A few examples of appraisal values for
JACK VETTRIANO

• JACK LEVINE (1915-2010, NY & MA),
  JACK LEVINE (1915-2010, NY & MA), MIXED MEDIADRAWING OF A GENTLMAN IN A TUXEDO. SIGHT SIZE 17 1/2" X 11 1/2", SIGNED LOWER LEFT.
• Francois Vincent (b. 1951),
  Francois Vincent (b. 1951), Canadian JAGUAR, 1995 signed, titled, dated "95" and numbered 2/30 image 9.5 x 4.75 in — 24.1 x 12.1 cm
• 1 piece. Hand-Colored Aquatint
  1 piece. Hand-Colored Aquatint Engraving. Vernet, (Antoine Charles Horace.) "Le Jockei au Moment de Monter a Cheval." Paris: Jazet & Aumont, n.d. [ca. 1840]. 14 3/4 x 17 1/2 inches (375 x 445 mm), full? margins. Light to moderate mat burn, occasional minor spotting, verso browned, hinged at upper margins. Framed.
• JACQUES VILLON (FRANCE,
  JACQUES VILLON (FRANCE, 1875-1963) "Skiers and Horses, 1962", drypoint etching on paper, pencil signed and numbered 49/60, from "Dents de Lait, Dents de Loup" (MIlk Teeth, Wolf Teeth), printer Takias, Paris; label verso from Ferdinand Roten Gallery with an original price of $100. In maple box frame, linen mat under glass, OS: 21" x 25", impression: 12" x 8 1/2", light rippling.
• Vontury vase from 1940 with two
  Vontury vase from 1940 with two horses a dog and a bird signed by the artist what appears to be ''HJ.'' Signed Vontury and dated. There is an old staple repair to the bottom portion of the piece. 13'' tall.
• VINCENT CAPRARO (NY, 1929-2016)
  VINCENT CAPRARO (NY, 1929-2016) "The Vagabond", aquatint etching on paper, pencil signed and numbered 42/50, label verso from The Vincent Price Collection giving title, in silver molded frame, pale green mat, glazed, OS: 20 1/4" x 15 1/4", impression: 8 3/4" x 3 3/4", good condition.
• NICK VACCARO "VI (FOR JOAN MIRO)"
  NICK VACCARO "VI (FOR JOAN MIRO)" (OIL CA. 1982)Nick Vaccaro (Kansas, 1931-2002) VI (For Joan Miro) , circa 1982 Oil on canvas 60" x 60" Title and estate-stamp signature to the reverse. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition A small amount of mildew to the reverse of the canvas. The canvas is depressed in the top left corner.
• AFTER GIUSEPPE VALERIANI
  AFTER GIUSEPPE VALERIANI (ITALIAN, C. 1690-1762)After Giuseppe Valeriani (Italian, c. 1690-1762) , "Piazza di San Marco", "Altra Veduta del Ponte d'Rialto", "Veduta della Dogana di Mare di Venetia" and "Altra Veduta Del Ponte di Rialto", 20th c., 4 hand-colored lithographs, printed by Edizione Ponte Vecchio, sights 8 1/4 in. x 10 1/2 in., framed alike. (4 pcs.) Condition: Overall good condition
• ANTONIO VISENTINI (ITALIAN,
  ANTONIO VISENTINI (ITALIAN, 1688–1782) AFTER CANALETTO (GIOVANNI ANTONIO CANAL), (ITALIAN 1697 -1768) 14¼" x 193/16" plate; 19?" x 257/16" paper Veduta di SS Giovanni, e. Paolo. Etching on laid paper mounted to board, matted in a black frame with gold fillet, overall 23" x 31". Provenance: property of a distinguished Pittsburgh gentleman.
• Varujan Boghosian mixed media,
  Varujan Boghosian mixed media, signed, titled and dated on verso, Varujan Boghosian, Jumping Jacks, 2004. Originally purchased directly from the artist. 20.5" x 16.75" x 1.5" Frame 20.5" x 16.5" Condition: good CT Transfer Fee $20
• VIRGILIO TOJETTI, SPRING AND AUTUMN
  VIRGILIO TOJETTI, SPRING AND AUTUMN (2)Virgilio Tojetti (Italian/American, 1851-1901)Spring and Autumn (2)oil on canvassigned lower right or lower left V. Tojetti10 x 6 3/4in (25.5 x 17cm)
• ERNEST TROVA (AMERICAN.1927-2009)
  ERNEST TROVA (AMERICAN.1927-2009) STANDING JACKMANDESCRIPTION: A sculpture by surrealist artist Ernest Trova, composed of polished bronze titled "Standing Jackman" Features multiples figures mirroring each other. Stamped along the underside "8/99 1986" with Trova Stamp. Comes with Artist book, Similar sculptures/studies for walking Jackman pictured on pages 95 and 96. Replicas of these sculptures are given to CFDA winners as awards, designers such as Ralph Lauren, YSL, Giorgio Armani, and Marc Jacobs have been recipients. CIRCA: 1986 ORIGIN: USA DIMENSIONS: H: 9" W: 11" CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• TOJETTI, Virgilio, (Italian,
  TOJETTI, Virgilio, (Italian, 1851-1901): Young Beauty with Daisies in her Hair, Watercolor, oval sight size is 16.50'' x 13.50'', signed in the right margin, framed 23'' x 18''. CONDITION: Some staining on the left upper edge and top edge, frame does have some damage to the gesso.
• JACK PERLMUTTER (AMERICAN,
  JACK PERLMUTTER (AMERICAN, 1920-2006) "VENICE", COLOR LINOCUT. ARTIST PROOF, PENCIL SIGNED, TITLED, AND EDITIONED. 22 X 30 IN. (55.88 X 76.20 CM.)Jack Perlmutter (American, 1920-2006) "Venice", Color Linocut. Artist Proof, Pencil Signed, Titled, and Editioned., Dimensions: 22 x 30 in. (55.88 x 76.20 cm.)
• GIAN BERTO VANNI, MIXED MEDIA
  GIAN BERTO VANNI, MIXED MEDIA PAINTING Gian Berto Vanni (Italian, b. 1927), untitled, oil and gold leaf on board, scratch-signed "VANNI" lower right, inscribed and signed "Gian Berto" on verso, 13.25"h x 16"w (board), 19:h x 21.75"w (frame)
• John C. Vondrous
  John C. Vondrous (American/Czechoslovakian, b. 1884) "Venezia". Drypoint etching, ca. 1914-16, signed and titled in pencil in the lower right margin, signed, titled and dated in the plate at the lower left, approx. 9" x 12-5/8" plate size, matted and framed under glass overall approx. 16-1/2" x 19-1/4". Older label verso from Arthur H. Kahlo & Co., New York.
• NICK VACCARO "JAZZ SEEN IV" (1984
  NICK VACCARO "JAZZ SEEN IV" (1984 COLLAGE)Nick Vaccaro (Kansas, 1931-2002) Jazz Seen IV , 1984 Paper collage on artist's board 28" x 22" Pencil-signed and dated to the bottom right corner, titled to the reverse. The glazed frame measures 28 1/4" x 11 1/4" x 1". Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition. The frame shows some scratches/ scuffs.
• NICK VACCARO "JAZZ SEEN XVII" (1985
  NICK VACCARO "JAZZ SEEN XVII" (1985 COLLAGE)Nick Vaccaro (Kansas, 1931-2002) Jazz Seen XVII , 1985 Paper collage on artist's board 28" x 22" Pencil-signed and dated to the bottom right corner. Not framed. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition, noting a very gentle bow to the artist's board.
• VIN GIULIANI (1930-1976), GEOMETRIC
  VIN GIULIANI (1930-1976), GEOMETRIC ABSTRACT, MIXED MED...Vin Giuliani (1930-1976), geometric abstract, mixed media on stained wood, signed top right Giuliani 1961, 13.75" x 22.5". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Jacob Jaskoviak (Roger) Knight
  Jacob Jaskoviak (Roger) Knight (American, 1938-1994) Untitled (Woman with Three Cats) oil on board 12 x 15 inches (canvas).
• ANGIOLO VANNETTI (ITALY,
  ANGIOLO VANNETTI (ITALY, 1881-1962), CARVED MARBLE TIGRESS AND CUBS SCULPTURE 19th century, etched signature of "A. Vannetti" to base.
• JACK PERLMUTTER (AMERICAN
  JACK PERLMUTTER (AMERICAN 1920-2006), JETTY, ETCHING AND AQUATINT, SIGNED L.R., TITLED L.L. AND ARTIST PROOF, L.C., FRAME: 19 X 20 1/4 IN. (48.3 X 51.4 CM.)Jack Perlmutter (American 1920-2006), Jetty, Etching and Aquatint, Signed l.r., Titled l.l. and Artist Proof, l.c.,, Dimensions: Frame: 19 x 20 1/4 in. (48.3 x 51.4 cm.)
• ANTONIO VISENTINI (ITALIAN,
  ANTONIO VISENTINI (ITALIAN, 1688-1782), AFTER CANALETTO (ITALIAN, 1679-1768)ANTONIO VISENTINI (Italian, 1688-1782), after CANALETTO, (Italian, 1679-1768) Prospectus ab aedibus bemborum usque ad grimanos calergios nunc vendramenos, engraving plate: 10 12/ x 16 1/2 in., frame: 20 x 25 1/2 in. Provenance: Provenance: Collection of a Massachusetts Professor. Condition:
• JACK LEVINE, AMERICAN
  JACK LEVINE, AMERICAN (1915-2010), DREIGROSCHEN FILM, 1967, ETCHINGS, 19"L X 15"W X 1"DJack Levine, American, (1915-2010) Dreigroschen Film, 1967, etchings 25 soft ground etchings inspired by Bertolt Brecht and G.W. Pabst Dreigroschen Film of 1930. Numbered and signed. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters. etchings Dimensions: 19"L x 15"W x 1"D
• JACK LEVINE, AMERICAN 1915 -
  JACK LEVINE, AMERICAN 1915 - 2010, MASTER COPY OF JAN V...Jack Levine, American 1915 - 2010, Master Copy of Jan Von Eyck's (1390 - 1441) "Ritratto d'uomo, forse giovanni arnolfini: Arnolfini", oil on canvas, signed lower right "J. Levine", Karl E. Fortress, label on back, 8" x 10". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received
• JENDZIO, Vivian, (American, 20th
  JENDZIO, Vivian, (American, 20th Century): Hounds in a Landscape, Mixed Media w/ Watercolor, sight size 7.75'' x 10'', signed lower left, framed, 15.25'' x 16.25''.
• JIM VOSHELL, BENNY GOODMAN
  JIM VOSHELL, BENNY GOODMAN ORCHESTRA, MIXED MEDIA Two original artworks by James Voshell (Maryland Artist, born 1943), each depicting Benny Goodman and his desegregated band in front of a turboprop airliner, each signed, comprising: a large painting, the figures painted on masonite cut-outs and arranged against a sheet metal collage (dated April, 1974), 48 3/4 in., square, framed; the same subject, rendered in pen and ink on paper (March, 1973), 12 in. Sq., plus margins, framed.
• JACK LEVINE, NEW YORK /
  JACK LEVINE, NEW YORK / MASSACHUSETTS (1915-2010), THE HORSE, ETCHING, 15”H X 21”WJack Levine, New York / Massachusetts, (1915-2010) The Horse, etching Artist's Proof. Signed lower right, titled verso. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters. Source: Peter Falk, "Who Was Who in American Art" Matthew Baigell, "Dictionary of American Art" etching Dimensions: 15"H x 21"W
• Victor Vasarely
  Victor Vasarely (French-Hungarian, 1906-1997) serigraph "Juggler", silkscreen on paper, pencil signed "Vasarely", edition 80/250, 26" x 16" image, 30-1/2" x 19-5/8" sheet, good condition
• Giuseppe Vanni (Italian 18th
  Giuseppe Vanni (Italian 18th Century) 18th Century Ornithological Watercolor Watercolor on laid paper with printing in upper and lower portion of the plate collector's information on verso; plate size 13.5 x 10.5 in. Property of Caswell and Sara Lane Condition: Foxing and light toning.
• Vincenzo Frunzo (Italian, b.1910)
  Vincenzo Frunzo (Italian, b.1910) "Paesaggio No.4" (Landscape) Oil and sand on masonite. Signed and dated '61 lower right. Signed again verso. Silvan Simone Gallery, L.A. and La Jolla Art Center rental gallery labels verso. 19 1/2" x 23 1/2".
• VIERI VAGNETTI LITHOGRAPH FOR
  VIERI VAGNETTI LITHOGRAPH FOR FERRAGAMO UOMOVieri Vaganetti (Italy, 1935-). Lithograph for the opening of the Ferragamo Uomo stores. Pencil signed and numbered 30/400 in lower margin. With original Salvatore Ferragamo paper folio, with additional info on verso of folio. Image 20 1/2" x 12 3/4" (sheet 19 1/2" x 27 1/2"). Scratches and discoloration to cover of folio.
• JACK LEVINE, NEW YORK /
  JACK LEVINE, NEW YORK / MASSACHUSETTS (1915-2010), PORTRAIT, ETCHING, 18”H X 12”WJack Levine, New York / Massachusetts, (1915-2010) portrait, etching Numbered (13/75) lower left, signed lower right. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters. Source: Peter Falk, "Who Was Who in American Art" Matthew Baigell, "Dictionary of American Art" etching Dimensions: 18"H x 12"W
• JACK LEVINE, NEW YORK /
  JACK LEVINE, NEW YORK / MASSACHUSETTS (1915-2010), PORTRAIT, ETCHING, 17”H X 15”WJack Levine, New York / Massachusetts, (1915-2010) portrait, etching Number (164/250) lower left, signed lower right. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters. Source: Peter Falk, "Who Was Who in American Art" Matthew Baigell, "Dictionary of American Art" etching Dimensions: 17"H x 15"W
• JIRI ANDERLE, "VANITAS XII", FRAMED
  JIRI ANDERLE, "VANITAS XII", FRAMED ETCHING, 1988 Jiri Anderle (Czechoslovakian born 1936), "Vanitas XII" (Schubert Fr?hlicher Lebensmut),1988, mezzotint drypoint, etching of multiple heads above a floral bouquet, titled, numbered 7/7, signed and dated lower center in graphite, framed. Sight approx. h. 17.5", w. 14"; Overall h. 28", w. 24.5".
• VITTORE ZANETTI CITY STREET SCENE
  VITTORE ZANETTI CITY STREET SCENE ETCHING Italy,1864-1946Crosshatched buildings and stippled street and sky creates a lovely texture while an single person feeds birds by the side of the road.