A few examples of appraisal values for
JOHN MADDOCK MARKS

• § JOHN MCKENZIE (FL.1924-1971) MARCUS
  § JOHN MCKENZIE (FL.1924-1971) MARCUS BRUTUS carved and painted wood, signed indistinctly with initials lower right JMCK, 39.8cm x 18.3cm; and another by the same hand, carved and painted wood, signed with initials lower right JMCK, 35.5cm x 26.5cm(2)
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "Carnival Mask", charcoal and graphite on paper, initialed lower right, label with title en verso, "D.H. Holmes Co." label on backing paper, 5 in. x 7 1/2 in., framed . Provenance: Descended in the family of the artist. Ill.: Durieux, Caroline, John McCrady, et al. Mardi Gras Day. New York: Henry Holt and Company, 1948. cover
• JOHN MACKENZIE, W/C ON PAPER "BAT"(Canadian/American,
  JOHN MACKENZIE, W/C ON PAPER "BAT"(Canadian/American, 20th c.), signed, framed, not examined out of frame. Frame size 23 3/4" high, 20 3/4" wide. Property of a Southbury CT Collector.
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 12 ½" x 14 ½" "Study for Major-Minor Work 2". Mixed media painting on paper with collage, signed lower right in pencil, titled lower right, in a black frame with mat, overall 20 ½" x 22 ½". Provenance: from the art collection of an international corporation.
• John MacGregor (British b. 1944)
  John MacGregor (British b. 1944) three watercolor abstracts 20th c. signed MacGregor 17" x 12". ?
• JOHN MCCRADY (AMERICAN/LOUISIANA,
  JOHN MCCRADY (AMERICAN/LOUISIANA, 1911-1968)John McCrady (American/Louisiana, 1911-1968), "Robert Adwood Corbin, IV (1931-1948)", 1949, oil on canvas, signed and dated lower right, brass title plate on reverse of frame, 26 in. x 22 3/8 in., framed, overall 29 5/8 in. x 26 in. x 1 3/4 in.
• JOHN MULCASTER CARRICK(British,
  JOHN MULCASTER CARRICK(British, 1833-1896) Mediterranean Coastal Scene With Figures, 1859, signed with monogram lower left "JMC", oil on canvas, sight 23-1/4 x 35-1/4 in.; gilt wood and composition frame, 30-1/2 x 42-1/2 in. Provenance: Private Collection, Atlanta, Georgia Condition: laid down on Masonite, grime, crackle, retouch upper and lower right, crackled frame
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "The Robert E. Lee and The Natchez", lithograph, pencil-signed and titled lower margin, 9 3/4 in. x 14 1/2 in., framed Ill.: Marshall, Keith. John McCrady 1911-1968 - New Orleans Museum of Art. New Orleans: Franklin Printing Co. Inc., 1975, p. 109. Condition: Overall good condition
• John Innes after William Redmore
  John Innes after William Redmore Bigg (1755-1814)/Black Monday, or The Departure for School and Dulce Domum, or The Return from School/a pair/ stipple engravings, 45.75cm x 61cm/in verre églomisé mounts
• John MacGregor (British b. 1944)
  John MacGregor (British b. 1944) Oil on canvas abstract 20th c. signed MacGregor 50" x 40". ?
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "My Home", mixed media on paper, initialed lower right, titled lower left, sight 4 in. x 10 1/4 in., framed . Provenance: Descended in the family of the artist
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 55" x 44" "History of Objects Part I", 1989. Oil on canvas, signed, dated, and titled verso, unframed.
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 30" x 22" paper size Untitled, 1987. Mixed media and construction on paper, signed and dated within image to lower right corner, floated on linen under glass in thin wood frame, overall 36" x 28".
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "The Robert E. Lee and the Natchez", lithograph, pencil-signed and titled lower margin, 9 3/4 in. x 14 1/2 in., framed, overall 17 1/2 in. x 21 1/2 in. x 1 in. Ill.: Marshall, Keith. John McCrady 1911-1968 - New Orleans Museum of Art New Orleans: Franklin Printing Co. Inc., 1975, p. 109. Condition: Overall poor condition.
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 20 ½" x 17" "Reconstructed Flashlight Study", 1988. Mixed media on paper, signed in pencil lower right, dated in pencil lower left, in a wooden shadowbox frame, overall 31 ½" x 25 ½". Provenance: Santa Fe East gallery label verso; from the art collection of an international corporation.
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 25 ½" x 19 ½" paper "One Thousand Words", 1988. Mixed media painting and three dimensional collage on paper, signed and dated in the lower right corner, titled in the lower left corner, in a shadowbox frame, overall 31" x 25". Provenance: from the art collection of an international corporation.
• JOHN MACK MOORE (AMERICAN/MISSISSIPPI,
  JOHN MACK MOORE (AMERICAN/MISSISSIPPI, 1869-1954)John Mack Moore (American/Mississippi, 1869-1954), "Henry Frank 9,226 Bales" and "Hallette", 2 gelatin silver prints, each with artist blind stamp lower left, one with copyright information on negative, both 8 in. x 10 in., framed alike. (2 pcs.) Condition: Each in overall fair condition. Ext. Frames: 13 3/4 in. x 15 3/4 in. x 1 in.
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 58" x 50" "Where is Atomic Rock", 1987. Acrylic on canvas, signed, dated, titled verso of canvas with initials, unframed, gallery wrapped.
• PRINT, JOHN MCCRADY John McCrady
  PRINT, JOHN MCCRADY John McCrady (American, 1911-1968), "The Robert E. Lee and the Natchez," 1945, lithograph, pencil signed lower right, titled lower left, image: 9.75"h x 14.5"w, overall (with mat): 14"h x 18"w
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968), "Used Car Bargains", c. 1938, oil on canvas board, unsigned, 22 in. x 20 in., framed with artist and title plaque; accompanied by a copy of the certificate of authenticity from Naomi Marshall. (2 pcs.) Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• Manner of Marmaduke Craddock (English,
  Manner of Marmaduke Craddock (English, 1660-1716) Landscape with Peacocks and Domestic Fowl giclée on canvas signed Cristobal to lower right and verso 19 1/4 x 23 1/4 inches.
• MARK MCDOWELL (AMERICAN, B. 1954)
  MARK MCDOWELL (AMERICAN, B. 1954) 32" x 28" "Ignorance", 1992. Oil on canvas, signed, titled, and dated verso, unframed (gallery wrapped).
• JAMES MCBEY(Scottish, 1883-1959) Point
  JAMES MCBEY(Scottish, 1883-1959) Point Law, Aberdeen, (H. 1), 1902, a rare edition of 12 proofs, signed "James McBey" and inscribed "1st November 1902", etching, plate 4 x 5-1/2 in.; black frame, 13 x 11-5/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: dark rich impression, not examined out of frame, light toning and foxing, stain upper right
• Attributed to David Maitland Mackenzie
  Attributed to David Maitland Mackenzie (Active c.1820-c.1840) Scottish GRAVES OF COVENANTERS EDINBURGH SCOTLAND Oil on canvas; possibly signed with initials to the side of the tomb stone given to D.W. Mackenzie or Andrew Mackenzie and titled and further inscribed: ?Chapman??Ts 2 May 1884-50? to an old handwritten label to the stretcher 28" (height) 71.1cm (height) 36" (width) 91.4cm (width)
• JOHN FOLSOM, "MASSAE CREEK #7",
  JOHN FOLSOM, "MASSAE CREEK #7", MIXED MEDIA John Folsom (American/Kentucky b. 1967), "Massae Creek #7", 2003, gelatin silver print on board with oil and wax medium, depicting a sepia toned creek scene with bare trees with geometric squares in a grid pattern overlaying the image, attribution, title, and date located en verso, unframed. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. overall h. 40", w. 48", d. 1.75".
• Mark Catesby (British, 1679-1749)
  Mark Catesby (British, 1679-1749) [Palumbus Migratorius] -- The Pigeon of Passage, T.23, with red oak, from [The Natural History of Carolina, Florida and the Bahama Islands,] London, 1st or 2nd edition, monogram "MC" in plate, hand-colored etching on laid paper, 10-1/4 x 14 in. (plate); modern silver gilt frame,
• Michael St. John (American 20th
  Michael St. John (American 20th century) May Day (circa 1990s) mixed media signed Michael St. John (verso) 58 1/2 x 20 inches.
• EMILY MARKS MCM ABSTRACT BROOK
  EMILY MARKS MCM ABSTRACT BROOK PAINTING Massachusetts,d. 2006Depicts a top down view of colorful rocks at the bottom of a waterway. Marks was a chairwoman of the Ladies Committee at the Museum of Fine Arts and founder of the Winchester Scholarship Foundation as well as a committee member for the Massachusetts Council for the Arts and Humanities.
• JOHN MCCRADY (AMERICAN/MISSISSIPPI,
  JOHN MCCRADY (AMERICAN/MISSISSIPPI, 1911-1968)John McCrady (American/Mississippi, 1911-1968) , "Carnival in New Orleans", 1947, lithograph, pencil-titled and inscribed lower margin, edition of 250, 8 3/4 in. x 12 1/4 in., framed . Provenance: Descended in the family of the artist
• LADDIE JOHN DILL (B. 1943): UNTITLED1996;
  LADDIE JOHN DILL (B. 1943): UNTITLED1996; mixed media; signed and dated verso; 32 1/2 x 21 inches Condition:
• John Stobart (American b. 1929)
  John Stobart (American b. 1929) photo off-set of the Natchez edition 579/750 22 1/2" x 32". ?
• 19th century full-length silhouette,
  19th century full-length silhouette, gentleman facing left, holding top hat and gloves, signed "I am John D. McGavin", black ink paper with bronzing cutout and applied to card, watercolor background, British or American, 12 x 7-1/4 in.; original 19th century rosewood veneer frame, gilt liner. Toning, foxing, paper tape at edges; frame with loss lower right corner. The Estate of the Late Grace Shorter, South Salem, New York.
• JOHN MCCRADY (AMERICAN/LOUISIANA,
  JOHN MCCRADY (AMERICAN/LOUISIANA, 1911-1968)John McCrady (American/Louisiana, 1911-1968), "Discussion", oil on canvas, signed lower right, "Downtown Gallery, New Orleans" label with artist and title on reverse of frame, 20 in. x 34 in., framed, overall 22 3/4 in. x 36 3/4 in. x 1 3/4 in. Provenance: Naomi Marshall, Downtown Gallery, New Orleans, 1997.
• PAUL MADDEN (MASSACHUSETTS, 1938-2008),
  PAUL MADDEN (MASSACHUSETTS, 1938-2008), "OUT ON THE MOORS NEAR ALTAR ROCK"., OIL ON MASONITE, 22.5" X 32". FRAMED 25.5" X 35".PAUL MADDEN, Massachusetts, 1938-2008, "Out on the Moors Near Altar Rock". Signed verso "Paul Madden Nantucket". Titled verso. Dimensions: Oil on masonite, 22.5" x 32". Framed 25.5" x 35". Provenance: The Estate of Paul and Diane Madden, Sandwich, Massachusetts.
• MARK CATESBY(British, 1679-1749) T.
  MARK CATESBY(British, 1679-1749) T. 13 The Red Wing'd Starling, The Broad-leaved Candle-berry Myrtle from The Natural History of Carolina, Florida and The Bahama Islands, 1754 edition, hand colored engraving on laid paper with "IV" watermark, plate 10-1/4 x 13-3/4 in., sheet 14 x 20-1/4 in; modern black frame 22 x 25-3/8 in. Provenance: Private North Carolina Collection Condition: hinged in, light toning, foxing, some fading, handling creases
• John Charles Maggs (1819-1896)/Passing
  John Charles Maggs (1819-1896)/Passing Coaches/two coaches and four passing a village inn with distant church/indistinctly signed lower left/oil on canvas, 26cm x 44cm