A few examples of appraisal values for
JOHN BROCK

• CURTISS BROCK (AMERICAN, B. 1961)
  CURTISS BROCK (AMERICAN, B. 1961) 21 ½" and 20 ½" Untitled glass grouping. Glass, mottled polychrome in multiple colors to exterior of glass forms in varying sizes, signed to the underside of one.
• BROCK, Emily, (American, b.
  BROCK, Emily, (American, b. 1945): ''The Music Book'', Slumped and Fused Glass Environment with Mixed Media elements, signed and dated 1998, 10.5'' (h) x 15.5'' (w) x 14.5'' (d). Sold with original gallery invoice from 1998 for $5300.
• John Jon
  John Jon
• John Jam
  John Jam
• BROCK LOPER
  BROCK LOPER (AMERICAN/MISSISSIPPI, 1935-2009)Brock Loper (American/Mississippi, 1935-2009) , "Bringing in the Beans", 1991, oil on illustration board, signed and dated lower right, 24 in. x 36 in., framed, overall 28 5/8 in. x 40 3/4 in. x 2 in. Condition: Overall good condition.
• John Jam
  John Jam
• BROCKEDON, WILLIAM ITALY,
  BROCKEDON, WILLIAM ITALY, CLASSICAL, HISTORICAL AND PICTURESQUE London: Duncan and Malcolm, [n.d. but c.1847] Folio, frontispiece, engraved title and 59 plates, contemporary red half morocco gilt
• JO BROCKLEHURST, 'LONDON TAKE
  JO BROCKLEHURST, 'LONDON TAKE TWO'.EXHIBITION POSTER FROM THE FRANCIS KYLE GALLERY, 1982.64 X 46 CM
• J Brockelbank (19th/20th
  J Brockelbank (19th/20th Century)/Dordrecht/watercolour, 22.5cm x 33cm/and two etchings after Tatton Winter/and two watercolours (5)
• After John Jam
  After John Jam
• G. L. BROCKHURST. "YOUNG WOMAN,"
  G. L. BROCKHURST. "YOUNG WOMAN," ETCHING Limited edition, framed.
• Brock Loper (American, B. 1935)
  Brock Loper (American, B. 1935) \"Mother with Child Peeling Potatoes\", gouache on board, 20\" x 16\", signed and dated lower right: \"Brock Loper, 1991\". Matted and presented in a carved and polychromed frame.
• Johann
  Johann
• Brock Loper (American, B. 1935)
  Brock Loper (American, B. 1935) \"Mending Socks\", mixed media, 13\" x 10\", signed and dated lower right: \"Brock Loper, 1991\". Presented in a carved giltwood frame.
• Bristol John B. [American
  Bristol John B. [American 1826-1909] oil on canvas Hudson River School landscape painting signed l.r. ?J.B. Bristol''. 12''x30''
• BEACH SCENE BY JOHN BROCK LEAR
  BEACH SCENE BY JOHN BROCK LEAR JR. Pennsylvania, 1910-2008. Oil on canvas, signed lower right. Beach scene with men and woman. 40"h. 60"w., framed, 48"h. 68"w.
• JOHN OLIVER (CANADIAN, B.1939)
  JOHN OLIVER (CANADIAN, B.1939) BAKER BROOK POND, GROS MORNE NATIONAL PARK, NFLD OIL ON CANVAS; SIGNED AND DATED '23 LOWER RIGHT; SIGNED, TITLED AND DATED '23 VERSO 24 x 36 in — 61 x 91.4 cm
• DAN TRUTH (AMERICAN, B. 1949), 20TH
  DAN TRUTH (AMERICAN, B. 1949), 20TH C. OIL ON CANVAS, "OLD MYSTIC BROOK", DEPICTS BROOK IN SPRINGTIME, POSSIBLE VIEW NEAR ROUTE 184...Dan Truth (American, b. 1949), 20th C. oil on canvas, "Old Mystic Brook", depicts brook in springtime, possible view near Route 184 in Old Mystic, CT, signed LL, condition consistent with age including light wear and canvas loose in frame, ss: 11 1/2" h. x 8 1/4" w.
• WAX PORTRAIT OF BARTHOLD HEINRICH
  WAX PORTRAIT OF BARTHOLD HEINRICH BROCKES, BY F.W. DUPUT, 18TH CENTURY 7" x 5 ¾" Barthold Heinrich Brockes (September 22, 1680 – January 16, 1747) German author of a collection of religious and nature poems, and his translations of Alexander Pope's "Essay on Man" (1740) and James Thomson's "Seasons" (1745). Wax portrait of the poet by Friederich Wilhelm DuPut (Munich, 1711- Danzig, 1779). From the collection of Leonard Koehler and Albert Schloss. Brockes is depicted in a black moire suit, embroidered cuffs, white, high-collar shirt, and a buttoned embroidered vest. A ruffled cape drapes over his shoulders. He has a gloved left hand, his right hand holding a quill and is resting atop a book numbered "74" to the spine. Rose silk background in an arched wood shadowbox.
• Tenn
  Tenn
• GERALD BROCKHURST (AMERICAN,
  GERALD BROCKHURST (AMERICAN, 1890-1978)Gerald Brockhurst (American, 1890-1978), "Portrait of a Woman", 1943, charcoal on paper, signed twice and dated lower left, 19 in. x 12 1/2 in., framed.
• Paul D
  Paul D
• GERALD LESLIE BROCKHURST (BRITISH
  GERALD LESLIE BROCKHURST (BRITISH 1890-1978), ADOLESCENCE (KATHLEEN NANCY WOODWARD), ETCHING, 362 X 260 MMGerald Leslie Brockhurst, (British, 1890-1978) Adolescence (Kathleen Nancy Woodward), Etching, 1932, signed G L Brockhurst in graphite l.r.; apparently in good condition. Framed.* Dimensions: Plate size: 362 x 260 mm (14-1/4 x 10-1/4 in)
• STAN BROCKMAN (20TH CENTURY) OLD
  STAN BROCKMAN (20TH CENTURY) OLD CITY WALKWAY, TEMPERA ON BOARD, SIGNED STAN BROCKMAN, 40" X 30", FRAMED, OVERALL-44 1/2" X 34 1/4".Stan Brockman (20th Century) Old City Walkway, Tempera on Board, Signed Stan Brockman, 40" x 30", Framed, Overall-44 1/2" x 34 1/4".
• JAY BROOKS (American 20th century).
  JAY BROOKS (American 20th century). RURAL ROUTE signed and dated '97 lower right. Pastel - Framed 7 1/2 in. x 10 1/2 in.
• JAMES BROOKS, LITHOGRAPH, 1970
  JAMES BROOKS, LITHOGRAPH, 1970 James Brooks (American, 1906-1992), "Banter", pencil signed, dated and numbered (5/50) lower margin, gallery label verso, 22"h x 29.75"w (sheet), 25"h x 32.75"w (frame)
• James Brooks 1906–1992. Concord.
  James Brooks 1906–1992. Concord. 1975, screenprint in colors. 28¼ h × 20½ w in. result: $688. estimate: $500–700. Signed, dated and numbered to lower edge ‘156/200 J Brooks 75’. This work is number 156 from the edition of 200.
• COLLAGE, JOHN BOCK John Bock
  COLLAGE, JOHN BOCK John Bock (German, b. 1965), Untitled, 1998, collage and drawing on paper, initialed and dated lower right, overall (with frame): 14.5"h x 11"w. Provenance: Purchased from Klosterfelde, Berlin, Germany.
• G
  G
• BROCKWAY, Ed. Acrylic on Board
  BROCKWAY, Ed. Acrylic on Board "Maine Winter At The Inlet". Signed lower right with an exhibition label verso. Size:24 x 33. Condition:Good.
• BRODNEY, Edward, (American,
  BRODNEY, Edward, (American, 1910-2002): Two Polo-Themed Pastels, To Include: 1) Head-to-Head Duel, Pastel and Charcoal/Psychedelic Marbled Paper, 18'' x 11.5'', signed lower right, unframed; 2) Polo Match, Pastel, 17.75'' x 24'', signed lower right, unframed.
• Nace Brock, African-American
  Nace Brock, African-American photos, six images: three sepia photographs, two of African-American families with children, one of elderly Anglo-American lady in rocker, all proximate to log cabins; three photogravures, one of elderly bearded man with pipe, two of mountain scenes, one inscribed (in image) "Near Emeralda [sic] Inn/Hickory Nut Gap N.C./Brock" (Ignatius Wadsworth Brock, 1866-1950, Asheville, North Carolina, pictorialist photographer), all probably Western North Carolina, early 20th century, by Brock, 7-1/2 x 6-3/8 in. (sight); modern frame. Laid down on old cardstock, attached mat, images with light foxing, soiling and slight fading. Private Collection
• BRODNEY, Edward, (American,
  BRODNEY, Edward, (American, 1910-2002): 1) ''Florida Polo Match'', Oil/Canvas, 20'' x 24'', signed lower right, unframed; 2) Three Watercolor Paintings, a) Worker Chopping a Coconut with a Machete, 11.25'' x 7.5'', signed in the lower margin, unframed, b) Country Estate with Barn and House Figure Doing Laundry, 15.5'' x 22.5'', signed lower right, dated `36, unframed, c) Florida Town Scene with Figures, 16'' x 22.5'', signed lower right, dated '32, unframed.
• SIR THOMAS BROCK (BRITISH
  SIR THOMAS BROCK (BRITISH 1847-1922)SIR THOMAS BROCK (BRITISH 1847-1922) Hercules and Antaeus , 1869 bronze with dark brown patina height including base: 108 cm (42.5 in.) signed, dated and inscribed with edition number 4/99 on base LOT NOTES Sir Thomas Brock was born in Worcester, England in 1847. He was commissioned to create many significant works of sculpture for Queen Victoria. Most famous is his imperial memorial to Queen Victoria. The work is now in front of Buckingham Palace where he was knighted in 1911. Sir Thomas Brock’s sculptures echo style and allegory commonplace in Baroque era sculpture. Sir Thomas Brock’s sculptures were later associated with the New Sculpture Movement. The New Sculpture Movement focuses on the renewal of classicized British sculpture adding a new “elegance” and “vitality”. In his piece “Wrestlers”, it is evident that Sir Thomas Brock was strongly influenced by Hellenistic and Baroque sculpture. The two men are twisting around each other, as the smaller man is pulled upwards -- his face full of agony. The defined muscles and arms of both men are intertwining. There is a terrific sense of tension and force being exerted as both men try to overcome the strength of the other. The work is an exemplar of Brock’s wonderous ability to demonstrate varieties in texture, depict hair and emotion-filled facial expressions, and evoke a sense of the piece being a “frozen” in time -- a particular moment within a time of dynamic movement and chaos; there is a sense of potential energy. The piece is likely a depiction of Hercules slaying Antenaeus. The mythical giant Antenaeus was the son of Gaia, goddess of earth. Because of this, Antenaeus was strong and undefeatable when in contact with the earth. Knowing this, Hercules lifted Antenaeus into the air and squeezed him to death. Both this piece of artwork in particular, as well as the story of Hercules Slaying Antenaeus, can be seen as allegorical to the story of David and Goliath. However, the story of Hercules Slaying Antenaeus clearly differs in that Anetaeus, the loser of the brawl, is a giant. CONDITION N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• ROBERT BROOKS (MASSACHUSETTS,
  ROBERT BROOKS (MASSACHUSETTS, 1922-1992), ABSTRACT OF A FISH IN BLUES, GREENS AND RED., OIL ON BOARD, 18" X 24". FRAMED 24" X 29".ROBERT BROOKS, Massachusetts, 1922-1992, Abstract of a fish in blues, greens and red. Signed lower left "Robert Brooks Hyannisport". Artist's studio stamp on frame. Dimensions: Oil on board, 18" x 24". Framed 24" x 29".
• GERALD LESLIE BROCKHURST, ENGLISH
  GERALD LESLIE BROCKHURST, ENGLISH (1890 - 1978), THE BASQUE BOY, 1927, LITHOGRAPH, 21 1/2"H X 17 1/2"W (FRAME), 14"H X 10 1/2"W (SIGHT)Gerald Leslie Brockhurst, English, (1890 - 1978) The Basque Boy, 1927, lithograph pencil signed lower right. lithograph Dimensions: 21 1/2"H x 17 1/2"W (frame), 14"H x 10 1/2"W (sight)