A few examples of appraisal values for
KEITH MURRAY

• Murray McNeil Caird Urquhart
  Murray McNeil Caird Urquhart (Scottish, 1880-1972) Landscape with Road and Figure oil on canvas signed Murray Urquhart (lower right) 15 1/2 x 19 1/2 inches. Property from the Collection of Maestro Raymond Leppard, Indianapolis, Indiana
• WILLIAM KEITH (SCOTTISH/AMERICAN,
  WILLIAM KEITH (SCOTTISH/AMERICAN, 1838-1911)William Keith (Scottish/American, 1838-1911), "Wooded Landscape", oil on canvas laid on board, signed and inscribed lower right, 11 3/4 in. x 23 3/4 in., framed, overall 15 5/8 in. x 27 1/2 in. x 1 1/2 in.
• MARTIN KEITH (AMERICAN, EARLY
  MARTIN KEITH (AMERICAN, EARLY 20TH CENTURY) 24" x 32" Uplands boy on point. Oil on board, signed lower right corner, in wood frame with burlap liner, overall 27 ¾" x 36".
• KEITH HENDERSON (1883-1982)
  KEITH HENDERSON (1883-1982) SCOTTISHKeith Henderson, OBE RP RSW RWS ROI, three children, pastel on paper, artist name handwritten verso, 14.5" x 12".
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1983 ''Figure Composition'' color pencil on paper signed and dated ''Keith Martin 1932'' ll 6 1/2 x 9 in. framed Estimate $ 200-300 Crease in ur corner frame wear. Paintings have not been examined by blacklight.
• Keith Morrow Martin (American,
  Keith Morrow Martin (American, 1911-1983) "Two Figures" gouache on board signed and dated " Keith Martin '56" lr 16 1/2 x 13 3/4 in., framed
• David Murray
  David Murray (Contemporary)/Frosty Morning, Waterlane/label verso, titled, signed and dated 2004, sepia and iron-blue toned silver print/photographic print, 29.5cm x 40.5cm/together with a watercolour of a tree, 32.5cm x 22.5cm [2]/Provenance: Eva Chadwick estate
• Keith Vaughan (1912-1977)/Three
  Keith Vaughan (1912-1977)/Three Figures/ink drawing, 12cm x 16.5cm/Provenance: Tib Lane Gallery, Manchester, receipt of purchase dated June 1999
• Wedgwood Keith Murray designed
  Wedgwood Keith Murray designed Black Basalt Jar and Cover height 11cm
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1983 ''Mountain Landscape by Moonlight'' watercolor on paper signed and dated ''Keith Martin 1947'' ll signed titled and dated on verso 19 x 25 in. framed Estimate $ 200-400 Frame separating in ll corner. Paintings have not been examined by blacklight.
• KEITH MORROW MARTIN. TWO
  KEITH MORROW MARTIN. TWO DRAWINGS, LITHOGRAPHIC CRAYON (American, 1911-1983). 1.) "Skull," lithographic crayon on paper, initialed and dated "K.M. '64" lr, sight size: 22 3/4 x 17 1/2 in., framed, and 2.) "Balancing Shape," lithographic crayon on paper, initialed and dated "K.M. '64" uc, sight size: 23 x 17 1/4 in., framed.
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1945 ''Landscape with Rocks'' oil on board signed ''Keith Martin'' lr 11 1/2 x 15 3/4 in. framed Estimate $ 200-400 Frame wear. Paintings have not been examined by blacklight.
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1983 ''Beggar'' mixed media on paper initialed and dated ''K.M. '68'' lr signed titled and dated on verso 16 x 12 in. framed Estimate $ 200-400 Paintings have not been examined by blacklight.
• Keith Vaughan (1912-1977) British
  Keith Vaughan (1912-1977) British MARTYRDOM OF ST. SEBASTIAN Mixed-media on heavy paper; a pencil sketch of the subject verso 45" (height) 114.3cm (height) 27.75" (width) 70.5cm (width)
• WILLIAM KEITH IMPRESSIONIST
  WILLIAM KEITH IMPRESSIONIST LANDSCAPE PAINTING Scotland, California,1838-1911 Plein air depiction of animals grazing on the other side of a sparkling body of water framed by trees bathed in dawn light. Keith's two main influences were the Dusseldorf and Barbizon schools with tonalist qualities.
• WILLIAM KEITH (AMERICAN
  WILLIAM KEITH (AMERICAN 1838-1911) A PAINTING, "MOUNTAI...WILLIAM KEITH (American 1838-1911) A PAINTING, "Mountain Valley Landscape," oil on canvas, signed L/R. 24" x 36" Note: Beginning his career as an engraver in New York and then in San Francisco, William Keith honed his abilities as a painter under the tutelage of Samuel Marsden Brookes (1816-1892), dedicating his work exclusively to painting in 1868. Keith's friendship with naturalist John Muir expanded his appreciation and passion for the beauty of the American West. As represented in the present painting, Californian mountain vistas became a prominent subject in his work. The quality of his art production provided him the moniker "Dean of California Painters," and by the early 1900's he was one of the wealthiest artists in the country. Though a prolific artist, painting some 4,000 pieces his life, a fire in his studio in 1906 destroyed half of his holdings. Compared to landscapes of similar compositions by Keith and Albert Bierstadt, the present painting is likely a view of Donner Lake in the northern Sierra Nevada mountains. Provenance: Property from a Houston Estate. Condition: Overall in good condition, wax-lined canvas on original stretcher, small areas of inpainting visible under UV light, a few areas of minor craquelure, light varnish soiling and toning, but overall wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Murray MacDonald (Scottish, fl.
  Murray MacDonald (Scottish, fl. 1889-1910) "Near Loch Ard, Looking West, Perthshire". Oil on canvas, signed and dated 1901 at the lower left corner, titled and signed verso, approx. 12-1/2" x 15-1/2", framed in a decorative gilt frame overall approx. 18-3/4" x 25".
• KEITH WARRICK (WASHINGTON,
  KEITH WARRICK (WASHINGTON, 20/21ST CENTURY) OIL ONKEITH WARRICK (Washington, 20/21st century) oil on board, "Mountain Grizzlies." Signed lower left, brass plaque attached to frame. Image measures 22" x 28". In a wood frame; 30" x 36" overall.
• Joseph Murray Ince (British
  Joseph Murray Ince (British 1806-1859)/St. James' Park/watercolour, 19cm x 33cm
• KEITH BOND, (ACTIVE 20TH/21ST
  KEITH BOND, (ACTIVE 20TH/21ST CENTURY), "MORNING - NEAR CRAZY JUG POINT," 2014, OIL ON BOARD, 12" H X 20" WKeith Bond, (Active 20th/21st century) "Morning - Near Crazy Jug Point," 2014 Oil on board Signed lower right: Keith Bond; signed again, titled, dated with the ©, and inscribed verso 12" H x 20" W Provenance: The Estate of George David Sturges Oil on board Dimensions: 12" H x 20" W Provenance: The Estate of George David Sturges
• Thomas Murray pencil drawing
  Thomas Murray pencil drawing young boy signed and dated 1891 image area 15'' x 11''
• KEITH MCINTYRE (AMERICAN,
  KEITH MCINTYRE (AMERICAN, 1925-1997) FOREST FORMS CIRCA 1957 MIXED MEDIA ON BOARD: 29 1/2 X 39 1/2 IN. (SIGHT)KEITH MCINTYRE, (AMERICAN, 1925-1997) FOREST FORMS CIRCA 1957, Mixed media on board: 29 1/2 x 39 1/2 in. (sight) Framed; signed and dated lower right: 'McIntyre 57'; verso label 'The Butler Institute of American Art, Youngstown 2 Ohio/ 1957 Mid-Year Show'; verso inscribed 'B126/ 2 - W INV'; verso ink stamp 'The Art Center Inc' Provenance: Private Collection
• KEITH MORRISON O/C, IN THE
  KEITH MORRISON O/C, IN THE WOODSKeith Anthony Morrison (African American, b. 1942) oil on canvas, "In the Woods," depicting a tryst in a wooded landscape. Initialed and dated lower right "K.M. '75". 40" x 48" sight, 40-3/4" x 48-3/4" in narrow wood frame. Provenance: Kentucky collection; acquired directly from the artist. Biography: Keith Morrison was born in Jamaica and received a B.A. and M.F.A. at the School of the Art Institute of Chicago. He held positions at several universities including Fisk University from 1967-1968. Morrison represented Jamaica at the 2001 Venice Biennale, and served as a U.S. critic to the 2008 Shaghai Biennale. His works are in the collections of the Cincinnati Art Museum, the Art Institute of Chicago, the Philadelphia Museum of Art, the Corcoran Gallery of Art, the Smithsonian American Art Museum, and the National Gallery of Art, Jamaica. Provenance: Middle Tennessee collection, acquired directly from the artist. Condition: Excellent condition.
• KEITH VAUGHAN (1912 - 1977):
  KEITH VAUGHAN (1912 - 1977): PLAYING CARDS, BURFORD CAMPcirca 1942; ink wash on paper, matted and framed under acrylic; no signature visible; Provenance: Redfern Gallery, London (label verso); Provenance: The Estate of Kay Pick, Beverly Hills, CA; 5 1/2 x 8 3/4 inches sight; 12 1/4 x 16 inches frame Condition:
• Keith Morrow Martin (American,
  Keith Morrow Martin (American, 1911-1983) "Dramatic Vista" oil on canvas initialed and dated "KM '62" ur, signed, titled, and dated on verso 46 x 40 1/2 in., framed
• KEITH FAY (AMERICAN, 1920-2008),
  KEITH FAY (AMERICAN, 1920-2008), GENTLE WILDERNESS Oil on canvas, signed lower left, inscribed to verso, framed.
• RICHARD MURRAY (1948- ), BULL MOOSE
  RICHARD MURRAY (1948- ), BULL MOOSE Fine Art
• Henry Murray (British, 19th-20th
  Henry Murray (British, 19th-20th Century) A pair of fine fine watercolors on paper of hunting scenes, one of The Full Cry and the other of Run To Earth, each signed in the lower left corner, measuring approx. 11-3/4" x 17-3/4" sight size, and each matted and framed alike under glass overall approx. 17-1/2" x 23-1/2". Henry Murray's work was sold by Frost and Reed in the 20th Century and was brought to the United States by their representatives.
• DUNCAN KEITH, OIL ON CANVAS
  DUNCAN KEITH, OIL ON CANVAS Duncan Keith (American, 20th c.), untitled, signed "K. Duncan" on stretcher, old auction tag verso, unframed, 28"h x 22"w
• William Keith (American, 1838-1911)
  William Keith (American, 1838-1911) California Landscape, circa 1890 oil on panel signed W Keith and inscribed S.F. (lower right) 11 x 14 inches (sight). Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• Joseph Murray Ince (British
  Joseph Murray Ince (British 1806-1859)/Continental Lake Scene/signed and dated 1839/watercolour, 20cm x 33cm
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1983 ''The Harp Player'' oil on masonite signed and dated ''Keith Martin 1947'' ll signed titled and dated on verso 10 1/4 x 13 3/4 in. framed Estimate $ 200-400 Frame wear. Paintings have not been examined by blacklight.
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1983 ''Legend #4'' brush and ink on paper signed ''Keith Martin'' ll 16 1/2 x 22 1/2 in. framed Estimate $ 70-100 Paintings have not been examined by blacklight.
• Keith Morrow Martin American
  Keith Morrow Martin American 1911-1983 ''Ariandne'' graphite on paper initialed and dated ''K.M. '62'' lr 11 3/4 x 17 1/2 in. framed Estimate $ 50-100 Paintings have not been examined by blacklight.
• THOMAS MURRAY (SCOTTISH
  THOMAS MURRAY (SCOTTISH 1663-1734) PORTRAIT OF A GENTLEMAN IN A BROWN COAT Oil on canvas127cm x 101.5cm (50in x 40in)Note: Murray was born in Scotland and later moved to London, where he studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London. He had many noble patrons and his work is held in various institutional collections.
• WILLIAM
  WILLIAM KEITH(Scottish/California, 1838-1911) Napa Valley Landscape, signed lower left "Wm. Keith/S.F.", oil on board, 22 x 27-1/4 in.; period carved gilt wood and composition frame, 32-1/2 x 37-1/2 in., Provenance: Private North Carolina Estate Condition: laid on cradled panel, surface dirt layer, yellowed varnish; frame withÿÿwear