- Breton Courtyard Etching by James
Breton Courtyard Etching by James S. King James S. King (British 1852-1925). Late 19th Century etching on paper signed in graphite l.r.; 12.5 x 8.5 in. (plate) Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund
- JAMES S. KING (New Jersey 1852-1925)
JAMES S. KING (New Jersey 1852-1925) ORIGINAL ETCHING ''The Choir Boys'' after the painting by Jennie Brownscombe. 29 1/2 in. by 20 in. Signed Jas. S. King lower right and by Jennie Brownscombe lower left also signed in the plate. With remarque lower left. Custom matted in silver gilt frame.
- DAVID HOCKNEY 'THREE KINGS & A
DAVID HOCKNEY 'THREE KINGS & A QUEEN' ETCHING, 61' David Hockney (English b. 1937), 'Three Kings & a Queen', 1961, etching and aquatint on paper, pencil signed and dated to lower right, titled and numbered A.P. to lower left, framed. Provenance: From the Private Collection of Hillel and Johanna Norry, Atlanta, Georgia. Approximate dimensions: plate h. 9", w. 25.25"; frame h. 19.375", w. 35.5", d. 10".
- James J.J. Tissot (French, 1836-1902)
James J.J. Tissot (French, 1836-1902) "La Mysterieuse". Etching and drypoint, ca. 1885, Wentworth 80, on cream laid paper with margins, signed in the plate lower right, the plate size approx. 15-3/4" x 10", matted and framed in a black metal frame under glass overall approx. 22-1/4" x 16-1/4". A very rich impression with full margins.
- PORTRAIT ETCHING by James Ensor
PORTRAIT ETCHING by James Ensor (1860-1949) Portrait of Ernest Rousseau etching and drypoint 1887 signed in pencil In a fine karat gold leaf frame and rag mat. Image size: 9'' x 6 1/2'' plus margins OS: 19'' x 15 1/2''. Good condition unexamined out
- JAMES A.M. WHISTLER, THAMES SET
JAMES A.M. WHISTLER, THAMES SET ETCHING #3, 1861 James Abbott McNeill Whistler (American, 1834-1903), "The Forge" (Kennedy 68), third of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower right, likely fourth of four states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 7.5"h x 12.5"w (plate), 8.55"h x 13.25"w (sheet)
- JAMES MCNEIL WHISTLER, ETCHING,
JAMES MCNEIL WHISTLER, ETCHING, 1861 James Abbott McNeil Whistler (American, 1834-1903), "The Forge", etched 1861, issued 1871 as part of the "Thames Set ", etching and drypoint engraving, black ink on cream wove paper, signed in the plate lower right, matted and framed under glass, old gallery label on verso, 8"h x 12.75"w (sight), 16"h x 21"w (frame)
- JAMES D. SMILLIE AFTER EASTMAN
JAMES D. SMILLIE AFTER EASTMAN JOHNSON ETCHING "A GLASS...JAMES D. SMILLIE (AMERICAN 1833-1909) AFTER EASTMAN JOHNSON (AMERICAN 1824-1906) ETCHING "A GLASS WITH THE SQUIRE" , signed within the plate top left, "Smillie Agua Fortis 1886" , signed within the plate lower right, "Eastman Johnson 1880" in an oak frame with pressed scrolls.
Site: 8 ½ in. x 6 ¾ in. Overall: 17 ½ in. x 15 ¾ in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- JAMES A.M. WHISTLER, THAMES SET
JAMES A.M. WHISTLER, THAMES SET ETCHING #11, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Eagle Wharf" (Kennedy 41), eleventh of sixteen etchings from the Thames Set, on cream laid paper, signed and dated in the print, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 5.5"h x 8.5"w (plate), 6.5"h x 9.5"w (sheet)
- JAMES ROSENQUIST, COLOR ETCHING
JAMES ROSENQUIST, COLOR ETCHING James Rosenquist (American, 1933-2017), "Headlines", 1976, etching with hand coloring and pochoir, signed, dated, titled and numbered 20/39 on lower margin, 11.75"h x 17"w (sheet)
- MARK ALAN LEITHAUSER (AMERICAN
MARK ALAN LEITHAUSER (AMERICAN 1950) KING GEORGE Etching: 17 x 11 1/2 in. Framed; Lower right titled in graphite: King George; lower center numbered in graphite: 79/150; lower right signed and dated in graphite: Mark Leithauser imp 1979 Provenance: Coe Kerr Gallery Inc. New York 1988 to the present owner
- James Jacques Joseph Tissot (French
James Jacques Joseph Tissot (French 1836-1902) Berthe etching 14 x 11 inches.
- JAMES A.M. WHISTLER, THAMES SET
JAMES A.M. WHISTLER, THAMES SET ETCHING #5, 1860 James Abbott McNeill Whistler (American, 1834-1903), "Wapping" (alternately "Rotherhithe") (Kennedy 66), one of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower left, likely third state of nine, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 11"h x 7.75"w (plate), 11.75"h x 8.75"w (sheet)
- JAMES JACQUES JOSEPH TISSOT, ETCHINGTitled
JAMES JACQUES JOSEPH TISSOT, ETCHINGTitled L'été (Summer), a drypoint etching by Tissot (French, 1836-1902) of Kathleen Newton holding a parasol. Signed and dated 1878 in the plate, lower right. Measures 14-3/4" x 8" visible, matted and framed to 21" x 17". Fine condition, with minimal toning. Information written on verso, along with clippings from art reference guides, indicates that the paper has a watermark in the center.
- JAMES MCBEY. "MOLO," ETCHING (Scottish,
JAMES MCBEY. "MOLO," ETCHING (Scottish, 1883-1959). Etching, pen signed "James McBey" lr, sheet size: 15 1/4 x 11 3/4 in., unframed.
- JAMES TISSOT (FRANCE/ENGLAND, 1836-1902)
JAMES TISSOT (FRANCE/ENGLAND, 1836-1902) ETCHING,JAMES TISSOT (France/England, 1836-1902) etching, "Soiree d'Ete," (Summer Evening), woman reclining on a wicker chair near a pond, circa 1882. Signed on the plate. Image measures 9" x 15.5". In a wood frame; 22.25" x 29.25" overall.
- JACKSON LEE NESBITT (1913-2008)
JACKSON LEE NESBITT (1913-2008) PENCIL SIGNED ETCHINGJackson Lee Nesbitt (1913-2008)Blooming Mill - Kansas City (1938)The etching numbered 55 from an edition of only 60 prints is signed by the artist in pencil below the image lower right and titled lower left.Of the impetus for his well-known and highly sought after series of prints documenting the industrial processes at Sheffield Steel Corporation in Kansas City, Nesbitt recalled 'The company had called the Kansas City Art Institute to inquire about an etcher to create some images of their operations. John De Martelly and I were both recommended; but De Martelly, not wanting to spend any time on site at Sheffield, encouraged me to do it. For all the Sheffield pieces, I had to submit a finished pencil drawing to the company for approval prior to creating the etching. The original etchings were given as Christmas remembrances to VIPs both in and outside of the company and were offered for sale to the employees.'Turns out Nesbitt spent a great deal of time on site at Sheffield detailing their massive works in more than sixteen different complex images completed during the 1930s, and six more during the late 40s and early 50s.Image measures 11.75 x 9, sheet is 13.5 x 11.5 inches.Good condition with minor issues, the sheet with trimmed margins is not laid down, no damage (noting upper corner edge irregularity), no puncture or repair, scattered margin smudges and thin line of brown tape along the lower right edge; framed to archival standards in acid free mounts.
- JAMES D. SMILLIE AFTER EASTMAN
JAMES D. SMILLIE AFTER EASTMAN JOHNSON ETCHING "A GLASS...James D. Smillie (American 1833-1909) After Eastman Johnson (American 1824-1906) Etching "A Glass with the Squire", map of Nantucket on the wall by the head of the figure on the left, Johnson began summering on Nantucket in 1870, with original label giving title and noting the painter and etcher, signed within the plate top left "Smillie Agua Fortis 1886 ", signed with the plate lower right, "E. Johnson 1880".
Image 8 ½ in. x 6 5/8 in. Framed 15 in. x 12 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- English 18th Century/King James
English 18th Century/King James I and his son/mezzotint, 26cm x 20cm
- JAMES A.M. WHISTLER, THAMES SET
JAMES A.M. WHISTLER, THAMES SET ETCHING #8, 1861 James Abbott McNeill Whistler (American, 1834-1903), "The Fiddler" (alternately "J. Becquet, Sculptor") (Kennedy 52), eighth of sixteen etchings from the Thames Set, on cream laid paper, likely fourth of four states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 10"h x 7.5"w (plate), 11"h x 8.5"w (sheet)
- JAMES COIGNARD "RED SQUARES & TEXT"
JAMES COIGNARD "RED SQUARES & TEXT" LARGE ETCHINGS James Coignard (French 1925-2008), "Red Squares and Text", etching on hand made paper, abstract composition with red squares having large blocks of color overlaid in blue, black, and ochre, pencil signed at lower right, numbered 67/95 on lower left of one page and lower right on second page, two etching framed as one. Accompanied by block test "X ED UMGSXFC". Provenance: From the Private Collection of Veronica Holmes, Atlanta, Georgia. Approx. Each sheet h. 36.625", w. 29.25". Frame h. 48", w. 69".
- James Swann (American 1905-1985)
James Swann (American 1905-1985) Lake Jara etching signed James Swann (lower right) 3 7/8 x 3 3/8 inches.
- JAMES D. SMILLIE AFTER EASTMAN
JAMES D. SMILLIE AFTER EASTMAN JOHNSON ETCHING "A GLASS...James D. Smillie (American 1833-1909) After Eastman Johnson (American 1824-1906) Etching “A Glass with the Squire”, signed within the plate top left “Smillie Agua Fortis 1886” , signed with the plate lower right, “E. Johnson 1880”.
Image 8 ½ in. x 6 ? in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- JAMES COIGNARD, ETCHING IN COLORS
JAMES COIGNARD, ETCHING IN COLORS James Coignard (French, 1925-2008), Untitled, pencil signed and numbered "J. Coignard, 56/90", 18.5"h x 14.5"w (sheet), 30"h x 26"w (frame)
- JAMES A.M. WHISTLER, DRYPOINT ETCHING,
JAMES A.M. WHISTLER, DRYPOINT ETCHING, 1858 James Abbott McNeill Whistler (American, 1834-1903), "Street at Saverne" from Twelve Etchings from Nature (Kennedy 19), on gold-tone Japan appliqued on laid paper, fifth of five states, with information label on mat, matted and unframed, 8"h x 6.25"w (plate), 19.5"h x 16"w (mat)
- JAMES COIGNARD, "ARCHITECTURE"
JAMES COIGNARD, "ARCHITECTURE" ABSTRACT ETCHING James Coignard (French 1925-2008), "Architecture", circa 1991, carborundum gravure etching on hand made paper, having an abstract composition of buildings on a blue background, signed at lower right and numbered 28/85 to lower left, framed. Approx. paper h. 39", w. 28.5". Frame h. 47", w. 36.5", d. 1".
- 4PC AMERICAN LANDSCAPE & FIGURE
4PC AMERICAN LANDSCAPE & FIGURE ETCHINGS United States,Late 19th- Early 20th CenturyIncludes an "Up the Hill" etching by James David Smillie 1833-1909, a "Solitude" etching by Mary Nimmo Horan 1842-1899, a "Derby Wharf Salem, MA" etching by Philip Little 1857-1942, and an etching of a king and young boy eating in front of a grand stained glass window.
- JAMES MCBEY. "NEW YORK, MARCH 1930,"
JAMES MCBEY. "NEW YORK, MARCH 1930," ETCHING (British, 1883-1959). Etching, signed "James McBey" lr, sight size: 9 x 14 5/8 in., framed.
- JAMES S. KING (AMERICAN 1852-1925)James
JAMES S. KING (AMERICAN 1852-1925)James S. King (American 1852-1925), "The Courtship of Miles Standish", 1886, engraving after C. Y. Turner, published by Fishel Adler & Schwartz, New York, signed in plate lower left, "Louisiana State Museum" label with title and inscribed on backing board, 22 in. x 31 1/2 in., framed, overall 35 1/4 in. x 45 1/2 in. x 1 1/2 in. Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections. Condition: Overall poor condition.
- JAMES MC BEY ETCHING AND DRYPOINTJames
JAMES MC BEY ETCHING AND DRYPOINTJames Mc Bey (British 1883-1959)- ''New York from Weehawken'' (Hardie and Carter 277 xii/XII)- etching and drypoint on laid paper, 1940, signed and numbered LV in pen, edition of 60. 7 7/8 x 14 7/8''
- JAMES A. M. WHISTLER ETCHINGJames
JAMES A. M. WHISTLER ETCHINGJames A. M. Whistler (American 1834-1903)- ''Billingsgate'' (Kennedy 47)- etching, 1859, good condition. 6 x 8 3/4''
- JAMES COIGNARD ETCHING COLLAGEJames
JAMES COIGNARD ETCHING COLLAGEJames Coignard (France, 1925-2008). Collage style Carborundum etching. Signed in pencil lower center and numbered 64/95. 29" x 22" (with frame 39 1/2" x 31 1/4").
- James McBey (UK 1883 - 1959) Etching''The
James McBey (UK 1883 - 1959) Etching''The Storyteller '' signed ''James McBey'' in lower right margin signed in plate with ''Teutan December 1912 '' penciled collection numbers and title in lower margin presented in a wooden frame. Plate 6.75 x 11 3/8 in.; Sheet 8.5 x 13.25 in.; DOA 14.75 x 19.25 in.Light struck.The Estate of the late Dr. John and Mrs. Lorna Lamont Boston MA
- Etching, James A. M. Whistler (James
Etching, James A. M. Whistler (James Abbott McNeill Whistler, New York, 1834-1903), "The Embroidered Curtain", 1889, signed upper left within plate with butterfly and lower left in pencil on tab and "imp", etching with dry point in brown ink on paper, 9-7/16 x 6-5/16 in.; carved and gilt Whistler or Degas type reeded frame. Tacked at top two corners with glue, possibly mucilage; frame with wear and abrasions to surface. The Hanna-Thomson Galleries, Detroit, Michigan (label verso).
- JAMES COIGNARD, "QUADRANT" ETCHING
JAMES COIGNARD, "QUADRANT" ETCHING James Coignard (French 1925-2008), "Quadrant", carborundum gravure etching on hand made paper, having an abstract composition using squares and a compass, signed at lower left and Nahan Gallery label en verso, framed. Approx. paper h. 26", w. 19.5". Frame h. 33.75", w. 27.25", d. 1.375".
- JAMES A.M. WHISTLER, THAMES SET
JAMES A.M. WHISTLER, THAMES SET ETCHING #14, 1859 James Abbott McNeill Whistler (American, 1834-1903),"Millbank" (Kennedy 71), 15th of sixteen etchings from the Thames Set, on cream laid paper, likely second of two states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 4"h x 5.5"w (plate), 5"h x 6"w (sheet)