A few examples of appraisal values for
KARL GRIESBAUM

• Hap Grieshaber (German, 1909-1981),
  Hap Grieshaber (German, 1909-1981), Rabbi, 1964, edition 114/210, Manus Presse (blindstamp lower left), signed lower right "Grieshaber" and titled lower left, color woodblock on paper, 29-1/4 x 34-1/2 in. (page); black-painted frame,
• KARL GRIESBAUM SINGING BIRDS IN
  KARL GRIESBAUM SINGING BIRDS IN CAGE AUTOMATONMechanical automaton clockwork birds in a brass cage. Birds move and sing. Marked with a KG Bird in Diamond as well as "GERMANY" and "Ken-D." Circa 1930s. Measures 11-1/2" tall.
• KARL GRIESBAUM SINGING BIRD IN CAGE
  KARL GRIESBAUM SINGING BIRD IN CAGE AUTOMATONMechanical automaton clockwork bird in a brass cage. Bird moves and sings. Marked with a KG Bird in Diamond as well as "GERMANY" and "Ken-D." Circa 1930s. Measures 9-1/2" tall.
• KARL GATERMANN THE YOUNGER (GERMAN,
  KARL GATERMANN THE YOUNGER (GERMAN, 1909-1992), ALPINE LAKE Oil on canvas, signed and inscribed "München" at lower left, inscribed and dated on the verso "Loferer-Bergsee / Tirol / 1954," presented in a gilt frame, inscribed on the verso.
• Karl Gerstner (Swiss b. 1930) Color
  Karl Gerstner (Swiss b. 1930) Color Sound 4 B 1972 nitrocellulose on phenolic resin plates 45 x 45 inches.
• Karl Kauffman (German,
  Karl Kauffman (German, 1843-1901/05) Landscape Painting, depicting geese flying over a river, signed with one of his many pseudonyms, Th Walter, oil on canvas, 27" x 21-3/4", framed 29-1/2" x 24-1/4", good condition, Danks painting has 5 patch repairs
• CONRAD GREFE (AUSTRIAN,
  CONRAD GREFE (AUSTRIAN, 1823-1907)Conrad Grefe (Austrian, 1823-1907), "Grenzsaule am Waldsaum", c. 1860, lithograph, from the Weiner-Kunstler Album, printed by Reiffenstein & Rosch, Vienna, 15 1/4 in. x 12 1/4 in., unframed. Condition: Overall poor condition.
• GEORGE GROSZ. "ACH, KNALLIGE WELT,
  GEORGE GROSZ. "ACH, KNALLIGE WELT, DU SELIGES ABNORMITäTENKABINETT," OFFSET PHOTOLITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XIV from Ecce Homo, sight size: 12 x 9 in., framed.
• KARL GERSTNER (swiss b. 1930)
  KARL GERSTNER (swiss b. 1930) "AFFECHE AVANT LA LETTRE" Pencil signed and numbered (76/100) in margin. Screenprint. 32 x 32 in.
• Karl Priebe (American 1914-1976)
  Karl Priebe (American 1914-1976) Portrait of a Man together with additional portrait on back of paper (two works) gouache on paper signed Priebe (upper left); also initialed K.P. and dated 1937(verso) 23 x 17 1/2 inches.
• CARL FREDERICK GAERTNER
  CARL FREDERICK GAERTNER (AMERICAN, 1898-1952) BERMUDA, ...Carl Frederick Gaertner (American, 1898-1952) Bermuda, 1946 Gouache on cardboard Signed and dated 1946 lower right 15 in. h. x 20 in. w. Carl Gaertner was one of the greatest painters to emerge from the Cleveland School. Born in Cleveland on April 18, 1898, he graduated from East Technical high school in 1918 and attended Western Reserve College. From 1920 to 1923 he studied at the Cleveland School of Art (now the Cleveland Institute of Art) with Henry Keller. In 1922, he entered his first May Show at the Cleveland Museum of Art and was awarded a prize for an industrial oil painting. From 1925 until 1952, he was known as a pillar of the Cleveland School and one of their most prestigious painting instructors. Gaertner’s subject matter was always drawn from the world around him. Early in his career, he focused on Cleveland and its environs. This interest never left him, but as he matured, his choice of subjects broadened. He painted watercolors and oils of Bermuda in the mid 1920s and began making frequent trips to Provincetown beginning in the 1920’s. Like other Cleveland artists, he culled inspiration from travels within the United States, notably trips through Pittsburgh’s dramatic industrial landscapes and Cambridge Springs in Pennsylvania, to the mountains of West Virginia, and to Cape Cod. From the mid 1940s until his death, he also produced paintings based on sketches made during train rides to visit galleries in New York City. At the time of his premature death in 1952, Carl Gaertner enjoyed a considerable reputation as a master of American Scene painting. By the 1940s, Gaertner was represented by the venerable Macbeth Gallery in New York City and his paintings were exhibited in shows throughout the United States. In 1944 and 1952, Gaertner received the National Academy of Design’s highest award for individual work in a group exhibition, and his work was exhibited in the Cleveland Museum of Art’s May Show for 27 years. Gaertner’s works are in the collections of many prestigious institutions, including the Cleveland Museum of Art, the Metropolitan Museum of Art, the Chicago Institute and the Whitney Museum of American Art. The reflective eye of Gaertner chronicled three decades of Cleveland and the landscapes of the Midwest and its people. It is all there: the growing might of industrial Cleveland; the mass-produced promise of the assembly line, giving way to a dawning awareness of lost freedom and the surrender of individuality; the love affair of Americans with nature and the ideals of Thoreau and Whitman and Frost; and the conflict between that love affair and industrial promise. Gaertner was just achieving national acclaim at the time of his early death at the age of 54. A resurgence of enthusiasm for Gaertner and his works began in the 1970’s and has steadily increased and incrementally boosted the value of his work, with a fine rare example, “The Popcorn Man” reaching $250,000 at auction.
• Karl Hauptmann (German, 1880-1947),
  Karl Hauptmann (German, 1880-1947), "Winter Landscape with Chalets, Freiburg", oil on canvas, signed lower right "K. Hauptmann Frbrg", 20 x 32 in., original black lacquer frame,
• Carl Frederick Gaertner (American
  Carl Frederick Gaertner (American 1898-1952) Landscape. Graphite and wash on paper signed at the lower right matted and framed under glass overall apprx. 13-1/4" x 15-3/4".
• Carl Max Kruse (German 1854-1942)
  Carl Max Kruse (German 1854-1942) the messenger Bronze, black-brown patina, modeled as a nude classical figure running and holding an olive branch, raised on a rectangular black marble base, inscribed 'Max Kruse', 'NENIKHKAMEN' and with foundry mark 'Aktien Gesellschell / vorm Gladenbeck u Sohn'. H: 14 3/4 in. (overall) PROVENANCE: Property of a private collector, Miami Beach FL Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• CARL RUNGIUS (1869-1959), THE
  CARL RUNGIUS (1869-1959), THE ANSWER FROM THE BARREN Fine Art
• Carl Kronberger (1841-1921
  Carl Kronberger (1841-1921 Austrian) Portrait of a Man Holding a Glass of Wine
• GUSTAV KOLB AND KARL GMELICH
  GUSTAV KOLB AND KARL GMELICH (GERMAN, ACTIVE CA 1900) 19 ¼" x 13 ?" sight size " Von Der Pflanze Zum Ornament". Lithograph folio page from a book, titled and signed in the plate, published and printed by Illig & Müller, double matted under glass with silver frame, overall 26 ¾" x 20 ½".
• ERNST LUDWIG KIRCHNER. GRIESBACH
  ERNST LUDWIG KIRCHNER. GRIESBACH AUCTION, OFFSET LITHOGRAPH (German, 1880-1938). Offset lithograph from Auction 2008, featuring the image "Cocotte Head with Plumed Hat," inscribed in the stone ll, sight size: 18 1/2 x 15 1/2 in., framed.
• German WWII Photo Album of Kurt
  German WWII Photo Album of Kurt Erich Hans Grybski Kurt Erich Hans Grybski was bornn 11-8-1911. He was a German soldier KIA 10-1944. There is a family history also with this album. Album Measures 9x7'' and has over 100 photos. Condition: Very good.
• KARL VONDAL(Austria, born 1953)
  KARL VONDAL(Austria, born 1953) Crowned Woman in Lingerie, inscribed bottom left, watercolor, graphite, colored pencil on paper, 31-1/2 x 22-3/8 in.; wood frame, 35 x 25-5/8 in. Provenance: Property sold to benefit the American Folk Art Museum Note: Karl Vondal was born in the Austrian town of Obersiebenbrunn. He was the youngest of many children and when he was old enough to leave school he began an apprenticeship as a bricklayer, which he did not complete. He became mentally ill at this time and was admitted to a mental health facility where his artistic talent was recognized. Since 2003 the artist has worked in both the House of Artists and the open Atelier Gugging. His work was included in the Galerie Gugging in 2003. Condition: staining, slight damage at paper seam
• Karl Kaufmann painting (Karl (Carl)
  Karl Kaufmann painting (Karl (Carl) Kaufmann, Austrian, 1843-1905), view of Dürnstein on the Danube River with castle ruins above town, signed lower left "Carl Kaufmann/Wien/1884", oil on panel, various inscribed numbers verso, 11-1/4 x 16-1/2 in.; gilt wood and composition frame with fruited garland and leaf decoration. Small points of retouch in sky and towards edges, flaking, abrasions, craquelure, accretion at right (drip), grime, two battens verso, yellowed varnish; frame with abrasions, minor loss to composition.
• CARL KRATZER (AUSTRIA, 1827-1903)
  CARL KRATZER (AUSTRIA, 1827-1903) Sunset Winter Landscape with frozen pond and sporting shack with a figure out front, oil on canvas, signed lower left, housed in the original gilt matched corner frame, OS: 30" x 34", SS: 19b 1/2" x 23 1/2", minor frame loss. Includes original tag from Gustave J.S. White, Auctioneer, Newport, Rhode Island, with handwritten notation "Purchased at Auction, John Nicholas Brown Estate in 1987".
• Karl Schrag (American 1912-1995)
  Karl Schrag (American 1912-1995) Tiger Lilies. Gouache on board signed in the lower right corner framed with a linen liner and a wide gilt frame under plexiglass overall apprx. 34" x 46-1/2".
• Carl Christopher Graf (American,
  Carl Christopher Graf (American, 1892-1947), summer landscape at dusk, oil on board; 5 3/8" x 7 3/8"; unsigned. Authentication info verso. Graf was the first president of the Brown County Art Association formed in 1926. Graf studied at the Herron Art Institute with William Forsyth and then at the Pennsylvania Academy of Fine Art and the Art Students League.
• KARL GERSTNER (1930-2017), "COLOR
  KARL GERSTNER (1930-2017), "COLOR SOUNDS III," SCREENPRINT IN COLORS ON PAPER, SIGHT: 31" H X 31" WKarl Gerstner, (1930-2017) "Color Sounds III", Screenprint in colors on paper Edition: 68/175 Signed and numbered in ink lower right: Gerstner; titled on a gallery label affixed verso Screenprint in colors on paper Dimensions: Sight: 31" H x 31" W Provenance: DeVorzon Gallery, Los Angeles, CA
• CARL KAUBA (AUSTRIAN, 1865 -
  CARL KAUBA (AUSTRIAN, 1865 - 1922) 7 ¼" x 8 ¼" x 3 ¼" Cast bronze grouping, ca. 19th century, gilt and cold painted finish, fashioned as a house with backyard depicting two kittens at play, ball and a kitten in the window, signed "C. Kauba" in bronze on the base.
• Karl Gerhardt (American, 1853-1940)
  Karl Gerhardt (American, 1853-1940) "Farm Landscape", oil on canvas, 20" x 24", signed lower left: "K. Gerhardt". Presented in an elaborate giltwood frame.
• CARL FREDERICK GAERTNER
  CARL FREDERICK GAERTNER (AMERICAN, 1898-1952) PAIR OF L...Carl Frederick Gaertner (American, 1898-1952) Pair of Lithographs Industrial scene, Cleveland flats and Mountain Valley Retreat Lithograph on blue ground Initialed lower left / Initialed lower right 7 in. h. x 10 in. w., image 14 in. h. x 17 in. w., as framed Carl Gaertner was one of the greatest painters to emerge from the Cleveland School. Born in Cleveland on April 18, 1898, he graduated from East Technical high school in 1918 and attended Western Reserve College. From 1920 to 1923 he studied at the Cleveland School of Art (now the Cleveland Institute of Art) with Henry Keller. In 1922, he entered his first May Show at the Cleveland Museum of Art and was awarded a prize for an industrial oil painting. From 1925 until 1952, he was known as a pillar of the Cleveland School and one of their most prestigious painting instructors. Gaertner’s subject matter was always drawn from the world around him. Early in his career, he focused on Cleveland and its environs. This interest never left him, but as he matured, his choice of subjects broadened. He painted watercolors and oils of Bermuda in the mid 1920s and began making frequent trips to Provincetown beginning in the 1920’s. Like other Cleveland artists, he culled inspiration from travels within the United States, notably trips through Pittsburgh’s dramatic industrial landscapes and Cambridge Springs in Pennsylvania, to the mountains of West Virginia, and to Cape Cod. From the mid 1940s until his death, he also produced paintings based on sketches made during train rides to visit galleries in New York City. At the time of his premature death in 1952, Carl Gaertner enjoyed a considerable reputation as a master of American Scene painting. By the 1940s, Gaertner was represented by the venerable Macbeth Gallery in New York City and his paintings were exhibited in shows throughout the United States. In 1944 and 1952, Gaertner received the National Academy of Design’s highest award for individual work in a group exhibition, and his work was exhibited in the Cleveland Museum of Art’s May Show for 27 years. Gaertner’s works are in the collections of many prestigious institutions, including the Cleveland Museum of Art, the Metropolitan Museum of Art, the Chicago Institute and the Whitney Museum of American Art. The reflective eye of Gaertner chronicled three decades of Cleveland and the landscapes of the Midwest and its people. It is all there: the growing might of industrial Cleveland; the mass-produced promise of the assembly line, giving way to a dawning awareness of lost freedom and the surrender of individuality; the love affair of Americans with nature and the ideals of Thoreau and Whitman and Frost; and the conflict between that love affair and industrial promise. Gaertner was just achieving national acclaim at the time of his early death at the age of 54. A resurgence of enthusiasm for Gaertner and his works began in the 1970’s and has steadily increased and incrementally boosted the value of his work, with a fine rare example, “The Popcorn Man” reaching $250,000 at auction.
• KARL SCHRAG, GOUACHE AND WATERCOLOR
  KARL SCHRAG, GOUACHE AND WATERCOLOR ON PAPER Karl Schrag (American, 1912-1995), "Flowering Forest", signed lower right, gallery labels verso, matted and framed under glass, 35"h x 19.25"w (sight), 41"h x 24.75"w (frame)
• SCHRAG Karl. Gouache on Board.
  SCHRAG Karl. Gouache on Board. ''Coming of Fall.''Signed lower right. Brandeis Loan Collection plaque on frame. Kraushaar Gallery label verso. Karl Schrag American 1912 - 1995. From the now defunct Boris Mirski Gallery Boston. Please note that this lot was listed in our May 7 2012 auction as an oil and is now being resold as a gouache. Dimensions: 25.75'' high x 29'' wide. Condition: Some surface grime.
• KARL SCHMIDT (1890-1962): PURPLE
  KARL SCHMIDT (1890-1962): PURPLE MOUNTAIN LANDSCAPE Watercolor on paper 4 1/4 x 6 1/2 in. (image) signed.
• Karl Eugene Felix painting
  Karl Eugene Felix painting (Austrian/American, 1837-1906), landscape at sunset, signed lower right "K.E. Felix", oil on canvas, 14-1/8 x 20 in.; gilt wood and composition frame. Original stretcher and tacking edge, crackle, cupping, cleavage, canvas loose, flaking; frame with losses to gesso and gilt surface, some painted areas. Private Collection, Hudson, New York.
• CARL KRENEK (1880-1943): STYLIZED
  CARL KRENEK (1880-1943): STYLIZED TROPICAL LANDSCAPE Pastel drawing on board signed in pencil on verso; 11 1/4 x 9 1/4 in.
• KARL SCHRAG, GOUACHE "TREES,
  KARL SCHRAG, GOUACHE "TREES, LIGHT & MOVEMENT"Karl Schrag (Am., 1912-1995), mixed media (gouache and ink on paper), signed "Karl Schrag" lower right, identified and titled on a label from Kraushaar Galleries, New York affixed to the backing. Frame size: 33" high, 28 3/8" wide. Framed under glass, not examined out of frame. Provenance: Property from a NYC Estate. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• Carl Krafft (1884-1938 Oak Park IL)
  Carl Krafft (1884-1938 Oak Park IL) Winter Landscape
• Karl Griesbaum "Whistling Drunk",
  Karl Griesbaum "Whistling Drunk", polychrome carved wood drunk being supported by a lamp post, key wind mechanism at back with lighted post, bulb should be replaced, battery compartment was corroded, was cleaned out and new batteries installed, now functioning, 19"H, generally excellent condition