A few examples of appraisal values for
KALAMAZOO

• ANTIQUE MASONIC SWORDAntique
  ANTIQUE MASONIC SWORDAntique Masonic Ceremonial Sword with Scabbard. Stamped The Henderson Ames Co of Kalamazoo, Michigan. Soldier figural pommel etched handle, etched blade, heavily decorated scabbard. Overall measures 3
• AMERICAN MASONIC KNIGHTS TEMPLAR
  AMERICAN MASONIC KNIGHTS TEMPLAR CHAPEAU WITH FEATHERS IN A FITTED CASEMarked 'The Henderson Ames Co., Kalamazoo, Mich., and M.D. La Fountain' and a paper '7'. 13 1/4 x 21 1/4 x 7 1/2 in. Condition The feathers with losses and have flattened, the hat with minor wear. The case with numerous losses and scuffing to the leather covering. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• A GIBSON MANDOLIN BANJO JR. IN CASE
  A GIBSON MANDOLIN BANJO JR. IN CASE A vintage 8 string Gibson "Mandolin-Banjo Jr." style "MB-Jr.", Kalamazoo, MI label. In hard case. Case with dirt, etc. Serial numbered 11130A-20. From a New Jersey estate. Dimensions: 23" h. Condition: Dirty case, interior of case clean. Instrument clean.
• KALAMAZOO SUNBURST GUITAR KG-11
  KALAMAZOO SUNBURST GUITAR KG-11 WITH CASE Vintage Small Body Acoustic Guitar, 1933-43, by Gibson subsidiary brand Kalamazoo, with vintage chip board case, case: 39" x 15 1/2" x 6". Guitar surface wear and missing strap pin; one case surface abrasions and one hinge detached.
• GIBSON ARMY & NAVY SPECIAL
  GIBSON ARMY & NAVY SPECIAL MANDOLIN, WWI ERAScarce World War 1 era Gibson Army and Navy special style DY Mandolin, flat top form, mahogany with dark brown varnish, ebony fretboard with mother of pearl position markers, with celluloid tuning keys. Includes canvas case with pasted photographs of an unknown band. Mandolin is 25" L, 9 3/4" wide at widest point. Case: 4 1/2" H x 30 1/2" W x 15 1/2" D. Note: the Gibson Company produced these mandolins in Kalamazoo, Michigan from 1918 into the 1920s. They were originally made to be sold "for a special low price for soldiers and sailors" (according to period advertising) in World War 1 military post exchanges around the world. Since they were not high dollar instruments, when they were damaged, the mandolins were usually discarded rather than repaired, and few survive today. A scan of a circa 1918 ad from The Cadenza magazine for one of these mandolins is available to the winning bidder. Private collection, found in Middle Tennessee. Condition: Missing label and pick guard, bridge replaced (but original bridge retained). Several very tight repaired top cracks, otherwise original finish. Neck possibly repaired (signs of glue at base).
• ALBINO LADY CABINET CARD.Albino
  ALBINO LADY CABINET CARD.Albino Lady Cabinet Card. Kalamazoo: C. C. Packard, ca. 1880. Sepia-toned cabinet card of an albino woman on a fainting couch with an advertisement for the publisher on reverse. General staining and soiling with photograph torn in one corner. 4 _ x 6 _". Fair.
• [RULE BOOKS] ELEVEN BOOKS ON CARD
  [RULE BOOKS] ELEVEN BOOKS ON CARD GAMES.[Rule Books] Eleven Books on Card Games. Including Progressive Euchre: How to Play It (1885) by “J.B.”, The Official Rules of Card Games (1952), ed. Albert H. Morehead, Piquet & Rubicon Piquet (1891) by “Berkeley” [W. H. Peel], The Game of Ombre (1874; inscribed “from the author/ 1874”) by H. Gibbs, two copies of Dick’s Games of Patience, or Solitaire With Cards (New York: Dick & Fitzgerald, 1874; pictorial boards in red and gray), Bohn’s New Hand-Book of Games (1850) ed. Henry G. Bohn, Modern Scientific Whist (1894) by C. D. P. Hamilton, Book of Card Rules (Kalamazoo: American Playing Card Co., ca. 1890s), and Whist in Diagrams (1891) by G. W. P. Overall condition good.
• THE AMERICAN PLAYING CARD CO.
  THE AMERICAN PLAYING CARD CO. “NO. 99 STEAMBOATS.”The American Playing Card Co. “No. 99 Steamboats.” Kalamazoo, Michigan, ca. 1890. 52 + J + OB. Near mint. Most of the early steamboat decks were printed on cheap stock and were meant to be used once and discarded. They were usually the cheapest decks in the early manufacturers’ lines, selling for ten cents to twenty five cents. Hoch. L53.
• DOTY-RUNNELS CO. 1 CENT KALAMAZOO
  DOTY-RUNNELS CO. 1 CENT KALAMAZOO CONFECTION VENDOR.Doty-Runnels Co. 1 Cent Kalamazoo Confection Vendor. Kalamazoo, ca. 1930. This machine can vend any number of items, from gumballs to candy corn. Original flyer. Original lock and key. Not tested. Paint loss on base, otherwise very good.
• U.G. GRANDBOIS 1 CENT GUMBALL
  U.G. GRANDBOIS 1 CENT GUMBALL VENDOR.U.G. Grandbois 1 Cent Gumball Vendor. Kalamazoo, ca. 1927. Cast iron base painted dark green with 6” tall glass dome. Original lock and key. Working. Very good.
• U.G. GRANDBOIS 1 CENT WALL MOUNT
  U.G. GRANDBOIS 1 CENT WALL MOUNT GUMBALL VENDOR.U.G. Grandbois 1 Cent Wall Mount Gumball Vendor. Kalamazoo, ca. 1927. Painted cast aluminum and 8” tall glass dome. Unusual with the slide coin entry. Original lock and key. Working. Some paint loss, otherwise very good. This lot also includes a piece of wood maybe from a shipping box bearing the name Soda Mint Chewing Gum and Lic-O-Lay.
• PR: HENDERSON-AMES CO. OAK HALL
  PR: HENDERSON-AMES CO. OAK HALL CHAIRSHenderson-Ames Co., United States. Pair of two upholstered oak hall chairs with cows-hide upholstery. Each with a metal manufacturer's label along the back reading "Manufactured by The Henderson-Ames Co. Kalamazoo, Mich." A carved knight with crossed axes is applied along the front of each chair. Each; Height: 60 1/2 in x width: 29 in x depth: 26 3/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• EARLY WROUGHT IRON
  EARLY WROUGHT IRON RUSHLIGHTBritish/American, possibly 17th/18th century, on carved wood base, 13 x 5 x 3 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: wax accretion, some rust to iron, base with remnants of applied label(?), scattered cracks and edge chips
• TWO EARLY TIN LIGHTING
  TWO EARLY TIN LIGHTING OBJECTSAmerican, possibly 18th century, comprising: Paul Revere type punched tin lantern, hinged front door, hanging loop, 15 x 5-1/4 in.; tin candle sconce, 11 x 8-1/2 x 2-1/2 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: surface dirt, some rust and corrosion, dents, possible solder repairs, wax accretion
• TWO WROUGHT IRON FLOOR
  TWO WROUGHT IRON FLOOR RUSHLIGHTSAmerican, 18th/19th century, one 26 in.; one with adjustable shaft, extends to 39 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: surface dirt and wax accretion, scattered areas of rust; taller example slightly off center
• FLEMISH BRASS REPOUSSE TWO LIGHT
  FLEMISH BRASS REPOUSSE TWO LIGHT SCONCEContinental, probably 18th century, octagonal back plate with repousse floral and fruit decoration, two S scrolled candle arms, 14-1/2 x 11-3/4 x 3-3/4 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: surface dirt, minor warping to back plate, some cracks to back plate at center raised area, candle arms slightly loose
• PENNSYLVANIA FEDERAL PAINTED PINE
  PENNSYLVANIA FEDERAL PAINTED PINE STEPBACK CUPBOARDcirca 1790-1810, upper case with molded ogee cornice, paneled doors, interior shelves, arched base, lower case with three deep drawers over paneled doors, dovetailed bracket feet, 86-3/4 x 64 x 19-1/2 in. Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: structurally sound, surface has been dry scraped with remnants of old, possibly original paint, replaced hinges, interior lacking one hanging rail, small filled areas and small repairs, return molding along proper left side with partial replacement at center, other scattered wear from age and use
• RHODE ISLAND QUEEN ANNE CHERRY HIGH
  RHODE ISLAND QUEEN ANNE CHERRY HIGH CHEST, JESS PAVEY P...circa 1740-1760, stepped cornice, original batwing brasses, dovetailed upper case with four drawers, lower case with three deep drawers, shaped apron, cabriole legs, pad feet, 66-1/2 x 39-3/4 x 20-1/2 in. Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: resurfaced, upper case with repair to proper right return near top, returns with slight board separation and thin cracks, lower case with replaced drawer runners, small loss to apron molding, legs and feet with minor old insect damage and small losses, feet are original, other general wear from age and usage
• EARLY PENNSYLVANIA FOLK ART GREY
  EARLY PENNSYLVANIA FOLK ART GREY PAINTED HANGING WALL S...early to mid 18th century, pierced arch crest, molded cornice, shelved case with decorative scrolled surround, sloped base, 25 x 15 x 11-1/4 in. Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: likely repainted long ago with scattered paint losses throughout, top with loose molding on proper right side, scattered small wood losses, loss to front corner molding, wood separation along backboard, wear and abrasions from significant age and use
• WILLIAM AND MARY MAPLE GATE LEG
  WILLIAM AND MARY MAPLE GATE LEG TABLENew England, comprised of 18th century and later elements, drop leaf top, long frieze drawer, turned legs and stretchers, gate leg supports, bun feet, 27-1/2 x 56 x 46 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: retains good structural integrity, as noted comprised of 18th century and later elements, secondary wood frame runners have been rebuilt/replaced, later hinges and screws, minor old repairs to some stretchers, top with shrinkages and marks, other wear expected with age, use and restoration
• NEW ENGLAND QUEEN ANNE MAPLE
  NEW ENGLAND QUEEN ANNE MAPLE PORRINGER TOP TEA TABLE, J...circa 1740, Connecticut or Rhode Island, shaped porringer top, bracketed apron, tapered cylindrical legs, raised pad feet, chestnut secondary wood, 27 x 36 x 24-3/4 in. Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: in generally good condition considering age, refinished, scattered old insect damage (not active) with areas of later infill, other small filled areas, general wear expected with age and use
• FROG SMITH(American/Florida,
  FROG SMITH(American/Florida, 1896-1993) Log Cabin in the Suwanee River Country, signed lower right "Frog Smith", paint on paper, 12-1/4 x 21 in.; original wood frame, 17-1/4 x 25-1/4 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: painting taped to what appears to be an artist-made mat, mat with some toning and paint smears; frame with light wear
• FROG SMITH(American/Florida,
  FROG SMITH(American/Florida, 1896-1993) The Towles House at Punta Rassa, signed lower right "Frog Smith", paint and mixed media on paper, 16-1/4 x 20 in.; original wood frame, 17 x 20-3/4 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: framed under glass, surface appears to be very good, not examined out of frame; frame with light wear
• FROG SMITH(American/Florida,
  FROG SMITH(American/Florida, 1896-1993) Dowling Camp Mill at Slater, FL., signed lower right "Frog Smith", paint on paper, 14-1/2 x 22 in.; wood frame, 17-3/4 x 25-3/4 in. Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan Condition: floating under glass in frame, minor surface abrasions; frame with light scratches
• CHINESE HAN LIFAN POTTERY AMPHORA
  CHINESE HAN LIFAN POTTERY AMPHORA W/ BRONZE, TL TESTED**First Time At Auction** East Asia, Western China, Han Dynasty, ca. 206 BCE to 220 CE. A large pottery vase, the surface burnished to a fine grey hue and inlaid with bronze bosses. Panels of incised linear decorations adorn the neck, and raised, swirl-patterned circles are presented on the main body. The mouth opens in a distinct ovoid form, and wide strap handles flow down from its narrow rim and join the widest part of the body. This type of double-handled amphora was made in western Sichuan province in central China, and is known as "Lifan" after the particular area where vessels like it were found. Researchers believe the unique shape to be anthropomorphic, perhaps symbolizing the female human form, or zoomorphic - the bronze appliques like staring eyes. The style is fascinating, very different from others created during the Warring States to Han Dynasty period, and seems to be an artistic callback to the elegant forms of the Chinese Neolithic period. Size: 12.5" L x 9" W x 12" H (31.8 cm x 22.9 cm x 30.5 cm) These vessels are found mainly within rock-cut tombs and cist burials, with a few examples known from the more classically Han chambered brick tombs. This suggests that these vessels were made by immigrants or members of non-dominant ethnic groups within Han-controlled China, probably people who lived a nomadic lifestyle centered on husbandry while their Chinese contemporaries led more sedentary, agricultural-based lifestyles. For a similar example of this amphora type with bronze bosses please see the Kalamazoo Institute of Arts website and the Wang Collection, and similar pottery type at the British Museum's website, museum number: 1932,0216.1. This piece has been tested using thermoluminescence (TL) analysis and has been found to be ancient and of the period stated. A full printed and bound report is available to the buyer upon request. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Provenance: ex-New York, New York, USA collection; ex-Dragon Treasure Antiques acquired before 2008 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #176124 Condition: Chips and surface abrasions. Tl hole in base and second Tl hole inside handle. Protective wax coating added to pottery surface. No discernable repairs or restoration. Green patina and mineral deposits on bronze inlays. Softening and rubbing to bronze bosses. Overall excellent condition.
• (3) AMERICAN COIN & GERMAN SILVER
  (3) AMERICAN COIN & GERMAN SILVER SPOONS(lot of 3) Silver spoons, including: (2) Joseph Seymour "Kentucky Tipt" fiddleback coin silver tablespoons, retailed by T.F. Pickering, Kalamazoo, Michigan, handle engraved E.A. King, approx 8.5"l, (1) German silver (content unknown) tablespoon, marked Cast or Gast with horse, monogrammed H.K., approx 9"l, 4.50ozt total
• Nine Posters Advertising Dance,
  Nine Posters Advertising Dance, Film and Music Events Western Michigan University, Kalamazoo, MINew American Cinema Workshop, June 2-3 / WesternMichigan University, 1967Off-set lithographic posterOverall: 31 x 23 in. (78.7 x 58.4 cm) Film WorkshopThe Kinetic Art / Three Film Programs, 1968Off-set lithographic posterOverall: 36 x 24 in. (91.4 x 61 cm) James Rosenquist, American, 1933–2017Aspen Easter Jazz Festival / March 26, 1967, 1967Off-set lithographic posterOverall: 25 x 25 in. (63.5 x 63.5 cm) Nicholas Krushenick, American, 1929–1999The Center Opera Company of Walker Art Center presents /The Man In The Moon by Haydan / Tyrone Guthrie TheatreJanuary 25th to February 10th, 1968, 1968Off-set lithographic posterOverall: 37 x 27 in. (94 x 68.6 cm) AnonymousIts a Universal Picure / Carl Laemmle offers / Fracelia Billingtonin / "The Day She Paid" / from the story "Oats for the Woman" /by Fannie Hurst / Directed by Rex Ingram, 20th centuryOff-set lithographic posterOverall: 42 x 28 in. (106.7 x 71.1 cm) AnonymousParamount Presents / Big Town Scandal / Directed by WillaimC. Thomas, 1947Off-set lithographic posterOverall: 27 x 41 in. (68.6 x 104.1 cm) AnonymousThe National Theatre / The Dance of Death by AugustStrindberg Laurence Olivier (Edgar) Robert Lang (Kurt)Geraldine McEwan (Alice), 1967Off-set lithographic posterOverall: 30 x 20 in. (76.2 x 50.8 cm) after Adrian Piper, American, b. 1948Adrian Piper / Funk Lessons / A Collaborative Experiment inCross-Cultural Transfusion Presented by: New Langton Arts1246 Folsom St. San Francisco, 1984Off-set lithographic posterOverall: 24 x 18 in. (61 x 45.7 cm) VASTA, AmericanWild Style / A film by Charlie Ahearn; Original music: Fab 5Freddy and Chris Stein of BLONDIE, 1982Off-set lithographic posterOverall: 41 x 27 in. (104.1 x 68.6 cm) AnonymousIndianapolis Ballet Theatre, 1980sOff-set lithographic posterOverall: 37 1/2 x 23 in. (95.3 x 58.4 cm) Property of a Midwestern Art Museum
• KNIGHTS OF PYHTHIAS FRATERNAL SWORD
  KNIGHTS OF PYHTHIAS FRATERNAL SWORD Marked by the Henderson Ames Co., Kalamazoo, Michigan, circa 1900, 28 3/8 in. etched steel blade personalized "I. M. Phipps," bound leather grip topped with a knight's head pommel, the steel scabbard with elaborate pierced mounts of silvered brass; "FCB" (Friendship, Charity, Benevolence) seen on scabbard and guard.
• THOMAS ELDRED, NEW YORK, MICHIGAN
  THOMAS ELDRED, NEW YORK, MICHIGAN (1903-1993), KING AND QUEEN, 13 3/4”H X 17”WThomas Eldred, New York, Michigan, (1903-1993) King and Queen, Numbered 8/25 lower left, titled lower middle, signed lower right. Biography from Williams American Art Galleries: Thomas Brownell Eldred, painter, printmaker and teacher, was born in Climax, Michigan in 1903. Eldred began his education studying economics at Kalamazoo College, in Michigan, where he graduated in 1926. His interest in art was evident in the large portfolio that he had accumulated during his time there. He was accepted to the Art Institute of Chicago and studied under John Norton. After four years in Chicago and a stint with the Merchant Marines, Eldred hitchhiked to New York where he attended the Art Students League. It was there that he met and worked under Thomas Hart Benton and Guy Pene DuBois. Eldred declined an invite to the artist's colony, Yaddo, and instead took a teaching position (funded by the WPA program) at the Brooklyn Museum of Art. That job lead to his partnering with Werner Drewes, one of the founding members of the American Abstract Group. The Guggenheims acquired Eldred's work to go in their new museum, The Museum of Non-Objective Art (now the Guggenheim Museum). Eldred traveled to Paris and studied with William Stanley Hayter in his influential printmaking workshop, Atelier 17. Other artists there included Chagall, Jaques Lipchitz, Miro and Matta. When Hayter opened a school in the U. S. in 1940, Eldred joined him again, along with Robert Motherwell, Louise Nevelson and Jackson Pollock. During the 1930s and 1940s, Eldred produced a body of work of which much of it illustrates the complex position of modernist abstraction at this time. Eldred's art, engaging directly or flirting with abstraction, was eclectic. It reveals the impact of a myriad of major artists: Arp, Braque, Feininger, Kandinsky, Joan Miro and Pablo Picasso. His work can resemble that of the American artist associated with the American Abstract Artists group, and it can have the structure of modern geometric abstraction or the fluidity of biomorphism. Frequently both elements cohabit his work. Eldred died in 1993 in Grove City, Pennsylvania. Dimensions: 13 3/4"H x 17"W
• ADA GILMORE CHAFFEE, MASSACHUSETTS,
  ADA GILMORE CHAFFEE, MASSACHUSETTS, MICHIGAN (1883-1955), FLORAL STUDY, WATERCOLOR AND PENCIL ON PAPER, 12”H X 16”WAda Gilmore Chaffee, Massachusetts, Michigan, (1883-1955) floral study, watercolor and pencil on paper Signed lower right. Biography from the Archives of askART: Although she focused on printmaking during much of career as an artist, Ada Gilmore Chaffee was also a painter. Gilmore was born in Kalamazoo, Michigan in 1883. Before reaching the age of twelve, she and her three siblings became orphans. The four children moved to Ireland where they were raised by their aunt in Belfast. She first attended the Belfast School of Design, and later studied at the Art Institute of Chicago. She received instruction from Robert Henri, a painter and printmaker known for his portraits and genre pieces, in 1912. Henri was also the instructor of Oliver Newberry Chaffee, whom Gilmore later married during the 1920s. Beginning in 1913, she obtained additional instruction in France from Ethel Mars, after being exposed to Mars's color woodcut artwork at an exhibition. She returned to the United States with the start of World War I, and began living and working in Provincetown, Massachusetts. Gilmore's prints were displayed in San Francisco at the Panama-Pacific International Exposition in 1915, as well as the Berlin Photographic Company and the New York Watercolor Club in New York City. She traveled to France in 1923 for a reunion with her former institutor and friend, Ethel Mars. During her time in Vence, France, she became reacquainted with Oliver Chaffee, and the two married. Profoundly inspired by the Modern style of artwork produced by Oliver Chaffee and circle of artists with whom he was associated, which included Marsden Hartley, Jules Pascin, and Albert Gleizes, Gilmore began to replace printmaking with painting. She continued painting for the remainder of her career. Submitted by Jenna Wuensche, Researcher Source: Jules Heller and Nancy G. Heller, North American Women Artists of the Twentieth Century watercolor and pencil on paper Dimensions: 12"H x 16"W
• ANTIQUE KALAMAZOO SEED CO.
  ANTIQUE KALAMAZOO SEED CO. 03-CHAMPION SLED First half-20th century.
• GUITAR: 1965 EPIPHONE PT 30
  GUITAR: 1965 EPIPHONE PT 30 CABALLERO (338371): IN 1957 GIBSON PURCHASED THE EPIPHONE GUITAR COMPANY, AS A RESULT EPIPHONE WAS TYPIC...GUITAR: 1965 Epiphone PT 30 Caballero (338371): In 1957 Gibson purchased the Epiphone guitar company, as a result Epiphone was typically a mirror image of the Gibson guitar line at a lower price point, the PT 30 model was made after the small body Gibson 0 acoustic in Kalamazoo Michigan, this model is all mahogany, it is in reasonable shape for its age and could be put in playing condition with little work, the tuners have been replaced and not original, the manufacturing date is approximate as the serial system used by Gibson in the 1960s was not reliable.
• Kalamazoo 3/4 parlor sized
  Kalamazoo 3/4 parlor sized guitar. 36.5”L x 12.5”W, 23" scale Condition: scuffing and nicks throughout CT Transfer Fee $10
• PRESENTATION FLOORSTANDING DOUBLE
  PRESENTATION FLOORSTANDING DOUBLE ELECTRIC PROJECTOR BY BRENKERT, 1918, W/(35) MASONIC COLOR GLASS SLIDES Free-standing Lecture Projector with dual projectors and rheostat cross-fader, made by Brenkert Light Projection Co. of Detroit MI. Mounted on a heavy cast iron castered tripod base, black painted storage tin cabinet for slides, the projectors mounted vertically, with blank to image sliding frames that accept the glass slides. Includes a small box of (35) handcolored Masonic 3" x 4" slides by Ehling Brothers of Kalamazoo, MI (2 cracked). The rheostat is tagged ser. no. 6124, pat'd Oct 29, 1918. The projectors are tagged as Model 12, ser. nos. 3833 & 8814. Roughly 65" tall overall, 24" leg to leg. Fine condition.
• VINTAGE "KALAMAZOO" GUITAR
  VINTAGE "KALAMAZOO" GUITAR AMPLIFIERVINTAGE "KALAMAZOO" GUITAR AMPLIFIER, having eight inch speaker, canvas covered case with black and orange vertical stripes, leather carry handle, instrument and microphone 1/4" input jacks (mono), volume control and on/off switch. Dimensions: 12" wide, 10 3/4" tall and 8" deep. made by Gibson circa 1935.
• HERITAGE H-140 CHERRY SUNBURST
  HERITAGE H-140 CHERRY SUNBURST ELECTRIC GUITAR: Serial #E30504, Made in Kalamazoo, MI, U.S.A. With Seymour Duncan Pickups, on a Cherry Sunburst carved solid body, having figural Maple at the observe. Original pickup in hard case. Guitar Approx. 40'' l x 12.5'' w. Case Approx. 4.5'' h x 44.25'' l x 15.25'' w. CONDITION: Wear at finish of body & neck, a couple scattered indents and scuffs. Untested. Case with moderate wear.