A few examples of appraisal values for
JOHN BUYCK

• COLLAGE, JOHN BOCK John Bock
  COLLAGE, JOHN BOCK John Bock (German, b. 1965), Untitled, 1998, collage and drawing on paper, initialed and dated lower right, overall (with frame): 14.5"h x 11"w. Provenance: Purchased from Klosterfelde, Berlin, Germany.
• PRINT, JOHN BUCK John Buck
  PRINT, JOHN BUCK John Buck (American, b. 1946), "A Common Tongue," 1991, woodcut in colors, pencil signed and dated lower right, titled lower left, trial proof edition, image: 59.75"h x 34.5"w, sheet: 63.5"h x 37"w, overall (with frame): 68"h x 42"w
• John Michael Buckley (American,
  John Michael Buckley (American, 1891–1958) Untitled oil on canvas signed J. Buckley (lower right) 16 7/8 x 23 3/4 inches.
• John Jam
  John Jam
• John Jam
  John Jam
• J. BLUCK AND R. ACKERMAN, PRINT
  J. BLUCK AND R. ACKERMAN, PRINT ON PAPER OF A COURTROOM...Court of Kings Bench Westminster Hall. Housed in a black and gilded frame with a tan-color mat. Depicts a colored print of a courtroom. By printer maker John Bluck (British, 1791 - 1819), and publisher Rudolph Ackerman (German, 1764 - 1834). Inscription printed on the lower left. Titled and publication printed on the lower center. Artist named printed on the lower right. Frame size: 15.5in W x 14in H x 0.5in D. Sight size: 10.5in W x 8.5in H. Artist: John Bluck and Rudolph Ackerman Country of Origin: England and German Condition: Age related wear.
• Catalog ''John W. Buckley (New
  Catalog ''John W. Buckley (New York) Rubber Goods''. 24 pages. c. 1900. Exc. cond.
• JOHN BAGNOLD BURGESS (BRITISH,
  JOHN BAGNOLD BURGESS (BRITISH, 1830-1897), A FAMILY SCENE Oil on canvas, signed at lower left, presented in an antique gilt composition frame.
• JOHN AJohn A. Vickers (American,
  JOHN AJohn A. Vickers (American, 20th C.), oil on canvas, architectural facade of brick house with light yellow trim, a bay window on the second floor above a door and two windows looking out on front porch, signed and dated (19)72 lower right, unframed, wear consistent with age, ss: 17 1/2" h. x 9 1/2" w.
• BECKMANN, JOHN. HISTORY OF
  BECKMANN, JOHN. HISTORY OF INVENTIONS, DISCOVERIES AND ...Beckmann, John. History of Inventions, Discoveries and Origins. London: Bohn, 1846. Fourth edition. Two volumes. Publisher's cloth stamped in gilt and blind. Portrait frontispieces. 8vo. Minor rubbing, else a fine copy. Toole Stott 87.
• JOHN BUCK (AMERICAN B. 1946) A
  JOHN BUCK (AMERICAN B. 1946) A PRINT, "FIREWEED," 1992,...JOHN BUCK (American b. 1946) A PRINT, "Fireweed," 1992, color woodblock print on paper, signed L/R "John E. Buck 1992," titled L/L in margin, special edition number 9/25. 66 1/2" x 40" Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• JOHN PIPER (ENGLAND, 1903-1992)
  JOHN PIPER (ENGLAND, 1903-1992) SCREENPRINT, "BUCKJOHN PIPER (England, 1903-1992) screenprint, "Buckden in a Storm." Pencil signed lower right, numbered 75/100, blindstamp lower right. Certificate of authenticity attached verso. Image measures 22.5" x 33". In a metal frame; 28.5" x 38.5" overall.
• Bewick (Thomas), A general
  Bewick (Thomas), A general History of Quadrupeds, Newcastle-upon-Tyne, 1811, 6th edition, half red leather with raised bands and gilt tooling; together with Sinclair (James), History of Shorthorn Cattle, London: Vinton & Company, 1907 and Bell (Thomas), A History of British Quadrupeds including the Cetacea, London: John van Voorst, 1874, 2nd Edition (3)
• After John Jam
  After John Jam
• Duyckinck "National Portrait
  Duyckinck "National Portrait Gallery", Evert A. Duyckinck, National Portrait Gallery of Eminent Americans , New York, 1862, Johnson, Foy & Company, 57 steel engravings, three-quarter brown morocco, all edges gilt, 11-1/4 x 8-3/4 in. Replaced endpapers, wear and losses to leather surface.
• PRINT, EDWIN BUCKMAN Edwin
  PRINT, EDWIN BUCKMAN Edwin Buckman (British, 1841-1930), "A Match at Football: The Last Scrimmage," engraving with hand coloring, titled lower center, originally printed in the Illustrated London News, overall (with frame): 22"h x 28.75"w
• Johann
  Johann
• ANDREW BICK, UNITED KINGDOM
  ANDREW BICK, UNITED KINGDOM (B.1963), COMPENDIUM MUMBO, 1999, WAX, MARKER, PEN, AND ACRYLIC ON WOOD, 24"H X 28"WAndrew Bick, United Kingdom, (b.1963) Compendium Mumbo, 1999, wax, marker, pen, and acrylic on wood Provenance: Hales Gallery, London. Liebman Magnan Gallery , NY. Biography from Hales Gallery: Andrew Bick (b. Gloucestershire, UK, 1963) received an MA in painting from the Chelsea School of Art (1988) and has since shown extensively in Europe and the U.S. Bick lives and works in London. Bick's works are executed from a combination of oil paint, marker pen, wax, acrylic paint and Perspex. The works play with elements of flat colour, depth and surface, revealing the process of painting as a series of strategies or components within the visual puzzle of the whole. Bick's paintings call into question false opposites, and contrast hard geometric or blunt graphic forms with uncertain or dashed-out strokes or patches of scrubbed brushwork. Within the abstract geometry of his works, he combines matte and glossy surfaces, different textures, colour and 'non-colour'. His work has been described as 'gently disruptive and purposefully chaotic'. In Bick's view, new versions of the abstract, concrete and constructive, necessitate the repetition of banal information, leading to an unexpected conjuncture of word and image. His work is based on the belief that disruption within a system helps us relearn the process of paying attention. Mediated layering of geometry and gesture act as an antidote to a world of instantaneous information. It is evident that the paintings are made laboriously, testing how far he can take the medium. Bick pays close attention to the formal processes of painting as well as the legacies of constructivism, systems art and concrete poetry. He has developed a cyclical correlation between resources, academic research and approaches for painting. Despite historical research being at the forefront of the artist's practice, he paints very much in the present, highlighting the canonical to subvert the rules. Gently deconstructing what has come before with deft humour, Bick uses systems not to predetermine the outcome, but to conjure new ways of thinking and to develop different results. The works act as a re-evaluation of constructivism and systems art, simultaneously celebratory and disruptive. 2018 saw the unveiling of Andrew Bick's architectural commission for The Crown Estate's shopping precinct, Princes Arcade. Made in collaboration with Modus Operandi and Rolfe Judd Architects, For Marlow Moss is a celebration of Bick's engagement with the overlooked artist, taking delight in the possibilities of re-evaluating the historical cannon. As part of this commission, Bick has also made a pocket square with Drakes Menswear, which reflects Marlow Moss's name change from Marjorie and her preference for wearing men's clothing. Bick was a research fellow at the Henry Moore Institute (Leeds, UK, 2007), was the recipient of the Premio Internazionale Fiar (1992) and shortlisted for the NatWest Art Prize (1999) and the Jerwood Painting Prize (1998). Selected exhibitions include Von Bartha, Basel, Switzerland; Bluecoat Liverpool, UK; Museum Haus Konstruktiv, Zurich, Switzerland; Stiftung Konzeptuelle Kunst, Soest, Germany; Kunstalle Palazzo, Liestal, Switzerland; Wilhelmshaven Kunsthalle, Germany; Niederrheinischer Kunstverein, Wesel, Germany; and Pizzuti Collection of Columbus Museum of Art, OH, USA. Bick's work can be found in numerous collections including the British Library, London, UK; British Museum, London, UK; Victoria & Albert Museum, London, UK; New York Public Library, NY, USA; Yale Center for British Art, CT, USA; Goldman Sachs, UBS, Simmons & Simmons, Roche Art Collection, Basel, Switzerland; and Museum Haus Konstruktiv, Zurich, Switzerland. Bick has curated several shows including: Conversations around Marlow Moss, & Model, Leeds, UK; The Conversation: Anthony Hill, Peter Lowe, Jeffrey Steele, Gillian Wise, Galerie Von Bartha Collection, Basel, Switzerland; Construction and its Shadow, Leeds City Art Gallery, UK; The Kingston Turnpike, the Stanley Picker Gallery, UK; Sight Mapping, Sala Rekalde, Bilbao, Spain; travelled to Gallery of Modern Art, Glasgow, UK; and Konsthallen Bohuslans Museum, Uddevalla, Sweden. wax, marker, pen, and acrylic on wood Dimensions: 24"H x 28"W
• John Edmund Buckley
  John Edmund Buckley (1824-1876)/Durham Cathedral/initialled and dated 1879/pen and ink, 19cm x 15.5cm
• Baker-Manch
  Baker-Manch
• JOHN SUCHY, (AMERICAN B. 1946), THE
  JOHN SUCHY, (AMERICAN B. 1946), THE CHECKER!, SCREENPRINT COLLAGE IN COLOR, SIGHT SIZE: 8 X 8 3/4 IN. (20.3 X 22.2 CM.), FRAME: 17 3/4 X 19 1/4 IN. (45.1 X 48.9 CM.)John Suchy, (American, b. 1946) The Checker!, Screenprint collage in color, Screenprint collage in color, Dimensions: Sight Size: 8 x 8 3/4 in. (20.3 x 22.2 cm.), Frame: 17 3/4 x 19 1/4 in. (45.1 x 48.9 cm.)
• attributed to Adam BuckDICK
  attributed to Adam BuckDICK WHITTINGTONwatercolour 15.25cm x 20.25cm (6" x 8")
• PRINT, JOHN BEECH John Beech
  PRINT, JOHN BEECH John Beech (British, b. 1964), "Car Mat Print," 1997, halftone print, pencil signed and dated lower right, titled lower center, edition 30/30, sheet (unframed): 22"h x 22"w
• John Koch (New York, 1909-1978),
  John Koch (New York, 1909-1978), "Paul", signed lower right "Koch", oil on canvas, 20 x 16 in.; gilt wood and composition frame,
• [DICKINSON, JOHN ] LOCKE, JOHN.
  [DICKINSON, JOHN ] LOCKE, JOHN. An Essay Concerning Human Understanding. Volume II. Estimate:$200-$300
• Bewick (Thomas) British Birds,
  Bewick (Thomas) British Birds, two volumes, Newcastle 1847, 8vo, 19th Century, tree calf gilt, gilt panelled backs, g.e. by Baker of Clifton, bookplate of HW Bruton
• PRINT, JOHN JEWELL John Jewell
  PRINT, JOHN JEWELL John Jewell (British, 18th century), "A View of Bideford," circa 1760, engraving with hand coloring, engraved by E.A Ezekiel, overall (with frame): 25.25"h x 36"w
• John George Brown (American
  John George Brown (American 1831-1913) etching of a boy playing the flute signed in pencil lower right 13 1/4" x 9 1/2". ?
• JOHN BOULTBEE (BRITISH 1753-1812) A
  JOHN BOULTBEE (BRITISH 1753-1812) A BRIGHT BAY HUNTER AND A DARK BAY HUNTER WITH SPANIEL IN LANDSCAPE Signed, oil on canvas102cm x 1227cm (40in x 50in)Provenance: Property from Kilmany House, FifeNote: Presented to Lord Kilmany by his Conservative friends in Berwickshire and East Lothian 1966
• YANKEL "JACOB BURCK" BOCZKOWSKY
  YANKEL "JACOB BURCK" BOCZKOWSKY (POLISH/AMERICAN)Yankel "Jacob Burck" Boczkowsky (Polish/American, 1907-1982), "The Lord Provides", 1934, lithograph, pencil-signed and dated lower margin, "France" watermark visible, 11 7/8 in. x 9 in., unframed. Condition: Overall fair condition.
• BURGESS, John Bagnold, (British,
  BURGESS, John Bagnold, (British, 1830-1897): Genre Scene with Young Pupils Reading in Secret in the Monastery with Elder Director Approaching, Oil/Canvas, 33'' x 44'', signed lower right. CONDITION: Several scattered abrasions with paint loss, older reline, scattered inpaint.
• John Clark (fl. late 18th/early
  John Clark (fl. late 18th/early 19th Century) - Coloured aquatint - ''The Town of Falkirk'' 15ins x 22ins published by Smith and Elder Fenchurch Street London 1824 framed and glazed J. Clark and J. Humble - Pair of Coloured lithographs - ''A Frigate with a View of The Needles'' and ''A Ship of the Line in the Downs'' each 10.75ins x 16.5ins published and sold by Edward Orme 59 Bond Street London in oak frames and glazed and a pair of coloured prints after George Morland - ''Angry Farmer'' and ''Boys Robbing an Orchard'' 11.75ins x 15ins in dark oak frames and glazed
• Jean-Jacqu
  Jean-Jacqu
• JOHN OF COLCHESTER VINE (UK,
  JOHN OF COLCHESTER VINE (UK, 1805/09-1867) Bovine Portrait of three cows in pasture stream, oil on canvas, signed lower right, in vintage birdseye maple ogee frame with gilt liner, OS: 29" x 44", SS: 24" x 39", cleaned and relined.
• BOSWELL'S LIFE OF JOHNSON,
  BOSWELL'S LIFE OF JOHNSON, GEOREGE BIRKBECK HILL, ED. (Oxford: At the Clarendon, 1887), six volumes, 4to (9-1/4 in.), three-quarter leather over maroon cloth, spines with raised bands and gilt.
• 17TH CENTURY COLORED MAP OF
  17TH CENTURY COLORED MAP OF BUCKINGHAMSHIRE ANDBEDFORDSHIRE. ALLEGORICAL PEASANT SCENE AT THE BOTTOM. BY JOHN JOHNSON OF AMSTERDAM. GOOD ORIGINAL CONDITION WITH CREASE IN CENTER. MODERN SILVER LEAF FRAME AND MAT. SIGHT SIZE 16" X 19 3/4" , OVERALL 19 3/4" X 23 1/2" .