A few examples of appraisal values for
J G GRAVES

• Morris Graves (American
  Morris Graves (American 1910-2001) Ecstatic Gander 1952 oil on canvas laid down on masonite signed Graves and dated (lower right) 38 x 48 inches.
• Archive of the Personal Effects
  Archive of the Personal Effects of Captain Henry S. Graves Co. B 118 NY Infantry Lot includes a stenciled trunk with key framed CDV of Graves as a Sergeant tin plate knife fork and spoon mirror cased glasses leather pouch pin nibs in containor slide top box with shaving brush home made cork screw carved ring with initials HSG bible 1864 Almanac six un-used patriotic envelopes hynmbook clay pipe wooden carved pipe with intinials HSG.Hard tach in sugar bag single brass candle stick cleaning rod Remington pistol in holster with Intinials and unit zinc flask tin containor of snuff half a army blanket used as a shawl. Henry Graves enlisted in Company B. 118th New York as a sergeant in July 1862 at Chazy NY. He was promoted company first sergeant and then commissioned as a 2nd lieutenant a year later. Graves transferred to Company E as 1st lieutenant in May 1864. He was advanced to captain in December and finally mustered out in July 1865. The regiment was part of the Washington Defenses before taking the field as part of the 7th Corps during the Siege of Suffolk in April 1863. Part of the 18th Corps Army of the James the New Yorker's remained in garrison at Yorktown until the start of Grant's Overland Campaign in May 1864. Thereafter the regiment was constantly engaged on the south side of the James River against Petersburg and Richmond and saw hard fighting at Drury's Bluff Bermuda Hundred and Cold Harbor. The regiment then settled in to the trenches for siege operations against Petersburg on the Bermuda Hundred front until March 1865. The 118th joined in the final drive that resulted in the fall of Richmond and the pursuit of Lee's Army toward Appomattox having suffered 99 battle casualties. The regiment did provost duty at Richmond before mustering out in June 1865. Condition: Very good.
• ABBOTT FULLER GRAVES
  ABBOTT FULLER GRAVES (AMERICAN/MASSACHUSETTS)Abbott Fuller Graves (American/Massachusetts, 1859-1936), "Jamaica", oil on canvas, signed lower right, pencil-inscribed "#32610" on stretcher, titled on "Vose Galleries of Boston" label on backing board, 14 in. x 20 1/4 in., framed.
• Michael Graves (American,
  Michael Graves (American, 1934-2015) NJ artist, "Architectural Study Humana Building", original study for the entrance loggia of the Humana Building in Louisville, KY, designed by Graves, mixed media on printed outline, signed "M. G. '82", provenance on reverse from Max Protetch Gallery, NY, 8-1/4" x 7" sight, framed 14-1/2" x 13-1/2", very good condition
• "J & L HEY DAY" BY JOHN GRAVES.
  "J & L HEY DAY" BY JOHN GRAVES. Pennsylvania, 1919-2004. Oil on canvas, signed and dated 2000. Sunrise scene with brick steel mills marked "JL" for Jones & Laughlin and bridges and steamboat coal barges on the Monongahela river. Minor scuff on one roof. 22"h. 37.5"w., framed, 25.25"h. 40.75"w.
• Nancy Graves 1940–1995. Muin. 1977,
  Nancy Graves 1940–1995. Muin. 1977, etching in colors with aquatint, engraving, drypoint, and hand-coloring. 31? h × 35? w in. result: $625. estimate: $800–1,200. Signed, dated and numbered to lower edge ‘24/32 N.S. Graves '77’. This work is number 24 from the edition of 32 published by Tyler Graphics, Mount Kisco, NY. Provenance: Skinner, Boston, American and European Works of Art, 11 May 2018, Lot 55 | Private Collection
• ABBOTT F. GRAVES WOMAN IN MIRROR
  ABBOTT F. GRAVES WOMAN IN MIRROR INTERIOR PAINTING Massachusetts, Maine,1859-1936Impressionist work depicting a young brunette woman in a white and pink gown leaning on a chair and gazing into a cheval mirror. The interior is illuminated by rays of sunshine filtered through the curtains in the background. As a Boston School artist Graves was taught in a realist fashion but grew to accept and utilize impressionism in his career.
• ABBOTT FULLER GRAVES (1859 - 1936),
  ABBOTT FULLER GRAVES (1859 - 1936), ROSES, OIL ON BOARD...Abbott Fuller Graves (1859 - 1936), roses, oil on board, signed lower right Graves, 12" x 18". Condition: Good condition, several small spots with inpainting. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 1 vol. Graves, Robert. Poems 1929.
  1 vol. Graves, Robert. Poems 1929. London: Seizin Press, 1929. First edition, #133/225 signed by Robert Graves. Sm. 8vo, orig. green cloth, gilt-lettered spine; minor edge wear, spine & edges starting to fade to brown. Some discoloration to front free endpaper, small perforation to pp. 9/10 - not affecting ptg. Internally clean. Higginson & Williams A.
• ABBOTT FULLER GRAVES (1859 - 1936),
  ABBOTT FULLER GRAVES (1859 - 1936), ROSES, OIL ON BOARD...Abbott Fuller Graves (1859 - 1936), roses, oil on board, signed lower right Graves, 12" x 18". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• (MATHEMATICS) GRAVESANDE WILLEM
  (MATHEMATICS) GRAVESANDE WILLEM JACOB Elemens de physique demontrez mathematiquement et confirmez par des experiences; ou introduction a la philosophie Newtonienne. Leiden: Chez Jean Arn. Langerak Jean et Herman Verbeek 1746. 2 vols. Folio contemporary worn red calf over marbled boards manuscript title labels to spines uncut. First French edition. With engraved title page vignettes and 116 (of 127) folding plates illustrating many of the new instruments employed by Gravesande and invented by his contemporary Jan van Musschenbroek. Wear to boards with some loss; spine labels chipped; bookplates and manuscript ex-libris to front pastedowns; a manuscript marginalia; some light toning; otherwise fine.
• ABBOTT FULLER GRAVES, (AMERICAN
  ABBOTT FULLER GRAVES, (AMERICAN 1859-1936), CRASHING WAVES, 28 X 49 IN (71.1 X 124.5 CM)Abbott Fuller Graves, (American, 1859-1936) Crashing Waves, Signed Abbott Graves l.l. Oil on canvas Dimensions: 28 x 49 in (71.1 x 124.5 cm)
• ABBOTT FULLER GRAVES OIL ON CANVAS,
  ABBOTT FULLER GRAVES OIL ON CANVAS, PORTRAIT OF MAN. Abbott Fuller Graves (1859 - 1936) MA/ Maine, an oil on canvas, portrait of an old man, signed lower left Abbott Graves, image 20” x 16”, overall 23.5” x 19.5”
• Morris Graves (American, 1910-2001)
  Morris Graves (American, 1910-2001) Untitled (Owl), 1957 sumi inkwash on paper signed and dated lower right 14 3/4 x 25 inches (sheet); 13 1/4 x 24 inches (sight).
• WW. James McGlynn, American 20th
  WW. James McGlynn, American 20th Century, The Cemetery, Watercolor on Paper, Framed, 30 x 38 inches
• ABBOTT GRAVES IMPRESSIONIST WOMAN
  ABBOTT GRAVES IMPRESSIONIST WOMAN PIANIST PAINTING Massachusetts, Maine,1859-1936Impressionist work depicting a young brunette woman in a flowing blue gown playing the piano illuminated by sunlight through leaded windows in a tapestry decorated room. Graves iconic vibrant flowers can be seen through the windows. As a Boston School artist Graves was taught in a realist fashion but grew to accept and utilize impressionism in his career.
• RANDOLPH SCHWABE (BRITISH
  RANDOLPH SCHWABE (BRITISH 1885-1948) THE GRAVEDIGGERS Oil on board41.9cm x 52.7cm (16.5in x 20.75in)Provenance: Michael Sadler;With Abbott & Holder, London, 1979.Exhibited: Colour magazine, July 1916, p. 217 (reproduced in colour)
• ABBOTT FULLER GRAVES, (AMERICAN,
  ABBOTT FULLER GRAVES, (AMERICAN, 1859-1936), ROSES, OIL ON CANVAS, 30 X 40 IN., FRAME: 38 X 48 IN.ABBOTT FULLER GRAVES, (American, 1859-1936) Roses, oil on canvas signed Abbott Graves, l.r. 30 x 40 in., frame: 38 x 48 in. Provenance: The Collection of a Massachusetts Lady. Condition: Condition: Good condition. This work has not been lined and is clear under UV examination.
• JOHN GRAHAM LOUGH (1798-1876) THE
  JOHN GRAHAM LOUGH (1798-1876) THE MOURNERS bronze, medium brown patina, signed 'J. LOUGH'35cm high, 44cm wide
• David Gentleman (born
  David Gentleman (born 1930)/Skipping O'er the Graves/signed wood engraving, 8cm x 9.5cm and/Howard Phipps/Selborne/Chesil Beach in February/both signed and dated/wood engravings [3]
• Mabel Dwight (American, 1876-1955)
  Mabel Dwight (American, 1876-1955) "Old Graveyard New Orleans", 1929, lithograph, signed and dated in pencil lower right, edition of 30, retains gallery label en verso "Stone Press Gallery, New Orleans, Louisiana", sight 10-1/2" x 13-1/4". Glazed, matted and framed. Ex-collection: Dr. James W. Nelson, Gonzales, Louisiana.
• J.D. HARVEY (20TH C.): DESIGN FOR
  J.D. HARVEY (20TH C.): DESIGN FOR GODFREY PHILLIPS PTY LTD. (AUSTRALIA) Pen ink charcoal and watercolor on paper signed and dated '53.
• WWI Memorial Plaque 'George
  WWI Memorial Plaque 'George Grimsby', good very fine, with memorial scroll and regimental badge, presented in a period carved oak frame, glazed/Note: 7880 Private George Grimsby was born in St Luke's, Cheltenham. He served on the Western Front with 1st Bn, Gloucestershire Regiment and was killed in action on 25 August 1916. Grimsby is commemorated on the Thiepval Memorial, France
• Abbott Fuller Graves American,
  Abbott Fuller Graves American, 1859-1936 Along the Garden Path, circa 1915 Estimate:$5,000-$7,000
• Jules Alexandre Grun (French
  Jules Alexandre Grun (French 1868-1934) Untitled ca. 1900 poster 45 x 32 inches.
• LAWRENCE (T.E) T.E LAWRENCE TO
  LAWRENCE (T.E) T.E LAWRENCE TO HIS BIOGRAPHER ROBERT GRAVESAND LIDDELL HART signed limited editions numbers 13/1000 the former with a written letter from Graves to the editor of John O London d.j New York Doubleday 1938 Estimate ?300-400 FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?320
• MORRIS GRAVES, (AMERICAN,
  MORRIS GRAVES, (AMERICAN, 1910-2001), A COLLECTION OF DRAWINGS AND WATERCOLORSMORRIS GRAVES, (American, 1910-2001) A Collection of Drawings and Watercolors, ca. 1930s, comprising: A sketchbook (11 3/4 x 8 3/4 in) with: - pencil sketches of birds on the interior cover - watercolor flower studies; the verso a watercolor of a flicker and a pileated woodpecker, with extensive color notes - double sided pencil studies of geese - pencil and watercolor studies of ducks; a watercolor landscape with a sketch of a duck with color notes - a watercolor of a trout with sketches of ducks with color notes; pencil sketches of ducks, a house, and a seated girl - watercolor and pencil sketches of ducks on the interior back cover 19 loose sheets ( each approx. 11 7/8 x 8 7/8 in.), comprising: - double sided pencil sketch of birds - double sided pencil sketch of plants - double sided colored pencil study of a seated horse - double sided watercolor and pencil studies of birds, with extensive color notes - watercolor and pencil study of birds, with pencil sketches of birds verso - two sheets with pencil sketches that when laid together depict a seated cow, both sheets with other pencil sketches verso - watercolor study of a duck, with other pencil sketches, and pencil sketches of monkeys verso - double sided pencil sketch of chickens - pencil sketch of a seated horse from behind, with pencil sketch of a seated bull, verso - pencil sketch of a seated horse, with another pencil study of a horse verso - double sided pencil sketch of a rooster, with extensive color notes - double sided pencil sketch of ducks, with color notes - double sided watercolor and pencil studies of chickens - pencil sketch of a seated bull, with pencil study of a monkey's head in profile verso - pencil sketch of a standing bull, with pencil study of a monkey verso - watercolor of a goat - pencil sketch of a chicken and a goat, on wallpaper - pencil sketch of a bird - colored pencil sketch of a seated horse Five paper fragments: - watercolor of a pheasant - pencil sketch of a bird and fish - pencil sketch of birds - watercolor of a redwinged blackbird - pencil sketch of a goat One framed watercolor of a bird, painted on wallpaper. Provenance: Sotheby's New York, American Paintings, Drawings, and Sculpture, September 16, 2005, Lot 5; The Collection of an Oregon Gentleman. Condition: Most pages have minor wear consistent with handling/being part of a sketch book. A few pages with minor staining and/or tears. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• Samuel W. Griggs (Massachusetts,
  Samuel W. Griggs (Massachusetts, 1827-1898), New Hampshire Landscape, signed lower left "S.W. Griggs", old tape verso with "Lasala 10-3-66/RD #1 Cochranville, PA" and "…purchased by grandfather William Granville Haw
• NANCY GRAVES 'ABSTRACT COLLAGE'
  NANCY GRAVES 'ABSTRACT COLLAGE' MM/P FRAMED Nancy Stevenson Graves (American 1940-1995), 1974, mixed media and collage on paper depicting gray squares with abstract white typography lines, pencil signed and dated to center lower margin, framed. Provenance: From the Private Collection of Hillel and Johanna Norry, Atlanta, Georgia. Approximate dimensions: paper h. 22.25", w. 29.875"; frame h. 27.75", w. 35.25", total d. 1.25".
• A Cobalt Decorated Stoneware
  A Cobalt Decorated Stoneware Grave Marker Attributed to Charles Decker, Keystone Pottery, Chucky Valley, Tennessee, Circa 1880 the body reads: Emaline J. Graham / Born Mar. 27, 1836 / Died July 11, 1837 / We Hope At Rest. Height 19 inches. Emaline (or Emmaline) Jane Graham was born and passed away in Washington County, Tennessee. Property from the Collection of Dr. James Dawson, Manchester, Kentucky
• Jules Dupre (1811-1889 French)
  Jules Dupre (1811-1889 French) Cattle Grazing in a Meadow
• [Civil War Stereoview] General
  [Civil War Stereoview] General Grant Stereoview by J. Gurney & Son  A standing portrait of Grant wearing his Lieutenant General's jacket over civilian clothing on a J. Gurney & Son imprinted mount inked in verso U.S. Grant The Ed Steers Lincolniana & Civil War Collection Condition: Edge wear and soiling.
• Gerald R. Griffith (American,
  Gerald R. Griffith (American, 20th century) Djibouti (African Eritria), c. 1970s collaged wood on masonite initialed GG (upper right) 25 x 11 1/2 inches.
• J.H. Gillespie (fl 1828-1840)
  J.H. Gillespie (fl 1828-1840) rare portrait miniature of a gentleman, circa 1840 Signed, "JG" on sitter's shoulder, watercolor on paper, gilt locket frame. Sight size: 2 1/8 x 2 3/4 in. some craquelleure to ink outlines on jacket and back of head. small area of paint loss lower center.
• SIX GROTESQUE JUGS. Southern 20th
  SIX GROTESQUE JUGS. Southern 20th and 21st century. All are signed. Makers include ''Mike Henning'' ''Jeny Baenn AL'' ''Grace Hewell'' and three by ''W.A. Flowers NC''. 6 1/2'' to 10''h.
• Thomas Bush Hardy
  Thomas Bush Hardy (1842-1897)/Graveslines/ships in harbour off the French coast/signed and dated/watercolour, 16.5cm x 33cm/Note: label verso E Chrimes, Bournemouth