A few examples of appraisal values for
JOHN ROUND AND SON

• ENGLISH SILVER PLATE HOT WATER URN,
  ENGLISH SILVER PLATE HOT WATER URN, JOHN ROUND & SONEnglish Silver Plate Hot Water Urn, John Round & Son
• John Johnston (American
  John Johnston (American 1751-1818) pair of oil on canvas portraits of a lady and gentleman signed and dated on verso 1799 30" x 25". ?
• Attributed to John Comerford
  Attributed to John Comerford (1770-1832)/Portrait Miniature of a Gentleman/wearing a black coat, buff coloured waistcoat and white stock/watercolour on ivory, 70mm x 56mm/the oval frame monogrammed 'RD' in gold to a blue enamel ground/Provenance: Clevedon Salerooms, 12th March 2020, Lot 711, the Estate of Anthony J Beeson/Ivory registration reference: L6ZJ4CXK
• Francis R. Johns (American 1885)
  Francis R. Johns (American 1885) oil on canvas portrait of The Eisenman Brothers 30" x 25". ?
• H & J Walter The Children of the
  H & J Walter The Children of the Rev John Harrison of Bishopstone: Cissie Jane holding flowers and a basket Kate seated pointing to a ball in her left hand and William standing with a hoop inscribed on the reverse silhouette cut out on paper heightened in gilt and pencil work background 15cm x 20cm (6" x 8") in a rosewood frame
• English School, early 19th
  English School, early 19th Century/Portrait of Johnnie Rowlandson/half length, wearing a buff coloured coat/oval/watercolour, 17.5cm x 15.5cm/Provenance: The Estate of Anthony J Beeson
• Good John Rabone and Sons,
  Good John Rabone and Sons, Birmingham, Brass-Mounted Mahogany Level, fourth quarter 19th century, the central brass plate signed, w. 30-1/4".
• Circle of John Hayls (British,
  Circle of John Hayls (British, fl. 1651-1679), large and stately oil on canvas portrait of a member of the Molineaux family of Nottingham, the bewigged male sitter presented seated in a russet mantle over a full sleeved slashed shirt, the reverse of the frame with an old partial calligraphy label identifying the sitter and his house, unsigned, 50-1/2" x 41". Presented in an antique gilded frame with a beaded fillet.
• John Downman (1750-1824)PORTRAITS
  John Downman (1750-1824)PORTRAITS OF FREDERICK AND ELLEN RAY OF ABINGDONsigned and dated lower left J Downman 1796a pairwatercolour and pencil heightened with black and white chalk 21.5cm x 17cm(8.5" x 6.75")in fine gilt contemporary frames
• A William IV sterling silver
  A William IV sterling silver vintage-decorated stand / underplate John Bridge 1831 London with maker's mark ''JB'' and further marked ''Rundell Bridge et Co Aurifices Regis Londini'' the curved octafoil rim decorated with grape clusters featuring the British Royal coat of arms flanked by the British Royal coat of arms banners above a further coat of arms related to the Copley or Crosland families bearing the motto ''Ultra Pergere'' (Advance Further) with associated central frame the stand
• John William Hill (British/American
  John William Hill (British/American 1812 - 1879) watercolor and gouache on paper signed and dated LR '1869' estuary/shoreline with figures and boats summer day laid down and possibly trimmed loss of paint to figures' clothing and faces matted and framed under glass ss: 9'' h. x 16'' w.
• JOHN G. HILL OIL ON CANVAS OF TWO
  JOHN G. HILL OIL ON CANVAS OF TWO YOUNG HUNTERSJohn G. Hill (American 1841-1913) , oil on canvas of two young hunters and their dogs, signed lower middle and dated 1869 , 16" x 20". Competitive in-house shipping is available for this lot. Condition: Period frame. Relined. Repaired tear to center across man's chest.
• JOHN CHRISTMAN, 'SON IN THE SHADE,'
  JOHN CHRISTMAN, 'SON IN THE SHADE,' OIL ON CANVAS FRAME: 19 X 23 IN. (48.3 X 58.4 CM.)John Christman, 'Son in the Shade,' Oil on Canvas, Dimensions: Frame: 19 x 23 in. (48.3 x 58.4 cm.)
• John Brunsdon
  John Brunsdon (1933-2014)/Helmsley Heritage 'Round the Rye'/signed and numbered 108/200/coloured etching, 63cm x 47.5cm
• Sons of the Revolution gold
  Sons of the Revolution gold medal, oval medallion with American revolutionary soldier on obverse, "Sons of the Revolution" around bust of Washington on verso, gilt silver or bronze, mounted in a heavy 14 kt. gold (tested) frame with eagle and stars, inscribed "John Bernard Dahlgren…1897", stamped "Bailey Banks & Biddle Co./Phila.", original silk ribbon, 3-1/8 x 1-3/8 in. Minor wear. Descended in Family of the Late Admiral John A. Dahlgren, Eastern Shore, Virginia.
• Circle of John Rathbone (British c.
  Circle of John Rathbone (British c. 1750-1807)/Wooded Landscape with Figures on a Path and a Church Beyond/Figures on a Path by a Bridge/a pair/oil on canvas, 17cm x 22.50cm/Provenance: The Estate of the late Sir John and Lady Smith
• John Ward (born 1938), a large
  John Ward (born 1938), a large stoneware vessel, mottled cream glaze and sgraffito decoration on a gently ribbed body, impressed JW seal, 19.5cm high, 32cm diameter
• John William Wadsworth (1879-1955):
  John William Wadsworth (1879-1955): three watercolours of the coast in Cornwall and Honfleur, Normandy, all signed J W Wadsworth, 34cm x 24cm and 36cm x 26cm, (one unframed) Provenance: from the estate of the artist's son, Philip Wadsworth, given to Henry Sandon by Zilla Wadsworth. John Wadsworth was a major ceramic designer at Mintons and Art Director at Royal Worcester (3)/Provenance: from the Henry Sandon Study Collection
• John Downman (1750-1824)/Portrait
  John Downman (1750-1824)/Portrait of Francis Wright Esq./half-length, wearing a buff coloured coat/signed and dated 1783/oval/watercolour 20cm x 16cm/Provenance: Collection of S F Worsey Esq. 1929
• FRANK HANS JOHNSTON O.S.A. A.R.C.A.
  FRANK HANS JOHNSTON O.S.A. A.R.C.A. GLEAM OF GOLD YORK MILLS Medium: oil on board signed 24" (height) 60cm (height) 30" (width) 75cm (width)
• JOHN SONSINI, (B. 1950,
  JOHN SONSINI, (B. 1950, AMERICAN), "JOSE," 2012, GRAPHITE AND INK ON WOVE PAPER UNDER GLASS, 14" H X 11" WJohn Sonsini, (b. 1950, American) "Jose," 2012 Graphite and ink on wove paper under glass Signed lower sheet edge, at right: J Sonsini; titled and dated near the lower corner of the left sheet edge 14" H x 11" W Provenance: The Blake Bryne Collection Graphite and ink on wove paper under glass Dimensions: 14" H x 11" W Provenance: The Blake Bryne Collection
• G R Ward after Frederick R
  G R Ward after Frederick R Say/Portrait of John Smith, seated/engraving with facsimile signature, 43cm x 34.5cm in a birdseye maple frame/and two family tree engravings showing descendants of George Smith (1765-1836) and Samuel Smith (1754-1834)/Provenance: The Estate of the late Sir John and Lady Smith
• LOW FAMILY 1807 HUDSON VALLEY
  LOW FAMILY 1807 HUDSON VALLEY SILKWORK MEMORIAL FOR 6 YEAR OLD BOY Squat Cenotaph under delicately rendered silk on silk weeping willows rendered in four colors, a large fluted classical column to the left, flowers at bottom, under oval eglomise mat with gilt lettering "Wrought by Almira Rose, 1807". The inked inscription in reverse on the memorial read "Sacred to the Memory of John B. Low, the only Son of Charles and Catherine Low, born in Providence, Feb 25th 1799 and died Oct 6th, 1895. Early releas'd from this dark World of Woes, to Regions bright this spotless Cherub rose. Life lives beyond the Grave". Housed in what appears to be the original gold molded rectangular frame with oval eglomise spandrel, OS: 29 1/2" x 23 1/4", SS: 21 1/2" x 18 1/4", vertical repair at center.
• OIL PORTRAIT OF SIR JOHN
  OIL PORTRAIT OF SIR JOHN SPOTTISWOODE III (1594-1675)A 17th century oil portrait on canvas of a gentleman identified as Sir John Spottiswoode, son of the archbishop and grandson of the Scottish reformer, each of the same name. The canvas measures 34 3/4" x 29 1/2", and it is housed in a frame that measures 37 1/4" x 31 1/2". John Leighton's History of the County of Fife (1840) gives some context on Sir John Spottiswoode III and his son: "The archbishop's eldest son Sir John Spottiswoode succeeded to the estate of Dairsie, and was one of the gentlemen of the bed-chamber to James VI. His only son Mr. John Spottiswoode was a firm adherent of Charles I. He was a young man of great talent and bravery, and having joined Montrose was taken with him, tried, condemned, and executed for high treason in 1650." Condition The painting has undergone extensive restoration. From the reverse, there are four canvas patches to repair various punctures, as well as other reinforcements including canvas strip lining at the edges of the strainer. Notes from a 2010 restoration are affixed to the reverse: that procedure included cleaning and removing some over-painting. Over-painting still remains across areas of the canvas, but limited largely to the darker areas of the clothing and environment and not to the likeness of the subject. Retouching to the subject's lace collar.
• Circle of John Rathbone (British,
  Circle of John Rathbone (British, 1750-1807) "Travelers and a Drover with Cattle on a Lakeside Path", oil on canvas, 15" x 19-1/4", and "Figures Resting and Sheep Grazing in a Wooded Landscape", oil on panel, remnants of an old paper label en verso, 13-1/2" x 18-1/2", both examples are unsigned. Handsomely framed.
• John Williamson (New York,
  John Williamson (New York, 1826-1885) View on the Hudson, 1860, signed "JW 60", oil on canvas, 20 x 26-7/8 in.; original 19th century gilt wood and composition frame with label for "Chas G. Campbell Newark New Jersey",
• Circle of John Theodore Heins
  Circle of John Theodore Heins (British, 1697-1756) Portrait of a Gentleman, half-length, in a brown jacket and white cravat oil on canvas 29 1/2 x 24 1/4 inches.
• 19TH CENTURY GENRE PAINTING
  19TH CENTURY GENRE PAINTING FATHER AND SON: Father Holding a Pocket Watch to His Infant Son's Ear, monogrammed lower right JL, Oil/Canvas, 16'' x 13.75'', period frame is 19'' x 16.75''. CONDITION: Heavy craquelure throughout, patch visible verso, several minute flecks of loss, frame has been repaired and painted over.
• John George Brown (American
  John George Brown (American 1831-1913) etching of a boy playing the flute signed in pencil lower right 13 1/4" x 9 1/2". ?
• JOHN DOWNMAN (british
  JOHN DOWNMAN (british 1750-1824) PORTRAITS OF HENRY STYLEMAN AND HIS WIFE MARY GREGG Signed with initials and dated '1780' bottom right, graphite and watercolor on paper, in original frames Sight: 8 3/4 x 7 in. provenance: From the collection of Philip Rieff and Alison Douglas Knox. Fading, toning
• JOHN O. BANKS (UK, ACTIVE
  JOHN O. BANKS (UK, ACTIVE 1856-1873) "The Broken Jug", oil on canvas, signed lower left, label verso from Dawson Gallery of Annapolis, MD. A British country genre scene depicting two young mothers in 19th c. English landscape with a Tudor cottage behind. Their children are gathered around them at stream's edge as one young boy tries to piece together a pottery jug his brother broke. His sisters are disdainful or forgiving, the tension is broken by the dog begging for the baby's treat and the gossips in a nearby doorway. Housed in a gold acanthus leaf deep cove frame with dusty rose velvet liner, OS: 45 1/2" x 38", SS: 35 1/2" x 27 1/2", cleaned and relined, overall light craquelure, stretcher impression, spots lower right.
• LOW FAMILY 1807 HUDSON VALLEY
  LOW FAMILY 1807 HUDSON VALLEY SILKWORK MEMORIAL FOR 6 YEAR OLD BOY Squat Cenotaph under delicately rendered silk on silk weeping willows rendered in four colors, a large fluted classical column to the left, flowers at bottom, under oval eglomise mat with gilt lettering "Wrought by Almira Rose, 1807". The inked inscription in reverse on the memorial read "Sacred to the Memory of John B. Low, the only Son of Charles and Catherine Low, born in Providence, Feb 25th 1799 and died Oct 6th, 1805. Early releas'd from this dark World of Woes, to Regions bright this spotless Cherub rose. Life lives beyond the Grave". Housed in what appears to be the original gold molded rectangular frame with oval eglomise spandrel, OS: 29 1/2" x 23 1/4", SS: 21 1/2" x 18 1/4", vertical repair at center.
• William Wyon (1795-1851),
  William Wyon (1795-1851), memorial plaque for John Fuller Esq., Rose Hill, Sussex, a Light Horse Breeding Society silver medallion, both cased
• John Dunn (born 1944), a square
  John Dunn (born 1944), a square shaped stoneware charger with canted corners and undulating form, titanium lustre glaze with central panel of rose pink lozenge designs, the base signed and bearing label for Peter Dingley Gallery, Stratford-on-Avon, 54cm square
• PHOTOGRAPH, JOHN SEXTON John Sexton
  PHOTOGRAPH, JOHN SEXTON John Sexton (American, b. 1953), Roaring River, 1978, gelatin silver print, pencil signed lower right, dated lower left, image/sheet: 7.25"h x 9.25"w, overall (with frame): 16.25"h x 20.25"w. Provenance: Private Collection (Oakland, CA).
• John Sloan (1871-1951 New York)
  John Sloan (1871-1951 New York) 'Their Appointed Rounds' Etching, 1938. Impression measures 5.5x7'' on 8x10'' sheet. Pencil signed and titled lower margin with inscription 'Greetings 1939 at lower left'. Framed size 15x17''. Davidson Galleries (Seattle WA ) label on inside of mat. Excellent condition.