamped, this print was done in Ottawa during a Cape Dorset Women's Workshop which was coordinated by the Inuit Art Foundation in collaboration with the Ottawa School of Art, gallery quality framing, 7.5 x 6 inches (at sight).
• EEGYVUDLUK POOTOOGOOK SERPENTINE SCULPTURE
  EEGYVUDLUK POOTOOGOOK SERPENTINE SCULPTURE Eegyvudluk Pootoogook (Canadian, Inuk, 1931-2000), Musician, Hand Carved Serpentine Stone Sculpture, signed underside. The bow of the instrument now lacking. 9.75" H x 7.5" W x 13" D. Provenance: From a 631 1st Avenue estate. Keywords: First Nations, Inuit art, Figural, Greenstone, Indigenous
• (2) GEORGE AHGUPUK (D.2001) INUIT ARTWORKS(lot
  (2) GEORGE AHGUPUK (D.2001) INUIT ARTWORKS(lot of 2) Framed ink and wash paintings, possibly on hide, Inuit Scenes, each signed lower left Ahgupuk (George Twok Aden Ahgupuk, Alaska, 1911-2001), Dolphin Gallery, Miami stamp on reverse of frame, sight: approx 3.75"h, 5.75"w, overall: approx 9.5"h, 11.5"w; 3.25lbs total
• TUDLIK (1890-1966, INUIT; CAPE DORSET/KINNGAIT),
  TUDLIK (1890-1966, INUIT; CAPE DORSET/KINNGAIT), CARVED OWL FIGURETudlik, (1890-1966, Inuit; Cape Dorset/Kinngait) Carved owl figure, Stone Unsigned Stone Dimensions: 4.5" H x 4.25" W x 1.75" D Provenance: Sold: Waddington's, Toronto, Ontario, "Inuit Art Auction," November 8-9, 2004 Property from the Rex Gilman Chase Collection, Berkeley, CA, acquired from the above, November 8, 2004
• INUIT ART CARVED STONE WATERFOWL L:
  INUIT ART CARVED STONE WATERFOWL L: 7 IN. (17.8 CM.)Inuit Art Carved Stone Waterfowl, Dimensions: L: 7 in. (17.8 cm.)
• A vintage pencil signed, titled, and
  A vintage pencil signed, titled, and numbered Inuit artwork, illegibly signed. Image 15” x 18” Frame 22.75” x 26” Condition: good overall CT Transfer Fee $10
• INUIT CARVING OF A HUNTER, SIMON UTTAQ,
  INUIT CARVING OF A HUNTER, SIMON UTTAQ, NUNAVUTAn Inuit carving on bone of a hunter with hunting tools, by Simon Uttaq, Spence Bay, now called Taloyoak, Nunavut, the most northerly community in Canada. Hunting spear (re-glued and broken) and knife included. Government of Canada Inuit Art Certification Tag attached to carving. CITES may apply. H: 10"; W/L: 6"; D/P: 5". FRANCAIS: Sculpture Inuit en os d'un chasseur avec outils de chasse, par Simon Uttaq, Spence Bay, maintenant appelé Taloyoak, Nunavut, la communauté la plus au nord du Canada. Lance de chasse (recollée et cassée) et couteau inclus. Étiquette de certification d'art inuit du gouvernement du Canada incluse CITES peut s'appliquer.
• INUIT TEXTILE BIRD (BAKER LAKE) & MUKLUKSLot
  INUIT TEXTILE BIRD (BAKER LAKE) & MUKLUKSLot of two: a handmade textile bird by Inuit artist Lucy Ango'Yuaq from Baker Lake (stitched signature), 6.5" x 4", and a pair of mukluks in red and dark blue felted wool with hide soles having beaded floral decoration on the cuffs and toe caps and original wool tassels, 14" x 6.5" x 4.5". Mid 20th century. FRANCAIS: Lot de 2: oiseau en tissu fait main par l'artiste inuit Lucy Ango'Yuaq de Baker Lake (signature cousue). 6,5" x 4". Et une paire de mukluks en laine feutrée rouge et bleu foncé avec semelles en cuir ayant une décoration florale perlée et glands de laine d'origine. 14" x 6,5" x 4,5". Milieu du 20e siècle.
• PAIR OF INUIT MUKLUKS & INUIT ART BOOKLot
  PAIR OF INUIT MUKLUKS & INUIT ART BOOKLot of two: A pair of late 20th century First Nations mukluks with red and white felted uppers having outline beadwork on the cuff and toes and a fur band. Also included is a reference book "Our boots -- an Inuit women's art". Dimensions, 14" x 10" x 5". FRANCAIS: Lot de 2: une paire de mukluks des Premières Nations de la fin du 20e siècle, haut en feutre rouge et blanc orné de perlage et d’une bande de fourrure. Un livre de référence est également inclus "Our boots -- an Inuit women's art".
• INUIT TRIBAL SOAPSTONE/REGIONAL STONE
  INUIT TRIBAL SOAPSTONE/REGIONAL STONE SCULPTURE, FISHER...Dark green carving with incised images of Native Inuits hunting, fishing. Artist signed. This striking polished dark green soapstone was hand carved by Inuit artist George Arlook (Arluk) George Arluk, ?? Eskimo Point / Arviat (1949) — E3-1049. Incised images to one side depicting stylized dogs pulling a sled while nearby fishermen bring in their catch. The other side has images depicting a hunt with stylized birds and other fauna. Artist signed. Alternative Names: Arluk Arluk, George Arluk, Aiyarani Arluk, Arloo Arluk, Arlook Arluk, Arlu Arluk, Arlooq Arluk George Arluk was born in Winnipeg, Manitoba#Sculpture #InuitArt #NativeArt #NativeCanadians #Soapstone #Serpentine #Serpentinite #GeorgeArluk #GeorgeArlook Artist: George Arlook (Arluk) Issued: c. 1990 Dimensions: 5.5"H x 3.5"L x 2.75"W Country of Origin: Canada
• INUIT TRIBAL SOAPSTONE/REGIONAL STONE
  INUIT TRIBAL SOAPSTONE/REGIONAL STONE FIGURINE SCULPTUR...Dark gray stone with russet inclusions, detailed and hand carved, with opaque pink stones. A hand carved figurine by Inuit artist Jens Ugpernangitsoq, modeled in dark soapstone with additional naturalistic materials. Artist signed, dated JENS U 7/03.#InuitArt #InuitCarving #EskimoArt #Igloos #JensUgpernangitsoq Artist: Jens Ugpernangitsoq Issued: 2003 Dimensions: 3.5"H x 2.5"L x 2.25"W Country of Origin: Greenland
• INUIT TRIBAL SOAPSTONE/REGIONAL STONE
  INUIT TRIBAL SOAPSTONE/REGIONAL STONE FIGURINE SCULPTUR...A dark gray hand carved stone sea lion seal, incised details. Artist signed. This Inuit soapstone carving is modeled as a playful arctic seal, swimming on its back. Modeled in dark gray stone with incised white details. Artist signed to bottom by Sanikiluaq Inuit artist Johnassie Sala.#Sculpture #InuitArt #NativeArt #NativeCanadians #Soapstone #Serpentine #Serpentinite #JohnassieSala Artist: Johnassie Sala Issued: c. 2000 Dimensions: 2.25"H x 7.5"L x 1.75"W Country of Origin: Canada
• INUIT TRIBAL SOAPSTONE/REGIONAL STONE
  INUIT TRIBAL SOAPSTONE/REGIONAL STONE FIGURINE GROUP, A...A striking figural group of three hand carved arctic whales, mounted on a caribou bone base. Made by Inuit artist Johnny Angutiqjuaq, three polished soapstone whale sculptures, displayed on a hand carved caribou horn base.#Sculpture #InuitArt #NativeArt #NativeCanadians #Soapstone #Serpentine #Serpentinite #Whales Artist: Johnny Angutiqjuaq Issued: c. 2010 Dimensions: 1.25"H x 5.5"L x 1.25"W Country of Origin: Canada
• INUIT TRIBAL SOAPSTONE/REGIONAL STONE
  INUIT TRIBAL SOAPSTONE/REGIONAL STONE FIGURE SCULPTURE,...A striking figurine group study in black stone, signed by Inuit artist Jimmy Arnamissak. An Inuit soapstone figural group modeled in striking black stone with rich russet inclusions, a study of Native Canadian mother and child by celebrated Inuit sculptor Jimmy Arnamissak (1949-2003), signed and dated by the artist. #Sculpture #InuitArt #NativeArt #NativeCanadians #Soapstone #Serpentine #Serpentinite #Jimmy Arnamissak Artist: Jimmy Arnamissak Issued: 1996 Dimensions: 5"L x 3.75"W x 8.5"H Country of Origin: Canada
• INUIT TRIBAL SOAPSTONE FIGURINE SCULPTURE,
  INUIT TRIBAL SOAPSTONE FIGURINE SCULPTURE, WALRUSRich deep green with russet inclusions, hand carved decoration. Artist marks. A polished tribal hand carved soapstone sculpture, modeled as an arctic walrus. INUIT ART CANADA provenance tag. #InuitArt #EskimoArt #InuitSculpture #Soapstone #NativeCanadianArt #InuitCarving Issued: c. 1980 Dimensions: 9.5"H x 7"L x 4.5"W Country of Origin: Canada
• INUIT TRIBAL CARVED SOAPSTONE/REGIONAL
  INUIT TRIBAL CARVED SOAPSTONE/REGIONAL STONE FIGURAL GR...An exemplary Inuit hand carving of a hunter, seals and dog. Artist numbered, signed. A whimsical study in hand carved soapstone of a seal hunter preparing his catch, presented on a stone base. Artist signed and numbered to base by Inuit artist Mona Tigitkok (b. 1929). #Sculpture #InuitArt #NativeArt #NativeCanadians #Soapstone #Serpentine #Serpentinite #SealHunt #MonaTigitkock Artist: Mona Tigitkok Issued: c. 1970 Dimensions: 6.75"L x 8"W x 7"H Country of Origin: Canada
• ABBOTT INUIT ART CAST SCULPTURE, SPEAR
  ABBOTT INUIT ART CAST SCULPTURE, SPEAR FISHINGBlack cast indigenous art style sculpture; fisherman with a white spear. Abbot Canada incised on base. Condition: Minor age related wear. Some surface scratches and dents.
• ALICE MIKIYUK (B. 1926) SIGNED, REGIONAL
  ALICE MIKIYUK (B. 1926) SIGNED, REGIONAL STONE SCULPTUR...A.M. and E9-301 incised on base. Smooth owl sculpture; hand-carved green grey stone with incised details. 334263 incised on base. Alice Mikiyuk is an Inuit artist known for her stone sculpture. She lives Belcher Islands / Sanikiluaq. #Inuit #stonecarving #tribalart #sculpture #owl Artist: Alice Mikiyuk Issued: 20th c. Dimensions: 7"W x 4"H Country of Origin: Canada Condition: Good, minor age related wear.
• KINGMEATA ETIDLOOIE LITHOGRAPHDESCRIPTION:
  KINGMEATA ETIDLOOIE LITHOGRAPHDESCRIPTION: Kingmeata Etidlooie An Inuit artist signed lithograph featuring different animals congregating. Markings at lower right, Pencil signed illegibly and numbered "17/50" Mounted in a wood frame. CIRCA: 1972 ORIGIN: Canada DIMENSIONS: H: 31.5" x L: 35.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• INUIT SCRIMSHAW SIGNED DAVIDEE ITULUFine
  INUIT SCRIMSHAW SIGNED DAVIDEE ITULUFine scrimshaw bone with animals and Eskimos, mounted on green serpentine stone base carved with a seal. Signed Davidee Itulu 1992 Lake Harbour NWT Canada. 8.5 in tall, 5 in across base. (Itulu was a noted Inuit artist 1929-2006).
• THREE INUIT ARTICLES19th century, comprising:
  THREE INUIT ARTICLES19th century, comprising: soapstone oil lamp, ulu with bone handle and curved steel blade, kayak model, likely seal skin with hunter in cloth garment, lacking paddle, 17-1/2 in. Provenance: Sold to Benefit the North Carolina Maritime Museum System Note: Inuit items acquired by Rufus Seawall in 1925 and 1927 when visiting Etah and Labrador. The first trip was part of an excursion sponsored by the U.S. Navy and National Geographic with Donald MacMillan Condition: oil lamp having natural finish with rough spots, discoloration and abrasions; ulu bone handle with scratching, museum accession number, rusting to blade; kayak general wear, discoloration, spotting, scuffing
• THREE WHALEBONE INUIT CARVED FIGUREScomprising:
  THREE WHALEBONE INUIT CARVED FIGUREScomprising: carved ivory tupilaq spirit figure, with acrylic and metal wire stand, 5 in.; primitive antler and twine spirit figure, movable arms and legs, 4 in.; carved antler figure, 4-1/2 in. Note: ?This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. A tupilaq is a type of avenging spirit found within Greenlandic Inuit religious practice. Originally created and used by shamans, tupilaqs were created using various materials, including bone, hair, skin, etc. Today, carved bone and ivory examples can be found and comprise an important part of Inuit art. Condition: scattered surface scratches, areas of discoloration, residue buildup
• IKSIKTAARYUK STENCIL - "AN ANCIENT WAY
  IKSIKTAARYUK STENCIL - "AN ANCIENT WAY OF DANCING" 1971...**First Time At Auction** Luke Iksiktaaryuk (Inuit, 1909-1977). "An Ancient Way of Dancing" limited edition stone cut and stencil on paper, Baker Lake, 1971. Edition 13 of 28. Signature, title, edition number, and date handwritten in pencil below the image. A fabulous and impressively sizeable stone cut and stencil composition by Inuit artist Luke Iksiktaaryuk (also Ikseektaryuk and Ikseetaryuk - disk number E2-45). Published in "Arts of the Eskimo: Prints" with the following description, "Inside the large community snowhouse the women have gathered to perform a dance. The man in the centre - or is it a boy? - will call out partners in turn. Two-dimensionality is carefully respected and the artist is intent on utmost graphic clarity." An outstanding artwork by Iksiktaaryuk presenting with vivid imagery and vibrant color, mounted in an attractive frame under glass. Size (sight view): 38.625" L x 24.25" W (98.1 cm x 61.6 cm) Size (frame): 40.5" L x 26.25" W (102.9 cm x 66.7 cm) Iksiktaaryuk's art has been collected by Canadian Guild of Crafts Quebec; Canadian Museum of Civilization, Dennos Museum Center, Northwestern Michigan College; Agnes Etherington Art Centre, Queen's University, Kingston; Art Gallery of Ontario, Toronto; Canadian Guild of Crafts Quebec, Montreal; Canadian Museum of Civilization, Hull; Clifford E. Lee Collection, University of Alberta, Edmonton; Dennos Museum Center, Northwestern Michigan College, Traverse City; Edmonton Art Gallery, Edmonton; Eskimo Museum, Churchill; Glenbow Museum, Calgary; Inuit Cultural Institute, Rankin Inlet; Klamer Family Collection, Art Gallery of Ontario, Toronto; McMichael Canadian Art Collection, Kleinburg; Mendel Art Gallery, Saskatoon; Musee des beaux-arts de Montreal, Montreal; National Gallery of Canada, Ottawa; Owens Art Gallery, Mount Allison University, Sackville; Prince of Wales Northern Heritage Centre, Yellowknife; Sarick Collection, Art Gallery of Ontario, Toronto; Simon Fraser Gallery, Simon Fraser University, Burnaby; University of Alberta, Edmonton; Williamson Collection, Art Gallery of Ontario, Toronto; Winnipeg Art Gallery, Winnipeg Iksiktaaryuk's "The Ancient Way of Dancing" hammered for $3600 at Waddington's, lot #69, September 16, 2020. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178625 Condition: Signature, title, edition number, and date handwritten in pencil below the image. Mounted in attractive frame under glass. Has not been examined outside the frame. Expected age wear with normal crease marks. Imagery and color are vivid. Fit with old suspension wire which we would recommend replacing.
• JOE TALIRUNILI STONECUT - WHITE OWL
  JOE TALIRUNILI STONECUT - WHITE OWL & LEMMING (1962)Joe Talirunilik (Inuit, 1893-1976, Disc Number E9-818). "White Owl and Lemming" stone cut, Povungnituk, 1962. Edition 25 of 30. Signed, numbered, and dated in pencil below image. Also signed in cartouche with syllabics. A striking stonecut print by Inuit artist Joe Talirunilik (also Talirunili) published in "Art of the Eskimo: Prints" (1974) with the following description, "Composing his image in terms of positive and negative space, Joe gives a clear vision of the proud nocturnal hunter, the owl. Its prey is humorously indicated in the corner. With an admirable sense of integrity, Joe allows the mass of the stone to frame the subject. The syllabics in the cartouche give the name of the artist." Size: 19.125" L x 17" W (48.6 cm x 43.2 cm) About the artist: "Born about 1898 at the place called Niaqunna (headache) near the mouth of the Qugaaluk River south of Povungnituk; his father was Putugu (big toe) and his mother Pualu (mitten). While still an infant, Joe took part in the desperate journey during which thirteen Eskimo families saved their lives by paddling a makeshift umiak through the breaking ice-floes to the Ottawa Islands. He is the last survivor of the forty Eskimoes involved in that epic voyage. Joe and his family moved to Povungnituk in 1963. Bug and burly, a hunter/trapper all his life, he is still vigorous in his seventies and is the hero of many an Arctic adventure, several of which he has illustrated in carvings and prints." ("Arts of the Eskimo: Prints" General Editor Ernst Roch; Texts by Patrick Furneaux and Leo Rosshandler, Published by Signum Press, Montreal in association with Oxford University Press, Toronto, p. 25) Published in "Arts of the Eskimo: Prints" General Editor Ernst Roch; Texts by Patrick Furneaux and Leo Rosshandler, Published by Signum Press, Montreal in association with Oxford University Press, Toronto on page 135 and back cover. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178684 Condition: Signed, numbered, and dated in pencil below image. Also signed in cartouche with syllabics. Embossed stamp at lower right of paper. Stamped "Povungnituk Cooperative Society Pr. Quebec Canada 1962" on verso. Minor crease marks and a couple of minute stains that do not impact the central image. A few minute tears to bottom edge of paper that also do not impact the central image. Normal toning to paper commensurate with age. Overall, a strong stonecut image by Talirunili.
• SIGNED 20TH C. INUIT SOAPSTONE OWL BY
  SIGNED 20TH C. INUIT SOAPSTONE OWL BY JOE TALIRUNILINative American, Canada, northern Quebec, Nunavik, Puvirnituq, ca. 1960s to 1970s CE. Signed by Joe Talirunili (Inuit, 1893-1976) in English and syllabics. An adorable soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The delightful creature stands on thick legs, his plumed wings tucked as his head leans slightly forward presenting huge eyes beneath a narrowed brow and petite horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls. This owl is characteristically quite primitive in execution, yet full of spirit. Size: 2.9" W x 5.3" H (7.4 cm x 13.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili used both sculpture and printmaking to depict the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist’s urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought-after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings, and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178765 Condition: Loss to upper part of beak and one talon on proper right foot. Minor chipping to ears, as well as some nicks and scratches in areas. Otherwise, nice condition with clear form. Artist's signature in English and syllabics on underside of feet.
• SIGNED 20TH C. INUIT SOAPSTONE SQUIRREL,
  SIGNED 20TH C. INUIT SOAPSTONE SQUIRREL, JOE TALIRUNILI...Native American, Canada, northern Quebec, Nunavik, Puvirnituq, ca. 1960s to 1970s CE. Signed by Joe Talirunili (Inuit, 1893-1976) in English and syllabics. A charming soapstone sculpture by renowned Inuit printmaker and sculptor Joe Talirunili depicting an arctic ground squirrel known as a siksik. The adorable animal sits on its haunches supported by long feet and leans forward as a long tail curves up from its backside. His lengthy snout displays protruding teeth or a tongue below a delineated nose, sizable, almond-shaped eyes, and petite pointed ears. Note how the tail is attached via some sort of adhesive; Talirunili would often mend broken pieces of his sculpture by simply gluing them back on. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 6" L x 2.3" W x 3.8" H (15.2 cm x 5.8 cm x 9.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179316 Condition: Some small nicks and minor abrasions to areas with chipping to proper left front paw. Otherwise, excellent. Artist signature in English and syllabics on underside of feet.
• CARVED MARBLE BEAR WITH FISH SCULPTUREHand
  CARVED MARBLE BEAR WITH FISH SCULPTUREHand carved sculpture in white marble of a polar bear with salmon in mouth. Possibly Eskimo or Inuit art however the piece is unsigned. Bear measures 11 1/2" long x 7 1/4" tall x 5 1/2" wide. Carved fish measures 4 1/2" long. Weight is approx. 18 shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• (2) SOAPSTONE FISH SCULPTURES Lot of
  (2) SOAPSTONE FISH SCULPTURES Lot of (2) Vintage Soapstone Fish Sculptures, likely carved by Inuit artists, unsigned, 2" high, 4 3/4" x 1" and 4" high, 9 3/4" x 3 3/4". Scratches.
• Two pencil signed Kroenung Inuit artworks,
  Two pencil signed Kroenung Inuit artworks, including: “Kwakiutl Sea Monster,” numbered 4/72, 17.25” x 23.25” overall with frame. “Haida Seal,” numbered 7/72, 23.25” x 17.25” overall with frame Condition: some toning and foxing on Haida Seal example CT Transfer Fee $10
• (2) NATIVE AMERICAN INUIT JAW & BALEEN
  (2) NATIVE AMERICAN INUIT JAW & BALEEN ART SLEDS(lot of 2) Native American Inuit art (toy) sleds, comprising: (1) signed Harry Brower, Barrow, Alaska, fashioned from a Caribou jaw with bowhead whale baleen seat, accented with seal skin pouch, metal and cord fittings; (1) miniature, possibly John Ehouvgauk, in a similar style, fashioned from a wolverine jaw and bowhead whale baleen; largest: approx 5.5"h, 4.25"w, 13"d, 1lbs total
• A GROUP OF INUIT ARTWORKS, AGNES NANOGAK
  A GROUP OF INUIT ARTWORKS, AGNES NANOGAK (1925-2001), "DREAM," 1968, STONECUT ON PAPER, PETER ALIKNAK (B. 1928), "SORCERERS CONTEST," 1966, AND "MOTHER BEAR," 1984, STONECUT ON PAPER, HELEN KALVAK (1901-1984)A group of Inuit artworks, Agnes Nanogak (1925-2001) "Dream," 1968 Stonecut on cream-colored paper Edition: 14/50 Signed, titled, dated, and numbered in pencil along the lower edge: Nanogak; with the red Holman stamp lower right Sight size: 18" H x 23" W Peter Aliknak (b. 1928) "Sorcerers Contest," 1966 Stonecut on cream-colored paper Edition: 19/40 Signed, titled, dated, numbered, and inscribed in pencil along the lower edge: Aliknak / Eskimo Western Arctic / #7; with the red Holman stamp and unidentified blindstamp lower right Image/Sheet: 15.125" H x 20.25" W Helen Kalvak (1901-1984) "The Sea Dwellers," 1968 Stonecut on cream-colored paper Edition: 27/50 Signed, titled, dated, and numbered in pencil along the lower edge: Kalvak / #13; with the red Holman stamp and unidentified blindstamp lower right Image/Sheet: 18" H x 24" W Peter Aliknak "Mother Bear," 1984 Stonecut on cream-colored paper Edition: 9/50 Signed, titled, dated, numbered, and inscribed in pencil along the lower edge: Aliknak / Holman / Equtak; with the Holman blindstamp and unidentified blindstamp lower right Image/Sheet: 17.125" H x 25.25" W 4 pieces
• MIKISITI SAILA (1939-2008, INUIT; CAPE
  MIKISITI SAILA (1939-2008, INUIT; CAPE DORSET/KINNGAIT), CARVED POLAR BEAR FIGUREMikisiti Saila, (1939-2008, Inuit; Cape Dorset/Kinngait) Carved polar bear figure, Stone Signed near bottom of foot: MEEKEESEETEE; further signed syllabically to underside with artist's disc number: E7-992 Stone Dimensions: 7.875" H x 19.75" W x 5.325" D Provenance: Arctic Arts, Edmonton, Alberta Property from the Rex Gilman Chase Collection, Berkeley, CA, acquired from the above, June 7, 1976 Other notes: Artist is the son of well-known Inuit artist Pauta Saila. His works have been exhibited at Frye Art Museum, Marion Scott Gallery, and Inuit Galerie, among others.
• DAVIE ATCHEALAK (1947-2006, INUIT; FROBISHER
  DAVIE ATCHEALAK (1947-2006, INUIT; FROBISHER BAY/IQALUIT), CARVED FIGURE WITH DRUM AND DRUMSTICKY Davie Atchealak, (1947-2006, Inuit; Frobisher Bay/Iqaluit) Carved figure with drum and drumstick, Stone, bone, and sea sponge Signed to underside: Davie Atchealak / © Stone, bone, and sea sponge Dimensions: 15" H x 14.5" W x 6" D Provenance: Sold: Waddington's, Toronto, Ontario, "Inuit Art Auction, session 1," November 5, 2007, Lot 368 Property from the Rex Gilman Chase Collection, Berkeley, CA, acquired from the above
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• OOC- 'Ted Jones And His Three Boys'
  OOC- 'Ted Jones And His Three Boys' by Blossom Eskiano Inuit artist. Cubist abstract portrait of group with father to left label verso. Unframed. SS: 11'' x 14''. Condition: slightly grimy.