A few examples of appraisal values for
JOHN MADDOCK

• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "Carnival Mask", charcoal and graphite on paper, initialed lower right, label with title en verso, "D.H. Holmes Co." label on backing paper, 5 in. x 7 1/2 in., framed . Provenance: Descended in the family of the artist. Ill.: Durieux, Caroline, John McCrady, et al. Mardi Gras Day. New York: Henry Holt and Company, 1948. cover
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "My Home", mixed media on paper, initialed lower right, titled lower left, sight 4 in. x 10 1/4 in., framed . Provenance: Descended in the family of the artist
• JOHN MCCRADY (AMERICAN/LOUISIANA,
  JOHN MCCRADY (AMERICAN/LOUISIANA, 1911-1968)John McCrady (American/Louisiana, 1911-1968), "Robert Adwood Corbin, IV (1931-1948)", 1949, oil on canvas, signed and dated lower right, brass title plate on reverse of frame, 26 in. x 22 3/8 in., framed, overall 29 5/8 in. x 26 in. x 1 3/4 in.
• John MacGregor (British b. 1944)
  John MacGregor (British b. 1944) Oil on canvas abstract 20th c. signed MacGregor 50" x 40". ?
• JOHN MCCRADY (AMERICAN/LOUISIANA,
  JOHN MCCRADY (AMERICAN/LOUISIANA, 1911-1968)John McCrady (American/Louisiana, 1911-1968), "Discussion", oil on canvas, signed lower right, "Downtown Gallery, New Orleans" label with artist and title on reverse of frame, 20 in. x 34 in., framed, overall 22 3/4 in. x 36 3/4 in. x 1 3/4 in. Provenance: Naomi Marshall, Downtown Gallery, New Orleans, 1997.
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968), "Used Car Bargains", c. 1938, oil on canvas board, unsigned, 22 in. x 20 in., framed with artist and title plaque; accompanied by a copy of the certificate of authenticity from Naomi Marshall. (2 pcs.) Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• JOHN MACKENZIE, W/C ON PAPER
  JOHN MACKENZIE, W/C ON PAPER "BAT"(Canadian/American, 20th c.), signed, framed, not examined out of frame. Frame size 23 3/4" high, 20 3/4" wide. Property of a Southbury CT Collector.
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "Carnival in New Orleans", 1947, lithograph, pencil-titled and inscribed lower margin, edition of 250, 8 3/4 in. x 12 1/4 in., framed . Provenance: Descended in the family of the artist
• Manner of Marmaduke Craddock
  Manner of Marmaduke Craddock (English, 1660-1716) Landscape with Peacocks and Domestic Fowl giclée on canvas signed Cristobal to lower right and verso 19 1/4 x 23 1/4 inches.
• John MacGregor (British b. 1944)
  John MacGregor (British b. 1944) three watercolor abstracts 20th c. signed MacGregor 17" x 12". ?
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968), "Carnival in New Orleans", 1941, lithograph on paper, pencil-signed and titled lower margin, edition of 250, published by Associated American Artists, New York, sheet 11 1/2 in. x 16 in., framed
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "The Robert E. Lee and The Natchez", lithograph, pencil-signed and titled lower margin, 9 3/4 in. x 14 1/2 in., framed Ill.: Marshall, Keith. John McCrady 1911-1968 - New Orleans Museum of Art. New Orleans: Franklin Printing Co. Inc., 1975, p. 109. Condition: Overall good condition
• § JOHN MCKENZIE (FL.1924-1971)
  § JOHN MCKENZIE (FL.1924-1971) MARCUS BRUTUS carved and painted wood, signed indistinctly with initials lower right JMCK, 39.8cm x 18.3cm; and another by the same hand, carved and painted wood, signed with initials lower right JMCK, 35.5cm x 26.5cm(2)
• JOHN MULCASTER CARRICK(British,
  JOHN MULCASTER CARRICK(British, 1833-1896) Mediterranean Coastal Scene With Figures, 1859, signed with monogram lower left "JMC", oil on canvas, sight 23-1/4 x 35-1/4 in.; gilt wood and composition frame, 30-1/2 x 42-1/2 in. Provenance: Private Collection, Atlanta, Georgia Condition: laid down on Masonite, grime, crackle, retouch upper and lower right, crackled frame
• John Zoffany (PA/UK/Germany,
  John Zoffany (PA/UK/Germany, 1733-1810) oil on canvas portrait of John Murdock, Esquire, unsigned 29.5"H x 24"W
• JOHN MACLEOD, OIL ON CANVAS, 19TH
  JOHN MACLEOD, OIL ON CANVAS, 19TH C. John MacLeod (Scottish, 19th c.), untitled meadow landscape, signed "J. MacLeod lower left, 24.5"h x 29.5"w (sight), 29"h x 34"w (frame)
• PRINT, JOHN MCCRADY John McCrady
  PRINT, JOHN MCCRADY John McCrady (American, 1911-1968), "The Robert E. Lee and the Natchez," 1945, lithograph, pencil signed lower right, titled lower left, image: 9.75"h x 14.5"w, overall (with mat): 14"h x 18"w
• John Jam
  John Jam
• John Innes after William Redmore
  John Innes after William Redmore Bigg (1755-1814)/Black Monday, or The Departure for School and Dulce Domum, or The Return from School/a pair/ stipple engravings, 45.75cm x 61cm/in verre églomisé mounts
• John Charles Maggs
  John Charles Maggs (1819-1896)/Passing Coaches/two coaches and four passing a village inn with distant church/indistinctly signed lower left/oil on canvas, 26cm x 44cm
• JOHN FOLSOM, "MASSAE CREEK #7",
  JOHN FOLSOM, "MASSAE CREEK #7", MIXED MEDIA John Folsom (American/Kentucky b. 1967), "Massae Creek #7", 2003, gelatin silver print on board with oil and wax medium, depicting a sepia toned creek scene with bare trees with geometric squares in a grid pattern overlaying the image, attribution, title, and date located en verso, unframed. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. overall h. 40", w. 48", d. 1.75".
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "The Robert E. Lee and the Natchez", lithograph, pencil-signed and titled lower margin, 9 3/4 in. x 14 1/2 in., framed, overall 17 1/2 in. x 21 1/2 in. x 1 in. Ill.: Marshall, Keith. John McCrady 1911-1968 - New Orleans Museum of Art New Orleans: Franklin Printing Co. Inc., 1975, p. 109. Condition: Overall poor condition.
• LADDIE JOHN DILL (B. 1943):
  LADDIE JOHN DILL (B. 1943): UNTITLED1996; mixed media; signed and dated verso; 32 1/2 x 21 inches Condition:
• 19th century full-length
  19th century full-length silhouette, gentleman facing left, holding top hat and gloves, signed "I am John D. McGavin", black ink paper with bronzing cutout and applied to card, watercolor background, British or American, 12 x 7-1/4 in.; original 19th century rosewood veneer frame, gilt liner. Toning, foxing, paper tape at edges; frame with loss lower right corner. The Estate of the Late Grace Shorter, South Salem, New York.
• After John Jam
  After John Jam
• JOHN BLAKE MCDONALD (1829-1901):
  JOHN BLAKE MCDONALD (1829-1901): VIEW OF A SCOTTISH MANOR HOUSE Oil on canvas relined signed lower right with label from Richard L. Feigen & Co. 32 1/4 x 48 1/4 in. 39 x 56 in. (frame).
• MARGARET MACDONALD MACKINTOSH
  MARGARET MACDONALD MACKINTOSH (1865-1933) BOOKPLATE FOR JOHN EDWARDS, 1896 printed paper11.5cm x 9cmNote: Thisimage was also published in the 'Studio' magazine in 1897 and the Austrian Secession Movement periodical 'Ver Sacrum' in 1901.
• John Jam
  John Jam
• JAMES MCCONNELL "MAC" ANDERSON
  JAMES MCCONNELL "MAC" ANDERSON (AMERICAN/MS)James McConnell "Mac" Anderson (American/Mississippi, 1907-1998), "Market", 1991, oil on masonite, signed and dated lower right, 24 in. x 48 in., framed, overall 26 7/8 in. x 51 in. x 1 in. Provenance: Neal Auction Company, May 20, 2018, lot 918.
• John Stobart (American b. 1929)
  John Stobart (American b. 1929) photo off-set of the Natchez edition 579/750 22 1/2" x 32". ?
• JOHN MACK MOORE
  JOHN MACK MOORE (AMERICAN/MISSISSIPPI, 1869-1954)John Mack Moore (American/Mississippi, 1869-1954), "Henry Frank 9,226 Bales" and "Hallette", 2 gelatin silver prints, each with artist blind stamp lower left, one with copyright information on negative, both 8 in. x 10 in., framed alike. (2 pcs.) Condition: Each in overall fair condition. Ext. Frames: 13 3/4 in. x 15 3/4 in. x 1 in.
• JOHN MCCOY,
  JOHN MCCOY, II(Pennsylvania/California, 1910 - 1989) Train Depot, Chadds Ford, signed lower right "John McCoy 40", watercolor on paper, 14-1/4 x 21-1/2 in.; gilt wood frame, 22-12 x 29-1/2 in. Condition: not examined out of frame, appears in good condition, slight mat burn visible at edges; frame with minimal wear
• PHOTOGRAPH, SCOTT MADDERN Scott
  PHOTOGRAPH, SCOTT MADDERN Scott Maddern (American, b. 1970), "Jeep Wrangler," 2017, chromogenic print, image: 12"h x 18"w, overall (with frame): 13.5"h x 19.25"w. Note: The proceeds from the sale of this work to benefit Oakland Art Murmur (Oakland, California).
• John Ottis Adams (American,
  John Ottis Adams (American, 1851-1927) "A Scene in Muncie", Indiana spring landscape oil pastel signed lower left A landscape painter, Adams was a key member of the Hoosier Group of Indiana painters. These artists were for many years the premier Impressionist painters of the Midwest. 13" x 19 1/4"
• JOHN H. MURDOCK (UNITED STATES,
  JOHN H. MURDOCK (UNITED STATES, 1835/36-1923) OILJOHN H. MURDOCK (United States, 1835/36-1923) oil on canvas, river landscape at dusk. Signed lower left. Image measures 24" x 34". In a wood frame; 31.5" x 41.5" overall.
• PAUL MADDEN (MASSACHUSETTS,
  PAUL MADDEN (MASSACHUSETTS, 1938-2008), "OUT ON THE MOORS NEAR ALTAR ROCK"., OIL ON MASONITE, 22.5" X 32". FRAMED 25.5" X 35".PAUL MADDEN, Massachusetts, 1938-2008, "Out on the Moors Near Altar Rock". Signed verso "Paul Madden Nantucket". Titled verso. Dimensions: Oil on masonite, 22.5" x 32". Framed 25.5" x 35". Provenance: The Estate of Paul and Diane Madden, Sandwich, Massachusetts.