A few examples of appraisal values for
JOHN L SULLIVAN

• Good lot of 3 on John L.
  Good lot of 3 on John L. Sullivan: John The Great The Life and Times of John L. Sullivan, I can lick any sonofabich in the house! John L. Sullivan His Autobiography, John L. Sullivan "Champion of Champions". More Information Very good.
• Cabinet Cards of Champion Boxers
  Cabinet Cards of Champion Boxers John L. Sullivan and James J. Corbett Lot of Three Lot of three cabinet cards including two early poses of John L. Sullivan "The Boston Strongboy " imprinted with his facsimile signature on recto but lacking a photographer's credit ? and one of James J. Corbett "Gentleman Jim " with credit to Chicago photographer W.M. Morrison 1893 in the negative and Morrison's imprint in the recto margin. Condition: Very good. all three are a little light.
• Currier & Ives "John L. Sullivan,
  Currier & Ives "John L. Sullivan, Champion Pugilist of the World' hand touched color lithograph; the great bare knuckle brawler in 19th century fight finery. Signed in the plate. 16" x 12 1/2". Overall foxing.
• AMERICAN SCHOOL, LATE 18TH C.
  AMERICAN SCHOOL, LATE 18TH C. PORTRAIT OF MAJOR-GENERAL JOHN SULLIVAN Three quarter length unsigned oil on canvas of the Revolutionary War General in dress uniform, standing in a forest holding a spontoon (half pike). Inscribed in pencil on the back of the canvas with the subject's name and date of 1776. After the mezzotint by Richard Purcell, published by Thomas Hart in London, 1776. Unframed. 14 1/4" x 10 1/4", relined, cleaned. Unframed, 14" x 10 1/4", cleaned and relined.
• Thomas Sully (follower of)
  Thomas Sully (follower of) (Pennsylvania/England 1783-1872) PORTRAIT OF A GENTLEMAN oil on canvas framed unsigned H30'' W24 1/4'' Provenance: Milledgeville Georgia private collection.
• John Sloan
  John Sloan (American/Pennsylvania, 1871-1951) "Fifth Avenue 1909", etching, sight 8-1/2" x 6-1/2", signed in pencil lower right, titled lower center, inscribed lower left "100 proofs", plate signed lower left, titled and dated in the plate lower right, retains gallery label en verso "Kennedy Galleries, Inc., New York". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Kennedy Galleries, Inc., New York, dated January 18, 1986.
• ATTRIBUTED TO THOMAS
  ATTRIBUTED TO THOMAS SULLYAmerican 1783-1872Portrait of Dr. Samuel Johnston Cramer (1779-1840) great-grandfather of Elizabeth M. Lobingier. Attribution determined by W.G. Constable Curator of Paintings Boston Museum of Fine Arts. Portrait and frame restored at the Robert Vose Galleries Boston May 10 1941.Oil on panel 28 x 24''. Framed.''
• John Sartain (American 1808-1897)
  John Sartain (American 1808-1897) after James Hamilton Shegogue (American 1806-1872) "Portrait of S.L. Duncan" mezzotint inscribed in ink "Truly Yours S.L. Duncan New Orleans 4th July 1841" sight 9 in. x 8 in. in a period molded giltwood frame.
• Sargent Johnson (1888-1967 San
  Sargent Johnson (1888-1967 San Francisco CA) Singing Saints
• THOMAS SULLY (AMERICA,
  THOMAS SULLY (AMERICA, 1783-1872), PORTRAIT OF MRS. OTHO LAWRENCE., OIL ON CANVAS, 30" X 24". FRAMED 39" X 34".THOMAS SULLY, America, 1783-1872, Portrait of Mrs. Otho Lawrence. Originally signed and dated verso "TS 1850". Dimensions: Oil on canvas, 30" x 24". Framed 39" x 34". Provenance: Sotheby's New York, October 25, 1985, Lot #35.
• SULLIVAN JR., Walter C., (American,
  SULLIVAN JR., Walter C., (American, 1911-1971): Interior Stairwell with Artist's Easel, Oil/Canvas, 30'' x 20'', University 10th Annual Art Exhibition label affixed verso, original painted frame, 34'' x 24.5''. CONDITION: Some scattered craquelure.
• Revolutionary map, Sullivan's
  Revolutionary map, Sullivan's Island, "A N. bE. View of the Fort on the Western End of Sulivans [sic] Island with the Disposition of His Majesty's Fleet Commanded by Commodore Sir Peter Parker…during the Attack on the 28th of June 1776…" by William Faden (1750-1836), London, 1776, showing panoramic view of Sullivan's Island with fortifications and legend detailing various points of interest in the battle, copper engraving on laid paper with watermark, page 12-1/8 x 19-1/2 in.; modern wood frame. Loose, toning, minor foxing, fading, creases, stains, minor losses and tears in margins, repaired loss on left side affecting plate, center crease reinforced, archival tape verso, later pencil inscriptions; frame with abrasions. Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund.
• John Sloan
  John Sloan (American/Pennsylvania, 1871-1951) "Hell Hole", 1917, etching, sight 8-3/4" x 10-1/2", signed in pencil lower right "John Sloan", titled lower left, plate signed and dated bottom middle, retains gallery label en verso "Kennedy Galleries Inc., NY". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Kennedy Galleries Inc., New York, dated April 23, 1987.
• John Sloan (NY 1871-1951)
  John Sloan (NY 1871-1951) Swinging in the Squareetching on wove paper with one deckle edge signed and dated 1912 in the plate pencil signed along lower right margin annotated in pencil ''Swinging in the Square'' and ''100 proofs '' matted and framed under glass.Plate 4 x 5.25 in.; Paper 8.5 x 11.5 in.Toning; some foxing to margins; hinged at top with unidentified substance.The Estate of the late Dr. John and Mrs. Lorna Lamont Boston MA
• AFTER THOMAS SULLY: PORTRAIT OF
  AFTER THOMAS SULLY: PORTRAIT OF FANNY EISSLER Oil on canvas 30 x 25 in. unsigned Kennedy Galleries Inc. NYC exhibition label on verso.
• US WWII Homefront Poster Mrs.
  US WWII Homefront Poster Mrs. Leah Sullivan This poster shows a weeping Mrs. Leah Sullivan mother of the five fighting Sullivan brothers all KIA'd on the same ship in 1942. Condition: Very good.
• JOHN SLOAN(American, 1871-1951)
  JOHN SLOAN(American, 1871-1951) Corner of the Living Room--the Artist's Wife, 1929, signed lower left "John Sloan", inscribed signature and pencil title and date panel verso, oil and tempera on Masonite, 26 x 24 in.; original carved gilt wood frame, 31-1/4 x 29-1/4 in., Provenance: Estate of the Artist, JS #967; Kraushaar Galleries, New York, NY (accompanied by Bill of Sale from Kraushaar Galleries); Private Collection, Florida; Note: Exhibited: Exhibition of Paintings by John Sloan, C.W. Kraushaar Galleries, New York, NY, April 3-26, 1930, cat. #23; Oil Paintings by John Sloan,ÿCurrie Gallery of Art, Manchester, New Hampshire, January, 1940; JohnÿSloan,ÿUniversity of Missouri Art Department, Columbia, Missouri, December 1940; Henri's Disciples: WilliamÿGlackens and John Sloan,ÿMuseum of Art, Fort Lauderdale, Florida, February 10 - April 2, 1995.Literature:ÿSloan, John, and Rowland Elzea.ÿJohn Sloan's Oil Paintings: A Catalogue Raisonne?. Newark: University of Delaware Press, 1991, cat. #865, ill. pg. 314. Condition: surface texture as made, surface dirt layer; frame with abrasions, wear and separation at cornersÿ
• Dull John J. [American 1859-1949]
  Dull John J. [American 1859-1949] watercolor of the Schuylkill River Boat House Row and Reservoir Hill (Waterworks) signed l.r. "J. Dull" studied under Thomas Eakins at the Pennsylvania Academy. 12"x17"
• JOHN SLOAN AMERICAN, 1871 - 1951
  JOHN SLOAN AMERICAN, 1871 - 1951 "BUSES IN WASHINGTON S...John Sloan American, 1871 - 1951 "Buses in Washington Square" (Morse 219) etching on paper signed, titled and inscribed "100 proof" in pencil throughout the lower margin image size 7 3/4 x 9 3/4 inches Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• THOMAS SULLY OIL ON PANEL
  THOMAS SULLY OIL ON PANEL PORTRAITThomas Sully (American 1783-1872) , oil on panel portrait of Pennsylvania Governor Simon Snyder, initialed verso and dated 1809 , 29" x 24". Sully register #1561. Provenance: Normandy Farms, Pennsylvania, Strassburger Estate. NO in-house shipping for this lot. Condition: Overall good. Some minor touch ups to background and edges.
• BRIAN SCANLON (AMERICAN), MARSH
  BRIAN SCANLON (AMERICAN), MARSH BEHIND SULLIVAN'S ISLAND Oil on board, signed at lower left, retains gallery label to verso, presented in an ebonized frame with gilt liner.
• JOHN L. SULLIVAN SUPER CHAMPION
  JOHN L. SULLIVAN SUPER CHAMPION MUTOSCOPEInternational Mutoscope Reel Co. New York; with locked side compartment for photos and working crank; Provenance: Property from the Personal Collection of Dustin Hoffman; 16 3/4 inches wide; 16 1/2 inches deep; 61 1/2 inches high Condition:
• THOMAS SULLY (ENGLISH, 1783-1872)
  THOMAS SULLY (ENGLISH, 1783-1872) SARAH OIL ON CANVAS: 20 X 14 IN.Framed; lower left signed and dated: TS 1826 Oil on canvas: 20 x 14 in.
• John French Sloan (American
  John French Sloan (American 1871-1951) two pencil signed engravings one titled McSurley's Backroom 5 1/4" x 7" and 4 3/4" x 3 1/2". ?
• JOHN JOHNSTON INGLIS
  JOHN JOHNSTON INGLIS (AMERICAN/IRISH, 1867-1946) Oil on canvas. Signed 'John J. Inglis' (lower left). John Johnston Inglis (American/Irish, 1867-1946) John Johnston Inglis was born on August 26th, 1867 in Dublin, Ireland. He studied at the Dublin Academy then at the Ecole des Beaux-Arts under Jean-Leon Gerome. At the Academie Colorossi his teachers were Raphael Collin and Gustave Courtois. Inglis began his painting career on his return to London in 1889. He exhibited at the London Academy, the Royal Hibernian Academy and the Scottish Academy. His travels took him to Niagara Falls and Lockport, New York and in 1907 Inglis settled in Rochester, New York. Here he was active in the Rochester Art Club and served as president. He accepted a position at the School of Applied Arts at the Athenaeum and Mechanics Institute which became the second professional art school in Rochester. In 1923, Inglis was named a director of the Memorial Art Gallery. He also took on the job of restoring the extensive portrait collection owned by the Rochester Historical Society, a task he completed in 1927. After a long illness, Inglis died at his home in Rochester on September 2nd, 1946. He is best known for seasonal landscape and marine painting.
• GEORGE WASHINGTON SULLY
  GEORGE WASHINGTON SULLY (AMERICAN/LOUISIANA)George Washington Sully (American/Louisiana, 1816-1890) , "Parakete's [sic] Portrait", 1937, watercolor on paper, titled lower center, signed, dated and heavily inscribed en verso, 6 3/8 in. x 7 1/2 in., framed . Provenance: Didier Inc., New Orleans
• Thomas Sully (PA 1783-1872)
  Thomas Sully (PA 1783-1872) Portrait Studyoil on board unsigned a study for the larger portrait of Francis Cassatt Clopper of Montgomery County Maryland and completed in 1810 inscribed on the paper backing '''Clopper/' p. 55. S.B '' housed in gilt composition frame under glass the frame retains remnants of a label from Geo. F. Or Picture Framer on Madison Ave. in New York.SS 8 x 6.25 in.; DOA 10.5 x 8 5/8 in.Not examined out of the frame.The collection of Barbara Rhoades NC grandniece of Katherine N. Rhoades and granddaughter of Lyman Rhoades Sharon CT and New York NY
• George Washington Sully (Florida
  George Washington Sully (Florida 1816-1890) NEW CALLAGHAM ON ROAD TO WHITE SULFUR watercolor framed signed & titled on verso sight size: H9 1/2'' W14 1/4'' Provenance: South Carolina collection.
• JOHN J. INGLIS (AMERICAN/IRISH,
  JOHN J. INGLIS (AMERICAN/IRISH, 1867-1946) LANDSCAPE Oil on canvas. Signed (lower right).
• TWO L. SULLIVAN CROW & LANDSCAPE
  TWO L. SULLIVAN CROW & LANDSCAPE FOLK ART O/B Two Liz Sullivan (American / North Carolina, 20th / 21st century), folk art paintings, each oil on panel, one depicting crows in a corn field and the other crows in front of a cabin, signed lower right and possibly titled en verso, with painted frames. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. panel h. 14", w. 24". Largest frame h. 19.25", w. 29.125", d. 1.125".
• John Sloan
  John Sloan (American/Pennsylvania, 1871-1951) "Easter Eve, Washington Square", 1926, etching, sight 10-1/2" x 8-1/2", signed in pencil lower right, titled lower center, inscribed lower left "100 proofs", plate signed and dated lower right, retains gallery label en verso "Kennedy Galleries, Inc., New York". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Kennedy Galleries, Inc., New York, dated April 21, 1987.
• JOHN SANDERSON-WELLS (BRITISH
  JOHN SANDERSON-WELLS (BRITISH 1872-1955) A GENTLEMAN SUITOR Signed, oil on board25.5cm x 20cm (10in x 8in)Provenance: The Bellamy Collection, County Down, Northern Ireland
• THOMAS SULLY, (2) OILS ON CANVAS
  THOMAS SULLY, (2) OILS ON CANVAS Thomas Sully (American, 1783-1872), "Girl Holding a Red Ribbon in her Hand" and "Lady with a Bow and Feather in her Hat", oil on canvas, no signature visible, with typed letter from Robert F. Sully authenticating both works dated May 8, 1965, 9.5"h x 7.5"w (sight), 15.75"h x 14"w (frame)
• BILL SULLIVAN, "COVE"
  BILL SULLIVAN, "COVE" LITHOGRAPHBill Sullivan (American 1942-2010) "Cove" Lithograph. Signed lower right. Numbered 3/30. 32.75 x 39.75 Framed: 44 x 51 Property from the Milbank collection (MTHM8675)(MM)
• JOHN FRENCH SLOAN (NY/NM/NH,
  JOHN FRENCH SLOAN (NY/NM/NH, 1871-1951) Alley Cat, oil on canvas, signed lower left and dated '07, depicting a New York winter night, with woman holding a bottle watching a cat eyeing a trash can in an alley behind her brownstone, in water gilt deep cove replica frame with linen liner, engraved tag. Original label on stretcher from William Macbeth Gallery, 450 Fifth Ave at 40th St, New York City. OS: 25 1/2" x 20", SS: 19" x 13 1/2". Cleaned, one tiny repaired puncture at bottom. While working as an illustrator for Philadelphia publications, Sloan moved to NYC in 1904, became a member of the Socialist Party, helped to develop 'The Ash Can School' with his old PAFA Mentor Robert Henri.
• Samuel Yellin T
  Samuel Yellin T