A few examples of appraisal values for
KENNETH REEVES

• KENNETH REEVE, RAGTIME JOE AND
  KENNETH REEVE, RAGTIME JOE AND TOOTSIE, TWO SERIGRAPHS (FRAMED AS ONE)Kenneth Reeve, Ragtime Joe and Tootsie, Two Serigraphs (framed as one)
• KENNETH REEVE, INDIANA, ILLINOIS
  KENNETH REEVE, INDIANA, ILLINOIS (1910 - 2012), MONDAY MORNING, WINTER NOCTURNE, TWO AQUATINT ETCHINGS, 5 1/2"H X 8 3/4"W, (SIGHT), 12"H X 15 1/4"W (FRAME)Kenneth Reeve, Indiana, Illinois, (1910 - 2012) Monday Morning, Winter Nocturne, two aquatint etchings Titled lower left and signed lower right. two aquatint etchings Dimensions: 5 1/2"H x 8 3/4"W, (sight), 12"H x 15 1/4"W (frame)
• KENNETH REEVE, ILLINOIS, INDIANA
  KENNETH REEVE, ILLINOIS, INDIANA (1910 - 2012), THE COVERED WELL, ETCHING, 4"H X 4 3/4"W (PLATE), 10 3/8"H X 11"W (FRAME)Kenneth Reeve, Illinois, Indiana, (1910 - 2012) The Covered Well, etching Titled lower left, signed lower right. Biography from the Archives of askART: Kenneth J. Reeve was born in Western Springs, Illinois, in 1910. He graduated from the Chicago Academy of Fine Arts in 1930. From then until 1949 he was associated with advertising agencies in Chicago as an artist and art director. In 1949, the Reeve family moved to Brown County, Indiana. Here Reeve established his studio-home and began his new career as a fine artist. In 1952 he became an artist member of the Brown County Art Gallery Association, which had been established in Nashville in 1926 and had thereafter made Brown County well-known as the largest art colony in the Midwest. Reeve served four years as president of the organization and many years on its board of directors, as well as in many other offices. He was also a member of the Indiana Artists Club, The Hoosier Salon, Indiana Heritage Arts, and The Twenty Club. His works have been exhibited with these groups over the years, as well as in many other regional and national exhibitions, winning numerous merit and purchase awards. Reeve is best known for his realistic watercolor landscapes. Although he has painted from coast to coast on a number of painting trips, most of his subjects are the old farm buildings found nearby in southern Indiana. In 1955, he began working in the aquatint etching process. Working on copper plates, he produced many etchings that have been acquired for personal and public collections both in the U.S. and abroad. The artist combined his interests in art and nature in many wildlife prints in both etchings and serigraphs. Reeve retired in 2000 and moved in 2005 to a retirement community in Richmond, Virginia. Information provided by the artist's daughter, Susan R. Cash etching Dimensions: 4"H x 4 3/4"W (plate), 10 3/8"H x 11"W (frame)
• KENNETH REEVE, ILLINOIS, INDIANA
  KENNETH REEVE, ILLINOIS, INDIANA (1910 - 2012), A COUNTRY ROAD, AQUATINT ETCHING, 4 7/8"H X 7"W (PLATE), 11"H X 12"W (FRAME)Kenneth Reeve, Illinois, Indiana, (1910 - 2012) A Country Road, aquatint etching Titled lower left, signed lower right. Biography from the Archives of askART: Kenneth J. Reeve was born in Western Springs, Illinois, in 1910. He graduated from the Chicago Academy of Fine Arts in 1930. From then until 1949 he was associated with advertising agencies in Chicago as an artist and art director. In 1949, the Reeve family moved to Brown County, Indiana. Here Reeve established his studio-home and began his new career as a fine artist. In 1952 he became an artist member of the Brown County Art Gallery Association, which had been established in Nashville in 1926 and had thereafter made Brown County well-known as the largest art colony in the Midwest. Reeve served four years as president of the organization and many years on its board of directors, as well as in many other offices. He was also a member of the Indiana Artists Club, The Hoosier Salon, Indiana Heritage Arts, and The Twenty Club. His works have been exhibited with these groups over the years, as well as in many other regional and national exhibitions, winning numerous merit and purchase awards. Reeve is best known for his realistic watercolor landscapes. Although he has painted from coast to coast on a number of painting trips, most of his subjects are the old farm buildings found nearby in southern Indiana. In 1955, he began working in the aquatint etching process. Working on copper plates, he produced many etchings that have been acquired for personal and public collections both in the U.S. and abroad. The artist combined his interests in art and nature in many wildlife prints in both etchings and serigraphs. Reeve retired in 2000 and moved in 2005 to a retirement community in Richmond, Virginia. Information provided by the artist's daughter, Susan R. Cash aquatint etching Dimensions: 4 7/8"H x 7"W (plate), 11"H x 12"W (frame),
• KENNETH REEVE, AMERICAN (1910 -
  KENNETH REEVE, AMERICAN (1910 - 2012), DECEMBER DAY, FARM PUMP, TWO AQUATINT ETCHINGS, DECEMBER DAY:4 3/8"H X 3 3/4"W (SIGHT), 8 1/2"H X 7 1/2"W (FRAME), FARM PUMP: 4 3/8"H X 2 1/2"W (SIGHT), 9 1/2"H X 7 1/2"W (FRAME)Kenneth Reeve, American, (1910 - 2012) December Day, Farm Pump, two aquatint etchings signed lower right and titled lower left. two aquatint etchings Dimensions: December Day:4 3/8"H x 3 3/4"W (sight), 8 1/2"H x 7 1/2"W (frame), Farm Pump: 4 3/8"H x 2 1/2"W (sight), 9 1/2"H x 7 1/2"W (frame),
• KENNETH REEVE, ILLINOIS, INDIANA
  KENNETH REEVE, ILLINOIS, INDIANA (1910 - 2012), THE OLD MILL, AQUATINT ETCHING, 7 7/8"H X 9 5/8"W (PLATE), 16 5/8"H X 18 1/4"W (FRAME)Kenneth Reeve, Illinois, Indiana, (1910 - 2012) The Old Mill, aquatint etching Titled lower left, signed lower right. Biography from the Archives of askART: Kenneth J. Reeve was born in Western Springs, Illinois, in 1910. He graduated from the Chicago Academy of Fine Arts in 1930. From then until 1949 he was associated with advertising agencies in Chicago as an artist and art director. In 1949, the Reeve family moved to Brown County, Indiana. Here Reeve established his studio-home and began his new career as a fine artist. In 1952 he became an artist member of the Brown County Art Gallery Association, which had been established in Nashville in 1926 and had thereafter made Brown County well-known as the largest art colony in the Midwest. Reeve served four years as president of the organization and many years on its board of directors, as well as in many other offices. He was also a member of the Indiana Artists Club, The Hoosier Salon, Indiana Heritage Arts, and The Twenty Club. His works have been exhibited with these groups over the years, as well as in many other regional and national exhibitions, winning numerous merit and purchase awards. Reeve is best known for his realistic watercolor landscapes. Although he has painted from coast to coast on a number of painting trips, most of his subjects are the old farm buildings found nearby in southern Indiana. In 1955, he began working in the aquatint etching process. Working on copper plates, he produced many etchings that have been acquired for personal and public collections both in the U.S. and abroad. The artist combined his interests in art and nature in many wildlife prints in both etchings and serigraphs. Reeve retired in 2000 and moved in 2005 to a retirement community in Richmond, Virginia. Information provided by the artist's daughter, Susan R. Cash aquatint etching Dimensions: 7 7/8"H x 9 5/8"W (plate), 16 5/8"H x 18 1/4"W (frame)
• REEVES, O/C STILL LIFEwith gold
  REEVES, O/C STILL LIFEwith gold pitcher and martini glass. Joseph Mason Reeves, Jr. (Am. 1989-1974). Signed lower left. Frame size: 17" high, 13 7/8" wide. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• KENNETH RILEY (1919– 2015), IN
  KENNETH RILEY (1919– 2015), IN MYSTERIOUS LODGES Fine Art
• JOEL REEVES, MCM PASTICHE OF
  JOEL REEVES, MCM PASTICHE OF INTERNATIONAL COURTS Joel Reeves (American/Georgia, 20th century). Abstract mid century modern royal courts scene with jesters, geishas and Egyptian themes, oil on Masonite. Signed lower right; framed.
• JOSEPH M. REEVES, JR. OIL ON
  JOSEPH M. REEVES, JR. OIL ON BOARDJOSEPH M. REEVES, JR. (California/New York, 1898-1973) oil on board, portrait of a Native American. Unsigned, paper label attached verso, 20" x 15.75" (image), 27.75" x 23.75" (frame).
• R. Reeve (1908-1999) - Oil painting
  R. Reeve (1908-1999) - Oil painting - ''Reflections'' board 14.5ins x 11ins signed in grained wood frame
• KENNETH EARL BATES (AMERICAN,
  KENNETH EARL BATES (AMERICAN, 1895 - 1973), LYRIC, OIL ...Kenneth Earl Bates (American, 1895 - 1973), Lyric, oil on canvas, signed and titled on the reverse, 22 1/2" x 28 1/4". Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• KENNETH REEVE, INDIANA, ILLINOIS
  KENNETH REEVE, INDIANA, ILLINOIS (1910 - 2012), CHRISTMAS EVE, THE ROAD TO CATARACT FALLS, TWO AQUATINT ETCHINGS, 6"H X 9 1/4"W (SIGHT), 11 1/4"H X 14 1/2" (FRAME)Kenneth Reeve, Indiana, Illinois, (1910 - 2012) Christmas Eve, The Road to Cataract Falls, two aquatint etchings Titled lower left and signed lower right. two aquatint etchings Dimensions: 6"H x 9 1/4"W (sight), 11 1/4"H x 14 1/2" (frame)
• KEN (KENNETH) MICHAEL EVANS,
  KEN (KENNETH) MICHAEL EVANS, AMERICAN 20TH-21ST CENTURY, A SUMMER PLACE, OIL ON CANVAS, FRAMED, 17-1/2 X 20-1/2 INCHESKen (Kenneth) Michael Evans, American 20th-21st Century, A Summer Place, Oil on Canvas, Framed, 17-1/2 x 20-1/2 inches
• JOSEPH M. REEVES, JR. OIL ON
  JOSEPH M. REEVES, JR. OIL ON BOARDJOSEPH M. REEVES, JR. (California/New York, 1898-1973) oil on board, portrait of a Native American. Unsigned, paper label attached verso, 20" x 15.75" (sight). In a wood frame, 27.75" x 23.75" (frame).
• JOSEPH M. REEVES, JR. OIL ON
  JOSEPH M. REEVES, JR. OIL ON BOARDJOSEPH M. REEVES, JR. (California/New York, 1898-1973) oil on board, portrait of a Native American. Unsigned, paper label attached verso. Image measures 20" x 15.75". In a wood frame; 27.75" x 23.75" overall.
• KENNETH REEVE (AMERICAN 20TH
  KENNETH REEVE (AMERICAN 20TH CENTURY) THREE AQUATINT PRINTS. Autumn Evening (sight 4.5'' x 5.5'') Coffee Mill (sight 5.5'' x 4.5'') Homeward bound (sight 8'' x 8.5'') all pencil signed LR Condition: No Specific Condition Recorded - Sold As Is
• WATERCOLOR, JOSEPH MASON REEVES
  WATERCOLOR, JOSEPH MASON REEVES Joseph Mason Reeves (American, 1898-1974), Crashing Waves, pencil and watercolor on artist board, unsigned, estate stamp signed by Donna Hampton Reeves verso, board (unframed): 16"h x 20"w
• KENNETH EARL BATES (AMERICAN,
  KENNETH EARL BATES (AMERICAN, 1895 - 1973), FLOWERS, OI...Kenneth Earl Bates (American, 1895 - 1973), Flowers, oil on canvas, signed lower right, 36" x 29 1/2". Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• KENNETH DRAPER (BRITISH, B.
  KENNETH DRAPER (BRITISH, B. 1944)Kenneth Draper (British, b. 1944), "Enclosed Monolith", 1991, pastel on paper, signed lower right, titled and dated lower left, "Adelson Galleries" label with artist, title and date on backing, sight 13 in. x 15 in., framed . Provenance: The Estate of Caroline P. Ireland
• KENNETH EARL BATES (AMERICAN,
  KENNETH EARL BATES (AMERICAN, 1895 - 1973), FLOWERS, OI...Kenneth Earl Bates (American, 1895 - 1973), Flowers, oil on canvas, signed lower right K. Bates, 28" x 22". Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• KENNETH EARL BATES (AMERICAN,
  KENNETH EARL BATES (AMERICAN, 1895 - 1973), MODERNIST F...Kenneth Earl Bates (American, 1895 - 1973), Modernist Flowers, oil on canvas, signed lower right K. Bates, 30" x 36". Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• REEVES Richard Stone (American
  REEVES Richard Stone (American 1921- ): 7 piece Lithograph Lot to include; 1) ''Profiles of Courage forego John Henry Kelso'' 22'' x 28'' pencil signed #'d 50/850 printed by the New Market Gallery of New York City unframed. 2) ''Phar Lap'' 22 1/4'' x 27 1/2'' pencil signed lower right #'d 6/850 lower left J. Woodcock signature in lower left corner unframed. 3) ''Seattle Slew'' 22'' x 26 1/2'' pencil signed lower right #'d 533/850 lower left 22'' x 26 1/2''. 4) ''Approaching the Start the Arlington Million 1981'' 22'' x 27 1/2'' pencil signed lower right #'d 22/850 lower left unsigned unframed. 5) ''Forego the Great American Champion'' 22'' x 26 1/4'' pencil signed lower right #'d 65/600 lower left unframed. 6) ''Genuine Risk'' 22'' x 25 3/4'' pencil signed lower right #'d 401/850 lower left unframed.CONDITION: 1)Some scattered staining and spotting in the margin. 2) Several areas of spotting and staining in the margins. 3) Lower right corner has minor bend there is some very faint staining in the upper right and lower left corners and some faint spotting in the margins. 4) Mild toning in the margins several spots in the margins in the upper left corner the lower right corner has a minor bend. 5) Some acid burn from tape in three corners diagonal. 6) Very pale toning in the margins with faint spots scattered.
• Leonard Howard Reedy (Illinois,
  Leonard Howard Reedy (Illinois, 1899-1956), D
• Kenneth Martin (British, 1905-1984)
  Kenneth Martin (British, 1905-1984) Minimalist composition Screenprint Pencil signed, numbered 38/57, and dated '76. 27 1/2"sq.
• KENNETH WEBB (Irish b. 1927). FIELD
  KENNETH WEBB (Irish b. 1927). FIELD OF FLOWERS WITH DISTANT THATCHED COTTAGE signed lower left. Oil on canvas - Framed 20 in. x 16 in.
• R.G. Reeve after W.P. Hodges -
  R.G. Reeve after W.P. Hodges - Two prints - ''Hare Hunting Plate I'' and ''Hare Hunting Plate II'' each 13ins x 20ins framed and glazed
• Kenneth Martin (British, 1905-1984)
  Kenneth Martin (British, 1905-1984) Minimalist composition Screenprint Pencil signed, numbered 37/61, and dated '77. "K" inkstamp verso for Kelpra Studio. 29" sq. Slight crease in lower border.
• Reeves Richard Stone [American
  Reeves Richard Stone [American 1910-2005] oil on canvas equine portrait of a horse and jockey titled lower left "Berlo/ E. Guerin Up" and signed lower right "Richard Stone Reeves 1961". 23.5"x29.5"
• KENNETH H. GOODMAN (1950-1996):
  KENNETH H. GOODMAN (1950-1996): RAGE Oil on canvas 84 x 60 in. signed and dated '79 on verso. Provenance: Chrysler Museum of Art Norfolk Virginia proceeds to benefit the Acquisitions Fund.
• Daniel "Sunshine" Reeves (Diné,
  Daniel "Sunshine" Reeves (Diné, b. 1964) Sterling Silver Lidded Jar, with Mosaic Inlay decorated with concentric geometric designs, the shoulder set with turquoise, sugilite, spiny oyster, and lapis mosaic inlay signed on base SUNSHINE REEVES and marked STERLING height 5-3/8 inches x diameter 5-1/2 inches, weight 438.8 dwt. Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
• Kevin Mccarthy (American,
  Kevin Mccarthy (American, b.1955), Native American bronze; well armed warrior emerging from rock cover. Signed and dated 1979 on base. Overall 21"H x 15"W. Good condition.
• Four Richard Stone Reeves
  Four Richard Stone Reeves (American, b. 1919-2005) numbered limited edition prints, each pencil signed (lower right) by the artist, equine portraits titled 'Buck Passer', 'Kelso', 'Neji', 'Ribot' 17.25" x 19.5" sight size / 24.5" x 26.5" overall
• KENNETH J. KNOWLES (AMERICAN, B.
  KENNETH J. KNOWLES (AMERICAN, B. 1968), OIL ON BOARD, COASTAL COTTAGES IN COOL PALETTE, SEVERAL HOUSES SIT AT WATER'S EDGE, BEACH IN..Kenneth J. Knowles (American, b. 1968), oil on board, coastal cottages in cool palette, several houses sit at water's edge, beach in foreground with scattered rocky areas, signed lower right and dated (19)89, not examined out of frame, wear consistent with age, ss: 10 1/4" h. x 13 1/2" w.
• George Rodrigue
  George Rodrigue (American/Louisiana, b. 1944) "An American Hero: Ronald Reagan", color silkscreen, sight 29" x 21", plate signed lower right, signed in ink lower right margin. Glazed and framed.
• RANDY COOPER, (B. 1942),
  RANDY COOPER, (B. 1942), "KENNIE," 1997, METAL MESH SCULPTURE ON LACQUERED WOOD BASE, 30" H X 22" W X 12" DRandy Cooper, (b. 1942) "Kennie," 1997 Metal mesh sculpture on lacquered wood base Signed, titled, and dated in wire to the form: Randy Cooper 30" H x 22" W x 12" D Metal mesh sculpture on lacquered wood base Dimensions: 30" H x 22" W x 12" D