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ADOLF REICH (AUSTRIAN,
ADOLF REICH (AUSTRIAN, 1887-1963), THE VIOLIN LESSON Oil on panel, signed at lower left, presented in a carved wood frame.
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FRIEDENSREICH HUNDERTWASSER
FRIEDENSREICH HUNDERTWASSER (AUSTRIA, 1928-2000) WFRIEDENSREICH HUNDERTWASSER (Austria, 1928-2000) woodcut, "Little Palace of Illness," 1970, from Nana Hyaku Mizu Portfolio. Signed lower center, dated 1970, artist number 487A, edition number 71/200. Label attached verso from Foster Goldstrom Fine Art Inc., San Francisco, Ca. Image measures 13.5" x 9.5". In a wood frame; 20" x 25.75" overall.
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German Stein - ''J. REINMANN
German Stein - ''J. REINMANN MUNCHEN GESETZLICH GESCHUTZT''. 1/2L.
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CARL REICHERT (JULIUS OR JOHANNN
CARL REICHERT (JULIUS OR JOHANNN HARTUNG; H. HEINZ AND J. LOHINGER) (GERMAN, 1836-1918) DACHSHUNDS PLAYING THE ACCORDION OIL ON PANE...Framed; lower left signed: J. Hartung Oil on panel: 11 1/2 x 9 1/2 in.
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J. Hartung (Carl Reichert)
J. Hartung (Carl Reichert) German, 1836-1918 Best Friends
Estimate:$7,000-$9,000
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FRANTISEK REICHENTAL CUBIST
FRANTISEK REICHENTAL CUBIST PAINTING OF A WOMAN New York , Slovakia, Russian Federation,1895-1971Modernist work depicting a woman holding a bird in a vibrant color palette. Reichental is regarded as one of the most influential Eastern European modern artists having painted and taught with Marc Chagall (1887-1985) from 1917 to 1919 after being a Russian POW for serving in the Austro-Hungarian army in 1916. Reichental experienced a prosperous career beginning in 1921 until World War II when his family became the victim of religious persecution traveling through Europe to escape the Nazi's. He finally arrived in the United States in 1950.
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PRINT, PAUL REICHLE Paul Reichle
PRINT, PAUL REICHLE Paul Reichle (German, 1900-1981), Untitled, 1959, monoprint, pencil signed and dated lower right, sight: 20.75"h x 14.5"w, overall (with frame): 29"h x 21.5"w
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RICHARD SERRA (b. 1939):
RICHARD SERRA (b. 1939): "REYKJAVIK" Paintstick on screenprint on paper 67 x 77 in. signed in pencil numbered 19/46 and dated 1991.
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FRIEDENSREICH HUNDERTWASSER
FRIEDENSREICH HUNDERTWASSER SCREENPRINTFRIEDENSREICH HUNDERTWASSER (Austria, 1928-2000) screenprint, "Look at It on a Rainy Day," circa 1971-72, signed in the matrix, edition 76/3000, 18" x 25.5" (opening), 26" x 33.25" (frame).
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FRIEDENSREICH HUNDERTWASSER
FRIEDENSREICH HUNDERTWASSER (AUSTRIA, 1928-2000) SFRIEDENSREICH HUNDERTWASSER (Austria, 1928-2000) serigraph, "Regantag on Waves of Love." Signed lower left and dated 1970, artist number 697A, from an edition of 3000. Opening measures 18" x 25.5". In a metal frame; 26,25" x 33.25" overall.
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Freidensreich Hundertwasser
Freidensreich Hundertwasser (Austrian, 1928-2000), The Hous
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FRIEDENSREICH HUNDERTWASSER
FRIEDENSREICH HUNDERTWASSER (1928-2000), "EYEBALANCE NUMBER FIVE" FROM THE "LOOK AT IT ON A RAINY DAY (REGENTAG PORTFOLIO)," 1972, SCREENPRINT IN COLORS WITH METALLIC EMBOSSING ON PAPER, IMAGE: 18.25" H X 22.625" W; SHEEFriedensreich Hundertwasser, (1928-2000) "Eyebalance Number Five" from the "Look at it on a Rainy Day (Regentag Portfolio)," 1972, Screenprint in colors with metallic embossing on paper Edition: 2944/3000 Signed with the embossed gold signature, and the mechanically-stamped edition number 02944[sic], in the lower margin, at right; with the Schoeller Stern blindstamp in the lower right margin corner; Dietz Offizin, Lengmoos, Bavaria, in cooperation with Günter Dietz, prntr.; Ars Viva, Zürich, Switzerland, pub.; with the Schoeller Stern blindstamp Screenprint in colors with metallic embossing on paper Dimensions: Image: 18.25" H x 22.625" W; Sheet: 19.5" H x 26.5" W
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FRIEDENSREICH HUNDERTWASSER
FRIEDENSREICH HUNDERTWASSER (AUSTRIAN 1928-2000) L'EXPULSION. Color lithograph 1967 signed numbered 44/ 154 and inscribed ''656 Geneve 1967'' Provenance: Kovler Gallery Chicago 647mm x 797mm Sheet: 27'' x 35'' Condition: Slight red pigment scuff about .5'' diameter in the lower right quadrant. Kovler gallery tag on the back. Sections of a yellow pigment line running along the top edge of the paper line incremants approximately 3'' 2'' .5''
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Attr: Johann Nepomuk Andreas
Attr: Johann Nepomuk Andreas Gebhardt (Czechoslovakia 1798 - Vienna 1879) Portrait of a wealthy young woman. Oil on canvas unsigned framed in a grain painted frame overall 14-1/2" x 12-1/2". Canvas size 10-1/4" x 8".
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Otto Eichinger Judaica painting
Otto Eichinger Judaica painting (Austrian, born 1922), titled on frame plate "Rabbi", portrait of elderly rabbi with fur trimmed hat, holding book, signed upper right "O. Eichinger", oil on Masonite, 9-3/8 x 7-3/8 in. (sight); original gilt wood and composition frame. Good condition; frame with minor losses. Private Collection.
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REICHENBACH PORCELAIN PLATTER, TRAY
REICHENBACH PORCELAIN PLATTER, TRAY AND TREFOIL DISH AND A WEIMAR PORCELAIN PLATTERReichenbach Porcelain Platter, Tray and Trefoil Dish and a Weimar Porcelain Platter,
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JOHANN ULRICH MAYR(German,
JOHANN ULRICH MAYR(German, 1630-1704)
Man with a Golden Necklace and a Talon Purse, an allegory of greed, inscribed lower right " Io voglio dir se ben non/son chiamato/se tu non hai denar non/sei stimato ", oil on canvas, 31 x 37-1/2 in.; modern Dutch ripple style lacquered frame, 37 x 43-1/2 in.
Provenance: Ex-collection of Dr. Alfred Bader; Private South Carolina Collection
Note: Johann Ulrich Mayr was a pupil of Rembrandt from 1648-1649. He then studied ia year in Antwerp with Jacob Jordaens.
Reference: https://rkd.nl/en/explore/artists/54244
Dr. Werner Sumowski (1983-1994) has authenticated this painting. See: https://rkd.nl/en/explore/images/268443
https://www.codart.nl/personal/prof-dr-werner-sumowski-1931-2015-passed-away/
Condition:
old lining, restretched on old stretcher, vertical seam in lining with related issues to recto, craquelure, areas of retouch
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Judaica. A rare and important
Judaica. A rare and important document from the siege of Prague 1757 titled ''Beschreibung derer Dancksagungs - Gebetter welche Die Prager Judenschaft wegen Abweichung des Feinds den 29ten Junii 1757 in der so - genannten Synagog Alt - Neu - Schul verrichtet haben''.The document is an order of service from the '' Old - New School Synagogue '' celebrating the end of the siege and the departure of Frederick the Great.
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Johann
Johann
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Johann Friedrich Leberecht Reinhold
Johann Friedrich Leberecht Reinhold (German, 1744-1807)
Selbstbildnis (Self-Portrait), 1785
gouche on paper
11 1/2 x 9 1/4 inches (sight).
Property from the Estate of Jost Hermand, Madison, Wisconsin; Sold to Benefit the University of Wisconsin Foundation
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RICH MITZCHERLICH, EUROPEAN
RICH MITZCHERLICH, EUROPEAN CITYSCAPERich Mitzcherlich, European Cityscape with Figures, oil on canvas, signed "Rich Mitzcherlich" lower right, appx 24" x 18", frame 28 3/4" x 22 3/4". Good condition.
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RICHTER-REICH F.M. (German 1896-?):
RICHTER-REICH F.M. (German 1896-?): ''Amsterdam Flower Market'' OIL/Canvas 23'' x 31'' signed lower right encased in a painted and carved frame 32'' x 39 1/2''.
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AAGE SCHAD
AAGE SCHAD
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EARLY GERMAN SILVER JUDAICA LAVER
EARLY GERMAN SILVER JUDAICA LAVER Berlin standing bear mark, K primary assayer's mark, C secondary assayer's mark. Large cylindrical form, with double handles, the applied shield-form plaque inscribed in Hebrew over a pair of chased hands, and in German, reading "Ihrem Verehrter Rabbiner Jakob Munk, Die Dankbare Kultusgemeinde Worms, 3 Marz 1822;" 5 1/4 in. H, 4 3/4 in. Diam., 22.45 ozt.
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GERMAN REICH CHANCELLERY
GERMAN REICH CHANCELLERY TAPESTRY. Heavy red pile with a gold outlined black swastika surrounded by a gold oak leaf wreath. Gold black and white border post hole at the top and gold fringe at the bottom. Purportedly acquired by a Captain in the US Army while stationed in Europe and descended in his family. 67'' x 58 1/2''.
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Freidensreich Hundertwasser
Freidensreich Hundertwasser (Austrian, 1928-2000), Song of the Whal
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ADOLF SEHRING
ADOLF SEHRING (HUNGARIAN/AMERICAN, 1930-2015) 24" x 20" canvas Jenny by the Pond. Oil on canvas, signed in lower left corner, farmed in gilt wood frame, overall 31 ¼" x 27 ¼". Provenance: original to the artist's collection; purchased through Zoltan Gluck Gallery, Provincetown, Mass., in 1970's.
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German painted earthenware Arab
German painted earthenware Arab bust, J. Uffrecht & Co. Marked "U&C Geschutz" under the base. 15 3/4"H. Good condition with a few small nicks to the bottom of his keffiyeh and the underside of the base.
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Carl Reichert (Austrian, 1836-1918)
Carl Reichert (Austrian, 1836-1918) "An Afternoon Treat", oil on canvas, 18-3/4" x 21-1/2", signed and inscribed lower left "C. Reichert Wien". Presented in a period carved giltwood and plaster frame in the late Louis XIV taste, the corners with exuberantly modeled foliate scrolls of shell configuration, the outer moldings spiral ribbed.
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19th century Viennese watercolor,
19th century Viennese watercolor, portrait of a Field Marshall wearing the Order of the Golden Fleece, standing next to a ledge with a carving of the Schwarzenberg coat of arms, possibly Field Marshall Charles Philipp, signed lower left "Haala 870", watercolor on heavy paper, Austrian/Hungarian, 19th century, image 13-3/4 x 8-3/8 in., page 17-1/2 x 11-7/8 in.; unframed. Light toning and fading, stains in margins, paper tape all edges verso. Descended in the House of Schwarzenberg
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Johan Maresch Composite Tobacco Jar
Johan Maresch Composite Tobacco Jar Advertising "Gesundheit!" Beverage Molded pottery with polychrome decorations jar body comprised of cigars the lid being the Gesundheit man with cereal beverage impressed JM and Made in Bohemia.
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§ FRIEDENSREICH S. HUNDERTWASSER
§ FRIEDENSREICH S. HUNDERTWASSER (GERMAN 1928-2000)
LOOK AT IT ON A RAINY DAY, 1970-72 The complete set of 10 screenprints with metallic embossing, 2553/3000, No. 3 signed and numbered 256/300 in ink, the others with stamped numbering and housed in original wooden portfolio box, the interior of the box signed and numbered in coloured crayon, some prints with the Schoeller Stern blindstamp(10)each sheet 49cm (19 1/4in), 67cm (26 1/2in)Friedensreich Hundertwasser was an Austrian visual artist and architect. His extensive travels informed his commitment to organic form and the natural world, which he believed were integral to human wellbeing. Hundertswasser founded the ‘transautomatism’ style, which was defined by a rejection of the straight line and the implementation of vibrant colour, abstraction and fantasy components. In 1970-72 the artist released the documentary ‘Hundertwasser’s Rainy Day’ with director Peter Schamoni. The film, which followed Hundertwasser as he rebuilt an old ship named the Regentag (Rainy Day), was presented at Cannes and received an Oscar nomination. Hundertwasser also produced a portfolio of ten silk screen prints relating to the film, titled ‘Look at it on a rainy day.’ Produced in collaboration with German art printer Günter Dietz, the complex printing process involved many colour separations, and implemented layers of glass dust to give a radiant and reflective effect. Each portfolio was presented in a wooden box which was signed and numbered by hand.
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FRIEDENSREICH HUNDERTWASSER
FRIEDENSREICH HUNDERTWASSER (1928-2000), "STREET FOR SURVIVORS" FROM THE "LOOK AT IT ON A RAINY DAY (REGENTAG PORTFOLIO)," 1972, SCREENPRINT IN COLORS WITH METALLIC EMBOSSING ON GREY PAPER, IMAGE: 22.25" H X 16" W...Friedensreich Hundertwasser, (1928-2000) "Street for Survivors" from the "Look at it on a Rainy Day (Regentag Portfolio)," 1972, Screenprint in colors with metallic embossing on grey paper Edition: 2944/3000 Signed with the embossed gold signature, and the mechanically-stamped edition number 02944[sic], in the lower margin; Dietz Offizin, Lengmoos, Bavaria, in cooperation with Günter Dietz, prntr.; Ars Viva, Zürich, Switzerland, pub. Screenprint in colors with metallic embossing on grey paper Dimensions: Image: 22.25" H x 16" W; Sheet: 26.375" H x 19.375" W
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JUDAICA RABBI PAINTING ON PORCELAIN
JUDAICA RABBI PAINTING ON PORCELAIN
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PRINT, FRIEDENSREICH
PRINT, FRIEDENSREICH HUNDERTWASSER Friedensreich Hundertwasser (Austrian, 1928-2000), "Regentag auf Liebe Wellen (Rainy Day on Waves of Love),? 1971-1972, screenprint in colors with metallic embossing and ground glass, signed, stamped signature lower right, edition 1845/3000, printed by Dietz Offizin, Lengmoos, published by Ars Viva, Zurich, sight: 17.5"h x 25"w, overall (with frame): 23"h x 30.75"w
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Two fine Josef Riefs gouaches: stag
Two fine Josef Riefs gouaches: stag resting on a hill overlooking a castle on a river; stag being attacked by a lynx, minor water stain , both signed "Pinxt: Jos: Riefs, 1844", gouache on paper, with two 18th engravings of stags by "J. EI. Ridinger", trimmed, stains, creases, grime; 15-1/8 x 21-1/2 in.; unframed. Abrasions, foxing and toning verso, creases, curling of paper edges. Descended in the House of Schwarzenberg