A few examples of appraisal values for
KENDALL

• K. Kendall (American ca. 1931)
  K. Kendall (American ca. 1931) Evening landscape. Oil on canvas signed at the lower right corner inscribed and dated 1931 verso apprx. 15-5/8" x 11-1/2" framed in a brightly gilt frame overall apprx. 20-3/4" x 16-3/4".
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). GREENHOUSE signed lower right. Oil on canvas - Framed 22 in x 26 in.
• MILO KENDALL WINTER JR (American
  MILO KENDALL WINTER JR (American 1913-2002). GREENHOUSE signed lower right. Oil on canvas - Framed 22 in. x 28 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). STUDY WITH BLUE VASE signed lower left. Oil on canvas - Framed 11 in. x 14 in.
• MILO KENDALL WINTER JR (American
  MILO KENDALL WINTER JR (American 1913 - 2002). SAKONNET POINT RHODE ISLAND oil on canvas - Framed 17 in. x 23 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). LADY OF THE LILLIES signed and dated 1993 lower right. Oil on canvas - Framed 34 in. x 38 in.
• MARIE B. KENDALL (CALIFORNIA,
  MARIE B. KENDALL (CALIFORNIA, 1885-1953) TWO OILSMARIE B. KENDALL (California, 1885-1953) two oils on canvas, California landscapes, one with an orchard and another with shed and flowering tree. Both signed. Images measure 20" x 24" and 24" x 30". In period gilt wood frames; 24.5" x 28.5" and 27.5" x 33.5" overall.
• MARIE B. KENDALL OIL ON CANVASMARIE
  MARIE B. KENDALL OIL ON CANVASMARIE B. KENDALL (California, 1885-1953) oil on canvas, mountain landscape with lake. Signed lower left, 10" x 12" (image), 11.75" x 13.75" (frame).
• KENDALL SHAW, PAINTING Kendall Shaw
  KENDALL SHAW, PAINTING Kendall Shaw (American, 1924-2019), Hand, 1964, acrylic on canvas, signed, titled and dated on verso, gallery and auction labels verso, unframed, 22.25"h x 12"w
• MILO KENDALL WINTER JR (American
  MILO KENDALL WINTER JR (American 1913-2002). PEARS AND BASKET signed lower left. Oil on canvas. - Framed 26 in. x 29 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). EARLY FALL signed lower right. Oil on canvas - Framed 18 in. x 24 in.
• MILO KENDALL WINTER JR (American
  MILO KENDALL WINTER JR (American 1913-2002). JUNE LILLIES signed lower right. Oil on canvas. - Framed 22 in. x 28 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). CUT MELON signed lower left. Oil on canvas - Framed 18 in. x 24 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). PENNSYLVANIA FARM signed lower left. Oil on canvas - Framed 13 in. x 23 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). VASE OF YELLOW PARROT TULIPS signed lower right. Oil on canvas - Framed 36 in. x 24 in.
• MARIE B. KENDALL (CALIFORNIA,
  MARIE B. KENDALL (CALIFORNIA, 1885-1953) OIL ON CAMARIE B. KENDALL (California, 1885-1953) oil on canvas, Sierra Mountain landscape. Signed lower left and dated 1923. Image measures 28" x 32". In a period gilt wood frame; 32.5" x 36.75" overall.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). ROADSIDE LILLIES CHARLESTOWN signed lower left. Oil on canvas. - Framed 17 in. x 23 in.
• MILO KENDALL WINTER JR (American
  MILO KENDALL WINTER JR (American 1913-2002). LAWN CHAIRS ON A SUNNY AFTERNOON signed loewr right. Oil on canvas. - Framed 30 in. x 40 in.
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). VIEW OF CHARLESTOWN PENNSYLVANIA signed lower right. Oil on canvas - Framed 36 in. x 60 in.
• SHAW Kendall (American 1924-):
  SHAW Kendall (American 1924-): ''Elevated with New York Evening II'' OIL/Canvas 50'' x 17'' signed titled and dated 1954-55 verso thin frame 21'' x 18''.CONDITION: Scattered cracklure several abrasions minor paint fleck on edges.
• GROUP OF THREE LYND KENDALL WARD
  GROUP OF THREE LYND KENDALL WARD (AMERICAN, 1905 - 1985...Group of Three Lynd Kendall Ward (American, 1905 - 1985), woodcuts on paper, each signed in pencil in the lower margin, and one dated "1932" in pencil, all matted in the same frame, each image size 6 1/4" x 4 1/4". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• MILO KENDALL WINTER JR (American
  MILO KENDALL WINTER JR (American 1913-2002). CHINESE BASKET signed lower right. Oil on canvas. - Framed 17 in. x 23 in.
• MARIE B. KENDALL (CALIFORNIA,
  MARIE B. KENDALL (CALIFORNIA, 1885-1953) OIL ON CAMARIE B. KENDALL (California, 1885-1953) oil on canvas, Eucalyptus trees, California landscape. Signed lower right. Image measures 12" x 16". In a period gilt wood frame; 17" x 21" overall.
• MARIE B. KENDALL (CALIFORNIA,
  MARIE B. KENDALL (CALIFORNIA, 1885-1953) TWO OILSMARIE B. KENDALL (California, 1885-1953) two oils on canvas, California landscapes, Redwoods and a road with Eucalyptus trees. Each signed lower left. Images measure 24" x 20" and 28.25" x 17". The Eucalyptus painting is framed, the other is unframed.
• KENDAHL JAN JUBB (AMERICAN. B.
  KENDAHL JAN JUBB (AMERICAN. B. 1957)Iguana, 1990. Signed, dated l/l, with copyright. Watercolor on Paper. Site 29.5 by 21 in., overall 28.5 by 36 in. (Cond: glass plate cracked) cf.. Raised in the Midwest after spending her early childhood in Southern California, Kendahl Jan Jubb studied from an early age with noted St. Louis impressionist, Victor Harles. She moved to Montana in 1978 to major in Forestry. Kendahl travels extensively throughout the United States and India, sketching and painting in the environment that inspires her. The most common themes in her work are flora and fauna. An active bird watcher, Kendahl paints local fish and birds, but also more exotic tropical species and floral arrangements. Her style is distinctive. Using black gouache, she has evolved a distinctive technique using black to fill areas of negative space. Vibrant watercolors within outlines create strong patterns. In fact, patterns are an essential part of the dramatic energy in her work. Contrasts in size, shape, texture and value are elements she uses. (Credit and a thank you for the above is given to the Attic Gallery, Camas, Washington, for the contents of this note.)
• MILO KENDALL WINTER JR. (American
  MILO KENDALL WINTER JR. (American 1913-2002). TIDAL RIVER CAPE PORPOISE MAINE signed lower right. Oil on canvas - Framed 18 in. x 32 in.
• LYND KENDALL WARD (NJ/NY/IL,
  LYND KENDALL WARD (NJ/NY/IL, 1905-1985) "Seedling", 1950, wood engraving, chine colle, pencil signed and titled, in black stick frame, matted and glazed, OS: 14 1/2" x 12", SS: 7 7/8" x 5 7/8". Toned. Ward is considered by many to be the father of the American graphic novel.
• SHAW Kendall (American 1924-):
  SHAW Kendall (American 1924-): ''Niagara'' OIL/Canvas 49'' x 23 3/4'' signed titled and dated verso 1959-60 thin frame 31'' x 25''.CONDITION: Scattered mild cracklure.
• KENDAHL JAN JUBB (AMERICAN. B.
  KENDAHL JAN JUBB (AMERICAN. B. 1957)Forest Birds, a Fox and Frogs. Signed, dated l/l. Watercolor on Paper. Site 26 by 23 in., overall 38 by 33.5 in. . cf. Raised in the Midwest after spending her early childhood in Southern California, Kendahl Jan Jubb studied from an early age with noted St. Louis impressionist, Victor Harles. She moved to Montana in 1978 to major in Forestry. Kendahl travels extensively throughout the United States and India, sketching and painting in the environment that inspires her. The most common themes in her work are flora and fauna. An active bird watcher, Kendahl paints local fish and birds, but also more exotic tropical species and floral arrangements. Her style is distinctive. Using black gouache, she has evolved a distinctive technique using black to fill areas of negative space. Vibrant watercolors within outlines create strong patterns. In fact, patterns are an essential part of the dramatic energy in her work. Contrasts in size, shape, texture and value are elements she uses. (Credit and a thank you for the above is given to the Attic Gallery, Camas, Washington, for the contents of this note.)
• William Sargent Kendall
  William Sargent Kendall (American, 1869-1938), Scribner's: January ca. 1895, Robert Blum's painting, lithograph poster; published by J.E. Rhodes, NY; 17 1/4" x 12 1/2"; cover art monogrammed lower right (SK). Pressed seam, damage and staining to border.
• KENDAHL JAN JUBB WATERCOLOR ON
  KENDAHL JAN JUBB WATERCOLOR ON PAPERKENDAHL JAN JUBB (Montana, 20/21st century) watercolor on paper, chickens. Signed lower right. Image measures 18" x 24". In a wood frame; 33.5" x 39.5" overall.
• KENDALL GEORGE W. Narrative of an
  KENDALL GEORGE W. Narrative of an Expedition Across the Great South-Western Prairies from Texas to Santa-Fe. London: David Bogue 1845. 2 vols. 8vo bound in 3/4 calf over marbled boards at the School of Apprentices R.R. Donnelley & Sons spines gilt t.e.g. First English edition with engraved frontispieces and fold out map to vol. 1. Light wear to boards; bookplates tipped to front pastedowns; otherwise fine.
• Kendall W. Martin carving, (North
  Kendall W. Martin carving, (North Carolina, 1923-1973, brother of Wade Martin), finely carved figure of man seated on stump and frying fish, hat, coffeepot, skillet, pipe, fish, fishing pole, lard can, salt box, firewood, other undetermined small elements, 6-3/4 in., (28 pieces). Excellent condition, glued separation on man's back, minor chip to hat rim, minor loss to tail fin of one fish
• GEORGE W. KENDALL & CARL
  GEORGE W. KENDALL & CARL NEBELGeorge Wilkins Kendall (American, 1809-1867) and Carl Nebel (German, 1805-1855), The War between the United States and Mexico Illustrated, embracing Pictorial Drawings of All the Principal Conflicts, New York and Philadelphia, Appleton & Co., 1851, folio (22 in. x 16 3/4 in.), first edition, cloth binding, paper title label, with 12 hand-colored lithographs, heightened with gum arabic, by Bayot, after Nebel, one map titled "Map of the Operations of the American Army in the Valley of Mexico in August and September 1847"
• George Wilkins Kendall
  George Wilkins Kendall (1809-1867) and Carl Nebel (1805-1855) The War between the United States and Mexico illustrated embracing pictorial drawings of all principal conflicts... 1851 Appleton & Co. New York and Phil. folio (22 in. x 16 1/2 in.) first edition cloth binding printed paper label with 12 hand-colored lithographs heightened with gum arabic by Bayot after Nebel one map titled "Map of the Operations of the American Army in the Valley of Mexico in August and September 1847". Note: Kendall was in Texas as a reporter when he heard the news of the Mexican War. As a war correspondent with Zachary Taylor and Winfield Scott he captured a cavalry flag was wounded in the knee and earned widespread praise for devising methods for swift transmission of his war dispatches to the Picayune. He fitted a steamer as a press ship and took the news to New Orleans where the Picayune rushed it to press. From there it was dispatched by horseback to other newspapers in the country. Nebel originally from Germany traveled to America and lived in Mexico from 1829 until 1834. His plates for this folio are considered the very best American battle scenes made.
• KIM WESTON (AMERICAN, BORN 1953),
  KIM WESTON (AMERICAN, BORN 1953), TWO NUDE PORTRAITS Each a gelatin silver print (mounted), 2008, to include Nude with Veil and Figure on Bed, both pencil signed to mount, presented in uniform matting and floater frames.