A few examples of appraisal values for
JIANG

• A PAIR OF CHINESE QIANJIANGCAI
  A PAIR OF CHINESE QIANJIANGCAI PORCELAIN BOWLSA pair of Chinese qianjiangcai porcelain covered bowlsInscriptions to lids, on stands.height 9in (23cm); width 9 3/4in (25cm); depth 8 3/4in (22cm)
• TIEFENG JIANG, BLACK HORSETiefeng
  TIEFENG JIANG, BLACK HORSETiefeng Jiang (China, b. 1938)Black Horsescreen print in colors on wove paperscreen print with additional hand splattered ink; numbered 217/293 and signed in silver ink to the lower right25 x 25in (64
• TWO QIANJIANGCAI PORCELAIN TABLETOP
  TWO QIANJIANGCAI PORCELAIN TABLETOP DISHESTwo Qianjiangcai porcelain tabletop dishesThe first with vegetables bearing an unidentified Cheng family signature with restoration and discoloration along one rim. The second depicting a bird on a br
• CHINESE QIANJIANG ENAMELED
  CHINESE QIANJIANG ENAMELED PORCELAIN PLAQUE, ROC Chinese Qianjiang enameled porcelain plaque, dated to Republic Period, depicting a Luohan figure wearing robe, sitting under a willow tree digging his ear with a stick, next to him book and wooden block on top of a table shaped rock, two vertical lines of Chinese poetry on the upper right corner with a read seal mark, framed in a wooden fram with a Ruyi shaped bronze hanger Overall H: 24??(61 cm) W: 15 3/4"(40 cm) Plaque H: 15"(38.2 cm) W: 9 7/8"(25.2 cm) Collection of a private Philadelphia Collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: the plaque is in good condition, the wooden frame has chips and typical wood crack to the sides and edge
• CHINESE JIAN WARE HARE'S FUR
  CHINESE JIAN WARE HARE'S FUR CONICAL BOWL, SONG D. Chinese jian ware hare's fur conical bowl, dating from the Song dynasty (960-1279). deep rounded sides rising to an indented groove below the rim, covered overall with a black glaze with bold streaks of reddish brown"Hare's Fur" pulling at the rim to reveal the dark brown stoneware body pools evenly and thickly above the foot. With 2 incised character "JianJiang" (meaning Supervisor) mark on unglazed base. D. 5" (12.5 cm), H. 2 3/4" (7 cm) Provenance: From Michael Severne Collection who purchased it from Frank Caro Gallery Similar bowl was sold in Sotheby's New York on March 28,2023 Lot 854 for 9,525 USD another example was sold in Sotheby's Hong Kong on Dec 16,2021 Lot 5020 for 189,000 HKD Link to HD Natural Light photos:Click here for high resolution imagesCondition: the bowl is in good condition with minor firing imperfection
• (LOT OF 3) CHINESE 'QIANJIANG'
  (LOT OF 3) CHINESE 'QIANJIANG' ENAMELED 'LANDSCAPE' PORCELAIN PLAQUES (lot of 3) Chinese 'qianjiang' enameled 'landscape' porcelain plaques in the style of Cheng Men (active 1862-1908). The rectangular plaques are enameled soft hues of blue, iron-red, green and brown to depict figures in various mountain-landscape scenes, each inscribed with a descriptive text and bearing the signature of the artist, Cheng Men, Xueli and Lidao ren, late Qing dynasty, framed, 14.5"h x 9.5"w.
• CHINESE FAMILLE ROSE 'WANSHOU
  CHINESE FAMILLE ROSE 'WANSHOU WUJIANG' BOWL Chinese famille rose 'wanshou wujiang' bowl. Tongzhi four-character mark, 20th century, 5.25" across.
• (LOT OF 2) CHINESE UNDERGLAZE
  (LOT OF 2) CHINESE UNDERGLAZE BLUE DISHES (lot of 2) Chinese underglaze blue dishes, each bearing a Jiangxi Porcelain Company mark, 6" wide.
• 16PC MAGIC THE GATHERING FACTORY
  16PC MAGIC THE GATHERING FACTORY SEALED CARD GROUP United States2001-2018Group includes Magic: The Gathering Bomber Deck, 2015 Modern Masters booster pack, four Conspiracy booster packs, eight Dungeons & Dragons: Adventures in the Forgotten Realms booster packs, Magic Origins booster pack, and Global Series Jiang Yanggu and Mu Yanling box set, all factory sealed, light wear to packaging as expected from age and storage, box set with small approx. 1 1/4" tear upper left near box window, otherwise good condition, please refer to photographs.
• A CHINESE PORCELAIN FAMILLE JAUNE
  A CHINESE PORCELAIN FAMILLE JAUNE "BIRTHDAY" TEA SETTING Late 19th or early 20th century, porcelain decorated in famille rose enamels with gilt highlights on a yellow ground, having four round medallions each containing one of the four characters “wan shou fu jiang” (wishes for a long life without end) amidst swirling clouds, six character Guangxu mark in iron red to underside, includes a teapot (4 1/2 x 8 1/2 x 5 1/2 in.)(two slight nicks to interior rim and one nick with loss of enamel to underside of rim of spout), four teacups with handles (2 1/2 in.)(one cup with hairlines at rim; two cups with slight nick and/or firing glaze error at rim), and four saucer dishes (4 7/8 in. diameter)(two saucers with slight nick and/or firing glaze error at rim).
• GU LUO (CHINESE, 1763 - 1837) 34 ¼"
  GU LUO (CHINESE, 1763 - 1837) 34 ¼" x 15" opening image Of rectangular shape silk panel, Qing Dynasty, hand painted in ink and pigments, depicting Ming Dynasty court beautician with a lady, in a garden grotto landscape, signed and sealed in the upper left: "The 4th lunar month of Bing Xu year (1826) / Written by Hermit Ximei (the author’s art name) Gu Luo (the author’s full name) at Wujiang (a district in present-day Suzhou city)" / Gu Luo (the author’s full name) (Note: Gu Luo (1763 - 1837) was a Qing Dynasty painter). Simulated painting of Li Sixun’s works (Note: Li Sixun was a famous Tang Dynasty painter). Double matted under glass in gilt wood frame, overall 42" x 22 ½". Provenance: private collection, Pittsburgh, PA; acquired from former collection of Dr. Jack L. Paradise (Pittsburgh Children Hospital).
• GU LUO (CHINESE, 1763 - 1837) 34 ¼"
  GU LUO (CHINESE, 1763 - 1837) 34 ¼" x 15" opening image Of rectangular shape silk panel, Qing Dynasty, hand painted in ink and pigments, depicting Ming Dynasty scholar with a lady, in a garden landscape, signed and sealed in the upper right corner: " Written by Hermit Ximei (the author’s art name) Gu Luo (the author’s full name) at administrative agency of Wujiang" / Gu Luo (the author’s full name) (Note: Gu Luo (1763 - 1837) was a Qing Dynasty painter). Simulated painting of Li Sixun’s works (Note: Li Sixun was a famous Tang Dynasty painter). Double matted under glass in gilt wood frame, overall 42" x 22 ½". Provenance: private collection, Pittsburgh, PA; acquired from former collection of Dr. Jack L. Paradise (Pittsburgh Children Hospital)
• JIANG TIE-FENG (B. 1938): BLACK
  JIANG TIE-FENG (B. 1938): BLACK HORSEJiang Tie-Feng (B. 1938): Black Horse, bronze; signed in casting Dimensions: 17 1/4 x 19 1/2 x 7 1/2 in. (43.8 x 49.5 x 19.1 cm.) Condition:
• QIANJIANG ENAMELLED 'CRICKET'
  QIANJIANG ENAMELLED 'CRICKET' TEAPOT AND COVER GUANGXU MARK, 19TH-20TH CENTURY ??????? ???? '???'?? ???????the foliated body supported on four short feet, one side finely painted with a cricket perching on a leafy branch, the upper left inscribed with 'Ren Huan Zhang' mark and dated to the summer of Yi Hai year, the reverse further inscribed with archaistic characters, flanked with a curvy spout and rectangular handle, the base inscribed with a four-character Guangxu mark in iron-red(1)17cm wide
• YELLOW-GROUND FAMILLE ROSE
  YELLOW-GROUND FAMILLE ROSE 'LONGEVITY' BOWL QING DYNASTY, GUANGXU MARK AND OF THE PERIOD ??????? ?????????the exterior painted with four roundels respectively including a Chinese character reading 'Wan, Shou, Wu, Jiang (endless long life)', all between a stylised wan-swastika symbol with ribbons amongst clouds and above swirling waves, the interior painted with a shou-longevity symbol encircled by five bats, the base inscribed with a six-character Guangxu mark in iron red(1)16cm diameter
• COLLECTION OF ART REFERENCE BOOKS
  COLLECTION OF ART REFERENCE BOOKS ON ASIAN CERAMICS ?????????????????????????????????????????????????????????????????????including art reference books on asian art ceramics, in total 85 publications:Ashmolean Museum, Eastern Ceramics: and other works of art from the collection of Gerald Reitlinger, Oxford: Ashmolean Museum, 1981Battie, David (ed.), Sotheby's Concise Encyclopaedia of Porcelain, London: Conran Octopus Limited, 1994Beurdeley, Cecile, A Connoisseur's Guide to Chinese Ceramics, Office du Livre, 1985Butler, Michael, Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, London: Scala Publishers Limited, 2006Carswell, John, Blue & White: Chinese Porcelain Around the World, London: The British Museum, 2000Carswell, John, Chinese Ceramics in the Sadberk Hanim Museum, Istandbul: Sadberk Hanim Museum, 1995Catalogue of a Special Exhibition of Early Ming Period Porcelain, Taipei: National Palace MuseumChina without Dragons: Rare Pieces from the Oriental Ceramics Society Members, Hong Kong: CA Book Publishing, 2020Chinese Ceramics: Selected articles from Orientations 1982-2003, Hong Kong: Orientations Magazine Ltd., 2004Vainker, S.J., Chinese Pottery and Porcelain: From Prehistory to the Present, London: The British Museum, 1991Crick, Monique (ed.), Celadon: Grès des musées de la province du Zhejiang, Chine, Paris: Paris-Musées, 2005Davidson, Gerald, The Handbook of Marks on Chinese Ceramics, London: Han - Shan Books, 1994Eskenazi: Song ceramics 10th to 13th century (catalogue), 2003Fischell, Rosalind, Blue & White China: Origins/Western Influences, Boston: Little Brown & Company, 1987Foundation Amaverunt, Musée Ariana, La porcelaine chinoise de transition et ses influences sur la céramique japonaise, proche-orientale et européenneFrick Collection, Chinese Blue-and-white Porcelain in the Frick Collection, Frick Collection, 1992Fung, Rebecca, Ming Colours: Polychrome Porcelain from Jingdezhen, London: School of Oriental and African Studies, 2006Garner, Harry, Oriental Blue & White, London: Faber and Faber Limited, 1954Gray, Anita,A Catalogue of Oriental Ceramics and Works of ArtGray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Basil, Sung Porcelain & Stoneware, London: Faber and Faber Limited, 1984Hardy, Sheila Yorke, Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1999Harrison-Hall, Jessica, Ming Ceramics in the British Museum, London: The British Museum, 2001Heaven and Earth Seen Within Song Ceramics from the Robert Barron Collection, New Orleans: New Orleans Museum of Art, 2000Ho, Lee Ying, Antique Ceramics: translated by Goh Beng Choo, Singapore: Asiapac Books PTE Ltd., 1996Illustrated Catalogue of Celadon Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1997Illustrated Catalogue of Ming and Ming Style Polychrome Wares in The Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2006Illustrated Catalogue of Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1989Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, Hardy, Sheila Yorke, London: School of Oriental & African Studies, 1999Jenyns, Soame, Japanese Pottery, London: Faber and Faber Limited, 1971Jenyns, Soame, Ming Pottery and Porcelain, London: Faber and Faber Limited, 1988Kerr, Rose (et al.), The World in Colours: an exhibition of ceramics with coloured decoration dating from 700 to 1920 belonging to members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2006Kerr, Rose, Song Dynasty Ceramics, London: V&A Publications, 2004Krahl, Regina, Dawn of the Yellow Earth: Ancient Chinese Ceramics from the Meiyintang Collection, New York: China Institute Gallery, 2000Kuwayama, George, Chinese Ceramics in Colonial Mexico, Los Angeles: Los Angeles County Museum of Art, 1997Li, He, Chinese Ceramics: The New Standard Guide, London: Thames and Hudson, 1996Little, Stephen, Chinese Ceramicsof the Transitional Period: 1620-1683, New York: China Institute in America, 1983Littleton & Hennessy, Littleton & Hennessy: Exhibition of Qing Porcelain, London: Littleton & Hennessy, 2005Liu, Liang-yu, A Survey of Chinese Ceramics: Ch'ing Official and Popular Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Ming Official Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Sung Wares, Taipei: Aries Gemini Publishing Ltd., 1991Lo, Kai-Yin (ed.), Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998Macintosh, Duncan, Chinese Blue and White Porcelain: Third Edition, Woodbridge: Antique Collectors' Club Ltd., 1994Medley, Margaret, Illustrated Catalogue of Ming Polychrome Wares, London: School of Oriental & African Studies, 1978Medley, Margaret, Illustrated Catalogue of Ting and Allied Wares, London: School of Oriental & African Studies, 1980Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2004Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains, London: School of Oriental & African Studies, 1976Medley, Margaret, Metalwork and Chinese Ceramics, London: School of Oriental & African Studies, 1972Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Oxford, Phaidon Press Limited, 1999Medley, Margaret, Yuan Porcelain & Stoneware, London: Faber and Faber Limited, 1974Mowry, Robert D., Farrell, Eugene, Coolidge Rousmaniere, Nicola, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black-Glazed Ceramics, 400-1400, Cambridge: Harvard University Art Museums, 1997Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition, Bath: The Museum of East Asian Art, 1993Pierson, Stacey (ed.), Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, London: Percival David Foundation of Chinese Art, 2002Pierson, Stacey, Blue and White for China: Porcelain Treasures in the Percival David Collection, London: School of Oriental and African Studies, 2004Pierson, Stacey, Designs as Signs: Decoration and Chinese Ceramics, London: School of Oriental & African Studies, 2001Pierson, Stacey, Earth, Fire and Water: Chinese Ceramic Technology: A Handbook for Non-specialists, London: School of Oriental and African Studies, 1996Pierson, Stacey, Percival David Foundation of Chinese Art: Illustrated Guide to the Collection, London: School of Oriental & African Studies, 2004Pierson, Stacey, Song Ceramics: Objects of Admiration, London: School of Oriental and African Studies, 2003Pope, John Alexander, Chinese Porcelains from the Ardebil Shrine, London: Sotheby Parke Bernet Publications, 1981Priestley & Ferraro, Chinese Art: Song Ceramics & Works of Art, 2014Riggs, Thomas (et al.), Dark Jewels: Chinese Black and Brown Ceramics from the Shatzman Collection, Chapel Hill: Ackland Art Museum, 2002Rinaldi, Maura, Kraak Porcelain: A Moment in the History of Trade, London: Bamboo Publishing, 1989Scott, Rosemary (ed.), Illustrated Catalogue of Qing Enamelled Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1991Scott, Rosemary and Pierson, Stacey, Flawless Porcelains: Imperial Ceramics from the Reign of the Chenghua Emperor, London: School of Oriental and African Studies, 1995Scott, Rosemary E. (ed.), The Porcelains of Jingdezhen (Colloquies on Art & Archaeology in Asia No.16), London: School of Oriental and African Studies, 1993Scott, Rosemary, Imperial Taste: Chinese Ceramics from the Percival David Foundation, San Francisco: Chronicle Books, 1989Shanghai Museum Ancient Chinese Ceramics Gallery, Shanghai MuseumSong Ceramics: Art History, Archaeology and Technology (Colloquies on Art & Archaeology in Asia No.22), London: School of Oriental & African Studies, 2004Sotheby's: Song A Japanese Collection, London: Sotheby's, 2011Sotheby's: Song Ceramics from the Muwen Tang Collection, 2003The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Museum of Oriental Ceramics, Osaka, Song Ceramics, Osaka: Asahi Shimbun, 1999The Tsui Museum of Art, Hong Kong: Tsui Museum of Art, 1991The World in Blue and White: an exhibition of blue and white ceramics, dating between 1320 and 1820, from members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2003The World in Monochromes, London: The Oriental Ceramic Society, 2009Tippett, Paul, Christie's Collectables: Blue and White China The Connoisseur's Guide, London: Little, Brown and Company, 1997Transactions of the Oriental Ceramic Society Volume 68. 2003-2004, London: The Oriental Ceramic Society, 2005Tregear, Mary, Chinese Ceramics in the Ashmolean Museum, Oxford: Ashmolean Museum, 1987Tregear, Mary, Song Ceramics, London: Thames and Hudson, 1982Wang, Qingzheng, A Dictionary of Chinese Ceramics, Shanghai: Shanghai Dictionary Publishing House, 2002Wilson, Ming, Rare Marks on Chinese Ceramics: a joint exhibition from the Percival David Foundation of Chinese Art and the Victoria and Albert Museum, London: School of Oriental & African Studies, 1998Wirgin, Jan, Sung Ceramic Designs, London: Han-Shan Tang Ltd., 1979Wong, Sarah and Pierson, Stacey (ed.), Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society 1921-2021, London: The Oriental Ceramic Society, 2021Wood, Nigel, Chinese Glazes, London: A & C Black Ltd., 1999(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
• CHEN BANDING (1876-1970) INK SCROLL
  CHEN BANDING (1876-1970) INK SCROLL PAINTING OF YELLOW PEONIES ????1876-1970? ??? ???? ????: ??????????????????: ???????????ink and colour on paper, inscribed lower right, signed and sealed, dated to the Yi Chou year, corresponded to 1925AD(1)100cm x 50cmNote: Chen Banding, also named Nian, style names 'Banding' and 'Jingshen', born in Shaoxing, Zhejiang. When he was 20 years old, he went to Shanghai to study and met the famous painters Ren Bonian (1840–1896) and Wu Changshuo (1844-1927). He later became a disciple of Wu Changshuo., learning various aspects of poetry, calligraphy, painting and seal making. He went to Beijing after he was 40 years old and worked in the Peking University Library. In 1931, he was appointed as a professor at Beijing Art College. While living in Beijing, he developed friendships with artists such as Chen Shizeng (1876-1923) and Qi Baishi (1864-1957). In the 1940s, he held personal exhibitions. He once served as vice president of the Beijing Chinese Painting Academy (now Beijing Painting Academy), director of the Chinese Artists Association, and president of the Chinese Painting Research Association. He held another solo exhibition in 1956 and published "Chen Banding's Painting Collection" in 1959. In 1986, Rong Baozhai edited and published "Chen Banding's Flower Painting Book".Chen paints landscapes, figures, flowers, animals and other subjects, among which flower painting is the most distinctive. He widely draws on the methods of Ming and Qing dynasty, and blends them into his unique personal artistic style.
• ZHU RUINING (ACTIVE CA. QING
  ZHU RUINING (ACTIVE CA. QING DYNASTY, 18TH-19TH CENTURY) INK PAINTING OF TWO LADIES WRITING CALLIGRAPHY ? ??? ????? ????? ????: ?????: ???ink and colour on paper, depicting two ladies writing calligraphy at a rock-form table within a garden setting with dense plantains, the table with various calligraphy materials atop, including an ink stone, brush washer and a brush pot filled with paper scrolls and brushes, signed and sealed(1)85cm x 30.7cmProvenance: Private English collection, London; acquired from Galeri Gerard Levy, 17 Rue de Beaune, 75007 Paris, about 30 years ago, with a certificat d'authenticite issued and signed by Gerard Levy.Note: Zhu Ruining, style name Ji Tang, was from Shanyin, Zhejiang, known for depicting figures, especially ladies.
• CLOISONNÉ AND CHAMPLEVÉ ENAMEL DISH
  CLOISONNÉ AND CHAMPLEVÉ ENAMEL DISH QING DYNASTY ? '????'?? ???????????heavily cast, the exterior decorated with four circular medallions enclosing the characters, 'wan shou wu jiang(ten thousand years of long life without end)', all surrounded by lotus scroll between yellow-green champlevéenamel borders of archaistic dragon scroll above and petal lappets below, the interior, foot and base heavily gilded, the base inscribed with a four-character mark reading 'zi sun yong bao(treasured forever by sons and grandsons)' within a double square(1)16.9cm diameter; 592gProvenance: Formerly in a private French diplomat's family collection (by repute)Note: According to Qing court records, in the 45th year of the Qianlong reign (1780), a large number of cloisonnéenamel bowls and dishes decorated with wanshou wujiangcharacters were produced for the celebration of the Emperor's 70th birthday. Some similar plates are in the collection of the National Palace Muesum, Taipei, museum number Zhong Fa ??199, 201, 203 etc.
• (4) CHINESE CARVED ELMWOOD DOOR
  (4) CHINESE CARVED ELMWOOD DOOR SET(lot of 4) Chinese elmwood pierced and carved four panel door set, Zhejiang Province, 19th c., the upper panel with pierced carving, the central and lower panels with foliate and fauna carving, mortise and tenon joinery, each with hinge peg, each door 84"h, 21.5"w, 3.25"d
• (3) ORNATE CHINESE EXPORT SILVER
  (3) ORNATE CHINESE EXPORT SILVER DRAGON TEA SET(3 piece set) Ornate Chinese export silver tea set, Tu Mao Xing, Jiujiang, early 20th c., handles modeled as a whiskered writhing dragon, mount to each piece having Greek key borders, repousse, chased and hammered alternating panels of flowering tree branches and reserved soldiers on horseback, marked underfoot, including: (1) teapot, with later knopped wood finial, approx 6"h, (1) creamer, approx 3.5"h, (1) covered sugar bowl, lid with floriform finial, approx 3.75"h; denting at bases, 30.81ozt total (inclusive of all materials) **Provenance: from a local Austin, Texas estate**
• CHINESE SCHOOL - ZHONG KUI AND
  CHINESE SCHOOL - ZHONG KUI AND DEMON Chinese school - Zhong Kui and Demon. Ink and color on paper, inscribed, dated, signed Wang Jianghua and with one seal, framed and glazed, 20"h x 15"w.
• A GROUP OF FOUR CHINESE PORCELAIN
  A GROUP OF FOUR CHINESE PORCELAIN FAMILLE JAUNE "BIRTHDAY" PLATES 19th century, includes four plates, decorated in famille rose enamels with gilt highlights on a yellow ground, four round medallions each containing one of the four characters “wan shou fu jiang” (wishes for a long life without end) are surrounded by swirling clouds, in the center of the plates is a longevity "shou" symbol encircled by waves and mountains peaks symbolizing the cosmos, key motif around the rim, exterior sides with floral and vine decoration, six character Guangxu mark in iron red to underside of each.
• 8pc Chinese Lac Burgaute Silver
  8pc Chinese Lac Burgaute Silver Wine Cups and Trays 1.5'' to 4''. Includes a set of four wine cups and intricately inlaid trays over silver. Inlaid Jiang Qianli seal mark on verso of trays. Some scattered slight surface wear from age. 18th century or possibly older.
• Attributed to Jiang Tingxi
  Attributed to Jiang Tingxi (1670-1770 Chinese) ''Orchids'' Scroll Painting Watercolor on Silk 24''x8.25'' Image. Singed with calligraphy and chop seals with signed colophon on at left. Framed size 31''x15''. Some scattered loss and roll creases from age. 18th or 19th century, Qing dynasty.
• A Turquoise-Ground 'Wanshou
  A Turquoise-Ground 'Wanshou Wujiang' Pattern Dinner Service, Circa 1960 ?1960? ????'????'????????100? ?1960? ????'????'????????100?
• A Red-Ground 'Wanshou Wujiang'
  A Red-Ground 'Wanshou Wujiang' Pattern Dinner Service, Circa 1960 ?1960? ??'????'????????71? ?1960? ??'????'????????71?
• A Yellow-Ground 'Wanshou Wujiang'
  A Yellow-Ground 'Wanshou Wujiang' Pattern Dinner Service, Circa 1960 ?1960? ??'????'????????47? ?1960? ??'????'????????47?
• A Qianjiang Enameled Beaker Vase,
  A Qianjiang Enameled Beaker Vase, Republican Period ?? ????????? height 14.9 in — 37.8 cm
• A Small Famille Rose 'Jiang
  A Small Famille Rose 'Jiang Taigong' Vase, Hongxian Mark, Republican Period ?? ?????'?????'?? height 5 in — 12.8 cm
• A Set of Nine Qianjiang-Enameled
  A Set of Nine Qianjiang-Enameled Sweetmeat Dishes Within a Glass Covered Box, Republican Period ?? ??????? box 3.3 x 11.1 x 11.1 in — 8.5 x 28.2 x 28.2 cm
• A Well-Painted Famille Rose
  A Well-Painted Famille Rose Teapot and Cover, Jiangxi Jingdezhen Chupin Mark, Dated 1954 ???? ?????'????'??? ??1954? 3.2 x 6.7 in — 8.2 x 17 cm
• A Set of Fifty-Two 'Wanshou
  A Set of Fifty-Two 'Wanshou Wujiang' Porcelain Dinner Wares, Circa 1960 ?????? ????'????'???????? largest diameter 9.1 in — 23 cm
• A Large and Rare Famille Verte
  A Large and Rare Famille Verte Wucai 'Jiang Ziya' Dish, Kangxi Period (1662-1722) ? ?? ??'???'?? ? ?? ??'???'??
• ASIAN PORCELAIN VASES & TEAPOTa. A
  ASIAN PORCELAIN VASES & TEAPOTa. A Chinese Famille Rose 'Japanese' vase, 20th century, height, 18''. b. Chinese blue, white & copper red 'Dragon' bottle shaped vase, marked at base, Tianqiuping, Qianlong mark, 20th century, height 12.375". c. Pair of Chinese Famille Rose hat stands, marked at base, one with chip at rim, Late Qing Dynasty, height, 11.25". d. Chinese Qianjiang teapot & cover, decorated with a young lady sitting under a tree, early 20th century, height, 6.5".
• LARGE CHINESE VASESa. A large
  LARGE CHINESE VASESa. A large Chinese Qianjiang 'Ladies' vase, early 20th century, chip to rim & hairline, height 22.5". b. Chinese Famille Rose figural baluster vase, the body showing a woman on a white horse leaving the court, 20th century, marked at base, height 18.25". c. Chinese Famille Rose 'Horses of Wang Mu' vase, marked at bases, 20th century, height, 17.5".