A few examples of appraisal values for
JAMES BAILLIE

• Scottish School, 19th
  Scottish School, 19th Century/Portrait of William Baillie 1768-1855/Sheriff of Dumfries/three-quarter length, wearing a black coat/oil on canvas, 91.25cm x 61.5cm/Provenance:-purchased lot 398 Chorley's January 2013
• WILLIAM JAMES LAIDLAW BAILLIE
  WILLIAM JAMES LAIDLAW BAILLIE (BRITISH, 1921 - 2011) 18" x 19" sight size "The Attic Room", mid-20th century. Watercolor on paper, signed lower right, Heal's Art Gallery, London label on frame backing verso with title and artist information, W. J. L. Ballie, Edinburgh label on frame backing verso, matted in a gold metal frame, overall 25 ½" x 25 ½".
• James McBey (Scottish, 1883-1959)
  James McBey (Scottish, 1883-1959) Three Works: Landscape with Sailboats watercolor on paper signed lower right 4 x 7 3/4 inches. Ras-el-Ain etching on paper signed, titled, and dated in plate to lower right; further signed and editioned to lower margin 7 3/4 x 12 1/2 inches (plate). Desert of Sinai etching on paper signed, titled, and dated in plate to lower left; signed and editioned to lower margin 7 3/4 x 13 3/4 inches.
• Will James (1892-1942 Billings
  Will James (1892-1942 Billings MT) Protecting the Herd
• William Ballantine Dorsey
  William Ballantine Dorsey (American, b. 1942). Landscape with Bluebells. Oil on canvas, signed at the lower right corner, approx. 24" x 30", framed in a wide gilt frame overall approx. 32-1/8" x 38".
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Point Law, Aberdeen, (H. 1), 1902, a rare edition of 12 proofs, signed "James McBey" and inscribed "1st November 1902", etching, plate 4 x 5-1/2 in.; black frame, 13 x 11-5/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: dark rich impression, not examined out of frame, light toning and foxing, stain upper right
• BEATTIE, JAMES AN ESSAY ON THE
  BEATTIE, JAMES AN ESSAY ON THE NATURE AND IMMUTABILITY OF TRUTH Edinburgh: A. Kincaid, 1770. First edition, 8vo, half-title, contemporary calf, head of spine slightly rubbed
• TSCHIRGI, James D., (American,
  TSCHIRGI, James D., (American, 1925-2016): ''Bill Bailey Comes Home'', Oil/Board, 11.5'' x 14.25'', signed lower right, signed and titled verso, framed, 12.25'' x 15''.
• CARLISLE BAILLIE OIL ON CANVAS
  CARLISLE BAILLIE OIL ON CANVAS (British 19th century) Man seated at writing table before an open window 10'' by 14''. Signed in pencil verso and dated 1897 Edingbugh Scotland. In period gilt wood gold leaf and gesso wide frame.
• * James Abbott McNeill Whistler
  * James Abbott McNeill Whistler (American 1834-1903) Billingsgate 1859 etching 6 x 8 3/4 inches.
• JAMES MCNEIL WHISTLER (1843-1903)
  JAMES MCNEIL WHISTLER (1843-1903) "BILLINGSGATE" Etching. 1859.
• Good Georgian Oval Wax Portrait
  Good Georgian Oval Wax Portrait Silhouette of Scottish Poet James Beattie, third quarter 18th century, presented on a marbled paper background within a period black-painted glazed shadowbox, bearing the later printed paper label of Chicago antiquarian W. Russell Button, h. 7", w. 6".
• ATTRIBUTED TO WILLIAM BAILLIE
  ATTRIBUTED TO WILLIAM BAILLIE (scottish 20th century) SURREAL LANDSCAPE Signed and dated '1946' verso, watercolor on paper, unframed Sheet: 9 5/8 x 12 in. provenance: Goldmark Gallery, Uppingham, United Kingdom.
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) The Thames Barge Race: The Sarah Winning, (H. 273), VIII, signed lower right "James McBey", etching, 6-3/8 x 12-3/8 in.; black frame, 14-7/8 x 20-1/4 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: dark rich impression, not examined out of frame, not apparently laid down
• JAMES ABBOTT MCNEILL WHISTLER
  JAMES ABBOTT MCNEILL WHISTLER R.B.A. (AMERICAN 1834-1903) BILLINGSGATE (KENNEDY 47; GLASGOW 51) Etching and drypoint, 1859, Glasgow's ninth state (of nine), signed and dated in plateplate size 15cm x 22.5cm (6in x 8.75in)
• James McBey (UK 1883 - 1959)
  James McBey (UK 1883 - 1959) Etching''The Storyteller '' signed ''James McBey'' in lower right margin signed in plate with ''Teutan December 1912 '' penciled collection numbers and title in lower margin presented in a wooden frame. Plate 6.75 x 11 3/8 in.; Sheet 8.5 x 13.25 in.; DOA 14.75 x 19.25 in.Light struck.The Estate of the late Dr. John and Mrs. Lorna Lamont Boston MA
• JAMES B. SMITH (1822-1897)
  JAMES B. SMITH (1822-1897) BRITISHJames Burrell Smith, (untitled) bridge over a waterfall, oil on canvas, signed lower left & dated 1894, set within a good gallery frame, condition: small hole top middle, 35.25" h x 27.5" w.
• (English, 1858-1943) James Clark
  (English, 1858-1943) James Clark (English, 1858-1943)
• JAMES A.M. WHISTLER (1834-1903):
  JAMES A.M. WHISTLER (1834-1903): BILLINGSGATE Etching on paper 6 x 8 7/8 in. (plate sight); signed and dated 1859 in the plate.
• James Abbott McNeil Whistler
  James Abbott McNeil Whistler (American 1834-1903) "Billingsgate" 1859 etching signed and dated in plate Kennedy 47 VIII of 8 plate 6 in. x 8 7/8 in. attractively matted and framed.
• *James Abbott McNeill Whistler
  *James Abbott McNeill Whistler (American 1834-1903) Billingsgate etching 6 x 8 3/4 inches.
• JAMES CHARLES PLAYFAIR (BRITISH
  JAMES CHARLES PLAYFAIR (BRITISH ACTIVE FROM 1865-1904) MEDITATION Signed and dated '75, watercolour31cm x 22cm (12.25in x 8.5in)Provenance: Collection of Dr. John A. Packer, Edinburgh
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Marguerite Sleeping, 1933, signed lower left ?McBey/April 1933.?, oil on canvas, 16 x 21-3/8 in.; fine carved and gilt wood frame, selected by the artist, 25 x 30-3/4 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: original stretcher and tacking edge, recently cleaned and varnished; frame with wear to gilding commensurate with age, separations, some losses to surface
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Asila, Morocco, 1933, signed left "James McBey/Arcila, 1933", watercolor and ink on paper, sight 11 x 15-1/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: toning, foxing, hinged at top
• After James Baillie Fraser
  After James Baillie Fraser (British, 1783-1856) "The Junction of the Touse and Pabur" and "The Ridge and Fort of Jytock", pair of hand-colored aquatints, engraved by Robert Havell & Son, published in 1820, London. Glazed, matted and framed en suite.
• JAMES BALLANTINE & SON, EDINBURGH
  JAMES BALLANTINE & SON, EDINBURGH TWO STAINED GLASS CARTOONS, CIRCA 1896 sepia wash on paper, later framed,186cm x 63cm; and 218cm x 63cm; and another STAINED GLASS CARTOON, sepia wash on paper, later framed, 150cm x 60cm(3)Note: Two of the cartoons in the present lot were made for a window depicting scenes from the life of Joseph in St Giles Cathedral, Edinburgh. The completed window, dating to around 1896, is comprised of four pointed trefoiled lights arranged in two stages with tracery and bears the inscription ‘To the Glory of God and in Memory of/ Alexander Stewart Born at New Rattray/ Blairgowrie 26th July 1822/ Died Edinburgh 13th Nov 1896.’
• James McBey (Scottish,
  James McBey (Scottish, 1883-1959) Galant Port Errol etching signed James McBey (lower right) and numbered VII (lower left) 13 3/4 x 9 1/2 inches (sight).
• William Bailey (American,
  William Bailey (American, 1930-2020) Still Life #3, 1976 lithograph signed, dated and numbered 14/100 in pencil 17 3/4 x 25 3/4 inches. Property from a Private Art Collection
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) The Quai Gambetta, Boulogne (H.170), 1916, XI, signed lower right "James McBey", etching, plate 7-15/16 x 11-3/8 in.; wood frame, 17-3/4 x 20-1/4 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: not examined out of frame, toning, not apparently laid down; frame with abrasions
• James A. M. Whistler (1834-1903)
  James A. M. Whistler (1834-1903) ''Billingsgate''etching on laid paper (no watermark) signed and dated in the plate ''Whistler 1859 '' numbered ''B8627'' in pencil on the verso of the paper matted and framed under glass.Plate size 8 7/8 x 6 in.; Paper size 8.25 x 11 3/8 in.; DOA 14.5 x 17.75 in.Some toning and light foxing.Private Collection NC
• James Baillie Fraser (after)
  James Baillie Fraser (after) British (1783-1856) ASSEMBLAGE OF GHORRKAS engraved by R. Havell & Son 1820 colored aquatint framed titled: lower margin sight size: H19'' W24 1/2'' together with: David Wilkie (after) British (1785-1841) BLIND MAN'S BLUFF circa 1820 colored engraving framed titled: lower margin sight size: H19 3/4'' W24'' Claude-Joseph Vernet (after) French ( 1714-1789) COTES PRES DE CIVITA VECCHIA colored engraving framed titled: lower margin sight size: H15 1/4'' W20'' German school (18th century) WILHELMINA AMALIA print framed titled: lower margin page size: H12 1/2'' W8 1/2'' (4pcs) Provenance: Estate of the late Francis D. ''Skeeter'' McNairy Savannah Georgia. Not examined out of frame: Ghorrkas: paper lightly toned and with slight foxing. Blind Man's Bluff: paper toned and discolored moderate staining at center. Cotes: paper heavily toned horizontal tear at right edge foxing in the upper left corner vertical crease at left quarter. Wilhelmina: good condition with discoloration consistent with age; appears to have been trimmed. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Still life of Flowers in a Silver Cup, unsigned, oil on canvas, 19-1/2 x 15-5/8 in.; gilt wood frame, 26-1/4 x 22-3/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: loose wrapped on wood panel, flaking, abrasion; frame with surface losses, popped corners
• JAMES A.M. WHISTLER, B/W
  JAMES A.M. WHISTLER, B/W LITHOGRAPH, 1895 James Abbott McNeill Whistler (American, 1834-1903), "Girl with Bowl" (Way 82; Levy 121), on Chine volant, signed in print with artist cipher, pencil signed lower right, from an un-numbered edition of 600, printed by Lemercier, Paris, matted and framed under plexiglass, 11"h x 8"w (sight), 22"h x 19"w (frame)
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) The Moonlight Attack, Jelil (H. 200), XXXVIII, signed lower right "James McBey", etching on gray/green paper, plate 9 x 15-3/8 in.; wood frame, 16-7/8 x 23 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: small ink stains in margins, not examined out of frame, not apparently laid down
• James A. McNeill Whistler
  James A. McNeill Whistler (American 1834 1903) print/etching and drypoint wiped tone on laid paper depicting a busy shipyard signed lower right ''Whistler 1859'' titled ''Billingsgate'' matted and framed without glass rub spot right center ss.8'' h. x 10'' w.
• WILLIAM BAILEY (AMERICAN,
  WILLIAM BAILEY (AMERICAN, 1930-2020), STILL LIFE, OSTIA Lithograph in colors, 1994, pencil signed, dated, and numbered 87/108 lower margin, published by List Art Posters and the Lincoln Center for the Performing Arts, New York, matted and presented in gilt frame.