A few examples of appraisal values for
JAMES BROWN

• Antique Volume A History of the
  Antique Volume A History of the Highlands and of The Highland Clans, James Brown, Vol III 1859
• A WWI Colonel's Porcelain Shaving
  A WWI Colonel's Porcelain Shaving Mug Early 20th Century with the name Col. Kemper / Depot Brigade Camp Devens / 1917 below two crossed rifles. underside marked T&V Limoges France. Height 3 1/2 inches. Colonel James Brown Kemper (1876-1942) was born in Cincinnati, Ohio. He served in the Philippines during the Spanish-American War and at Fort Devens in Massachusetts during World War I. The fort was established in 1917 as a training base and served as a separation center after the war. Property from the Collection of James Carpenter, Montague, New Jersey
• JAMES BROWN (1951-2020): ROOM STUDY
  JAMES BROWN (1951-2020): ROOM STUDY 1; ROOM STUDY 2; ROOM STUDY 3; ROOM STUDY 4; AND ROOM STUDY 5Five oil on brown paper, 1986, all signed 'James Brown', titled and dated on the reverse. All 37 1/4 x 25 in. (sheet), unframed. Condition All in very good condition. Paper with some rippling innate to material. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JAMES BROWN (1951-2020): STABAT
  JAMES BROWN (1951-2020): STABAT MATER (BROWN) XVDispersion on lead, 1988-89, signed 'James Brown', titled, dated and inscribed 'Paris' on the stretcher, with label from Leo Castelli, NY. 51 x 35 1/2 in., unframed. Condition In very good condition. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JAMES BROWN "INTERNAL ORDER" OIL ON
  JAMES BROWN "INTERNAL ORDER" OIL ON CANVAS James Brown (American, 1951-2020), "Internal Order (X99.0.81)," oil on canvas, 1999, signed, titled, and dated to reverse, gallery label "Gallery Paule Anglim (California, USA) affixed to stretcher, unframed. 51" H x 61" W x 1.25" D. From the artist, donated to Bill T. Jones company, New York Live Arts
• 1830 TENNESSEE PORTRAIT MINIATURE
  1830 TENNESSEE PORTRAIT MINIATURE OF KINHECHE, CHICKASA...Caroline Dudley (Tennessee, 1802-1832) important watercolor miniature portrait painting, depicting Chickasaw Native American dignitary Kinheche in bright garb and headdress holding a bow and arrow. Inscription identifying subject as "Kinhichi", en verso or interior paper liner, and as "Kinhishee" on the exterior of the back of the frame. Housed in a wooden frame with gilt metal sight edge and oak leaf hanger. Sight: 2 3/4" H x 2 1/4" W. Framed: 6" H x 5" W. Circa 1830. Note: this portrait was painted in Franklin, Tennessee in August of 1830 during the landmark treaty summit between President Andrew Jackson and the Chickasaw Nation, conducted at the city's Masonic Hall. Caroline Dudley was the daughter of a prominent Middle Tennessee settler and leader, Guilford Dudley; both were among the spectators invited to witness the treaty event. According to family history, Miss Dudley was so impressed by the appearance of Kinheche or Kin-hee-shee (who according to some accounts may have been a son of the chief), that she was inspired to paint his likeness. Miss Dudley may have been a teacher of art or other similar subjects at the Young Ladies Boarding School run by her mother, Anna Bland Eaton Dudley on the West Harpeth River in Williamson County from 1809-1840 or at Mrs. Long's School on West Main Street in Franklin, which was run by her sister, Judith from 1826-1828 and 1834-37. After Caroline Dudley's death just two years later at the age of 30, the painting was inherited by her sister Frances and descended in the family to its last private owner, Mary Bright Wilson of Lincoln County, Tennessee. Historical background: "After his Indian Removal Act was passed in May of 1830, President Andrew Jackson invited the Chickasaw Nation to a treaty council to be held the following August in Franklin, Tennessee. During their stay, the Chickasaw delegation met Jackson in the Franklin Masonic Hall, a National Historic Landmark which still stands at 115 2nd Ave South in Franklin. This would be the first treaty negotiation under the Removal Act and a successful outcome was important to the President, who was a charismatic and influential figure among the Chickasaw. Some of the older minkos (chiefs or headmen) had served under Jackson's command at the Battle of New Orleans and the Creek War, during the War of 1812. They called him "Sharpe Knife". Jackson appointed John Coffee and John Eaton as treaty commissioners. Coffee was a long time friend who had also served with Jackson in 1812. Eaton, Jackson's Secretary of War, lived in Franklin. The Chickasaw delegation was led by Levi Colbert - Itawambe Miko (Bench Chief), and included George Colbert, James Colbert, John McLish, Captain William McGilvery, Captain James Brown, Isaac Alberson, Topulka, Ishtayatubbe, Ahtokowa, Hushtatabe, Innewakche, Oaklanayaubbe, Ohekaubbe, Immolasubbe, Immohoaltatubbe, Ishtekieyokatubbe, Ishtehiacha, Inhiyouchetubbe, and Kinheche..." President Jackson met and welcomed the Chickasaw delegation when they arrived in Franklin on August 20, 1830. During the next several days, support for Chickasaw education, Removal expenses, and other related details were worked out. On August 31 the treaty was signed. The Chickasaw agreed to exchange their remaining land in Mississippi and Alabama for land "West of the territory of Arkansaw", with a stipulation that they could examine the land beforehand. If they didn't find suitable land, the treaty would be null and void. A supplemental treaty concerning other details was signed the next day, September 1, and "thereupon, the council broke up." The Chickasaws sent several delegations west of the Mississippi to look for land over the next two years, but nothing suitable was found. In the meantime, the signing of the 1830 Franklin treaty caused a land rush of white squatters anxious to stake their claims before the Chickasaws had even left. By 1832 the Chickasaw Nation was being overrun, even though the Franklin treaty was supposed to prohibit such intrusions. Article 3 extended the protection of the United States to the Chickasaws, but the federal government did nothing to stop the invading squatters - apparently Jackson had let his blade grow dull, at least when it came to protecting Chickasaw land. Since the Chickasaws found no suitable land in the west, the Franklin treaty was considered null and void and was never ratified by Congress. In October, 1832, President Jackson sent John Coffee to the Chickasaw Nation to negotiate a new treaty. Coffee met 65 Chickasaw leaders at the Chickasaw council house on Pontotoc Creek, near present day Tupelo, Mississippi. On October 20, the Chickasaw leaders signed the Treaty of Pontotoc Creek with the United States, agreeing to sell their remaining homeland in Mississippi and Alabama. The Chickasaws became dissatisfied with the Treaty of Pontotoc Creek, believing John Coffee had misrepresented the terms during the negotiations. In 1834 they sent a delegation to Washington, D.C., to amend the treaty. Levi Colbert, then 75 years old, began the journey but became ill and died. Before his death he dictated instructions for the delegation, which included his brother George, who had also been present at the Franklin treaty council. George Colbert and the rest of the delegation then traveled on to Washington and negotiated the desired amendments. In 1837, under the provisions of the Treaty of Doaksville, a treaty between the Chickasaw and Choctaw Nations, the Chickasaw bought a section of Choctaw land in Indian Territory. The people whose allegiance and friendship arguably prevented the destruction of fledgling Nashville and the other Cumberland settlements, and helped shape the map of the southeast to the benefit of the United States, finally left the soil of their birth and removed to the west." Source: The Native American History Association (http://www.nativehistoryassociation.org/franklin_treaty.php) Property of the Lincoln County Museum, Fayetteville, TN; Bequest of Mary Bright Wilson (1909-2004), formerly of Fayetteville, and descended in her family. Condition: 1" separation to upper right edge (near corner), otherwise overall good condition. Frame is old, but may or may not be original.
• JAMES BROWN SIGNED GUITAR.James
  JAMES BROWN SIGNED GUITAR.James Brown Signed Guitar. Samick six-string electric guitar inscribed and signed by Brown on the body. Excellent. PSA/DNA Letter of Authenticity.
• (6) LEATHER-BOUND BOOKS: BRITISH
  (6) LEATHER-BOUND BOOKS: BRITISH & GERMAN POETRY(lot of 6) Poetry books, many with leather bindings, raised band spines, gilt page edges, including: (1) "The Poems of Goethe," translated by Edgar Alfred Bowring, G. Bell and Sons, Limited, London, 1911, 440 pages, (1) "The Poetical Works of John Milton: Volume II," William Pickering, London, Charles C. Little and James Brown, Boston, 1851, 415 pages, (1) "The Golden Treasury: Selected from the Best Songs and Lyrical Poems in the English Language," Francis T. Palgrave, The Macmillan Company, 1929, 640 pages, (1) "The Oxford Book of English Verse: 1250-1918," edited by Sir Arthur Quiller-Couch, Oxford University Press, 1166 pages, (1) "Poems: Patriotic, Religious, Miscellaneous," Father Abram J. Ryan, The Baltimore Publishing Company, 1884, 347 pages, (1) "The Poetical Works of Alfred Tennyson," John Wurtele Lovell, New York, illustrated, 725 pages; some loose bindings, foxing, owner's notes, marginalia, largest book: approx 9"h, 6"w; 8.5lbs total
• JAMES BROWN (AMERICAN,
  JAMES BROWN (AMERICAN, 1951-2020), MOROCCAN I Bronze with verdi patina, stamped "JB" on the lower reverse edge, number 2 from an edition of 6, circa 1986. From a series of six created by the artist from modeling clay in June 1993 and cast by the foundry, Victor D. Zornado. This lot is accompanied by an ex-library copy of The Moroccan: James Brown published by Lococo-Mulder Fine Art Publishers.
• DICKERSON, JAMES BROWN, OIL ON
  DICKERSON, JAMES BROWN, OIL ON CANVAS (60-3/4 IN X 48 IN) AND ELECTRONIC FIGUREDickerson, James Brown, Oil on Canvas (60-3/4 in x 48 in) and Electronic Figure
• BRACKET CLOCK, SIGNED “JAMES BROWN,
  BRACKET CLOCK, SIGNED “JAMES BROWN, LONDON,” C – 1820, WITH SILVERED MAIN, DATE, AND STRIKE-SILENT SELECTOR DIALS, AND CAST BRASS SPANDRELS, MAHOGANY CASE AND MAHOGANY VENEER WITH CLASSIC HANDLE AND CAST BRASS BRACKET...Bracket clock, signed "James Brown, London," C – 1820, with silvered main, date, and strike-silent selector dials, and cast brass spandrels, mahogany case and mahogany veneer with classic handle and cast brass bracket feet, twin fusee movement with hour strike, beautifully engraved rear plate and pendulum bob, wear consistent with age including some damage to veneer, some brass rod decoration not present, movement not seen out of case, working condition not tested, 16" h. x 9.5" w. x 6.5" d.
• VICTORIAN SCOTTISH BANJO
  VICTORIAN SCOTTISH BANJO BAROMETER/THERMOMETER, JAVICTORIAN SCOTTISH BANJO BAROMETER/THERMOMETER, James Brown, 76 St. Vincent St., Glasgow, c. 1876, featuring a carved walnut banjo-shaped wall case with vertical mercury thermometer over 8"D barometer dial. Length - 31.5 inches.
• 14K WHITE GOLD AND THREE STONE
  14K WHITE GOLD AND THREE STONE DIAMOND RING, CENTER DIAMOND BELONGING TO SINGER JAMES BROWN14K WHITE GOLD AND THREE STONE DIAMOND RING, CENTER DIAMOND BELONGING TO SINGER JAMES BROWN, 14K white gold ring size 5, center full cut round diamond approx. 1.13cttw. and graded I color, I clarity and was previously owned by singer James Brown, one round full cut side diamond approx. .71cttw., one round full cut side diamond approx. .73cttw., both graded G color, SI2 clarity, gross weight approx. 2.80dwt, two appraisals and statement of James Brown's ownership of center stone included
• LETTERS OF MRS. ADAMS, THE WIFE
  LETTERS OF MRS. ADAMS, THE WIFE OF JOHN ADAMSLetters of Mrs. Adams, The Wife of John Adams , published by Charles C. Little and James Brown, 1740; Selections from the Letters of Thomas B. Gould , published by C. Sherman, 1860; The Life of Robert Fulton , published by Kirk and Mercein, 1817. Competitive in-house shipping is available for this lot. Condition: Adams: cracking to hinges, half title page clipped. Gould: both boards nearly detached. Fulton: some wear to boards and hinges.
• JAMES BROWN (1915-2020),
  JAMES BROWN (1915-2020), UNTITLED, 1985, STAIN AND GRAPHITE ON PAPER, 40" H X 59.5" WJames Brown, (1915-2020) Untitled, 1985, Stain and graphite on paper Signed and dated lower right: James Brown; dated again on a gallery label affixed to the frame's backing board Stain and graphite on paper Dimensions: 40" H x 59.5" W Provenance: Maloney Fine Art, Los Angeles, CA Private Collection, Southern California
• FREDERICK JAMES BROWN (AMERICAN
  FREDERICK JAMES BROWN (AMERICAN 1945-2012), FATHER PLEASE FORGIVE ME, WATERCOLOR ON HEAVY WOVE PAPER, SHEET SIZE: 41-3/4 X 29-1/4 IN (106 X 74.3 CM)Frederick James Brown, (American, 1945-2012) Father Please Forgive Me, Watercolor on heavy wove paper; apparently in good condition. Unframed. Signed F J Brown and dated 1983 in graphite on verso Watercolor on heavy wove paper; apparently in good condition. Unframed. Dimensions: Sheet size: 41-3/4 x 29-1/4 in (106 x 74.3 cm)
• JAMES BROWNING "JAMIE" WYETH
  JAMES BROWNING "JAMIE" WYETH (AMERICAN)James Browning "Jamie" Wyeth (American/Pennsylvania, b. 1946), "Hen on Nest", "91, 75, 93, 84 (Cows)", "Bee Shadow" and "Runaway Pig", 1980, "The Farm" portfolio set of 4 etchings and drypoints, each pencil-signed and numbered "24/150" lower margin, each with "1980 Jamie Wyeth" copyright stamp en verso, sheets 25 in. x 20 in., unframed in original linen hardcover folio. Provenance: Neal Auction Company, Feb. 4, 2012, lot 1003.
• (52) Classic Rock, Jazz, R&B, Pop
  (52) Classic Rock, Jazz, R&B, Pop 33-1/3 vinyl albums c/o: Aerosmith "Rocks, Bardeux "When We Kiss", Bee Gees "Spirits Having Flown", James Brown "It's a Mother", Caravan "Waterloo Lily", Ray Charles 1) "The Great Ray Charles, (2) "Genius & Soul=Jazz"; Chicago Transit Authority Self Titled, Chilliwack "Dreams, Dreams, Dreams", Eric Clapton "There's One in Every Crowd", Creative Source "Pass the Feelin' On", Crusaders "Street Life 300 S", Terence Trent D'Arby "Introducing the Hardline According To:", Electric Light Orchestra "Eldorado", David Essex "Rock On", The 5th Dimension "The Age of Aquarius" original motion picture soundtrack, Hair "James Last", Janet Jackson Self Titled, Ahmad Jamal Trio "At the Pershing", Olivia Newton John "Don't Stop Believin", "Physical"; Carole King "Fantasy"; John Mayall, Jerry McGee, Larry Taylor "Memories; Meat Loaf "Bat Out of Hell"; The Monkees "Headquarters", "Pisces, Aquarius, Capricorn & Jones LTP, "Self Titled"; Peaches & Herb "Let's Fall in Love"; Pink Floyd "The Dark Side of the Moon", Pretty Poison "Catch Me I'm Falling -Nighttime", Lou Rawls "You Make Me So Very Happy", Santana Self Titled, Carly "No Secrets", Paul Simon "Still Crazy After All These Years", Rex Smith "Forever", Bruce Springsteen "Tunnel of Love", "Live 1975-85" (missing sides 9 & 10-(4) albums only (2) books; Cat Stevens "Tea for the Tillerman", "Teaser and the Firecat", "Buddha and the Chocolate Box"; Donna Summer "Bad Girls", 10cc "Sheet Music", Three Dog Night "Golden Biscuits", Jethro Tull "Songs from the Wood", Joe Walsh recorded live: "You Can't Argue with a Sick Mind", "So What"; Nancy Wilson "Goin' Out of My Head", Wings "Venus & Mars", Stevie Wonder "Looking Back"
• James Brown, Epsom, Regency
  James Brown, Epsom, Regency Double Fusee Bracket Clock, brass inlaid and mounted mahogany case, lacking some ripple moldings and veneer, sides with cornucopia backed ring handles, convex signed dial, convex door glass, runs and strikes, lacking retaining nut for bell and winding key, 17" tall ,11" wide, English, c 1820-40
• HISTORY OF THE HIGHLANDS AND OF THE
  HISTORY OF THE HIGHLANDS AND OF THE HIGHLAND CLANSHistory of the Highlands and of the Highland Clans Author: James Browne Publisher: Glascow: A. Fullarton & Co. Year: 1840
• American pine game board, late 19th
  American pine game board, late 19th c., paint decorated with rural farm scenes with bread board ends 19.5" x 24.25" Provenance: Ivy Auctions - from the Collection of Dr. and Mrs. James Brown, formerly of Nicholls Crook Plantation, Woodruff, SC
• Brass clinometer level by James
  Brass clinometer level by James Brown, Glascow with black wood base. 8"h x 13.5"l overall Condition: Wear consistent with age.
• (FILLMORE MILLARD) WEBSTER DANIEL
  (FILLMORE MILLARD) WEBSTER DANIEL The Works. Boston: Charles C. Little & James Brown 1851. 6 vols. 4to publisher's brown blind-stamped cloth. Subscriber's copy signed by Webster on the half-title. Additionally inscribed by Webster to Mrs. Fillmore dated June 1852 (during Presidency). Rubbing to boards with some chipping to spine ends. [Together with:] The Life Eulogy and Orations of Daniel Webster. By Louis Clark and Wilbur Hayward. Rochester: Wilber M. Hayward; Boston France New York: Dewitt & Davenport; Philadelphia: J.W. Moore; Chicago: Mellon 1854. 8vo publisher's brown cloth stamped in gilt and blind with central vignette ''I Still Live Webster'' to upper board. Inscribed to Hon. Millard Fillmore by the publisher Wilber M. Hayward. Spine ends and corners worn.
• 18TH CENTURY JAMES BROWN'S SELF
  18TH CENTURY JAMES BROWN'S SELF INTERPRETING BIBLE: Late 18th century James Brown's Self Interpreting Bible in 2 volumes. Unfortunately the title page is missing and actual date cannot be determined. Leather bound covers. Each volume measures 2 1/4'' x 17 1/4'' x 11''.CONDITION: Note cover damage rope binding has split on both leaving front covers loose toning and wear to pages. Sold as-is.
• Jamie (James Browning) Wyeth
  Jamie (James Browning) Wyeth (American b. 1946) "The Farm" 1980 portfolio of 4 etchings consisting of "Chicken Basket" "91 75 86 93 84 (Cows)" "Runaway Pig" and "Bee Shadows" each pencil-signed and numbered "24/150" each copyright stamped "1980 Jamie Wyeth" en verso each sheet size 25 in. x 20 in. image sizes ranging from 8 3/4 in. x 11 3/4 in. to 16 3/4 in. x 13 3/4 in. presented in a linen embossed portfolio.
• BARRIE WENTZELL (b. 1942): JAMES
  BARRIE WENTZELL (b. 1942): JAMES BROWN 1971 AND CHUCK BERRY 1972 Two gelatin silver prints 20 x 16 in. each signed numbered 28/50 and dated. Note: Proceeds to benefit Touro College NYC.
• Leatherbound books: novels by
  Leatherbound books: novels by Browning and James Browning Robert. THE COMPLETE WORKS OF ROBERT BROWNING. Vols. 1-12. New York: George D. Sproul 1899. Autographed by the editors Charlotte Porter and Helen Clarke and numbered 66 out of 275 copies.; James George Payne Rainsford. THE WORKS OF G.P.R. JAMES ESQ. 21 vols. London: Smith Elder and Co. 1844-1847. (33pcs) Provenance: Estate of the late Francis D. ''Skeeter'' McNairy Savannah Georgia. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• TWO TREEN JARS. Wood early-mid
  TWO TREEN JARS. Wood early-mid 20th century. James Brown ''Glued-Up Ware'' jar with lid in maple and black walnut 4 1/2''''h. 2 1/2'' dia. and a lidded canister with acorn finial 6 3/4''h. 3 1/2'' dia. Slight imperfections. scufs and scratches to finish some surface dirt.
• Three stoneware pitchers: one
  Three stoneware pitchers: one with brown glaze, marked on side "W Colfield, Howell Mill GA" (Thomas William Colfield, born 1865, working Atlanta area late 19th century), 10-1/2 in., for similar example, see John A. Burrison, Brothers in Clay , University of Georgia Press, 1983, page 71, extensive large rim chips ; one slender with strap handle, mottled olive alkaline glaze, 8-1/2 in., Provenance: James, Georgia flea market, 1977, large spout and rim chips, foot ring with extensive wear ; one with pale olive glaze, stamped "JB", possibly James Brown, Atlanta area, late 19th century, 10-7/8 in., large rim loss, scattered chips, base wear .
• 20 leather-bound books: two volumes
  20 leather-bound books: two volumes The Poems of John Keats , privately printed for the Scott-Thad Company, New York, 1904, three-quarter red morocco, spine repairs, ex libris bookplate ; eight volumes, Smollett's Works , edited by James Browne, Dickers and Son, London, 1872, full leather with ornate gilt spines; four volumes, The Literature of the South of Europe , London, 1823, bound by Sphinx and Jaborg(?), three-quarter leather with marbled boards; four volumes Motley's United Netherlands , New York, 1861, three-quarters brown leather with gilt-decorated spines; two volumes Ueberweg, The History of Philosophy , London, 1875, full brown leather with gilt devices, 9 x 6 in. to 9-1/2 x 6-1/4 in.