A few examples of appraisal values for
JANE

• JANE CARTER (NC), WOMAN IN WHITE
  JANE CARTER (NC), WOMAN IN WHITE Watercolor and gouache with pencil on paper, signed at lower left, matted and presented under glass in a figured maple frame with walnut inlay.
• JANE PEISER (NC, 1932-2022),
  JANE PEISER (NC, 1932-2022), FIGURAL CERAMIC PLANTER A woman with flowing golden locks leans against a round heart decorated planter, unsigned.
• JANE (SCOTT) LICHOWSKY (AMERICAN
  JANE (SCOTT) LICHOWSKY (AMERICAN 1933-2014), PORTRAIT OF LADY IN SUN DRESS, OIL ON CANVAS, FRAMED, 49 X 39 INJane (Scott) Lichowsky (American 1933-2014), Portrait of Lady in Sun Dress, Oil on Canvas, Framed, 49 x 39 in,
• JANE GANG (b. 1966): DANCERS Two
  JANE GANG (b. 1966): DANCERS Two watercolors on paper signed titled and dated on verso unframed. Provenance: Property from the collection of Jan Cowles. 5 x 7 1/8 in. (sheet).
• JANE PEISER (NC, 1932-2022),
  JANE PEISER (NC, 1932-2022), FIGURAL FLOWER POT Ceramic sculpture, a mother and child attired in colorful long robes, with golden golden halos above high bonnets, stand beside an open pot, unsigned.
• JANE CARTER (NC), THE GOSSIPS
  JANE CARTER (NC), THE GOSSIPS Watercolor and gouache with pencil on paper, signed at lower right, matted and framed under glass.
• Jane Buckles (Canadian, b.1941)
  Jane Buckles (Canadian, b.1941) YOUNG GIRL SEATED WITH FLOWERS fibre maché and mixed media, signed and dated 1991 height 30 in — 76.2 cm
• JANE CARTER (NC), THE BLACK HAT
  JANE CARTER (NC), THE BLACK HAT Watercolor and pencil on paper, signed and titled at lower left, matted and framed under glass.
• Jane Peterson (American
  Jane Peterson (American 1876-1965) Pastel Landscape pastel on paper signed l.r.; 13.75 x 19.5 in.Well known impressionist and expressionist painter Jane Peterson was born in Illinois and traveled prolifically throughout the United States and Europe. ?
• Jane Piper (American 1916-1991) oil
  Jane Piper (American 1916-1991) oil on canvas abstract floral still life 48" x 52". ?
• DISNEY CLASSICS COLLECTION
  DISNEY CLASSICS COLLECTION FIGURINE, MS JANE PORTER, TA...Miss Jane Porter from the Tarzan story stands with a ladle in her left hand. In the film Tarzan, Jane's left boot gets stolen by baboons. #disney #tarzan
• Jane Ryan (born 1962) for Opi
  Jane Ryan (born 1962) for Opi Works, Swimmers, wood and mixed media automaton, painted mark to back OPI, 36cm high
• JANE PEISER (NC, 1932-2022),
  JANE PEISER (NC, 1932-2022), THREE TALL GOBLETS Ceramic sculptures, the elaborately dressed and coifed ladies carry open bowls upon their heads, murrini patterns highlight the costumes, undersides of two obscured but likely not signed.
• JANE (MORTELLITO) WASEY
  JANE (MORTELLITO) WASEY (ME/NY/IL/FRANCE, 1912-1992) Green Marble Anthropomorphic Sculpture, mounted on pine disc vase, signed on the underside. 5 1/4" x 7 1/4" x 4 3/4". Ms. Wasey was born in Chicago and began her career at age 17 in Paris as the only female assistant to sculptor Paul Landowski. She worked with him on Christ the Redeemer, the 98-foot statue on Corcovado Mountain in Rio de Janeiro. In Maine, she is most remembered for her sculpture of "Andre the Seal", in Rockport Harbor.
• JANE CARTER (NC), HAT RACK
  JANE CARTER (NC), HAT RACK Watercolor, gouache and pencil on paper, signed at lower right, matted and framed under glass.
• JANE CARTER (NC), PARADE OF HATS
  JANE CARTER (NC), PARADE OF HATS Watercolor and pencil on paper, signed at lower left, matted and framed under glass.
• JANE PEISER (NC, 1932-2022), TWO
  JANE PEISER (NC, 1932-2022), TWO TABLETOP PLANTERS Each composed of a figure standing beside a low open vessel, the first is a woman in a Renaissance style costume (11 1/4 x 8 in.); the second is an angel with golden halo (8 x 6 in.), no signature found.
• Jane Peterson (American/New York
  Jane Peterson (American/New York 1876-1965) "Woman in a Blue Dress" oil on academy board signed lower right sight 22 7/8 in. x 16 3/8 in. in a giltwood frame.
• Jane Peterson (American
  Jane Peterson (American 1876-1965) pair of oil on canvasboard floral still lifes both signed lower left 12" x 16". ?
• JANE PIESER FIGURAL FOLK ART
  JANE PIESER FIGURAL FOLK ART CERAMIC VASE Jane Peiser (American / North Carolina 1933-2022), figural motif folk art ceramic murrini vase depicting a female with red painted nails flanked by two trees, signed to underside. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. h. 8.75", dia. 3.25".
• Jane Peterson (American/Illinois,
  Jane Peterson (American/Illinois, 1876-1965) "Girl with Doll", watercolor, sight 23" x 17", signed lower right "Jane Peterson". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from ACA Galleries, New York, dated November 18, 1971.
• JANE PEISER (PENLAND, NC,
  JANE PEISER (PENLAND, NC, 1933-2022), POTTERY ZEBRA CREAMER Hand formed stacked clay, signed to underside.
• JANE PEISER (NC, 1933-2022),
  JANE PEISER (NC, 1933-2022), CERAMIC BEAKER Whimsical flowing vision of robed ladies 'floating' on a night sky above a mountainous terrain, inscribed signature on the underside.
• Circle of Jane Read
  Circle of Jane Read (1773-1857)/Silhouette Portrait Miniature of Sophie Appleton, nee Brown/wearing a lace bonnet/watercolour on cut paper, 8.5cm x 6.8cm/in an ebonised frame
• Jane Peterson (American, 1876-1965)
  Jane Peterson (American, 1876-1965) Tiger Lilies and Zinnias oil on canvas signed "Jane Peterson" (LL) 39 x 29 inches. Collection of Mrs. A. Edward Allinson
• Jane Couch (American, b. 1944)
  Jane Couch (American, b. 1944) Naples Yellow, 1977 oil on canvas signed Couch, titled and dated (verso) 66 x 99 1/2 inches. Property from a Private Art Collection
• Jane Peterson (American
  Jane Peterson (American 1876-1965) pair of oil on canvasboard floral still lifes signed lower left and lower right 12" x 16". ?
• JANE ATCHé (FRENCH, 1872-1937)
  JANE ATCHé (FRENCH, 1872-1937) 14" image "Femme au Livre", ca. 1897. Art Nouveau chromolithograph with gilt embellishment, signed in the plate, in period style frame, 20 ¼" overall.
• JANE (SCOTT) LICHOWSKY (AMERICAN
  JANE (SCOTT) LICHOWSKY (AMERICAN 1933-2014), THE BLUE HAT, OIL ON CANVAS, FRAMED, 40-1/2 X 41 INJane (Scott) Lichowsky (American 1933-2014), The Blue Hat, Oil on Canvas, Framed, 40-1/2 x 41 in,
• JANE SHEA, SAN GERTRUDES,
  JANE SHEA, SAN GERTRUDES, 1991Jane Shea, (20th Century) San Gertrudes, 1991, gouache on paper signed lower left: Shea gouache on paper Dimensions: 7 x 10 in. (17.8 x 25.4 cm.), Frame: 16 1/4 x 18 3/4 x 1 1/4 in. (41.3 x 47.6 x 3.2 cm.) Provenance: Private Collection, New Mexico
• JANE MARIA BOWKETT (BRITISH,
  JANE MARIA BOWKETT (BRITISH, 1837-1891)Jane Maria Bowkett (British, 1837-1891) , "Expectancy", oil on canvas, monogrammed lower left, pencil-titled twice, inscribed with artist and handwritten label with artist on stretcher, 30 1/8 in. x 25 1/8 in., framed Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.
• JANE CARTER (NC), LADIES AT
  JANE CARTER (NC), LADIES AT LUNCHEON Watercolor and gouache with pencil and ink on paper, signed at lower left, matted and presented under glass within an attractive gilt frame.
• JANE HASKELL (AMERICAN, 1923 -
  JANE HASKELL (AMERICAN, 1923 - 2013) 9 1/" x 13¼" sight "Flowering Vine", 20th century. Ink on colored paper, signed lower right, matted in frame, 16" x 20" overall. Provenance: Daniel M. Fawcett Estate private collection, Pittsburgh, PA.
• JANE CARTER (NC), O'REILLY'S PUB
  JANE CARTER (NC), O'REILLY'S PUB Watercolor and ink on paper, signed at lower right, matted and framed under glass.
• JANE PETERSON (AMERICAN, 1876-1965)
  JANE PETERSON (AMERICAN, 1876-1965) OIL ON CANVASJANE PETERSON(American, 1876-1965) OIL ON CANVAS BEAUTIFUL VIVID LANDSCAPE WITH A WOMAN IN THE GARDEN SIGNED LOWER LEFT 26" x 30" TOTAL FRAMED 20" x 24" ART EF
• JANE PETERSON (AMERICAN,
  JANE PETERSON (AMERICAN, 1876-1965)Jane Peterson American, 1876-1965 Untitled Oil on canvas, signed lower left A congregation crossing a bridge over a Venetian canal, unframed. Born Jennie Christine in Elgin, Illinois, Peterson officially changed her name to Jane Peterson in 1909 after her first success as an artist. Her family was of humble background but certainly not poverty stricken. She became famous for a wide range of works from landscapes to still-lifes that blend Impressionist and Expressionist movements. As a woman, her life was much more independent and adventurous than those of most of her contemporaries, and she traveled widely to paint, including joining Louis Comfort Tiffany on a continental painting expedition in his private railway car. Peterson does not belong to any particular school of painting, but combined techniques and styles from a variety of teachers and prevalent styles. Many of her early works were strongly Impressionist, much influenced by Joaquin Sorolla y Bastida, a Madrid painter under whose teaching she abandoned dark tonalities for the spontaneous methods of applying paint characteristic of Impressionism. At age 18, Peterson, with a gift from her mother of $300, then a substantial sum of money, enrolled in the Pratt Institute in New York City and studied with Arthur Wesley Dow, graduating in 1901. She also studied at the Art Students League with Frank DuMond and held several teaching positions that took her to Boston and Maryland. Subsequently she studied in Paris and lived around the corner from Gertrude and Leo Stein, who invited Peterson to many of their soirees where she met leading intellectuals including Picasso and Matisse. Peterson studied in Venice and in London with Frank Brangwyn and in Madrid with Joaquin Sorolla, whom she accompanied in 1919 to the United States when he received a commission from Tiffany to paint his portrait. Tiffany's home at Laurelton Hall, Oyster Bay, New York had lavish gardens that reminded visitors of Claude Monet's gardens at Giverny. Peterson did paintings of this garden that strongly resembled work by Monet's followers. In 1916, she exhibited work she had painted in the Pacific Northwest while traveling with Louis Tiffany. By 1916, she was also painting colorful beach scenes with Maurice Prendergast and went on to paint many landscapes and seascapes. She completed many floral subjects, which were inspired by the gardens of her summer house in Ipswich, Massachusetts. Many of her beach and pier scenes were from painting trips to artist colonies along the Massachusetts coast. Her first successful American exhibition was in 1909 at the St. Botolph Club in Boston, and from that time her work was the subject of over 50 one-person shows. Charlotte Rubinstein, American Women Artists 28 3/4 x 23 3/4 in. (73 x 60.3 cm.) Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.