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GEORGE STEVENS (AMERICAN, 1866 -
GEORGE STEVENS (AMERICAN, 1866 - 1926), STEAMSHIPS IN P...George Stevens (American, 1866 - 1926), steamships in port, oil on canvas, signed lower left "G. Stevens", 24" x 12". Provenance: Estate of James Wadhams
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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Will Henry Stevens (American, New
Will Henry Stevens (American, New Orleans, 1807-1949) \"Abstract Composition\", 18\" x 16\", signed upper right: \"Stevens\". Professionally glazed, matted and presented in a silver-gilt frame.
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WILLIAM LESTER STEVENS (AMERICAN,
WILLIAM LESTER STEVENS (AMERICAN, 1888 - 1969), BOATYAR...William Lester Stevens (American, 1888 - 1969), Boatyard, watercolor on paper, signed lower left "W. Lester Stevens N.A.", sight size 14" x 20". Provenance: Estate of James Wadhams
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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ALFRED GEORGE STEVENS (1817-1875)
ALFRED GEORGE STEVENS (1817-1875)
JUDITH AND DAVID, CIRCA 1862 patinated bronze(2)Judith 22.5cm (9in) high; David 23 (9in) highProvenance:Purchased from Fine Art Society, February 1979. Formerly in the Handley-Read Collection.Note:Alfred Stevens worked on designing these figures between about 1862 and 1865 for a proposed re-decoration St Paul's Cathedral, but the project was never realised. The other figures for the project were St Mark, St John and Jael, all of whom were to be positioned within the dome. The sketches for Judith and David are in the V & A museum (their respective acquisition numbers being A.84-1911 and A.86-1911).
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JOHN L. STEVENS, O/C CHILDREN/DOG &
JOHN L. STEVENS, O/C CHILDREN/DOG & DONKEY20th century, signed lower left, copyright stamp verso. Frame size: 36" high, 46" wide.
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JEROME STEVENS (AMERICAN)
JEROME STEVENS (AMERICAN) PAINTINGDESCRIPTION: A Jerome Stevens painting depicts an oceanside scenes with waves crashing upon ricks, signed along the bottom left "StevenS". Stickered along the back with artist biography. CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: 27.5" x 52" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
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Will Henry Stevens
Will Henry Stevens (American/Louisiana, 1881-1949) "Fisherman in a Pirogue and Cabins Along the Edge of the Bayou", pastel drawing, sight 13" x 16-1/2", signed lower right "Stevens". Glazed, matted and framed.
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Thomas Stephens (American,
Thomas Stephens (American, 1885-1966) Portrait of Edgar Garbisch, Jr, Edgar William Gargisch, Jr was a US Navy military officer, college professor and environmentalist responsible for wetlands preservation; he was the son of prominent art collector, Edgar William Garbisch and descendant of Walter P. Chrysler; Edgar Jr. is depicted here at the age of 12 in US Military Academy uniform, oil on canvas, signed "Thos. E. Stephens '45", 30" x 25", framed 35-1/4" x 30-1/4", very good condition, tiny puncture lower right above signature
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Will Henry Stevens,
Will Henry Stevens, (Louisiana/North Carolina, 1887-1949), \"Boulders\", signed lower left \"Stevens\", pastel on paper, 19-3/8 x 15 in. (sight), stained wood frame,
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William Lester Stevens American,
William Lester Stevens American, 1888-1969 View from the Riverbank and New England Town: A Double-Sided Work
Estimate:$500-$700
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Will Henry Stevens (Louisiana/North
Will Henry Stevens (Louisiana/North Carolina, 1889-1949) Houses in the Bayou, signed lower right in pencil "Stevens", pastel on paper, 14-1/4 x 16-1/4 in.; wood frame,
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Will Henry Stevens (New
Will Henry Stevens (New Orleans/North Carolina, 1881-1949), Smoky Mountains, North Carolina, signed lower right "Stevens", pastel on paper, 18 x 21-7/8 in.; gray-painted frame.
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Thaddeus Stevens Abolitionist
Thaddeus Stevens Abolitionist Congressman Autographed CDV Plus Lot of 5 featuring a cdv portrait of Thaddeus Stevens autographed along bottom edge of albumen with Mathew Brady's Washington D.C. backmark plus the verso inscription: The chair with the red seat belonged to his mother. She sold some things to pay for her sons tuition at college / Thaddeus Stevens. Also included is a cdv titled Managers of the House of Representatives of the Impeachment of Andrew Johnson with Stevens seated in the front row second from left with Brady's backmark; plus a cdv of General Benjamin Butler with Brady's backmark. Butler was also one of the Representatives involved in Johnson's impeachment.The cdvs are accompanied by a 3 x 5 in. card signed Thaddeus Stevens / Penn. which was once removed from a Civil War-era autograph album; and Memorial Addresses on the Life and Character of Thaddeus Stevens Delivered in the House of Representatives Washington D.C. December 17 1868. Washington: Government Printing Office 1869. 8vo cloth-covered boards 84pp.Pennsylvania Congressman Thaddeus Stevens (1792-1868) was a leader of the Radical Republicans before during and after the Civil War. Stevens was a firebrand abolitionist who was an active member of the Underground Railroad and devoted most of his energies in opposing the expansion and even the continuation of slavery in America. Condition: Light even toning to cdvs and signed card. Some wear to books covers; previous owners notes inside book.
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William Lester Stevens
William Lester Stevens (Massachusetts, 1888-1969) The Lumber Mill, signed lower right "Wm. Lester Stevens", oil on Masonite, 19-3/8 x 23-3/4 in.; possibly original painted wood step frame,
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J. and E. Stevens cast iron African
J. and E. Stevens cast iron African American mechanical bank; acrobatic figure in primitive cabin. 3 1/2"H. x 2 3/4"W. x 4"D. good working order, paint loss.
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Will Henry Stevens,
Will Henry Stevens, (Louisiana/North Carolina, 1887-1949), \"Untitled Abstract\", signed lower left \"Stevens \'39\", pastel on gold paper, 18-3/8 x 24 in. (sight), gilt wood frame,
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EDWARD JOHN STEVENS JR. (American
EDWARD JOHN STEVENS JR. (American 1923-1988). TIGER signed and dated 1976 lower right. Mixed media - Framed 18 in. x 22 in.
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WILL HENRY STEVENS
WILL HENRY STEVENS (AMERICAN/LOUISIANA)Will Henry Stevens (American, 1881-1949), "Untitled (Abstract Composition in Green and Grey)", c. 1935-1938, gouache, graphite and pastel on paper, signed lower center, "Fay Gold Gallery, Atlanta, GA" label with artist, title and date on backing, 29 7/8 in. x 22 1/8 in., framed . Provenance: Robert P. Coggins Collection, Marietta, GA
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WILLIAM LESTER STEVENS (AMERICAN,
WILLIAM LESTER STEVENS (AMERICAN, 1888 - 1969) WOODLAND...William Lester Stevens (American, 1888 - 1969) woodlands oil on board signed lower left: William Lester Stevens 11 1/2" x 13 1/4" Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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WILL HENRY STEVENS
WILL HENRY STEVENS (AMERICAN/LOUISIANA, 1881)Will Henry Stevens (American/Louisiana, 1881-1949), "Untitled (Fishing Boat)", 1934, pastel on paper, signed and dated lower left, typed label "On Loan to Alexandria Museum of Art 1995-96, from Blue Spiral 1, Asheville, N.C." with artist on backing paper, 17 7/8 in. x 21 7/8 in., framed . Provenance: Blue Spiral 1, Asheville, NC; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
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J. & E. STEVENS COMPANY OWL
J. & E. STEVENS COMPANY OWL MECHANICAL BANK circa 1880.
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ALFRED STEVENS (british
ALFRED STEVENS (british 1817-1875) FIGURE STUDY Conte crayon on paper Sight: 12 1/4 x 9 3/8 in. provenance: Thomas Agnew & Sons, Ltd., London, United Kingdom. From the collection of Philip Rieff and Alison Douglas Knox Good condition
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WILLIAM LESTER STEVENS (MA,
WILLIAM LESTER STEVENS (MA, 1888-1969), HARBOR VIEW Watercolor, signed at lower right, matted and framed.
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WILLIAM LESTER STEVENS, AMERICAN
WILLIAM LESTER STEVENS, AMERICAN (1888-1969), POINT PLEASANT, DELAWARE RIVER, CA. 1927-1929, OIL ON CANVAS, 42 X 48 INCHESWILLIAM LESTER STEVENS, American, (1888-1969) Point Pleasant, Delaware River, ca. 1927-1929, oil on canvas signed lower right "W. Lester Stevens" oil on canvas Dimensions: 42 x 48 inches Provenance: A New Jersey estate; Private Collection, Massachusetts. Framed dimensions: 46 7/8 x 53 1/4 x 2 1/2 inches William Lester Stevens was born in Rockport, Massachusetts, a seaside town that had been an established destination for artists. He completed his early formal training with Parker Perkins and then attended the Boston Museum School as a student of Edmund Tarbell, Frank Benson, Philip Hale and William Paxton. In 1917, Stevens joined the Army and was sent to Europe. He painted and sketched while in Europe and when he returned to Rockport found that it had become a destination for artists including Frank Duveneck, Childe Hassam, Leon Kroll and Jonas Lie. Together with his friend, Aldro T. Hibbard, Stevens was instrumental in organizing the Rockport Art Association in 1921 exhibiting the works of fifty area artists.Their shared goal was to make fine art more accessible to a broader audience. Stevens would continue to pursue these goals later in his career by organizing the Conway Festival of the HIlls and the Berkshire Arts Festival. As an established artist, Stevens first taught in Rockport and then from 1925-1926 at Boston University and from 1927-1929 at Princeton. He traveled in the south and had one-man exhibitions in Charlotte and Asheville, North Carolina, where his work was well received. When speaking of Stevens few are aware of his time spent painting in the New Hope, Pennsylvania area from 1927 to 1929. In 1927, he was appointed an instructor of freehand drawing and watercolor at Princeton University. According to his exhibition records, Stevens exhibited two paintings at the Pennsylvania Academy of the Fine Arts with New Hope area subjects, "Winter in New Jersey",1929, and "Lumberville" in 1930. In addition, a painting titled "Lumberville" was exhibited at the National Academy of Design in 1929 and at the Art Institute of Chicago in 1930. During his time at Princeton, Stevens was extremely productive and exhibited extensively. In 1928, Stevens exhibited at the American Watercolor Society and won the William S. Delano Prize. He also exhibited at the National Gallery of Art and the Corcoran Gallery of Art. Despite his rigorous academic schedule, he produced enough paintings during 1928 to send works to the New Haven Paint and Clay Club where Winter in New Jersey won the Mansfield Prize. Also, during this time he had a one man show at the American Association of University Women at the Public Library in Birmingham, Alabama, followed by an exhibition of over thirty oil paintings at the J.B. Speed Museum in Louisville, Kentucky. In 1929, Stevens gave up his teaching position at Princeton and returned to Rockport. In an article written by Charles Movalli for the 'American Artist' he wrote: "Stevens loved to talk about art - and himself. Steve thought he was the only painter in the world, a friend remembers fondly. He used to joke that 'only God and Lester Stevens can make a tree. He never tired of talking about the time his hero, Edward Redfield, the great outdoor painter, saw a Stevens painting in a show and said, "That kid's going to go far." It is likely that Redfield and his paintings of Point Pleasant first inspired Stevens to visit the area." In 1934, the Stevens family left Rockport and moved to Conway, Massachusetts where the artist remodeled an old farmhouse and built a studio facing Mount Monadnock. He painted throughout his entire life and died in Conway in 1969. By 1964 he had won more awards than any other living artist except for Sargent. Tags: American Impressionist, American Impressionism, oil painting, New Hope School, Cape Ann School, Rockport artist, Delaware, Pennsylvania Impressionism Condition: overall good condition; there are two repairs apparent under UV, one about 2 x 3 inches in the left tree, another linear repair lower center, approximately 12 x 1 inch; UV photos available upon request We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
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EDWARD JOHN STEVENS, ANCIENT
EDWARD JOHN STEVENS, ANCIENT KING, 1957 Edward John Stevens, Jr. (American, 1923 - 1988) "Ancient King" titled, signed, and dated on stretcher, with gallery label from the E. Weyhe Art Books Gallery on reverse reading "Ancient King / original oil / by / Edward John Stevens" and with additional inventory labels, depicting a Pre-Columbian Aztec double flute player sculpture rendered in detailed overlapping patterns. Image: 31.5" H x 23.5" W; frame: 39" H x 31" W.
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WILLIAM LESTER
WILLIAM LESTER STEVENS(Massachusetts, 1888-1969)
The Church Steeple, signedÿ lower right "W. Lester Stevens NA", inscribed with title stretcher verso, oil on canvas, 28 x 24 in.; 31-1/4 x 27-1/4 in., Provenance: From the Estate of the Late Jim VanStory, Weaverville, North Carolina
Condition:
wax and linen lined, surface dirt layer, small surface anomaly canvas verso middle; frame with wear and abrasions
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Alfred George Stevens (British
Alfred George Stevens (British 1817-1875)/Study of a Seated Nude/red chalk, 20.5cm x 28cm
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HOME BANK J&E Stevens c. 1872
HOME BANK J&E Stevens c. 1872 cast iron great example painted in light tan red door green trim dark brown roof and yellow striping quite extensive detailing. 5 3/8'' h. (Near Mint Cond.)
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WILL HENRY STEVENS
WILL HENRY STEVENS (AMERICAN/LOUISIANA, 1881)Will Henry Stevens (American/Louisiana, 1881-1949), "Forest Flowers", pastel on paper, pencil-signed lower right, 16 in. x 13 7/8 in., unframed
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STEVENS, Stanford, (American,
STEVENS, Stanford, (American, 1897-): Middle Eastern Street Scene, Watercolor, sight size 21 1/2'' x 15'', signed, framed, 30 1/2'' x 24''.
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WILLIAM LESTER STEVENS (AMERICAN,
WILLIAM LESTER STEVENS (AMERICAN, 1888-1969), BARNS Watercolor on paper, signed at lower right, matted and framed under glass.
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EDWARD JOHN STEVENS, ANCIENT
EDWARD JOHN STEVENS, ANCIENT KING, 1957 Edward John Stevens, Jr. (American, 1923 - 1988) "Ancient King" titled, signed, and dated on stretcher, with gallery label from the E. Weyhe Art Books Gallery on reverse reading "Ancient King / original oil / by / Edward John Stevens" and with additional inventory labels, depicting a Pre-Columbian Aztec double flute player sculpture rendered in detailed overlapping patterns. Image: 31.5" H x 23.5" W Frame: 39" H x 31" W
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WILL HENRY
WILL HENRY STEVENS(American/Louisiana, 1881-1949)
#516, Untitled (Abstract with Squares), signed lower right "Stevens", pastel on paper, 24-1/2 x 19 in.; metallic wood frame, 37 x 31 in.
Condition:
surface is excellent, not examined out of archival framing; frame with minor dings
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J. & E. STEVENS COMPANY ALWAYS
J. & E. STEVENS COMPANY ALWAYS DID SPIES A MULE MECHANICAL BANK circa 1879. cast iron.
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J & E STEVENS JUNIOR CASH
J & E STEVENS JUNIOR CASH REGISTER BANK Early 20th c. Cast Iron Still Bank by J & E Stevens (Cromwell, CT), in the form of a cash register, relief molded swirl decorated nickel plated surface, marked "Junior" and "Cash", base marked "Manufactured by The J & E Stevens Co. Cromwell, Conn. U.S.A." and "Pat. Apld For", 5 1/4" high. Surface wear.
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[Autographs and Manuscripts]
[Autographs and Manuscripts] Thaddeus Stevens Abolitionist Congressman ALS 1833 Thaddeus Stevens (1792-1868). Leading Republican figure in the House of Representatives during the Civil War and Reconstruction. Ardently abolitionist merciless to the South and credited with arranging the financing that paid for the war. 1p dated April 8 1833 at Gettysburg addressed to William C. Frazer. Condition: Toning one small tear at margin.