A few examples of appraisal values for
KESWICK

• Group of Five English Arts & Crafts
  Group of Five English Arts & Crafts Style Stainless Steel Platters and Trays, Keswick School of Industrial Art, mid-20th century largest length 19 in — 48.2 cm
• ENGLISH ARTS AND CRAFTS COPPER
  ENGLISH ARTS AND CRAFTS COPPER REPOUSSé TRAY, POSSIBLY KESWICK SCHOOL14 1/2 x 20 3/4 in. Condition In generally good condition. Slightly bowed. Scattered scratches, oxidization and verdigris. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• English Arts & Crafts Silver Plated
  English Arts & Crafts Silver Plated Oval Two-Handled Serving Tray, Keswick School of Industrial Art, early 20th century length 22.5 in — 57.2 cm
• 4PC WATERFORD KESWICK SILVERPLATE
  4PC WATERFORD KESWICK SILVERPLATE HOST SETServing flatware set, serving spoon, fork, pie server. Waterford backstamp. Longest piece is 9.25 in. L x 2.5 in. W. Manufacturer: Waterford Country of Origin: Ireland Condition: Age related wear.
• GRP: 2 ARTS & CRAFTS BRASS
  GRP: 2 ARTS & CRAFTS BRASS CANDLEHOLDERS - KSIA - PAIRP...Group of two Arts & Crafts brass metal candleholders with a snuffer. The larger candleholder is decorated with an engraved scrolling floral design and is marked "PAIRPOINT MFG CO" and "B6198" along the underside. The smaller candleholder is decorated with a repousse pattern of leaves and is impressed with the Keswick School of Industrial Art mark "KSIA" along the handle. Shorter Candleholder; height: 2 1/2 in x width: 6 in x depth: 7 in. Larger Candleholder; height: 6 in x width: 5 1/4 in x depth: 6 in. Snuffer; height: 2 1/2 in x width: 1 3/8 in x depth: 1 5/8 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• HAROLD STABLER (1872-1945) FOR
  HAROLD STABLER (1872-1945) FOR KESWICK SCHOOL OF INDUSTRIAL ARTS ARTS & CRAFTS FLAGON, CIRCA 1900 repoussé-decorated copper, stamped maker's mark KSIA29cm high
• Keswick School of Industrial
  Keswick School of Industrial Arts, a rectangular copper tray with stylised leaf design, numbered Z162, 52.5cm x 24cm
• Two copper jardinières both
  Two copper jardinières both embossed floral motifs, a Keswick copper bowl marked KSIA/KESWICK/A479 to base, 20cm diameter, a hand beaten copper bowl by LRI Borrowdale, 18.5cm diameter and a Dryad Lester copper vase marked 273 to base, 17.5cm high
• A pair of cast brass candlesticks
  A pair of cast brass candlesticks with eagle and dolphin decoration, 32cm high, a brass water jug of Keswick design, 28cm high and a copper and brass example marked OBGL to base, 21cm high
• MCKINNON AND HARRIS, PAIR OF
  MCKINNON AND HARRIS, PAIR OF "VIRGINIA" BENCHES Late 20th century, three-seat bench with Keswick backs, green painted aluminum, slat seat, straight legs with stretcher base, labeled.
• BRITISH SCHOOL, MID-19TH CENTURY,
  BRITISH SCHOOL, MID-19TH CENTURY, PORTRAIT OF LADY AND PORTRAIT OF GENTLEMAN, TWO OILS ON CANVAS, EACH 50 X 40 INBritish School, Mid-19th Century, Portrait of a Lady , and, Portrait of a Gentleman,: Two Works, Each unsigned Each oil on canvas Provenance,: Winifred Yates-Smith, Keswick, VA By descent to current owner Note, : According to Ms. Yates-Smith, the sitters are thought to be Fanny Smith and Thomas Yates, brother and sister, of Scotland. Each: 50 x 40 in (127 x 101.6 cm) Dimensions: Each: 50 x 40 in (127 x 101.6 cm)
• West, Thomas. A Guide to the
  West, Thomas. A Guide to the Lakes…, Fourth Edition, 1789. 8vo., cont. half calf. Folding engraved map and plate - Otley, Jonathan. A Concise Description of the English Lakes, Third Edition, Keswick 1827. 8vo., orig. boards uncut. Folding map (2)/Provenance: Spetchley Park
• Keswick School of Industrial
  Keswick School of Industrial Arts, a brass charger embossed foliate design to central roundel, 29cm diameter, a smaller dish embossed three apples, 9.5cm diameter, a square tray embossed foliate design, 22cm square and a copper Post box, the curved box embossed mythical beasts and floral design, bird design and Post embossed to back plate, 27cm high, stamped
• Keswick School of Industrial
  Keswick School of Industrial Arts, a shallow copper bowl with raised floral decoration and central fish roundel, impressed mark, 25cm diameter, a copper bowl with raised floral decoration, 20cm diameter, and a large copper two-handled jardinière embossed a border of grapes and vines, impressed mark, 46cm wide overall
• Keswick School of Industrial
  Keswick School of Industrial Arts, a copper charger embossed flowers and scrolls, impressed mark, 41.5cm diameter, a KSIA copper charger embossed flowers, stamped, 28.5cm diameter and five other copper plates, various sizes (7)
• W H Mawson, Keswick, a large copper
  W H Mawson, Keswick, a large copper circular tray embossed sea creatures, stamped, 59cm diameter and a Keswick School of Industrial Arts floral embossed tray, 62cm diameter (2)
• Keswick School of Industrial
  Keswick School of Industrial Arts, two large copper chargers, one embossed flowers within a scroll border, impressed mark, 57cm diameter, the other decorated scrolls and foliage, impressed mark and etched signature Mark Stanley 1895, 54cm diameter, a KSIA copper charger embossed hops, impressed mark, 34.5cm diameter and a copper charger embossed hearts and Celtic knots (unmarked), 30cm diameter (4)
• HAROLD STABLER (1872-1945) FOR
  HAROLD STABLER (1872-1945) FOR KESWICK SCHOOL OF INDUSTRIAL ARTS ARTS & CRAFTS FLAGON, CIRCA 1900 plated copper, stamped KSIA19.5cm high
• KESWICK SCHOOL OF INDUSTRIAL ARTS
  KESWICK SCHOOL OF INDUSTRIAL ARTS LARGE ARTS & CRAFTS FLOWER VASE, CIRCA 1900 embossed copper, signed KSIA29cm high
• KESWICK SCHOOL OF INDUSTRIAL ARTS
  KESWICK SCHOOL OF INDUSTRIAL ARTS ARTS & CRAFTS TEA SERVICE, CIRCA 1900 copper, and wicker, with ebonised wood, comprising a SPIRIT KETTLE, STAND AND BURNER, stamped under kettle KSIA, 25cm high; a TEAPOT, stamped to base KSIA, 13cm high; a MILK JUG, stamped to base KSIA, 8cm high; a SUGAR BOWL, stamped to base KSIA, 8cm diameter; and a TRAY, stamped KSIA, 55cm across(5)
• KESWICK SCHOOL OF INDUSTRIAL ARTS
  KESWICK SCHOOL OF INDUSTRIAL ARTS ARTS & CRAFTS ROSE BOWL, CIRCA 1900 copper, with removable cover, stamped to base KSIA32cm across feet, 12.5cm high
• HAROLD STABLER (1872-1945)
  HAROLD STABLER (1872-1945) (DESIGNER) RICHARD LLEWELLYN BENSON RATHBONE (1864-1939) (MAKER) RARE ARTS & CRAFTS CENTRE LIGHT, CIRCA 1904 patinated copper, glass103cm wide, 88cm high approx.Note: Harold Stabler initially trained in woodwork and stone-carving before being appointed Head of Metalwork at the Keswick School of Industrial Arts in 1898. After a short time there and later at Liverpool University, he moved to London in 1907 where he was Head of the John Cass Institute’s Art School until 1937. Stabler worked with a number of materials, including enamels, metalwork, glass and ceramics, producing designs for mass-production which had a notable influence on the development of modern English design of the 1920s and 30s. He exhibited extensively at The Art Worker’s Guild and in 1936 he was one of the first to be appointed a Designer for Industry by the Royal Society of Arts. A relative of W. A. S. Benson, Richard Llewellyn Benson Rathbone was also the cousin of Harold Rathbone, Head of the Della Robbia Pottery in Birkenhead. He initially trained in metalwork with Benson, before setting up his own workshop in 1908. In keeping with the Arts & Crafts aesthetic, Rathbone’s work proved popular and he is known to have produced metalwork designs for Mackmurdo, Heywood Summner and C.F.A. Voysey. Rathbone also taught metalwork classes at Liverpool University, where he was later joined by Harold Stabler in 1903. By 1905 he moved to London to take a position as Head of the Art School at the John Cass Institute.
• ARTHUR W. SIMPSON (1857-1922),
  ARTHUR W. SIMPSON (1857-1922), KENDAL ARTS & CRAFTS TRIPTYCH FIRESCREEN, CIRCA 1900 carved oak frame, with glazed embroidered panels, possibly by Annie Garnett93.5cm wide, 80cm highNote: Annie Garnett (1864-1942) was a key Arts and Crafts Movement figure in the revival of hand spinning and weaving in the English Lake District. Garnett was acquainted with the Simpson family through the Keswick School of Industrial Arts and based her geometric patterns on natural forms, notably exhibiting a peacock feather embroidered screen at the Arts and Crafts Exhibition Society in 1903.
• A late 19th Century mahogany two
  A late 19th Century mahogany two fold firescreen inset with Keswick School copper panels of repousse work of fruiting and flowering branches 26.25ins x 28.75ins overall (Keswick School mark to both panels with crown to commemorate the Jubilee of Queen Victoria 1897)