A few examples of appraisal values for
JAMES AVERY

• JAMES ASHER (AMERICAN, B. 1944)
  JAMES ASHER (AMERICAN, B. 1944) VENETIAN REFLECTIONS WATERCOLOR ON PAPER: 12 X 11 IN.JAMES ASHER, (AMERICAN, B. 1944) VENETIAN REFLECTIONS, Watercolor on paper: 12 x 11 in. Framed
• James Hardy (British, 1832-1889)
  James Hardy (British, 1832-1889) \"Still Life of Dove, Baskets and Red Peppers\", watercolor on paper, 7\" x 10\", signed lower right \"J. Hardy\". Glazed and presented in a gilt and gesso exhibition frame.
• James Perach (American 20th
  James Perach (American 20th century) Brook Trout of Southern Appalachian August 16 1999 pencil on paper signed James Perach and dated (lower right) 8 x 12 1/2 inches.
• James Hardy (1801-1879)/Brittany
  James Hardy (1801-1879)/Brittany Peasants/watercolour, 54cm x 76cm
• JAMES B. ANDERSON (1886-1938)
  JAMES B. ANDERSON (1886-1938) BRITISHJames Bell Anderson, "In Pithay, Bristol", oil on board, signed lower right and titled lower left, 8" h x 6" w.
• James Sharples, Sr. pastel
  James Sharples, Sr. pastel (English/American, 1751-1811, active in New York and Philadelphia 1793-1801), said to be portrait of Fisher Ames (1758-1808), pastel on paper, oval 9-5/8 x 7-3/4 in.; original late 18th/early 19th century carved and gilt wood oval frame. Lined with paper, 3/4 in. repaired tear at check to proper right ear with retouch (restoration by Patricia Morris, Santa Fe, New Mexico), other small tears and chipping at edges, some mild abrasion to coat.
• James Bohary (American, b. 1940)
  James Bohary (American, b. 1940) Untitled, 1995 acrylic on paper signed 'James Bohary,' dated and inscribed 'P.56' (lower left) 24 x 19 inches.
• James Ivey (19th/20th Century)
  James Ivey (19th/20th Century) attributed, coastal landscape, in royal giltwood frame; loss to frame, overall good condition, age wear, surface wear, surface soiling; sight L 24 1/2" H 16" (Approx.)
• RALPH AVERY (AMERICAN, 1906-1976)
  RALPH AVERY (AMERICAN, 1906-1976) Watercolor gouache. Signed 'Ralph Avery' (lower left).
• Two African-American drawings,
  Two African-American drawings, portraits of George Avery (Asheville, North Carolina, 1846-1938): one of George Avery and a young girl in a rocking chair, inscribed verso "Original Geo. Avery of Asheville/Babysitter for negro women, took them in his own home where he lived alone", 10 x 10-1/8 in.; one a half portrait, wearing a hat, 7 x 5 in., both signed "CWP", pencil on paper, unframed, American, early 20th century. Handling grime, toning.
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Glass Blowers, Murano (H. 243), 1930, X, signed lower right "James McBey", drypoint etching, plate 5 x 6 in.; black frame, 12 x 13 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: dark rich impression, not apparently laid down, not examined out of frame
• James Affleck Shepherd (English,
  James Affleck Shepherd (English, 1876-1946) Laughing Monkeys pen on paper signed J.A.S. (lower left) 5 14 x 9 1/2 inches (sight). Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky, offered without reserve
• WATERCOLOR, JAMES ESTEY James Estey
  WATERCOLOR, JAMES ESTEY James Estey (American, 1940-2014), Floral Still Life, watercolor, signed lower right, overall (with frame): 42"h x 34"w
• AVERY PALMER (1983- )Artist:
  AVERY PALMER (1983- )Artist: Avery Palmer (1983- ). Titled: A Curious Turn of Events. Signed LR: Avery Palmer. Medium: Oil on board. Dimensions: (housing size) 14 1/2 x 17 1/2 inches; (image size) 10 1/2 x 13 1/2 inches. Housing: Gold and copper painted wood frame with serpentine pattern to the innermost and outermost border. Description: A bald figure posed as a horse, with feet for hands and dressed as a clown, looks down at a man sitting in a boat in a very small body of water; the man, naked and seated, looks down at a large spider on his right leg. Condition: : Very good. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• James Bohary (American, b. 1940)
  James Bohary (American, b. 1940) Untitled, 1997 acrylic on paper signed 'James Bohary,' dated and inscribed 'P.57' (lower center) 25 1/2 x 18 inches.
• AFTER JAMES GILLROY (ENGLISH
  AFTER JAMES GILLROY (ENGLISH 1757-1815), 'HE STEERS HIS FLIGHT...', COLOR ENGRAVING, FRAME: 26 7/8 X 21 7/8 IN. (68.26 X 55.56 CM.)After James Gillroy (English 1757-1815), 'He Steers His Flight...', Color Engraving,, Dimensions: Frame: 26 7/8 x 21 7/8 in. (68.26 x 55.56 cm.)
• James Michalopoulos (American/New
  James Michalopoulos (American/New Orleans b. 1951) "Amarillo Victorian" 1994 oil on canvas signed lower left signed titled and dated en verso 24 in. x 30 in. in an ornate giltwood frame.
• PAINTING, ATTRIBUTED TO GEORGE
  PAINTING, ATTRIBUTED TO GEORGE JAMESONE Attributed to George Jamesone (British, c. 1587-1644), Portrait of a Gentleman, oil on canvas, unsigned, numbered 450 verso, artist plaque affixed to frame lower center, canvas: 48"h x 36"w, overall (with frame): 55.75"h x 43.5"w
• James Karpowicz (American b.
  James Karpowicz (American b. 1968) Untitled. Mixed media on canvas signed verso not framed.
• JAMES CROMARTIE ACRYLIC ON CANVAS
  JAMES CROMARTIE ACRYLIC ON CANVAS "007"James Cromartie (American b. 1914) Acrylic on Canvas "007" , with idyl dory at slack tide, signed lower right Cromartie 20 in. x 30 in. Framed 28 in. x 38 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• James W. Pattison watercolor (James
  James W. Pattison watercolor (James William Pattison, Illinois/Asheville, North Carolina, 1844-1915), boy leaning against tree, signed lower right "J.W.P", watercolor on paper, unframed, 4-5/8 x 2-3/4 in. Light abrasions, uneven trim edge at top, corner loss lower right. Estate of Patricia Pattison Shuttles, Asheville, North Carolina.
• Aylward William James [American/New
  Aylward William James [American/New York 1875-1956] illustrator art oil on canvas painting of a World War II Atlantic Ocean naval combat scene with Nazi war planes signed l.r. "W.J. Aylward".
• James Cole (1715-1774) -
  James Cole (1715-1774) - Engraving - ''The Ichnography or Plan of the Cathedral Church of Canterbury 18.5ins x 13.5ins (plate 33) in later Hogarth frame and glazed
• Milton Avery (American 1885-1965)
  Milton Avery (American 1885-1965) Man with Pipe 1938 drypoint signed Milton Avery and dated (lower left) 6 1/2 x 5 1/2 inches.
• JAMES MCBEY (SCOTTISH,
  JAMES MCBEY (SCOTTISH, 1883-1959), VENICE Etching and drypoint, 1930, ink signed and numbered lower margin, also with printed details in the plate, matted and framed.
• PRINT, MILTON AVERY Milton Avery
  PRINT, MILTON AVERY Milton Avery (American, 1885-1965), "The Twisted Tree," 1943, drypoint etching, pencil signed and dated lower right, edition 25/60, image: 5.25"h x 6.75"w, overall (with frame): 15.5"h x 18.25"w. Provenance: Purchased from Christie's (New York), May 1, 2007, lot 1.
• JAMES HAROLD JENNINGS (NC,
  JAMES HAROLD JENNINGS (NC, 1930-1990), PAIR OF ANGELS Paint and glitter on plywood cut-outs, signed on the verso with a name "James Boyles" added within a cloud.
• Anthony T. Avery (20th C. English)
  Anthony T. Avery (20th C. English) oil on canvas landscape with birches ''Wye Valley Scene Herefordshire England '' signed LR ''A.T. Avery '' ss: 8'' h. x 10'' w. framed.
• PAINTING, JAMES EVERETT STUART
  PAINTING, JAMES EVERETT STUART James Everett Stuart (American, 1852-1941), "Near Livermore," 1925, oil on board, signed and dated lower left, signed and titled verso, board: 15"h x 20"w, overall (with frame): 18"h x 23"w
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Oropesa, Spain, 1954, signed lower left "James McBey" and inscribed, watercolor and ink, sight 11-1/8 x 18-3/4 in.; wood frame, 18-7/8 x 26-1/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: some toning and fading, not examined out of frame
• JAMES HAVARD, ACRYLIC ON CANVAS,
  JAMES HAVARD, ACRYLIC ON CANVAS, 1978 James Havard (American, b. 1937), "Cree Skin", pencil signed, titled and dated upper margin, again on reverse stretcher, unframed, approx. 40"squ
• JAMES MCBEY. "MOLO," ETCHING
  JAMES MCBEY. "MOLO," ETCHING (Scottish, 1883-1959). Etching, pen signed "James McBey" lr, sheet size: 15 1/4 x 11 3/4 in., unframed.
• JAMES AVATI (AMERICAN/NEW YORK,
  JAMES AVATI (AMERICAN/NEW YORK, 1912-2005)James Avati (American/New York, 1912-2005) , "Oriental Romance", oil on masonite, signed lower left, titled en verso, 30 in. x 30 in., framed in oval mat
• JAMES WHITBECK
  JAMES WHITBECK (AMERICAN/MASSACHUSETTS)James Whitbeck (American/Massachusetts, b. 1973) , "Still Life with Flowers and Butterfly", "Strawberries and Wine" and "Lemons and Red Ginger Jar", 3 oils on panel, 2 signed mid-right, one monogrammed lower right, 2 with exhibit labels with title on reverse of frame, all with artist information attached en verso, 18 in. x 14 in. to 18 in. x 24 in., each framed. (3 pcs.) Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.
• DRAWING, MILTON AVERY Milton
  DRAWING, MILTON AVERY Milton Avery (American, 1885-1965), Untitled (Six Studies), pencil on paper, signed lower right, gallery label (DC Moore Gallery, New York) affixed verso, sheet: 11"h x 8.5"w, overall (with frame): 19.5"h x 16.5"w
• JAMES MCBEY(Scottish, 1883-1959) La
  JAMES MCBEY(Scottish, 1883-1959) La Fava, or Santa Maria della Fava, 1925, XLII, signed lower right, "James McBey", signed in plate, "McBey, Venice, October 1925", drypoint etching on blue green antique laid paper, plate 12-7/8 x 8-1/2 in.; circa 1940s wood frame, 23 x 17-3/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: good, rich impression, taped in a top two corners, some toning, ink signature slightly faded; frame with abrasions