A few examples of appraisal values for
KERAMIK

• Klinkro Keramik German Terracotta
  Klinkro Keramik German Terracotta Tall Vase 16.5''
• EUROPEAN MID-CENTURY MODERN POTTERY
  EUROPEAN MID-CENTURY MODERN POTTERY VASES, 3 Group of Three European Mid-Century Modern Pottery Vases, comprising: one cylindrical Keto Keramik vase, signed "148 / handarbeit / Keto-Keramik / "Polyp" / made in Germany / Si" and impressed "1003" mark, a Spanish pitcher jug, marked "<4 / XAR / CL / TO / VERONA / SPAIN" to underside, and a Peter Orlando (American, 1910-2009) and Denise Orlando (French, 1920-2017) polychrome glazed vase, signed "Orlando" to underside. Tallest: 13.25" H x 4.25" Diameter. Keywords: Art pottery, Geometric designs, Ceramics, Modernist, Modernism, Minimalist, Minimalism, Surrealist, Surrealism
• DANISH MID CENTURY MODERN CERAMIC
  DANISH MID CENTURY MODERN CERAMIC TABLE LAMPDanish Mid Century Modern Ceramic Table Lamp, Sejer Keramik, 1960s or 70s; possibly designed by Fridtjof Sejersen; marked to underside "Sejer Unic ("Cool Unique") / Denmark" Dimensions: Overall: 23 1/4 in. (59.1 cm.) high; Shade: 12 x 16 in. (30.5 x 40.6 cm.) Condition:
• MINO WARE WATER JAR, MIZUSASHI
  MINO WARE WATER JAR, MIZUSASHI EDO PERIOD, 17TH CENTURY ?? ?????rustically potted in irregular cylindrical form with waisted neck and lipped inverted narrow mouth, set with a pair of lug handles, circular disk-cover with loop finial, (1)19.7cm highProvenance: Robert McPherson Antiques, 2016, with an associated label under the cover inscribed '24703'. Previously in the Ulrich Vollmer Collection of Japanese Pottery.Published and Exhibited: Momoyama-Keramik Und Ihr Einfluss Auf Die Gegenwart (Various authors, Gurdrun-Esters for the Keramion Foundation, Frechen, Germany, 2011. ISBN 978-3-94005-6-8). Illustrated on p.67, pl.147.Dr. Kenneth P. Lawley's inventory number: Cer.160.Please note this lot will be offered with no reserve. ???????
• CERAMIC REFERENCE BOOK COLLECTION
  CERAMIC REFERENCE BOOK COLLECTION ??????????????????????????????????????????Including: early pottery, Chinese Ming and Qing dynasty ceramics, museum and private collection, in total 44 publications.Asahi Shimbun Cultural Planning Department (Ed.). Newly Discovered Southern Song Ceramics: A Thirteenth-Century "Time Capsule". Tokyo: Asahi Shimbun Publishing Company, 1998.Ayers, John. The Seligman Collection of Oriental Art: Chinese and Korean Pottery and Porcelain. London: The Arts Council of Great Britain, 1964.Chen, Quanfang. Yaozhou Kiln. Shaanxi: Shaanxi Travel & Tourism Press, 1992.Chinese Ceramics: Leeds Art Gallery and Temple Newsam House. Leeds: Beck & Partridge Ltd, 1966.D'Argence, Rene Yvon Lefebvre. The Hans Popper Collection of Oriental Art. Japan: Kodansha International Ltd, 1973.Duan, Qing Bo. Ancient Chinese Pottery. Wuhan: Hubei Fine Arts Publishing House, 2001.Gerald, Reitlinger. Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger. Oxford: The Ashmolean Museum, 1981.Gompertz, G. St. G. M. Chinese Celadon Wares. London: Faber & Faber, 1958.Houli, Yang, and Fan, Fengmei. Dated Qingbai Wares of the Song and Yuan Dynasties. Hong Kong: Ching Leng Foundation, 1998.Hughes-Stanton, P. and Kerr, Rose. Kiln sites of ancient China: An exhibition lent by the People's Republic of China, 1981.Illustrated Catalogue of Celadon Wares in The Percival David Foundation of Chinese Art. London: School of Oriental and African Studies, 1997Joseph, Adrian Malcolm (Ed.). Chinese Pottery Burial Objects of the Sui and Tang Dynasties. London: Hugh M. Moss Ltd., 1970.Kerr, Rose. Song Dynasty Ceramics (Victoria & Albert Museum - Far Eastern Series). London: V&A Publications, 2004.Kotz, Suzanne (Ed.). Imperial Taste: Chinese Ceramics from the Percival David Foundation. San Francisco: Chronicle Books, 1989.Krahl, Regina. Yuegutang: Eine Berliner Sammlung Chinesischer Keramik / A Collection Of Chinese Ceramics In Berlin. Berlin: G + H Verlag, 2000.Lau, Aileen (Ed.). Spirit of Han: Ceramics for the After-life. Singapore: Sun Tree Publishing, 1991.Laurence, Desmond Roger. Chinese Porcelain: 25 years of unscholarly collecting. London: D.R. Lawrence, 2003.Laurence, S.J.. Chinese Pottery and Porcelain: From Prehistory to the Present. London: British Museum Press, 1991.Li, Hui Bing. Porcelain of the Song Dynasty (vol 1). Shanghai: Shanghai Science and Technology Press, 2002.Li, Hui Bing. Porcelain of the Song Dynasty (vol 2). Shanghai: Shanghai Science and Technology Press, 2002.Lu, Yaw, Feng, Xianming, and Tregar, Mary. Song Ceramics: With an Illustrated Catalogue of the Exhibition Organized by the Southeast Asian Ceramic Society and Held at the National Museum, Singapore in May-June 1983. Singapore: Southeast Asian Ceramic Society, 1983.M.H. de Young Memorial Museum. Avery Brundage Collection: Chinese Ceramics. San Francisco: de Young Museum Society, 1967.McElney, Brian Shane. Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition. Bath: Museum of East Asian Art, 1993.Medley, Margaret (Ed.). Decorative Techniques and Styles in Asian Ceramics: Colloquies on Art & Archaeology in Asia No.8. London: School of Oriental and African Studies, 1978.Medley, Margaret. Yuan Porcelain and Stoneware. London: Faber & Faber, 1974.Mino, Yutaka and Tsiang¸ Katherine. Ice and Green Clouds: Traditions of Chinese Celadon. Indianapolis: Indiana University Press, 1986.Mowry, Robert D., Farrell, Eugene, and Rousmaniere, Nicole Coolidge. Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400. Cambridge: Harvard University Art Museums, 1996.Pierson, Stacey (Ed.). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art, 2011.Pierson, Stacey (Ed.). Song Ceramics: Art History, Archaeology and Technology: Colloquies on Art & Archaeology in Asia No. 22. London: Percival David Foundation of Chinese Art, 2004Pierson, Stacey (Ed.). The Museum of East Asian Art Journal. Bath: Museum of East Asian Art, 1995.Pope, John Alexander. Fourteenth-Century Blue and White: A Group of Chinese Porcelains in the Topkapi Sarayi Muzesi, Istanbul. Washington: Freer Gallery of Art Occasional Papers, 1952.Scott, Rosemary E. (Ed.). The Tectus Collection: Tectussamlingen, Centraltryckeriet AB Boras. 1991.Sullivan, Michael. Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow. London: Faber and Faber Limited, 1963.Sydney L. Moss Ltd.. Chinese Monochromes From the P.J. Donnelly Collection. London: Sydney L. Moss Ltd., 1974.The Burrell Collection: Chinese Stonewares and Porcelains. Glasgow: Glasgow Art Gallery, 1950s.The Museum of Oriental Ceramics, Osaka. Song Ceramics. Tokyo: Asahi Shimbun Publishing Company, 1999.The Vancouver Society for Asian Art Presents The Talking Jars. 1971Tregear, Mary. Early Chinese Green Wares: in the collection of the Ashmolean Museum. Oxford: Oriental Art, 1967.Tregear, Mary. Guide to the Chinese Ceramics in the Department of Eastern Art Ashmolean Museum. Walsall: Finaprint Ltd, 1966.Tung, Wu. Earth Transformed: Chinese Ceramics In The Museum Of Fine Arts, Boston. Boston: Museum of Fine Arts, 2001.Watson, William. Pre-Tang Ceramics of China: Chinese Pottery from 4000 BC to 600 AD. London: Faber & Faber, 1991.Watson, William. Tang and Liao Ceramics. New York: Rizzoli International Publications Ltd., 1984.Wirgin, Jan. Sung Ceramic Designs. 1970.Wood, Nigel. Chinese Glazes. Philadelphia: University of Pennsylvania Press, 1999.(qty)Please note this lot will be offered with no reserve. ???????
• MICHAEL POWOLNY (1871-1954):
  MICHAEL POWOLNY (1871-1954): FIGURES OF NEPTUNE AND VENUSIn a crackled white glazed earthenware, raised on later custom made white painted wood pedestals. Neptune 4 ft. 1/2 x 19 x 10 1/2 in. Venus 47 x 17 1/2 x 14 in. Note: Michael Powolny an Austrian designer, teacher and celebrated ceramic artist was, with his friend Josef Hoffmann, one of the key figures in the Wiener Werkstatte, a seminal group promoting the development of modern design. Powolny designed the two figures in the above offered lot for the Dianabad Bath House in Vienna. The Bruder Schwadron in Vienna provided all of the architectural ceramic furnishings for the bath house, including 8 of the Neptune sculptures. In the luxurious Dianabad, Neptune was displayed in the mosaic covered niches set high in the walls around the tiled splendor of the gentleman's bath. The Dianabad and the adjourning hotel were both severely damaged during the second World War and were later demolished. A pair of Powolny's Neptune figures were on display at the MAK, The Austrian Museum of Applied Arts in Vienna in 2014, during their exhibition on The Schwadron Brothers. Ref: E. Frottier, Michael Powolny, Keramik und Glas aus Wein 1900-1950, cat. raisonné 198, ill. 54, 55; T Zickler (ed), Bruder Schwadron, Neue Orte & Spuren, Vienna, 2014, p. 19-123. Powolny also designed wall tiles for the Theater und Kaberett Fliedermaus, in Vienna. And the famous Palla Athene sculpture for the Palais Stoclet, a Vienna Secession style mansion in Brussels which Josef Hoffmann designed, where it greets visitors from its lofty perch above the entry pavilion. H.M. Luther Antiques, NY. Property of a European Collector Condition This rare pair is generally, in good overall condition. The Neptune has a sizeable old repair on the reverse of the base with chips to one fish tail. Firing imperfections, scattered staining and crazing throughout. A shallow hairline on the front of the base. Venus has a sizeable firing crack on her right leg and a smaller one on the drapery. Small areas of glaze lifting on the base near her feet. Minor blue spots resulting from glazing imperfections. Both with nicks on the rim of the base resulting from pooling glaze. The bases have scattered scuffing on the tops with minor nicks. Impressive scale.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• (LOT 5) BOOKS ON ASIAN ART (lot
  (LOT 5) BOOKS ON ASIAN ART (lot 5) Books on Asian art, comprising "Two Thousand Years of Oriental Ceramics" by Fujio Koyama and John Figgess, "The Ornaments of Late Chou Bronzes" by George W. Weber, Jr., "Chinesische keramik von der Han-zeit bis zum XIX, jahrhundert" by Robert Schmidt, "Later Chinese Porcelain" by Soame Jenyns, and "Masterpieces of Chinese Snuff Bottles in the National Palace Museum" published by the National Palace Museum Taipei, Taiwan, Republic of China.
• Wiener Kunstkeramik und
  Wiener Kunstkeramik und Porzellanmanufaktur. Tall Keramos vase. c. 1930, glazed ceramic. 17 h × 8 dia in. result: $3,000. estimate: $1,000–1,500. Ink stamped manufacturer's mark to underside ‘ KWK Keramos Made in Austria’.
• Dieter Crumbiegel. Sculptural vase.
  Dieter Crumbiegel. Sculptural vase. 1971, glazed stoneware. 8¼ h × 21¼ w × 3½ d in. result: $945. estimate: $1,500–2,000. Incised signature to underside ‘DC’ and ‘7971’ with paper labels ‘Museum für Moderne Keramik Deidesheim’ and ‘17.’.
• . Collection of Max Laeuger
  . Collection of Max Laeuger ephemera. result: $590. estimate: $400–600. Lot is comprised of several artist monographs, fourteen exhibition and auction catalogs, a folder of articles regarding Max Laeuger, several German decorative art publications, and several binders of archives from a personal collector of Max Laeuger works. Books (in German) include two copies of Keramische Kunst by Max Lauger, Max Laeuger by Elisabeth Kessler-Slotta, Max Laeuger: Gesamt Kunst Werk ed. Arthur Mehlstäubler, Max Laeugers Arkadien: Keramik Garten Bau Kunst by Rudolf Velhagen and Ulrich Maximilian Schumann, and two copies of Max Laeuger: Aus dem Keramischen Werk by Toni Schenk and Clare Wilhelm-Schenk.
• Michael Powolny for Wiener Keramik.
  Michael Powolny for Wiener Keramik. Putti with bear. 1907-08 / c. 1913, glazed porcelain. 6¾ h × 5 w × 4 d in. result: $1,703. estimate: $1,500–2,000. Impressed artist's initials to underside ‘MP’ with manufacturer's cipher.
• GLORIETTE KERAMIK ANIMAL
  GLORIETTE KERAMIK ANIMAL FIGURINE, BOXER DOGDepicted in brown, tan, and black coloration. In standing and attentive pose. Gloriette Keramik backstamp. Dimensions: 10.75"L x 4"W x 9.75"H Manufacturer: Gloriette Keramik Country of Origin: Austria Condition: Age related wear.
• GMUNDNER KERAMIK AUSTRIA SERVING
  GMUNDNER KERAMIK AUSTRIA SERVING TRAYDESCRIPTION: A Gmundner Keramik hand painted oval serving tray. Signed on the underside. CIRCA: 20th Century ORIGIN: Austria DIMENSIONS: L. 16" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• VINTAGE NEOFITOU KERAMIK 24K GOLD
  VINTAGE NEOFITOU KERAMIK 24K GOLD ASHTRAYHand made ceramic ashtray in a cobalt blue glaze and adorned in gold Grecian pattern. Neofitou Keramik stamped on the base. Dimensions: 4"W x 1.25"H Manufacturer: Neofitou Keramik Country of Origin: Greece Condition: Age related wear.
• GMUNDNER KERAMIK FLORAL TEA
  GMUNDNER KERAMIK FLORAL TEA POTCharming tea pot with floral design. Gmundner Keramik backstamp on bottom. Dimensions: 9.5"L x 4.5"W x 8"H Manufacturer: Gmundner Keramik Country of Origin: Austria Condition: Age related wear.
• GROUP OF ASSORTED POTTERY AND
  GROUP OF ASSORTED POTTERY AND CERAMIC ITEMS TO INCLUDE ...Group of assorted pottery and ceramic items to include Pfaltzgraff, Le Creuset, Keramik, ceramic vases, charger, etc. Estate of Marilyn Ware, Strasburg, PA. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 125. SILVER “WIENER WERKSTäTTEN”
  125. SILVER “WIENER WERKSTäTTEN” DRESS CANE -CA. 1900 -...125. Silver “Wiener Werkstätten” Dress Cane -Ca. 1900 -Large silver crook handle with a longer and pointed nose decorated in the best “Wiener Werkstätten” or Viennese Workshops taste with applied gorgeous stylized floral elements in a trendsetting, interlaced and modernistic Art Nouveau design. It bears the Austro-Hungarian Empire silver mark for small articles in use from 1867-1922 beside a “WB” maker’s mark and an “800” for the silver title and comes on a smooth and well-streaked partridge shaft and a brass ferrule. The distinctive iconic design of this cane makes of it a first rate collectable. Age complimented the cane and it survived in original condition. -The Wiener Werkstätte (literally Viennese Workshops), a similar idea to Ashbee’s Guild of Handicraft, was officially registered on May 19,1903 as a craftsmen cooperative, producing furniture, metalwork, textiles, glassware, and ceramics (the latter mainly in conjunction with the Wiener Keramik factory, founded in 1906 by Bertold Loffler and Michael Powolny). The Werkstätte’s aims were spelt out in the Arbeitsprogramm, a working program published by Hoffmann and Moser in 1905. Aesthetically, the Werkstätte pursued the innovations of Jugendstil as popularized by the Vienna Secession from 1897. From the outset, despite the patronage of Adolphe Stoclet and textile magnate Fritz Warndorfer, the Werkstätte struggled to achieve economic viability; Moser left, partly for money reasons, in 1907 but Werkstätte continued in existence until 1932. Last year Vienna celebrated the centenary of the Wiener Werkstätte with various museum and gallery exhibitions, which also showed many cane handles. -H. 3 ½” x 4”, O.L. 34 ½” -$500-$900
• FINE FAMILLE ROSE ‘MAGU’ CHARGER
  FINE FAMILLE ROSE ‘MAGU’ CHARGER QING DYNASTY, YONGZHENG PERIOD ??? ?????????the interior delicately enamelled with Magu, the goddess of longevity, holding a lingzhi spray, beside a boy attendant carrying a basket of peaches over his shoulder, and a stag with a peach in its mouth, the mouth rim gilded(1)34.4cm diameterProvenance: Formerly in a private American estate (by repute)Note: Some plates of similar 'magu' theme were commissioned by Augustus II (1670-1733), King of Poland and Elector of Saxony and also known as Augustus the Strong, whose passion for collecting created the basis of Dresden’s Art Collections. Some existing examples with old Dresden inventory are respectively in the Dresden collection [1], the Museum Boijmans Van Beuningen in Rotterdam [2], and in the former Collection Ignazio Vok [3]. Two smaller dishes (39cm diameter and 38.8cm) with the same design and inventory number were sold respectively at Christie's London, 30 April 2015, lot 111 and Sotheby's New York, 17 March 2021. A larger (43.5cm diameter) plate was sold at this saleroom, 5th November 2021, lot 229.[1] Eva Ströber, La maladie de porcelaine ..., East Asian Porcelain from the Collection of Augustus the Strong, Leipzig, 2001, no. 32[2] C.J.A. Jörg, Oriental Porcelain, A Choice from the Boymans-van Beuningen Museum Collection, Rotterdam, 1995, p. 61, and fig. 25[3] Ulrich Wiesner, Seladon Swatow Blauweiss. Chinesische Keramik aus der Sammlung Ignazio Vok, Köln, 1983, no. 153
• SCHEURICH KERAMIK MID-CENTURY
  SCHEURICH KERAMIK MID-CENTURY MODERN FLOOR VASEMid-century modern ceramic floor vase, Scheurich Keramik, West Germany, c.1960s-1970s, black lava glaze, with ochre and green stripes, numbered 553-62 underfoot, intact with hairlines at rim, approx 20"h, 9.75"diam, 11.75lbs **Provenance: Founded by interior designer Courtney Blanton, Sui Generis is one of Austin's latest cool places to find curated and collectible furnishings, art and accessories. The shop is a mix of Italian, French and globally-inspired modern vintage with a shot of Miami Vice. Located online and on 1stDibs, Sui Generis is a go-to resource for interior designers, collectors and architects**
• TALL MODRA SK CZECH TIN-GLAZED
  TALL MODRA SK CZECH TIN-GLAZED EARTHENWARE VASETin-glazed earthenware tall vase, Modra Slov. Keramika, Czechoslovakia, dated 1960, wide rim, over body hand painted in yellow, blue, green, and purple foliates and fruit, on a white ground, marked underfoot, approx 37.25"h, 10"diam **Provenance: An important San Antonio estate**
• PAUL DACHSEL KUNSTKERAMIK ART
  PAUL DACHSEL KUNSTKERAMIK ART POTTERY RETICULATED PITCHERPAUL DACHSEL KUNSTKERAMIK ART POTTERY RETICULATED PITCHER, Turn-Teplitz, circa 1907, puce printed PD monogram mark, of elongated tall tapering cylindrical form, the multi-loop handle pierced at the lower terminal, splashed and overlaid in rustic green and brown textured glazes - h:17.75w:7.50in. Provenance: Estate of Ronald Sperling Literature: Reference, Richard L. Scott, Ceramics from the House of Amphora 1890 - 1915, 2004, p. 260. For a related ivory-ground example, see Rago Arts, Lambertville, New Jersey, January 19, 2019, lot 203, and for a strikingly similar example with Jason Jacques Gallery, New York, ref. DAP059. In 1905, Dachsel, the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, founded his own pottery studio. Kunstkeramik Paul Dachsel designs favored simple forms with applied handles and ornamentation in the organic Art Nouveau style. The ceramic studio remained in business until 1911.
• MEISSEN PORCELAIN FIGURE OF A
  MEISSEN PORCELAIN FIGURE OF A FEMALE CERAMIC WORKER, 'KERAMIKARBEITERIN'MEISSEN PORCELAIN FIGURE OF A FEMALE CERAMIC WORKER, 'KERAMIKARBEITERIN', date cypher for 1958, blue crossed swords and impressed Weiss marks, incised model no. H. 237, and impressed 121+, after the model by Elfriede Reichel-Drechsler, in the white, the young worker depicted standing holding a porcelain bowl in her right hand, wearing a hooded sleeveless dress and bare feet, a large vase at her heels, on a shaped square base, h: 13 in. Provenance: Estate of Ronald Sperling Literature: Elfriede Reichel-Drechsler (1923-2009), was a painter and sculptor at the Academy of Dresden, active at Meissen (1957-1970), known for genre figures and animal studies. Also see Sabine & Thomas Bergmann, Meissen Kunstler- Figuren, A 100 - Z 300, no. 1264, this figure alternately named 'Jungbauerin', the young farmer's wife.
• West German pottery, studio pottery
  West German pottery, studio pottery to include Ruscha Keramik vulkano vase 328 with handle, similarly designed unmarked vase, 5-1/4"H and studio pottery covered box nesting pair
• Mette Doller (Danish, b. 1925)
  Mette Doller (Danish, b. 1925) Large Figural Vase, 1950Andersson & Johansson-Höganäs Keramik, Sweden glazed stoneware with manufacturer's mark H 16 1/2 x Dia 9 1/2 inches.
• CASSONI SATURNO KERAMIK
  CASSONI SATURNO KERAMIK TABLECattelan Italia Saturno Keramik Bistro Table, designed by Giorgio Cattelan; smoked glass, titanium-finished metal Dimensions: 29 x 36 in. (73.7 x 91.4 cm.) Provenance: Property from a Private Residence, Carbon Beach, Malibu, California; Note: "The high-end Italian Saturno Keramik bistrot table has a base in titanium, graphite or black embossed lacquered steel with a refined top frame in titanium, graphite or black embossed lacquered steel or Brushed Bronze.Its exclusive Marmi Alabastro, matt Portoro, glossy Portoro or Makalu ceramic top makes this Italian Contemporary furniture, an extraordinary option for all dining areas. Made in Italy." (Cassoni.com) Condition: Top possibly replaced.
• POTTERY VASE BY GUNNAR NYLUND
  POTTERY VASE BY GUNNAR NYLUND (SWEDEN, 1904-1997) FOR NYMOLLE DENMARK Mid-Century Design Matte Blue Glazed Cylindrical Vase, by Gunnar Nylund for Nymolle Keramik, Denmark, #9557, with narrow neck and flared rim, incised geometric design, incised marks on base, 18 1/4" high, 3 3/4" diam. Good condition.
• 3 pcs Kahler Keramik Pottery.
  3 pcs Kahler Keramik Pottery. Bowl and vases. Colorful Danish Hand Painted Designs. Dimensions: H: 3.75 inches: W: 7 inches --- Condition: Very Good Condition.
• DAGOBERT PECHE WERKSTATTE
  DAGOBERT PECHE WERKSTATTE GMUNDNER KERAMIK VASE Dagobert Peche (Austrian, 1887-1923) vase for the Wiener Werkstatte, manufactured by Gmundner Keramik, circa 1919 with impressed "GK" mark to underside, and Model Number 411, the trumpet form vase with animals in white through black overglaze. 6.5" H x 3" diameter.
• (3) GERMAN POSTMODERN CERAMIC
  (3) GERMAN POSTMODERN CERAMIC VASES(lot of 3) German Postmodern ceramic vases, c.1980s, including: (1) Steuler vase in a luster glaze, numbered 420/17 underfoot, approx 7"h, 9"w, 4"d, (1) unmarked vase in a luster glaze, attributed to Steuler, approx 10"h, 7.5"w, 4"d, (1) GS (Gebruder Spang) Keramik asymmetrical vase, numbered 213/20 underfoot, approx 6.25"h, 8.25"w, 5"d; 7.75lbs total **Provenance: Designer Courtney Blanton's CBI Studio collection, Austin, Texas**
• GERMAN GLASUR KERAMIK AND DANSK
  GERMAN GLASUR KERAMIK AND DANSK CERAMIC JARDINIERES, H: 6 1/2 IN. (16.5 CM.)German Glasur Keramik and Dansk Ceramic Jardinieres,, Dimensions: H: 6 1/2 in. (16.5 cm.)
• GMUNDER KERAMIK PORCELAIN PART
  GMUNDER KERAMIK PORCELAIN PART TABLE SERVICE DECORATED WITH STAGSBlack printed mark. Comprising: A teapot and cover Three smaller teapots and covers Seven pitchers in various sizes Eight saucer dishes Five shallow soup bowls Five fruit bowls Six side plates Five dessert plates Five milk jugs A sugar bowl and cover Eight teacups and saucers Three egg cups Four square condiment dishes Four circular condiment dishes Together with eight Limoges teacups and saucers with forest animals The largest teapot 7 1/4 x 11 x 6 in., (73 pcs). Condition Minor wear, some with crazing and stainiing. A few scattered nicks. Otherwise in good condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• (3) Pcs Hoganas Keramik Nilsson
  (3) Pcs Hoganas Keramik Nilsson dinnerware, made in Sweden, Crate & Barrel sticker, c/o large pitcher with trench spout (8" h), 10 oz pitcher with trench spout (4-1/2" h), square baking dish (11-1/2" sq x 2" h)
• Lot of porcelain & pottery,
  Lot of porcelain & pottery, including Aynsley Cottage Garden bud vase (9" h), Woods Ware Enoch Wood's English Scenery round platter (12" dia), (2) sunflower deviled egg plates (9-1/2" dia), (4) Smithsonian Institution Imari mugs (4" h), Limoges Castel cobalt trinket box (2-3/8" x 1-3/4" x 1-1/2" h), art pottery dish signed illegibly (6" x 6"), H&R Johnson Ltd Nassos Keramik Paradissi Rodos Hellas trivet (6" sq), Arabia Finland 1989 annual plate (8" sq), cut corner serving bowl, Nippon creamer, assorted cup & saucers, Chip to small creamer, chip deviled egg dish, gold loss rim to coffee cups
• (6) Pcs porcelain & pottery, c/o
  (6) Pcs porcelain & pottery, c/o Carvalhinho Portugal P247 tureen with ladle (8" h), P204 pitcher (7" h), P148 scalloped rim plate (8-5/8" dia), unmarked jar with wood spoon (9" h), Kispest Hungary moon vase bottle with deer decoration (10" h), Keramik Hallstatt vase (3-1/2" h)
• Marian Zawadzki (Polish
  Marian Zawadzki (Polish 1912-1978) for Tilgman's Keramik, a mid-Century Swedish pottery lamp base of tall tapering form with design of rainbow coloured fish on sgrafitto background, 53cm high
• 19TH AND 20TH-CENTURY ART AND
  19TH AND 20TH-CENTURY ART AND DESIGN COLLECTION OF CATALOGUES, PAMPHLETS AND REFERENCE WORKS Douglas Cooper, Sutherland, The Works of Graham Sutherland, 1961,1st edition; Robert Tassi, Graham Sutherland Complete Graphic Works, 1978, 1st Edition; Alexander Postan, Paul Nash: The Complete Graphic Works, 1973, in red slipcase; Orde Levinson 'Quality and Experiment' the Prints of John Piper, 1996; Sotheby's 'The Harriman Judd Collection', 2 catalogues; Waltraud Neuwirth 'Wiener Keramik, 1974'; Jeremy Cooper 'Nineteenth-Century Romantic Bronzes, 1975; and further other pamphlets, catalogues and reference books(Approx. 32 items)