- EIGHT MURRAYS IRONWORKS ETRUSCAN DINING
EIGHT MURRAYS IRONWORKS ETRUSCAN DINING ARMCHAIRSA set of eight Murrays Ironworks patinated iron Etruscan garden dining armchairsmodernheight 36in (91.5cm); width 23in (58cm); depth of seat 18in (46cm)
- MURRAYS IRONWORKS CONCORD COFFEE TABLE
MURRAYS IRONWORKS CONCORD COFFEE TABLE & END TABLEA Murrays Ironworks painted aluminum Concord garden rectangular coffee table and circular end tablemodern(2)the coffee table height 18in (46cm); width 47in (120cm); depth 30in (76cm)
- A PAIR OF MURRAYS IRONWORKS CONCORD
A PAIR OF MURRAYS IRONWORKS CONCORD CHAIRSA pair of Murrays Ironworks painted aluminum Concord garden lounge chairsmodernheight 34in (86.5cm); width 34in (86.5cm); depth of seat 20in (51cm)
- A MURRAYS IRONWORKS CONCORD GARDEN LOVESEATA
A MURRAYS IRONWORKS CONCORD GARDEN LOVESEATA Murrays Ironworks painted aluminum Concord garden loveseatmodernheight 34in (86.5cm); width 72in (183cm); depth of seat 24in (61cm)
- A PAIR OF MURRAYS IRONWORKS CONCORD
A PAIR OF MURRAYS IRONWORKS CONCORD CHAIRSA pair of Murrays Ironworks painted aluminum Concord garden lounge chairsmodernheight 33in (84cm); width 37 1/2in (95cm); depth of seat 26in (66cm)
- PAIR MURRAYS IRONWORKS CONCORD CHAIRS
PAIR MURRAYS IRONWORKS CONCORD CHAIRS & OTTOMANA pair of Murrays Ironworks painted aluminum Concord garden lounge chairs and ottomanmodern(3)height 33in (84cm); width 37 1/2in (95cm); depth of seat 26in (66cm); the ottoman 18 1/2in (47cm); width 3
- HARZ MäGDESPRUNGER IRONWORKS PAINTED
HARZ MäGDESPRUNGER IRONWORKS PAINTED IRON CHRISTMAS TREE STAND, MODEL NO. 7983/7984, LATE 19TH CENTURYCast with angels and with the phrase in German 'Glory to the Lord up above and Peace on Earth'.
8 x 11 x 11 in. (overall), the aperture 2 1/2 in. diam. (the interior).
Note: This model appears in the Harzer Christbaumständer catalog.
Property of Interior Designer Harry Heissmann
Condition
With small water reservoir. The surface has been repainted. Expected wear, oxidation and losses. Nice aged patina and in good condition. Please note the catalog images which appear with this lot are for reference, the original catalog is not included in this lot.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- 2 CAST IRON KETTLESca. 1820-1845; cast
2 CAST IRON KETTLESca. 1820-1845; cast iron kettle and lid, American, ca. 1820, 8 5/8"d, Condition: cracks in the kettle used as a pattern evident on this casting which is not cracked; cast iron kettle, American, marked "ARCOLE IRONWORKS W.S. & CO." ca. 1832-1845, 10 1/2"d rim
- ANTIQUE SHIPS WHEEL, ROSEBANK IRONWORKS
ANTIQUE SHIPS WHEEL, ROSEBANK IRONWORKS EDINBURGHCondition
One walnut handle has wood-splitting. Mild scuffing to one area of the brass.
- ISAAC PEARSON CHIPPENDALE TALL CASE
ISAAC PEARSON CHIPPENDALE TALL CASE CLOCK.Isaac Pearson, Burlington (New Jersey) Chippendale Walnut Flat Top Tall Case Clock. Cove molded cornice, turned column stiles, arched side lights, cove molded waist, lip molded arch top pendulum door, molded base. Eight day movement with silvered metal dial having engraved roman numerals alternated by fleur de les, second and date dials with scrolled spandrels, central masks, oval name plate signed Isaac Person above Burlington, brass medallion crest with engraved eagle above "Tempus Fugit" flanked by dolphin and scroll spandrels. Isaac Pearson of Burlington, New Jersey was the proprietor of the Mount Holly Ironworks and considered New Jersey's first clockmaker. 89"h. Condition: : Good with wear, minor restorations, shrinkage separation on base panel, 4-1/2" crack on glass left side of arch top.
Condition:
Condition: : Good with wear, minor restorations, shrinkage separation on base panel, 4-1/2" crack on glass left side of arch top.
- FUSED ART GLASS PLATE, SIGNED CONNIE
FUSED ART GLASS PLATE, SIGNED CONNIE ZAZAKOSFused art glass plate with ruffled edges and a Ginkgo biloba leaf decoration to the center. Signed and dated 2018 to the back. Includes an ironworks plate stand. Measures approximately 11-1/2" in diameter.
- BROWN BROS & CO LTD SHIP'S WHEEL COFFEE
BROWN BROS & CO LTD SHIP'S WHEEL COFFEE TABLE, 19TH CEN...Brown Bros & Co LTD Ship's Wheel Coffee Table, 19th Century, Rosebank Ironworks Edinburgh. A 19th century ship's wheel converted into a table with applied antique legs and casters with custom cut circular glass top.
Height 17.25 in. Width 30 in. Depth 30 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- ANTIQUE JL MOTT IRONWORKS CAST IRON
ANTIQUE JL MOTT IRONWORKS CAST IRON AND ZINC FOUNTAINShows wear. Flamingos and original Catalog included.. Please Email or call for a detailed condition report. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, repairs, restorations or the effects of aging. Packaging, Insurance, Handling And Shipping Are Done In House And Is 500.00 For This Item In The Continental U.S. Or You Are Welcome To Pick Up In Person Or Make Your Own Shipping Arrangements.
- 19TH C. FRENCH IRON TORCHIERE OF EGYPTIAN
19TH C. FRENCH IRON TORCHIERE OF EGYPTIAN BOY ON COLUMN...Western Europe, France, ca. late 19th century CE. After "Egyptien" by Mathurin Moreau (French, 1822 to 1912) for the Val d'Osne Foundry. Cast iron and paint. An exemplary and enlightening cast iron torchiere or streetlamp in the form of a charming Egyptian youth standing atop a Classical baluster. Dynamically posed in a contrapposto stance, the delightful child raises a sizable torch fitted with an electric lightbulb high above his head with his left hand while placing his right on his hip. His slender body is dressed in a shendyt that wraps around his waist with billowing folds of fabric cascading down the front, secured by a slender belt and a sash with a decorative pattern of repeated circles that diagonally crosses from his left hip to his right shoulder. Gold-painted armbands adorn his biceps. Size: 14.8" W x 95.7" H (37.6 cm x 243.1 cm); Size without bulb: 85.7" H (217.7 cm)
He gazes downward, his head bowing under the heavy weight of his pleated nemes and elaborate headband featuring a stylized uraeus, as his cherubic visage displays almond-shaped eyes, a naturalistic nose, and bow lips flanked by fleshy cheeks. Though his body is painted black, save for the whites of his eyes, the youth's clothing boasts vibrant pigments in hues of gold, copper, teal, and maroon. The endearing figure mounts a cylindrical baluster, which showcases relief decoration of floral motifs and is highly embellished with brilliant shades of burgundy, marigold, olive, cyan, and gold on a creamy beige ground. A gorgeous glass covering with swirling indentations to resemble a flame caps the child's torch, allowing him to light the way for passersby. Designed to serve as a streetlamp, this piece is believed to have been exported to the Storyville District of New Orleans in the late 19th century and then moved to the French Quarter around 1914 when the Storyville District was destroyed. A beautiful example of Napoleon III style, exemplifying the period's interest in both the Classical past and the archeological findings of the day!
Napoleon's invasion of Egypt in 1798 to 1801 and the subsequent publication by the French government of the "Description de l'Egypte" (1809-22) awakened a European interest in the culture of ancient Egypt known as the Egyptian Revival, which lasted throughout the 19th century. This example is not only a perfect representation of the Egyptian-revival manner, but also showcases French academic style in the modelling of the child and also derives from a much older European tradition known as the "blackamoor" - a term used to describe stylized and stereotyped portrayals of African people in primitive or orientalist costumes and serving a subordinate or functional purpose.
This figure was based on an iron sculpture made by Mathurin Moreau for Val d'Osne Foundry, which is now located in Musee de Saint-Dizier (inventory number 2012.5.1). The designs for the figure and baluster are published in "Societe Anonyme des Hauts-fourneaux et fonderies du Val d'Osne" (1900. Paris: Impr. Typographique de P. Dubreuil) as plate 577, 36 "Egyptien" and plate 569, K, respectively. According to the National Trust Collections of the United Kingdom, "Val d’Osne was a leading French art foundry that produced high-quality cast-iron ornaments throughout the 19th century and into the 20th. Established in 1835 by J.P. Andre Victor, the firm manufactured an extensive range of products from their Haute-Marne ironworks including candelabra and torcheres, garden sculpture, architectural furnishings and fountains. Casts could be purchased from catalogues or from the company’s Paris showrooms. Val D’Osne expanded to buy out its competitors Barbezat & Cie and Ducel, taking on their pattern books. Barbezat was known for its collaborations with important artists and sculptors, including the academy sculptor Mathurin Moreau (1822-1912)… Moreau modelled for Barbezat and Val D’Osne from 1849 to 1879 and was a shareholder in the company."
Cf. National Trust Collections, Hughenden Manor, Buckinghamshire, England, NT 428756 and Cliveden Estate, Buckinghamshire, England, NT 765997.
Provenance: private Eagle, Colorado, USA collection, acquired in the 1990s
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#168916
Condition:
Functions as a lamp. Some minor loss and fading of paint on baluster, child's clothing, and child's eyes. Screws visible on left arm and back for wiring, as well as base of figure for attachment to column. Otherwise, intact and excellent with lovely patina.
- TAMPA ASH TRAY STAND, CAST IRONThis
TAMPA ASH TRAY STAND, CAST IRONThis 27" tall cast-iron ashtray stand contains a glass ashtray that has "TAMPA" along the edge in big, blue letters. The tray fits well. and seems designed for this piece. The base is marked "Verona" for the Verona Ironworks, in Verona, PA. They cast doorstops and ashtrays in the early 1900s.
- ANTIQUE BRASS SHIP'S WHEELEarly 20th
ANTIQUE BRASS SHIP'S WHEELEarly 20th Century Brown Bros & Co. Ltd. Brass Ship's Wheel. Wheel has eight spokes and wood handles. Stamped "Brown Bros. & Co. Ltd. Rosebank Ironworks Edinburgh". Approx. 24 1/2" in diameter. See images for details on condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
- A COALBROOKDALE COMPANY "MEDALLION"
A COALBROOKDALE COMPANY "MEDALLION" CAST IRON GARDEN BENCHA Coalbrookdale Company "Medallion" cast iron garden bench, Circa 1875; England The Victorian cast iron garden bench, from the "Medallion" pattern line, centering a roundel of Venus surrounded by openwork scrolled vines with perched songbirds 42.5" H x 72.5" W x 20" D Notes: An example of this bench pattern is in the ironworks collection at the Victoria and Albert Museum, London. https://collections.vam.ac.uk/item/O380051/bench-coalbrookdale-company/ Dimensions: 42.5" H x 72.5" W x 20" D
- CAST IRON BOX STOVE PLATE, CORNWALL
CAST IRON BOX STOVE PLATE, CORNWALL FURNACE, PA. 3rd quarter 18th century: a decorated side panel with oven opening (no door present), bearing the names of Curttis and Peter Grubb and their ironworks in Lebanon Co., Pa.; 24 1/2 x 30 1/2 in. The Grubb brothers inherited the factory from their father in 1755. They were both officers in the Continental Army in the Revolution and contracted with the army to manufacture cannons and balls.
- MICHAEL SMITH IRON WALL MIRRORProvenance:
MICHAEL SMITH IRON WALL MIRRORProvenance: The Jim Belushi Collection, a Michael Smith Installation; Murrays ironworks label verso; 53 x 47 1/2 inches Condition:
- COLLECTION OF DEPARTMENT 56 DECORATIONSCollection
COLLECTION OF DEPARTMENT 56 DECORATIONSCollection of Department 56 Decorations,, Including: New England Village Serices: Pierce Boat Works, J. Hudson Stoveworks, Semples Smokehouse, Van Guilders Ornamental Ironworks, Moggin Falls General Store, Load up the Wagon. Heritage Village Collection: Blue Star Ice Company, Blue Star Ice Harvesters, Lobster Trappers, A New Pot-Bellied Stove for Christmas. Village Accessories: Moose in the Marsh
- RUSSIAN BLACK PAINTED IRONWORKS BUST
RUSSIAN BLACK PAINTED IRONWORKS BUST OF LEO TOLSTOY, KASLI, 1971 HEIGHT: 10 INRussian Black Painted Ironworks Bust of Leo Tolstoy, Kasli, 1971 Height: 10 in
- AFTER P.J. MENE, FEEDING HER PUPPIES,
AFTER P.J. MENE, FEEDING HER PUPPIES, IRONWORKS SCULPTURE WITH KASLI MARK, HEIGHT: 7-1/2 IN; WIDTH: 12-1/2 INAfter P.J. Mene, Feeding Her Puppies, Ironworks Sculpture with Kasli Mark, Height: 7-1/2 in; Width: 12-1/2 in
- PAIR OF AMERICAN CAST IRON FIGURAL CHENETSPair
PAIR OF AMERICAN CAST IRON FIGURAL CHENETSPair of American Cast Iron Figural Chenets , late 19th c., as illustrated in 1882 catalogue of J.L. Mott Ironworks of New York, griffins holding rings with chains, whole with decorative moldings, h. 16 1/2 in., crossbar l. 42 1/4 in
- CAST IRON SKILLETca. 1644-1680; loam
CAST IRON SKILLETca. 1644-1680; loam molded vessel likely a product of the Saugus Ironworks in Lynn, MA, the first ironworks to operate in America, five-sided legs were a Saugus feature, the casting sprue broken from a previous casting and then cast onto this one makes an unusual handle, 7 7/8"d, 4 1/2"h, Condition: much worn with leg erosion from fire and with a rim crack
- Rare Erik Hoglund Boda Candelabrum Floor
Rare Erik Hoglund Boda Candelabrum Floor Lamp Nova Glasswork Axel Stromberg Ironworks
Dimensions: H: 63 inches: W: 17.5 inches: D: 17.5 inches ---
Condition: Very Good Condition.
- PAIR JOHN F. RILEY CHARLESTON CAST IRON
PAIR JOHN F. RILEY CHARLESTON CAST IRON BENCHES Pair of painted cast iron Rococo Revival garden benches by John F. Riley Ironworks, (Charleston, SC, circa 1884-1921), the backs having grape leaf swags on naturalistic branch lattices, above pierced seats, and acanthus scroll arms and legs, marked to the seats. Provenance: From the Collection of Bruce Cusmano, Metropolitan Artifacts, Atlanta, Georgia. Approximate dimensions: h. 32", w. 41", d. 16", seat h. 14. 5".
- CHRISTOPHER THOMSON IRONWORKS FIREPLACE
CHRISTOPHER THOMSON IRONWORKS FIREPLACE TOOLSRustic hand-forged wrought iron fireplace tool set, Christopher Thomson Ironworks, New Mexico, 20th c., comprising of a shovel, broom, and poker, on shaped stand, signed at shovel, approx 31"h, 16"w, 10.25"d, 14.75lbs total
- MOSAIC ROOT LAMP ATTR TO DUFFNER KIMBERLYLamp
MOSAIC ROOT LAMP ATTR TO DUFFNER KIMBERLYLamp attributed to Cincinnati Ironworks Chicago Root lamp base of bronzed metal with Duffner Kimberly Mosaic leaded glass shade. Measures 26"H x 10.5"W base; shade 6.5"H x 18.25"W; 3 sockets. Similar one can be found in 'Mosaic Shades Vol II' by Paul Crist on page 61.
- FALKIRK IRONWORKS, MANNER OF CHRISTOPHER
FALKIRK IRONWORKS, MANNER OF CHRISTOPHER DRESSER
AESTHETIC MOVEMENT HALLSTAND, CIRCA 1880 cast iron, with mirrored panel, cast FALKIRK with registration lozenge66cm wide, 189cm high, 29cm deep
- MID-CENTURY MODERN UPHOLSTERED HOOP
MID-CENTURY MODERN UPHOLSTERED HOOP CHAIRS, 20TH C Assembled pair of mid-century modern hoop chairs adapted after the original model by John Hauser (Austrian/Canadian, active XX) for John Hauser Ironworks, Toronto, with upholstered backrest seat and arms attached to forged iron hoop above four straight legs. 30" H x 30" W x 26" D x 16" seat height
- MARTIN JOHNSON HEADE (AMERICAN, 1819
MARTIN JOHNSON HEADE (AMERICAN, 1819 - 1904) 8 ?" x 10 ?" stretcher size 6 ¼" x 8 ½" image size "Ometepe Volcano, Nicaragua", 1864. Oil on canvas, signed and dated lower left, label verso reads "Ometepe Volcano, Nicaragua, 1864, by Martin J. Heade, J.H. Lidgerwood Estate 'Speedwell', Morristown, New Jersey", gilt frame with spandrel, overall 13" x 15". Pencil recto upper right reads "Ometepe". Provenance: Purchased from the Morristown, New Jersey Lidgerwood estate sale in 1956, run by auctioneer O. Rundle Gilbert, and passed by descent to the current owners. Lidgerwood was the grand - nephew of Alfred Vail , who co - invented the telegraph with Samuel F. B. Morse at " Speedwell" Vail's residence in New Jersey. Born in New York and raised in Morristown he married a daughter of the late Judge Stephen Vail. Vail started Speedwell Ironworks where Lidgerwood was employed until the inception of Lidgerwood Manufacturing Company. There he remained until his death at 80 years old in 1910. Historic Speedwell, "Birthplace of the Telegraph" remains in Morristown.
- Early 19th c. fine Berlin Ironwork bracelet
Early 19th c. fine Berlin Ironwork bracelet marked "Geiss A. Berlin", 7.5"l x 2.5"w along with a similar bracelet, possibly Berlin Ironworks but unmarked, 7.75"l x 1.5"w
- IRON TURTLE STOVE ADVERTISING MATCH
IRON TURTLE STOVE ADVERTISING MATCH SAFE C. 1900Impressed lettering on the top reads 'A.I.WksCo STOVES.' Lettering on the base reads 'AL BION IRONWORKS Co Ltd, VICTORIA BC.'Measures 5.5 inches long.Provenance: 1305
- (3) HAMMERED WROUGHT IRON CANDLEHOLDERSContemporary
(3) HAMMERED WROUGHT IRON CANDLEHOLDERSContemporary ironworks consisting of three individual wrought iron candleholders in the style of Giacometti marked on lower side ''HS'' 26'' H 23'' H and 20'' H each excellent condition. Private collection Metamora MI.
- An American Cast Iron Garden Bench mid-19th
An American Cast Iron Garden Bench mid-19th c. marked Hinderer's Ironworks New Orleans "Passion Flower" pattern found en suite with preceding lot.
- An American Rococo Cast Iron Garden
An American Rococo Cast Iron Garden Settee mid-19th c. probably New York after a design introduced by Carron Ironworks (Scotland 1759-1982) with scalloped floral crest the back of interlocking arches continuous arms reticulated seat foliate skirt cabriole legs height 35 in. width 43 3/4 in. depth 18 1/2 in.