A few examples of appraisal values for
IRON CAST HUNTER

• CAST IRON MECHANICAL BANK, NATIVE
  CAST IRON MECHANICAL BANK, NATIVE AMERICAN & BEAR J. & E. Stevens Co., circa 1900. A polychromed cast iron mechanical coin bank, depicting an American Indian hunter and a brown bear. Stamped with patent underneath. Approx. h. 8" w. 10" d. 3"
• HUNTER WITH DOG BOOKENDS Hubley
  HUNTER WITH DOG BOOKENDS Hubley cast iron depicted with shotgun in hand and holding dog at point very colorful and finely cast. 6 1/2'' h. Some chipping at back of shoulders. (Exc. Cond.)
• A Pair of Cast Iron Wall
  A Pair of Cast Iron Wall Appliques each cast with a hunter beneath oak trees. Height 24 1/2 inches.
• IVES CLOCKWORK HUNTING TRAP A
  IVES CLOCKWORK HUNTING TRAP A very rare example cast iron painted in red overall early piece depicts hunter holding a rifle in hand two piece casting clockwork driven black spoke wheels. 6 1/2'' l. Repaint to reds rifle missing.
• ANTIQUE CAST IRON FIGURAL HUNTER
  ANTIQUE CAST IRON FIGURAL HUNTER DOORSTOPAntique Cast Iron Figural Hunter Doorstop, depicting a gentleman walking through the woods while smoking his pipe with his dog. Height 14 in. Width 9 in. Depth 2 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Cast Iron Lion Hunter Mechanical
  Cast Iron Lion Hunter Mechanical Bank. Description Manufactured by J. & E. Stevens. Working. Replaced back of head and inside of gun. Condition (Excellent Plus). Size 10 - 1/2" L.
• KAREN LAMONTE, AMERICAN (BORN
  KAREN LAMONTE, AMERICAN (BORN 1967), ETUDE 11, 2015, CAST GLASS, 3/5, SIGNED, DATED AND NUMBERED EDITION, 25 14" X 25 1/4" X 9 1/4"Karen LaMonte, American, (Born 1967) Etude 11, 2015, Cast Glass, 3/5, signed, dated and numbered edition Artist's statement: Since 1990, Karen LaMonte has created sublime and enigmatic works in glass, ceramic, bronze, iron, paper, and marble. Her works range from monotype prints to monumental stone sculptures, and explore themes of beauty, gender, identity, and the natural world. LaMonte received her BFA from the Rhode Island School of Design and explored an early passion for glass sculpture at studios in New York and New Jersey. In 1999, she traveled to Prague on a Fulbright scholarship to work in the glass casting studios of Eastern Bohemia; while there, she created Vestige (2000), a glass sculpture depicting a life-sized dress with the wearer absent. This work garnered international acclaim, thanks in part to an essay about it by renowned art critic Arthur Danto. In the early 2000s, LaMonte established a permanent studio in Prague, where she created her first major body of work: the series Absence Adorned. Like Vestige, these life-sized glass sculptures examine the interplay between public and private identities through garments that are opulently draped on invisible female figures; the works represent a re-invention of the traditional portrayal of the nude. Sculptures from Absence Adorned were first shown in a solo exhibition at the Czech Museum of Fine Arts in Prague, and have been widely exhibited since. Drawing on the classical aesthetics of Absence Adorned, the Chrysler Museum of Art in Virginia displayed works from the series in their 2009 exhibition Contemporary Amongst the Classics. The exhibition combined classical sculpture with contemporary works to highlight continuity of style and creativity across generations. To further explore the nexus of clothing, culture, and identity, LaMonte traveled to Kyoto in 2007; there, she studied the design, construction, symbolism, and significance of the traditional Japanese kimono. Back in Prague, she used biometric data of Japanese women to create dress sculptures in ceramic, cast glass, rusted iron, and bronze. Her selection of materials for the works was inspired by aspects of Buddhist philosophy. She titled the series Floating World, after scenes in Ukiyo-e woodblock prints. These sculptures have been featured in exhibitions at museums including the Chazen Museum of Art and the Hunter Museum of American Art. They are also included in permanent collections at the Museum of Fine Arts, Boston; the Montgomery Museum of Fine Arts; and elsewhere. LaMonte next found inspiration in the music of John Field and Frederic Chopin, as well as the paintings of James Abbott McNeill Whistler. She channeled their atmospheric, night-themed compositions through her Nocturnes series of dress sculptures, for which she designed and sewed evening dresses to "wrap the female body in night" with white bronze, blue glass, and rusted iron. Some of these figures are modeled in reclining positions, a subtle subversion of the traditional odalisque through the removal of the nude body itself. Within her Nocturnes series, LaMonte created Etudes, one-third-scale works that reference the historic Parisian project Théâtre de la Mode. During World War II, artists, dancers, and fashion designers created touring exhibits of small fashion mannequins installed in scaled theater sets, in hopes of helping the country move beyond the horrors of war. LaMonte's Etudes–which echo that resilient wartime artistry–have been displayed with the larger-scale Nocturnes in exhibitions including Embodied Beauty at the Hunter Museum of American Art. In 2017 and 2019, LaMonte displayed her Nocturnes at Glasstress, an exhibition mounted concurrently with the Venice Biennale. Recent works by LaMonte focus on clouds and climate change, reflecting her long standing fascination with themes of common and interlaced humanity. Her monumental 2017 marble sculpture Cumulus, also shown at Glasstress in Venice, was modeled from real-life weather data in collaboration with climatologists from the California Institute of Technology. LaMonte's newest body of work uses biomimetic materials to reinvent historic Venus figurines for the 21st century. Cast Glass, 3/5, signed, dated and numbered edition Dimensions: 25 14" x 25 1/4" x 9 1/4"
• TWO CAST IRON DOORSTOPS IN THE FORM
  TWO CAST IRON DOORSTOPS IN THE FORM A HUNTER AND ANOTHER OF A FOX HEIGHT OF LARGER: 14 1/8 IN. (35.9 CM.)TWO CAST IRON DOORSTOPS IN THE FORM A HUNTER AND ANOTHER OF A FOX, fox with molded mark at back '?.Z.H. 1949 DS1' (2) Dimensions: Height of larger: 14 1/8 in. (35.9 cm.)
• LOT OF FIVE LATE 19TH CENTURY
  LOT OF FIVE LATE 19TH CENTURY ANIMAL FIGURETHERMOMETERS. TO INCLUDE FIGURES OF CATS, DOGS, BIRDS, AND HUNTING. 1) 3 1/2” PAINTED METAL DOG. 2) 4 1/2” PAINTED METAL PARROT. 3) 4 3/4” PAINTED METAL CAT. 4) 7 1/2” CAST IRON HUNTING DOG. 5) 7 1/2” CAST BRONZE HUNTER WITH DOG ON A MARBLE BASE. ALL IN WORKING CONDITION. SHIPPING BY FEDEX GROUND ONLY.
• 4 REPRODUCTION CAST IRON STILL
  4 REPRODUCTION CAST IRON STILL BANKS4 cast iron banks. Featuring: Punch and Judy, Uncle Sam, Jonah and the Whale, Hunter and a bear. The hunter and a bear bank is stuck while the other 3 are in working condition. Marked "Taiwan" on the underside. Largest: 10 3/4" Height.
• ANTIQUE CAST IRON PAINTED FOX
  ANTIQUE CAST IRON PAINTED FOX HUNTER FIGURAL DOORSTOPAntique Cast Iron Painted Fox Hunter Figural Doorstop, depicted in red riding jacket, pants, boots and hat Height 7 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• FOUR PIECES OF CAST IRON. Twentieth
  FOUR PIECES OF CAST IRON. Twentieth century, Cannon on carriage, 10"h. and three doorstops: a hunter with dog, 10"h., a seated cat with worn white paint, 7"h., and a standing cat with tail up. Traces of old tan paint. 10.5"h.
• Pair of Restauration Cast-Iron
  Pair of Restauration Cast-Iron Vases, of attenuated campana form, second quarter 19th century, presently painted in an old matte dark hunter-green finish, h. 12-1/2".
• ANTIQUE CAST IRON FIGURAL HUNTER
  ANTIQUE CAST IRON FIGURAL HUNTER DOORSTOPAntique Cast Iron Figural Hunter and Dog Doorstop, depicting a gentleman walking through the woods while smoking his pipe with his dog Height 14 in. Width 9 in. Depth 2 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• A Cast Iron Model of a Snake and
  A Cast Iron Model of a Snake and a Painted Iron Model of an Insect 20th Century Length of snake 25 inches. Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
• CAST IRON NATIVE AMERICAN BEAR
  CAST IRON NATIVE AMERICAN BEAR HUNTER COIN BANKAn antique cast iron Native American bear hunter coin bank. Having a kneeling figure and standing bear. Ht: 9.25" Wd: 10" Dpth: 3"
• Swaine Adeney leather cased fox
  Swaine Adeney leather cased fox hunters flask 10.5"l; together with a faux bronze fox and two cast iron pieces
• CAST IRON HUNTER DOORSTOP, ETC.Cast
  CAST IRON HUNTER DOORSTOP, ETC.Cast iron hunter doorstop together with a pair of iron pineapple finials, 16 1/2" h., 9" h. Competitive in-house shipping is available for this lot. Condition: Expected wear.