A few examples of appraisal values for
JAMES LONG

• JAMES B. LONGACRE (AMERICAN,
  JAMES B. LONGACRE (AMERICAN, 1794-1869) ANDREW JACKSON ENGRAVING: 7 X 5 1/4 IN. (SIGHT)JAMES B. LONGACRE, (AMERICAN, 1794-1869) ANDREW JACKSON, Engraving: 7 x 5 1/4 in. (sight) Framed; lower center: 'Drawn from Life and Engraved by J.B. Longacre', with secretarial signature of Andrew Jackson
• James Longacre Wood (American,
  James Longacre Wood (American, 1867-1938) Portrait of George B. Wood and Horatio C. Wood, Jr. oil on canvas 23 1/2 x 29 1/4 inches (sight).
• (English, 1858-1943) James Clark
  (English, 1858-1943) James Clark (English, 1858-1943)
• English 18th Century/King James I
  English 18th Century/King James I and his son/mezzotint, 26cm x 20cm
• James Childe miniature portrait
  James Childe miniature portrait (James Warren Childe, British, 1778-1862), boy holding a whip and standing by toy horse in a garden, kite on the ground by a picnic basket, signed lower left "J.W. Childe.135 Strand", watercolor on card heightened with body color, 12 x 8-7/8 in.; 20th century gilt wood frame. Water stain at top upper left corner with tear, foxing, toning, fading; frame with abrasions. Neal Auction, New Orleans, Louisiana, October 1, 1994, lot 244.
• JAMES MONGIN SMITH PORTRAIT
  JAMES MONGIN SMITH PORTRAIT MINIATURE, 1821 American school, possibly Southern, 1821. Oval watercolor mourning portrait miniature of James Mongin Smith (American, born Beaufort, SC, April 1, 1798, died Marietta, GA, November 26, 1859), together with a plated lock of his hair to the verso, in a 12k yellow gold frame under glass, and contained in a fitted case. Unmarked. Provenance: Likely given to his wife Laura Margaret Smith (nee Cole), then to her daughter, Laura Margaret Brumby (nee Smith), then to her daughter, Laura Margaret Hoppe (nee Brumby). A calling card for Mrs. Lewis D. Hoppe with personal inscriptions accompanies this lot. Note: Mrs. Lewis D. Hoppe, (nee Laura Margaret Brumby, 1867-1955), was the daughter of James Remley Brumby Sr. (1846-1934), founder of The Brumby Chair Company of Marietta, GA. The subject of the miniature was her maternal grandfather. James Mongin Smith was a rice planter who attended Yale University as well as Princeton University, classes of 1819 and 1822. His home Orange Hall, in Marietta, GA, burned in the early 1900s. It was a smaller replica of an earlier home, also of the same name in St. Mary's, GA. It is still standing. Approx. 2.75" x 2.25" (frame); 2.625" x 2.125" (sight).
• JAMES LONGUEVILLE (UK, 1942 - )
  JAMES LONGUEVILLE (UK, 1942 - ) "Summer River, Eccleston", oil on hardboard, signed lower right, signed and titled verso, housed in a white and gold molded frame, OS: 26" x 36", SS: 19 1/4" x 29 1/4". Fine condition.
• MANNER OF GEORGE JAMESONE HALF
  MANNER OF GEORGE JAMESONE HALF LENGTH PORTRAIT OF A MAN IN LEATHER JERKIN AND LACE COLLAR Oil on canvas64cm x 54cm (25.25in x 21.25in)Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family
• MANNER OF GEORGE JAMESONE HALF
  MANNER OF GEORGE JAMESONE HALF LENGTH PORTRAIT OF A LADY WITH LACE COLLAR Inscribed 'Elizabeth Cunninghame, wife of William, Tutor of Calder', oil on canvas67cm x 51cm (26.5in x 20in)Provenance: Property from the Estate of the Late Lord David Douglas-Hamilton
• James Barenger, The Younger
  James Barenger, The Younger (British, 1780-1831) Squire John Porter with His Dog and a Shotgun, unsigned, oil on canvas, auction labels verso, 21 x 17-1/8 in.; gilt and composition wood frame,
• RARE REVOLUTIONARY WAR LS, MORDECAI
  RARE REVOLUTIONARY WAR LS, MORDECAI GIST, 1783 Brig. General Mordecai Gist (1743-1792, a leading officer in the Maryland Line, hero of the Battle of Long Island) to General Anthony Wayne, dated at James Island, SC, January 17, 1783, declining to give an opinion concerning the newly reestablished "Charles Town Assemblies;" 1 p, wax signet at lower left, 12 x 7 1/2 in.; endorsed by Wayne.
• James Ward (1769-1859)/Sir
  James Ward (1769-1859)/Sir Francis Baring, 1st Bt, John Baring and Charles Wall/after Sir Thomas Lawrence/inscribed in pencil to margin/engraving, 45.5cm x 65.5cm in a Hogarth frame
• ATTRIBUTED JAMES LONSDALE (ENGLISH,
  ATTRIBUTED JAMES LONSDALE (ENGLISH, 1777-1839), PORTRAIT OF A GENTLEMAN Oil on canvas, unsigned, presented in a period gilt composition frame.
• James Jebusa Shannon (American,
  James Jebusa Shannon (American, 1862-1923) "Full Length Portrait of a Girl in a White Lace Dress with Blue Silk Sash", oil on canvas, signed lower left, 42" x 27-1/2". Presented in a contemporary giltwood frame.
• James Longstreet Confederate
  James Longstreet Confederate General Post-War ALS to Pres. U.S. Grant James Longstreet (1821-1904). Confederate Lieutenant General considered Lee's most trusted subordinate. Postwar ALS to President Grant 3pp December 29 1871 New Orleans Louisiana.Longstreet is writing to Grant regarding issues related to his role as surveyor of customs in New Orleans. Grant appointed Longstreet to the job in return for his being the most senior Confederate officer to join the Republican Party during reconstruction and to endorse his former enemy for president. Whether Longstreet switched his allegiance because he thought it was the right thing to do or because it would help secure him a government job it was not easy: he was despised by Southerners and as illustrated in this letter mistrusted by Northerners as well. Longstreet is responding to influential Republicans' requests for a change in the office and he has accordingly secured the resignation of Deputy Survey A.J. Smith though he laments that in view of the efforts of some of the prominent Federal Offices Men to cause my removal it sometimes occurs to me that my own resignation might be more appropriate but after explaining the effect these petty politics are having on the harmony of actions that is important to the function of the office he writes On the other hand some of my friends think that my resignation may to some extent imperil the policy of your administration.Longstreet goes on to give a strong endorsement of carpetbagging Republican Louisiana governor Henry C. Warmoth even as Longstreet admits Warmoth has aligned against Grant and the Republicans in the coming year's elections. Warmoth would end up being impeached for meddling in the electoral vote count with Grant ensuring the office went to William Pitt Kellogg who is one of those referenced as demanding a change in Longstreet's office in the beginning of the letter. Condition: Very good condition with very minor soiling and bleeding of ink. Final page engrossed in thicker paper.
• JAMES PINKNEY HAVARD (1937-2020),
  JAMES PINKNEY HAVARD (1937-2020), "LONG BAY," MIXED MEDIA ON PAPER, IMAGE/SHEET: 40" H X 32.25" WJames Pinkney Havard, (1937-2020) "Long Bay", Mixed media on paper Signed and dated in pencil along the lower right edge: Havard; titled in pencil upper edge, at left Mixed media on paper Dimensions: Image/Sheet: 40" H x 32.25" W Provenance: Jan Turner Gallery, Los Angeles, CA Property of a Rancho Mirage Collection
• Circle of George Jamesone
  Circle of George Jamesone (c.1589-1644)/Portrait of a Man wearing a Ruff/oil on canvas, 61cm x 47cm
• JAMES HENRY - TWO TITLES BOTH IN
  JAMES HENRY - TWO TITLES BOTH IN ORIGINAL BINDING (1) "An International Episode " New York 1879. (2) "Diary of a Man of Fifty & A Bundle of Letters." Provenance: Estate of Louis S. Auchincloss
• 18th century English pastel
  18th century English pastel portrait, gentleman in blue jacket, 1796, signed lower right "…e Longastre, 179…", attributed to De Longastre, French, died 1798, pastel on paper, 24-1/2 x 20-1/4 in. (sight); original 18th century gilt wood oval frame with original glass. Minor pastel loss at edges, possible mildew spots, not examined out of frame; frame with chips and flaking. Historic Beaufort Foundation, from the Estate of Dr. Mark Sheppard, St. Petersburg, Florida; Property Deaccessioned from a South Carolina Museum
• American School (19th century)
  American School (19th century) Portrait of a Gentleman, said to be James Worthington III, a prominent Boston Merchant, circa 1830, unsigned, oil on canvas, 30-1/8 x 25 in.; possibly original gilt wood and composition frame,
• JOHN JAMES PORTER (AMERICAN,
  JOHN JAMES PORTER (AMERICAN, 1825-1888), AN IDENTIFIED PORTRAIT OF A YOUNG VIRGINIAN Oil on canvas (lined), signed and dated 1884 at lower right, presented in a very fine period gilt frame with composition ornament.
• James Seymour (1702-1752)/Full
  James Seymour (1702-1752)/Full Cry/three horses with riders and hounds, further sketches on reverse/pen and ink, 12cm x 24cm
• PAINTING, ATTRIBUTED TO GEORGE
  PAINTING, ATTRIBUTED TO GEORGE JAMESONE Attributed to George Jamesone (British, c. 1587-1644), Portrait of a Gentleman, oil on canvas, unsigned, numbered 450 verso, artist plaque affixed to frame lower center, canvas: 48"h x 36"w, overall (with frame): 55.75"h x 43.5"w
• John Jam
  John Jam
• James Edward Buttersworth (American
  James Edward Buttersworth (American 1817-1894) oil on canvas ship portrait of the American side wheeler J.B. Schuyler Orient... ?
• STEPHEN LONGSTREET (AMERICAN,
  STEPHEN LONGSTREET (AMERICAN, 1907-2002) JAZZ TRIOCollage on paper signed lower right 31 in. h. x 24 in. w.
• John Jam
  John Jam
• JAMES, O/C MARITIME SCENE ROUGH
  JAMES, O/C MARITIME SCENE ROUGH SEAS/CLOUDSDavid James (British, fl.1881-1892). Signed lower right; Parker Gallery and Doyle Gallery stickers verso. Labeled "Danish Shipping" on partial gallery sticker. Frame size: 22 1/2" high, 32 1/2" wide. Small losses. Property of a CT collector. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• James Lonsdale
  James Lonsdale (1777-1839)/Portraits of Thomas Hargreaves and his Wife Nancy (nee Hoyle)/of Oak-Hill, Accrington/a pair/inscribed and dated 1817 verso/oil on canvas, 77cm 63.5cm/Note: Thomas Hargreaves (1771-1882) took over the Broad Oak Print Works in 1812, this was the most important calico printworks in Accrington. He is believed to have been a cousin of James Hargreaves, inventor of the spinning jenny
• James Hardy (1801-1879)/Brittany
  James Hardy (1801-1879)/Brittany Peasants/watercolour, 54cm x 76cm
• JAMES KING BONNAR (MASSACHUSETTS,
  JAMES KING BONNAR (MASSACHUSETTS, 1883/85-1961), "LOW TIDE ROCKY NECK GLOUCESTER, MASS"., OIL ON CANVAS, 22" X 28". FRAMED 29" X 35".JAMES KING BONNAR, Massachusetts, 1883/85-1961, "Low Tide Rocky Neck Gloucester, Mass". Signed lower right "James King Bonnar". Titled in pencil on upper stretcher bar. Dimensions: Oil on canvas, 22" x 28". Framed 29" x 35".
• JIM JONES (AMERICAN/TEXAS,
  JIM JONES (AMERICAN/TEXAS, 1922-1999)Jim Jones (American/Texas, 1922-1999) , "Bluebonnets", 1980, watercolor on paper, signed and dated lower right, artist bio with handwritten title on backing board, sight 14 in. x 20 1/4 in., framed Condition: Overall good condition. Ext. Frame: 23 3/4 in. x 29 3/4 in. x 1 in
• John James Wilson (British
  John James Wilson (British 1818-1875) A pair of delicately rendered marine paintings. Oil on canvas one signed lower right one lower left both framed alike in a decorative pierced gilt frame overall 12-12" x 21-3/8".
• 1 piece. Autograph Letter
  1 piece. Autograph Letter Signed. Longstreet, James. Washington, D.C., April 4, 1854. 1 p., 4to; light creases along folds. making a quarterly return of ordnance stores. Docketed. Text & signature clean & clear. Longstreet, James (1821-1904), Confederate Brigadier General.
• Commodore Sir James L. Yeo to
  Commodore Sir James L. Yeo to Captain Alexander Dobbs 22nd August 1814 written onboard the H. M. S. Prince Regent at Kingston by J. W. Mallard secretary to Commodore Sir James L. Yeo informing that he ?does not wish the Seamen and Marines under your command to be employed in any general attack of the army unless under very particular circumstances.??T on watermarked laid paper 9.1" (height) 23cm (height) 14.75" (width) 37.5cm (width)
• A HISTORY OF THE EARLY PART OF
  A HISTORY OF THE EARLY PART OF THE REIGN OF JAMES THE SECOND, LONDON, 1808A History of the Early Part of the Reign of James The Second, London, 1808