A few examples of appraisal values for
JOHN GODDARD

• GOULD, John (1804-1881), after
  GOULD, John (1804-1881), after [Rough-legged Buzzard] Archibuteo Lagopus Lithograph with hand-coloring, ca 19th-century, 20 x 12 1/2-inches, matted and framed (unexamined out of frame).
• John Ward, RA (British
  John Ward, RA (British 1917-2007)/Jeoffry with verses of a famous 20th Century cat poem from 'Jubilate Agno' by Christopher Smart/pen and ink and grey washes, 32cm x 48cm
• After John Gould (English
  After John Gould (English 1804-1881) "Herodias Garzetta" 19th c. hand-colored lithograph from Birds of Great Britain sight 20 in. x 14 in. attractively matted and framed.
• J.D. HARVEY (20TH C.): DESIGN FOR
  J.D. HARVEY (20TH C.): DESIGN FOR GODFREY PHILLIPS PTY LTD. (AUSTRALIA) Pen ink charcoal and watercolor on paper signed and dated '53.
• John Jon
  John Jon
• MICHAEL GODARD (AMERICAN, B. 1960),
  MICHAEL GODARD (AMERICAN, B. 1960), STRIKE IT RICH AND JUMP RIGHT IN (TWO WORKS) Each a giclée print in colors on canvas, 2006 and 2004 respectively, both ink signed and numbered, from the Don't Drink and Draw series, retain certificates from artist, the first framed.
• MICHAEL GODARD (AMERICAN, B. 1960),
  MICHAEL GODARD (AMERICAN, B. 1960), MYSTERY MARTINI AND HE-DEVIL MARTINI (TWO WORKS) Each a giclée print in colors on canvas, both ink signed and numbered, from the Don't Drink and Draw series, one retains certificate from artist, unframed, gallery wrap canvas.
• John Ward (born 1938), a large
  John Ward (born 1938), a large stoneware vessel, mottled cream glaze and sgraffito decoration on a gently ribbed body, impressed JW seal, 19.5cm high, 32cm diameter
• AFTER JOHN WILLIAM GODWARD
  AFTER JOHN WILLIAM GODWARD (BRITISH. 1861-1922)A Fair Reflection. Circa 1915. Bearing signature J. Godward, dated 1915 l/r. Oil on Board. Measuring 19.5 by 14 in., in an oval glazed and gilt frame 23 by 17 in. cf. Fair Reflection sold Sotheby's, New York, May 2012 $1,454,500. The Painting wa featured on the cover of Vern Swanson (Edition published Post 2012), Biography and Catalogue Raisonne for John William Godward. According to Vern Swanson, the said Painting, 46 by 31 in. was without doubt Godward's most significant painting of 1915, and the most ambitious from his time spent in Italy.
• JOHN GOULD (BRITISH, 1804-1822)John
  JOHN GOULD (BRITISH, 1804-1822)John Gould (British, 1804-1822) , "Histironicus Torquatas" and "Querquedula Circia", two hand-colored lithographs, from The Birds of Great Britain, sheets 14 1/2 in. x 21 1/4 in., unframed. (2 pcs.)
• John Jam
  John Jam
• John Jam
  John Jam
• JOHN WILLIAM GODWARD (BRITISH
  JOHN WILLIAM GODWARD (BRITISH 1861-1922) POPPIES Signed and dated '98, oil on canvas76cm x 61cm (30in x 24in)Provenance: The Late Dr Helen E C Cargill ThompsonNote: The model is Miss Ethel Warwick who was sixteen when she posed for this pictureWe are grateful to Dr Vern G Swanson for his assistance in cataloguing this entry. It is no.7 in his catalogue raisonne which he has updated.The details of Godward’s personal life are relatively vague. His choice to pursue a career as a painter went against his family wishes and this disapproval was compounded when he left England for Italy with one of his models. It is believed that at this point he became estranged from his relations to such an extent that they removed his likeness from family pictures. He remained in Italy for almost a decade, only returning home in 1921. In 1922 he died by suicide, with notes left by him indicating that he was struggling with his place in an artistic world that was now largely interested in the modern and contemporary. The circumstances of his death were considered a source of great shame to his family and so they destroyed much of his archive and papers; it is believed there remains only one photograph of the artist.There was drama and sadness in his personal life but this never spilled over into Godward’s painting. A loyal follower of Sir Lawrence Alma-Tadema and similarly inspired by classical civilization, particularly Ancient Rome, his works depict elegant women in classical dress, lounging against architectural features. His paintings are characterised by exquisite and meticulous detail. There had been a widespread taste for this style of painting and subject matter in-line with a wider cultural interest in classical study and so to be successful in this style of painting required a high level of accuracy and precision; Godward carefully researched architecture and dress to make sure every detail in his painting was right.He often exhibited at the Royal Academy and as the eminent scholar on Godward’s work, Dr Vern G. Swanson, indicates; he ‘quickly established a reputation for his paintings of young women in a classical setting and his ability to convey with sensitivity and technical mastery the feel of contrasting textures, flesh, marble, fur and fabrics.’ This is evident in the offered work, where Godward beautifully renders the cool, smooth marble framing the figure in marked contrast to the soft fabric folds of her gown while behind her a verdant expanse of overlapping lavender and red poppies unfold before further architectural columns and sculpture appear. The scene is a vision of sumptuousness and beauty, meticulous depicted by a talented hand.Godward’s approach has been referred to as that of a ‘High Victorian Dreamer.’ Technically, he can be considered a Victorian Neo-Classicist, though at times his strong colour and posed subject have seen him be grouped with the Pre-Raphaelites, despite a differing inspiration source. Within his lifetime, this approach fell out of fashion and though Godward remained committed to the art he loved, he did struggle to find his place as taste moved away from his work. Fortunately, his mastery of his craft and the enduring human interest in the beautiful and sumptuous means favour has returned to his work since his death. Fashions evolve but quality and harmony endure and this exquisite work is rich in both.
• PRINT, JOHNNY GOTTHARD FRIEDLAENDER
  PRINT, JOHNNY GOTTHARD FRIEDLAENDER Johnny Gotthard Friedlaender (Polish, 1912-1992), Untitled, etching with aquatint in colors, pencil signed lower right, edition 79/95, sheet: 30"h x 22"w, overal (with frame): 33"h x 25"w
• JOHNNY GOTTHARD FRIEDLANDER
  JOHNNY GOTTHARD FRIEDLANDER (FRENCH/POLISH)Johnny Gotthard Friedlander (French/Polish, 1912-1992), "Maternity", 1955, etching, pencil-signed lower margin, signed and inscribed on mat, 6 in. x 4 3/8 in., framed, overall 12 5/8 in. x 10 5/8 in. x 1 1/8 in. Condition: Overall good condition.
• JOHNNY GOTTHARD FRIEDLAENDER
  JOHNNY GOTTHARD FRIEDLAENDER (FRANCE/POLAND, 1912-1992) Midcentury Abstract, limited edition color etching, #86/100, pencil signed lower right, in a wooden frame with mat, OS: 14 3/4" x 12 5/8", Plate: 5 3/4" x 4 1/2". Toned.
• GODARD, Michael, (American, b.
  GODARD, Michael, (American, b. 1958): Hundred Dollar Bill with Dice, Giclee/Canvas, sight size 23.5'' x 53'', signed lower right, numbered 25/450, framed, 32'' x 60''.
• AFTER JOHN GOULD (ENGLAND, 1804 -
  AFTER JOHN GOULD (ENGLAND, 1804 - 1881)After John Gould (1804 - 1881, England), framed pair of hand colored lithographs, to include "Pachycephala Hattomensis and Dicaeum Pectorale" from Gould's "Birds of New Guinea", acquired from Graham Arader Gallery, 21" x 14 3/4". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• After John Jam
  After John Jam
• JOHN GAWNE (1952- ), APPROACHING
  JOHN GAWNE (1952- ), APPROACHING STORM Fine Art
• LAURIE M. GODDARD. "MODERN JAZZ 1,"
  LAURIE M. GODDARD. "MODERN JAZZ 1," MIXED MEDIA (American, 20th century). Mixed media collage, 2014, signed, titled and dated on verso, sight size: 11 1/2 x 11 1/2 in., framed.
• PRINT, JOHNNY GOTTHARD FRIEDLAENDER
  PRINT, JOHNNY GOTTHARD FRIEDLAENDER Johnny Gotthard Friedlaender (French/Polish, 1912-1992), Untitled, lithograph in colors, pencil signed lower right, edition 181/350, overall (with frame): 41"h x 33"w
• JOHN GOULD (BRITISH, 1804-1881)John
  JOHN GOULD (BRITISH, 1804-1881)John Gould (British, 1804-1881), "Ramphomicron Microphyncha", "Erioncnemis D'Orbigny" and "Chlorostilbon Osberti", 3 hand-colored lithographs, from The Family of Hummingbirds, sights 21 in. x 13 1/2 in., framed. (3 pcs.)
• GOULD, John (1801-1881) Merlin.
  GOULD, John (1801-1881) Merlin. Falco aesalon. Lithograph with hand-coloring, matted and framed.
• PRINT, JOHNNY GOTTHARD FRIEDLAENDER
  PRINT, JOHNNY GOTTHARD FRIEDLAENDER Johnny Gotthard Friedlaender (German, 1912-1992), Untitled, color etching, pencil signed lower right, edition EA, overall (with frame): 19"h x 16.5"w
• Stephen Ward (1912-1963) chalk
  Stephen Ward (1912-1963) chalk and drawing Portrait of D'Oyly John with oil landscape verso by D'Oyly John signed and dated 1951 10.5 x 8in. Estimate ?500-800 Small scattered undulations and mild creases throughout the work a more notable diagonal crease below the signature and a 1.5inch tear running vertically into the signature. Oil verso in good order. Card mount modern gilt frame. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?500
• JOHN GOULD, PAIR OF HAWK
  JOHN GOULD, PAIR OF HAWK LITHOGRAPHS, 1830S John Gould (British, 1804-1881). Set of two "Hen Harrier" and "Ash Colored Harrier" -1832-37, lithographs with hand coloring.
• JOHN GOULD (BRITISH, 1881-1804)John
  JOHN GOULD (BRITISH, 1881-1804)John Gould (British, 1881-1804), "Pteroglossus Inscriptus" and "Pteroglossus Hypoglaurus", 2 hand-colored lithographs on paper, each signed in plate, from A Monograph of the Ramphastidae or Family of Toucans, sights 20 3/4 in. x 14 1/8 in., framed alike. (2 pcs.) Provenance: Collection of Brooke and Maria Fox, Metairie, LA
• JOHN GOULD (BRITISH, 1804-1881)John
  JOHN GOULD (BRITISH, 1804-1881)John Gould (British, 1804-1881) , "Smaragdochrysis Iridescens" and "Orthorhynchus Ornatus", 2 hand-colored lithographs, from @Monograph of the Trochilidae or Family of Hummingbirds@, sights 19 1/4 in. x 10 1/4 in., framed alike, each overall 25 7/8 in. x 17 1/8 in. x 3/4 in. (2 pcs.) in. (2 pcs.) Condition: Overall fair condition.
• JOHN GUARD (NC, 1887-1960),
  JOHN GUARD (NC, 1887-1960), PUBLISHED WIDGEON Poplar Branch, North Carolina, circa 1920, carved and painted wood, published on page 203 of Gunnin' Birds by Kroghie Andresen.
• MICHAEL GODARD. "PRAYING FOR
  MICHAEL GODARD. "PRAYING FOR SEVEN," GICLEE (American, b. 1958). Embellished giclee on board, signed "Godard" lr, sight size: 17 x 27 1/2 in., framed.
• John Vardy (British 1718-1765)
  John Vardy (British 1718-1765) after William Kent/West Front of Esher Place ('Easher Place in Surry')/the principal plan/engraving
• Paul Dougherty N.A. (1877-1947
  Paul Dougherty N.A. (1877-1947 Monterey CA) Off the Maine Coast
• LITHOGRAPH, JOHNNY GOTTHARD
  LITHOGRAPH, JOHNNY GOTTHARD FRIEDLAENDER Johnny Gotthard Friedlaender (German, 1912-1992), Untitled, lithograph in color, pencil signed lower right, edition EA, overall (with frame): 36.25"h x 28.25"w
• MICHAEL GODDARD. "CAUGHT THE CORK",
  MICHAEL GODDARD. "CAUGHT THE CORK", LITHOGRAPH Lithograph, signed lr, sight size 15 1/2 x 20 1/2 in., size 25 1/2 x 30 1/2 in., framed.
• JOHN GOULD (BRITISH, 1804-1881)
  JOHN GOULD (BRITISH, 1804-1881) MOUND-RAISING MEGAPODE - MEGAPODIUS TUMULUS COLOR LITHOGRAPH: 14 X 20 3/4 IN. (SIGHT)JOHN GOULD, (BRITISH, 1804-1881) MOUND-RAISING MEGAPODE - MEGAPODIUS TUMULUS, Color lithograph: 14 x 20 3/4 in. (sight) Framed; lower center inscribed: Megapodius Tumulus: Gould Provenance: Estate of Ronald Sperling