A few examples of appraisal values for
JACOB RUPPERT

• JOHN RUPPERT. PAIR OF ABSTRACT
  JOHN RUPPERT. PAIR OF ABSTRACT SCULPTURES, BRONZE (American, 20th century). Two bronzes, each initialed "JR" on the bottom, both approximately 10 in. H. x 7 in. W.
• WORK ON PAPER, RAFFI JACOBIAN Raffi
  WORK ON PAPER, RAFFI JACOBIAN Raffi Jacobian (American, b. 1928), Portrait of a Man, charcoal on paper, signed lower right, overall (with frame): 31"h x 24.75"w
• JACOBUS DE RUBEIS and GIOVANNI
  JACOBUS DE RUBEIS and GIOVANNI GIACOMO DE ROSSI (ITALY 17TH CENTURY) URBIS ROMAE NOVISSIMA DELINEATIO Engraving: 21 x 15 1/2 in (sight size) Framed; 1650
• RUDOLF JACOBI (GERMAN/AMERICAN,
  RUDOLF JACOBI (GERMAN/AMERICAN, 1889-1972)Rudolf Jacobi (German/American, 1889-1972) , "Boat in Harbor", gouache on paper, pencil-signed lower right, 9 5/16 in. x 12 in., framed
• RUPERT ROSENKRANZ (1908-1991)
  RUPERT ROSENKRANZ (1908-1991) ABSTRACT PRINTFramed "electrograph" print on paper, Abstract Red Composition, signed lower right R. Rosenkranz (Rupert Rosenkranz, Austrian, 1908-1991), dated 1961, numbered 1/ 10 lower left on supporting sheet, sheet: approx 14"h, 14"w, overall: approx 28.25"h, 28.25"w, 9.25lbs
• ROBERT RAUSCHENBERG (american
  ROBERT RAUSCHENBERG (american 1925-2008) "N.Y.C. STREET, 1951" Edition 11/50, signed in ink marker in the image and pencil inscribed verso "RR.140.6". Black and white digital ink jet print. 18 x 18 in. (45.7 x 45.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. ,000-3,000 Excellent condition; the full sheet with margins. A clean, crisp impression with full, clean margins. With pencil notation verso "RR 140.6".
• ROBERT RAUSCHENBERG (1925-2008):
  ROBERT RAUSCHENBERG (1925-2008): RUBICUND Offset lithograph in colors mounted on mat board signed dated '82 and numbered 66/85. Provenance: Property from the Collection of the late Samuel N. Friedman. 30 1/2 x 20 3/4 in. 36 5/8 x 28 1/4 in. (frame).
• Jacobus Houbraken (Dutch,
  Jacobus Houbraken (Dutch, 1698-1780) "Portraits", suite of eight black and white copper engravings, 1746, Amsterdam, sight 17" x 11-3/4". Glazed, matted and presented in molded ebonized frames.
• Jacob Oberholtzer (Bucks County
  Jacob Oberholtzer (Bucks County Pennsylvania active 1819-1828) ink and watercolor on paper fraktur bookplate early 19th c. of a... ?
• JACOB BINDER CHILDREN PORTRAIT
  JACOB BINDER CHILDREN PORTRAIT PAINTING Massachusetts, Russia,1887-1984Depicts a young boy dressed in blue and white standing next to his younger blonde sister dressed in pink. Binder studied at the Academy of Art in Petrograd and under Joseph DeCamp and John Singer Sargent.
• F. JACOBUS VAN ROSSUM (1856-1917)
  F. JACOBUS VAN ROSSUM (1856-1917) DUTCH“Road to Kiev”, oil on panel, 10 x 14.5 inches, signed.
• Jacob D. Blondell painting (New
  Jacob D. Blondell painting (New York, 1817-1877), portrait of a young child holding flowers in a landscape, signed lower right "J.D. Blondell 1846" and verso under wax "J.D. Blondell pinxt/1846", 30 x 25-1/8 in.; 19th century gilt wood frame with ripple-style molding. Lined with wax and semi-transparent lining, flaking, crackle, cupping, cleavage, retouch affecting 30 percent of surface (background).
• JACOB AUGUST RIIS (DANISH/AMERICAN,
  JACOB AUGUST RIIS (DANISH/AMERICAN, 1849-1914)Jacob August Riis Danish/American, 1849-1914 Bandits' Roost - a Mulberry Bend Alley , 1888 mid 20th century print The narrow alleyway tightly populated by men, posed, one near the foreground with a double-barreled shotgun, the heads of women emerging from windows to the right, the sky draped with laundry. The verso stamped "Photograph by Jacob A. Riis/ The Jacob A. Riis Collection/ Museum of the City of New York", titled in pencil "Bandit's Roost Mulberry St. 1888" and numbered Riis 101. Sheet: 13 3/4 x 10.9 in. (34.9 x 27.7 cm.)
• RUPERT CONRAD (AMERICAN,
  RUPERT CONRAD (AMERICAN, 1904-1979)Rupert Conrad (American, 1904-1979)., "Martinique Market", lithograph, pencil-signed, titled and numbered "6/11" lower margin, initialed in plate, inscribed "Island House, Ashford, P.R." on backing, sheet 16 in. x 21 1/4 in., matted. Condition: Overall fair condition.
• ATTRIB SIR JACOB EPSTEIN, STUDY
  ATTRIB SIR JACOB EPSTEIN, STUDY OF TWO RECLINING FIGURESAttributed to Sir Jacob Epstein (American/English, 1880-1959)Study of two reclining figurespencil on papersigned lower right Epstein.18 x 21in (46 x 53.5cm) Provenance:The e
• JACOB AUGUST RIIS (DANISH/AMERICAN,
  JACOB AUGUST RIIS (DANISH/AMERICAN, 1849-1914)Jacob August Riis Danish/American, 1849-1914 Baxter Street Court , ca. 1890 mid 20th century print Four young boys and four young girls pose rigid at opposing ends of an alleyway draped in laundry, a mother turning in the doorway towards the back, a landing above revealing a silhouetted male figure of imposing stature. The verso stamped "Photograph by Jacob A. Riis/ The Jacob A. Riis Collection/ Museum of the City of New York", titled in pencil "Baxter Street Court (22 Baxter St.)" and numbered Riis 108. 13 3/4 x 10.9 in. (34.9 x 27.7 cm.)
• RUDOLF JACOBI (GERMAN/AMERICAN,
  RUDOLF JACOBI (GERMAN/AMERICAN, 1889-1972)Rudolf Jacobi (German/American, 1889-1972) , "Red House", gouache on paper, pencil-signed lower right, handwritten label with artist and "Artique Shoppe, New Orleans" stamp on backing paper, 17 3/8 in. x 21 7/8 in., framed Condition: Overall good condition
• JACOB MAENTEL WATERCOLOR DOUBLE
  JACOB MAENTEL WATERCOLOR DOUBLE FOLK PORTRAITJacob Maentel (American 1763-1863) , large watercolor double folk portrait of Elizabeth and Philip Wolfersberger of Lancaster, Pennsylvania, standing holding a book and hat respectively with farm in the background, 16 1/4" x 11 1/4". Provenance: Edith Gregor Halpert collection. Competitive in-house shipping is available for this lot.
• Jacob Glushakow (American
  Jacob Glushakow (American 1914-2000). Fruit Merchant pen and ink with wash signed and dated on verso 15 x 11 in. framed; together with a portfolio of assorted sketches one signed Estimate $ 100-200 Paintings have not been examined by blacklight.
• JACOB JACOBSON (GERMAN
  JACOB JACOBSON (GERMAN 1818-1891)Jacob Jacobson (German 1818-1891) Ruins of Falkenstein (castle) 1872 "Winter scene in harz" Oil on Canvas Signature lower right "J. Jacobson 1872" Size 43" x 35" Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale. Our online buyers premium is 28%.
• Jacobus Houbraken (Dutch,
  Jacobus Houbraken (Dutch, 1698-1780) "Illustrious Personnages of Great Britain", suite of eight copper portrait engravings, after Sir Godfrey Kneller (1646-1723), sight 16" x 11-1/2". Glazed, handsomely matted and framed en suite.
• ATTRIBUTED TO JACOB MAENTEL
  ATTRIBUTED TO JACOB MAENTEL (AMERICAN, 1763-1863), PORTRAIT OF A MAN Watercolor and gouache on paper, in period frame with gilt fillet.
• NATHAN RAPOPORT, NEW YORK / RUSSIAN
  NATHAN RAPOPORT, NEW YORK / RUSSIAN FEDERATION, POLAND (1911 - 1987), JACOB WRESTLING THE ANGEL, 1966, BRONZE, 13 1/2"H X 11"W X 5"DNathan Rapoport, New York / Russian Federation, Poland, (1911 - 1987) Jacob Wrestling the Angel, 1966, bronze Signed to base. Biography from the US Holocaust Memorial Museum: BIOGRAPHICAL HISTORY Nathan Rapoport was born in 1911 in Warsaw, Poland to a poor but extremely religious Jewish family. He was the grandson of Hasidim: one grandfather was a cantor; the other a shochet [ritual slaughterer]. As a child he belonged to Hashomer Hatsa'ir [Young Guard of the Zionist Left Wing], and attended Hebrew school. However, he had to leave school to help support the family. Rapoport trained as an architectural apprentice and at age 14 entered a municipal art school and studied sculpture. He attended the Academy of Art in Warsaw and won awards for his architectural, metal, and sculptural work and commissions for portrait busts that helped pay his tuition. He received scholarships to study at the Fine Arts Academy in Paris and to travel to Italy. Throughout the 1930s, he entered and won many competitions. In 1936, his piece, The Tennis Player, was submitted by the Polish government for exhibition in Berlin as part of the Summer Olympics, but Rapoport refused to let it be shown in Nazi Germany. In June 1939, Rapoport left Paris and returned to Warsaw. When Germany invaded Poland on September 1, 1939, Rapoport fled the city to join the Polish army which was regrouping in the forests between Warsaw and Bialystok. Unable to locate the army, Rapoport, along with other Jewish refugees, fled east into Soviet-controlled territory. Refugees who could provide skills deemed valuable by the state were allowed to stay in the Soviet Union. Rapoport identified himself as an artist and joined a collective of 120 Jewish artists in Bialystok which provided food, clothing and housing. Members of the Communist Party Arts Committee arrived from Minsk, looking for works for an upcoming exhibition. Rapoport's work impressed the committee and they moved him to a studio in Minsk where he worked alongside another Jewish artist. Several of his pieces were shown at this exhibition. While in Minsk, the 2nd secretary of the Party, Kulagin, visited Rapoport's studio and commissioned several state projects. On June 26, 1941, the Germans captured Minsk after a surprise attack on the Soviet Union, and Rapoport and his wife were evacuated to Alma Alta. Rapoport was forced to leave his family and was shipped to a forced labor prison camp in Novosibirsk, Siberia. Rapoport learned that his former patron, Kulagin, now the 1st secretary of the Party, was based in Novosibersk. The two met and Kulagin moved Rapoport out of the camp and into a studio. He provided Rapoport with food and vodka; Rapoport used the alcohol as currency to purchase supplies. Recommissioned as state sculptor, he created sculptures of people the state deemed worth remembering, such as people and heroes of the Patriotic War. He spent the remainder of the war living and working in Russia until he was repatriated to Warsaw in early 1946. Both his mother and sister perished during the Holocaust. In 1947 Rapoport presented a model to the Warsaw Jewish Committee. The model commemorated the Warsaw ghetto uprising, which began on April 19, 1943, when Jewish residents of the ghetto, faced with deportation, resisted German forces. It ended on May 16, 1943, with the destruction of the ghetto. The committee accepted his design with the provision that it must be completed by the anniversary of the uprising on April 19, 1948. Soon after the dedication, Rapoport emigrated to the newly established state of Israel where he lived until immigrating to the United States in 1959, becoming a citizen in 1965. Rapoport produced multiple, large scale, public works memorializing the Holocaust throughout the world, including Yad Vashem and Kibbutz Yad Mordecai in Israel and monuments in Philadelphia and New York City. He died in New York City on June 6, 1987. At the time of his death, he was divorced and survived by a daughter. He was 76 years old. Emu Biography: Nathan Rapaport also designed a monument to the Warsaw ghetto uprising which was unveiled in 1948. bronze Dimensions: 13 1/2"H x 11"W x 5"D
• ROBERT RAUSCHENBERG (1925-2008):
  ROBERT RAUSCHENBERG (1925-2008): WORKS FROM CAPTIVA - AN EXHIBITION AT THE VANCOUVER ART GALLERY SEPT 8 - OCT 29 1978 Poster and catalogue in canvas bag with imprinted artist picture. Provenance: Property from the collection of Jan Cowles.
• Attributed to Jacob Eichholtz
  Attributed to Jacob Eichholtz (American 1776-1842) oil on poplar panel profile portrait of a gentleman 8 1/2" x 7". ?
• JACOB EICHHOLTZ, PORTRAITJacob
  JACOB EICHHOLTZ, PORTRAITJacob Eichholtz (American 1776-1842) , oil on panel portrait of a gentleman, inscribed verso Jacob Eichholtz artist Lancaster, Jany 11, 1807 , in giltwood frame, 9 1/2" x 7 1/4". Exhibited at Lancaster County Historical Society, April - December 2003. Competitive in-house shipping is available for this lot. Condition: Parts: documents. Frame size - 16'' x 13 1/2''. Losses to frame.
• ALLEN RUPPERSBERG (B. 1944):
  ALLEN RUPPERSBERG (B. 1944): UNTITLEDLithograph in black on wove paper, 1978, signed, dated and numbered 42/46 in pencil, with label from Brooke Alexander, NY. 21 1/4 x 29 1/4 in. (sheet), 23 x 31 in. (frame). Condition The full sheet. In excellent condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• Jacob Glushakow (American,
  Jacob Glushakow (American, 1914-2000) Jewish Community Center pen and ink on paper signed "Glushakow" lr 10 1/2 x 13 1/2 in., framed
• JACOB ALT (GERMAN,
  JACOB ALT (GERMAN, 1789-1872)Jacob Alt (German, 1789-1872) , "Sight on Rome", oil on canvas, signed, indistinctly dated and inscribed "Rome" lower center, monogrammed lower left, 48 in. x 79 in., framed with artist and title plaque . Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA
• Jacob Richard (American b. 1883)
  Jacob Richard (American b. 1883) Winter Creek oil on canvas signed J. Richard (lower right) signed lower right 24 x 30 inches.
• JACOB AUGUST RIIS (DANISH/AMERICAN,
  JACOB AUGUST RIIS (DANISH/AMERICAN, 1849-1914)Jacob August Riis Danish/American, 1849-1914 Sabbath Eve in a Coal Cellar, Ludlow Street , ca. 1890 mid 20th century print The candid shot of a bearded lodger, seated at a table with a loaf of bread. The verso stamped "Photograph by Jacob A. Riis/ The Jacob A. Riis Collection/ Museum of the City of New York", titled in pencil (erroneously) "Five Cents a Spot" and numbered Riis 155. Sheet: 10.9 x 13 3/4 in. (27.7 x 34.9 cm.)
• Manner of Jakob G. Cuyp (Dutch,
  Manner of Jakob G. Cuyp (Dutch, 17th Century) Circa 1660 Wandering Tobias with Dog oil on panel 24 7/8 x 18 1/8 inches. Property from the Collection of William and Sharon Treul, Pewaukee, Wisconsin
• Irwin Jacob Rosenhouse (American b.
  Irwin Jacob Rosenhouse (American b. 1924) "Three Children". Woodcut on paper signed in the lower right margin titled in the lower left margin the image size apprx. 11-1/2" x 16-3/4" matted and framed under glass overall apprx. 19-1/2" x 25".
• ROBERT RAUSCHENBERG (1925 -
  ROBERT RAUSCHENBERG (1925 - 2008): PRE-MOROCCOfrom "Eight by Eight to Celebrate the Temporary Contemporary" portfolio; 1983; color lithograph on Rives BFK paper, framed floating under glass; pencil-signed, dated, and numbered 73/250 lower left; printed by ULAE, New York (blind stamp lower left); Provenance: The Estate of Famed Hollywood Producer Mace Neufeld, Beverly Hills, CA; 41 x 29 inches; 48 1/4 x 36 inches frame Condition:
• Barclay Lawrence Jacob Rubincam,
  Barclay Lawrence Jacob Rubincam, American, PA, 1920 - 1978, o/c, Covered Bridge in Snow, 16" x 24", framed, obtained from artist Estimate $1,000-1,500
• Jacob Eicholtz painting
  Jacob Eicholtz painting (Pennsylvania, 1776-1842), woman in profile facing left and wearing blue gown and lace fichu, inscribed and signed verso "Miss Catherine Kubler Age 20 yrs Lancaster Penns. Painted in 1814 by Eicholtz", oil on panel, 9-1/8 x 7-7/8 in.; 19th century gilt wood and composition reverse-profile frame. Craquelure, grime; frame with loss to composition, resurfaced liner.