A few examples of appraisal values for
KINDEL

• GERMAN MERKELBACH & WICK
  GERMAN MERKELBACH & WICK STONEWARE STEINGerman stoneware 1 1/2 liter stein, Merkelbach and Wick, c.1879-1921, domed pewter lid with floral thumb rest, polychrome painted incised design with man rowing boat, banner reading: "die wellen umschmeicheln den schlanken kahn gluck zu! gluck zu! aufder spiegelnden bahn," impressed roundel mark, approx 10"h, 2lbs
• HANDEL DESK LAMP Steuben Millefiori
  HANDEL DESK LAMP Steuben Millefiori shade.
• Gernot Kissel (1939-2008) - limited
  Gernot Kissel (1939-2008) - limited edition coloured lithograph - Seated woman wearing a yellow dress 25ins x 14ins signed and unframed
• Gernot Kissel (1939-2008) - limited
  Gernot Kissel (1939-2008) - limited edition coloured lithograph - Seated pensive woman 39.5ins x 25.5ins signed and unframed
• ENGLISH SCHOOL, AFTER SIR GODFREY
  ENGLISH SCHOOL, AFTER SIR GODFREY KNELLER Large oil on canvas portrait of seat noblewoman holding apple with cupids attending overhead, signed George Little after Kneller; 65.5"H 43.5"W
• TOLE DECORATED KINDLING BUCKET .
  TOLE DECORATED KINDLING BUCKET .
• A Kent patent knife grinder, 63cm
  A Kent patent knife grinder, 63cm high and a cast iron jardinière, 28cm high
• (THEOLOGY GERMAN) A group of
  (THEOLOGY GERMAN) A group of seven books in German pertaining to religion mainly eighteenth-century. Den Tredie Bog us den Sande Christendom. [By Johann Arndt]. Kopenhagen: Bockenhoffer 1715. 8vo contemporary calf; Glaubens-Wag nach der Richtschnur des heiligen wortes Gottes gerichtet mit welcher die wahre evangelische Religion... By Steffan Gabriel. Zurich: Hardmeyer 1715. 12mo contemporary calf metal clasps present; A bound collection of seventeenth-century German Leich-predigt various authors. Thick 8vo quarter calf over marbled boards; Erklarende Umschreibung. By Ernst Bengel. Tubingen: Cottaischen 1786. 2 vols. in one (vols. 1 and 2 only). Thick 8vo quarter calf over marbled boards; Die letzte Reden des am creutz sterbenden hertzogen des lebens in so vielen predigten verfasset. By Johann Jacob Ulrichs. Zurich: Heidegger 1739. 8vo quarter vellum over marbled boards; Heiligen Perlen-Schatzes. By Johannes Lassenius. Ulm: Matthaeo Wagnern 1685. 12mo full vellum; Graber Betrachtungen. By James Herven. Breslau: Johann Ernst Mener 1763. Thin 8vo contemporary 3/4 vellum over marbled boards. (7 total)
• Kieler Kunst-Keramik German, 20th
  Kieler Kunst-Keramik German, 20th Century Inkwell, circa 1920-1940 glazed earthenware with maker's mark to underside H 5 x W 9 x D 5 1/2 inches.
• German Delft Lithopane Stein harbor
  German Delft Lithopane Stein harbor shipsand windmill decor 5'' tall lithopane of couple in tavern excellent
• METTLACH 3.8 LITRE STEIN,
  METTLACH 3.8 LITRE STEIN, Germany, decorated relief with inlay lid, 2038 with depiction of the town of Rodenstein, ht. 16 in.
• German Silver Inkstand, Karl
  German Silver Inkstand, Karl Kurz, Kesselstadt, early 20th century width 7.5 in — 19 cm
• Dreizehnlinden by F. W. Weber
  Dreizehnlinden by F. W. Weber Publisher: Ferdinand Schoninghca. 1890. Green pictorial cloth embossed w/gilt, AEG, beveled boards, and delicately patterned, gilt endpapers Illustrated by Karl Rickert.
• A German Steel Desk Lamp Greta
  A German Steel Desk Lamp Greta Von Nessen for Walter Von Nessen Co. having twin enameled white shades over steel tubular supports raised on a rectangular foot. Height 20 inches.
• English Parcel-Gilt Tole-Peinte
  English Parcel-Gilt Tole-Peinte Kindling Bucket, in the Georgian style, the interior fitted with a pair of removable demi-lune flower containers, the facades of the bucket with a gold, scarlet and black coat-of-arms surmounted by a coronet, h. 10\", dia. 11\".
• Charl
  Charl
• Charl
  Charl
• Charl
  Charl
• KURT VERSEN, CHROME DESK LAMP c.
  KURT VERSEN, CHROME DESK LAMP c. 1930s, USA, with cloth shade, unmarked, 12.5"h x 12"dia
• Charl
  Charl
• A Royal Copenhagen model of a
  A Royal Copenhagen model of a girl feeding hens 23 cm high.
• VOLKSTEDT MUSICAL GROUP blue mark
  VOLKSTEDT MUSICAL GROUP blue mark for Karl Ens in the Meissen style with a fashionable lady sitting at a piano her companion showing her a score of music a putto standing at one end of the piano on a shaped base with scattered flowers - h:8.50 w:9 in.
• Gernot Kissel (1939-2008) - limited
  Gernot Kissel (1939-2008) - limited edition coloured lithograph - Seated topless woman 25ins x 14ins signed and unframed
• GERMAN METTLACH BEER STEIN
  GERMAN METTLACH BEER STEIN HILDEGUND 1.4 LITERA German Mettlach lidded beer stein with inlaid cover, #2481, Hildegund Refreshes the Wounded, 1.4 liter, marked to base. Signed F. Quidenus.
• Wilhelm Kage for Gustavsberg, an
  Wilhelm Kage for Gustavsberg, an Argenta tray decorated with two kneeling nudes, shape 944, 32cm x 22.5cm
• KEIL, Peter, (German, 1942-):
  KEIL, Peter, (German, 1942-): Lamp with Michael Jackson shade, 28'' h., shade is 18'' x 18''.
• HEINRICH CAMPENDONK, DUTCH/GERMAN
  HEINRICH CAMPENDONK, DUTCH/GERMAN (1889-1957), DIE BETTLER (AFTER BRUEGHEL), 1922, WOODCUTHeinrich Campendonk, Dutch/German, (1889-1957) Die Bettler (after Brueghel), 1922, woodcut loose, unframed. Provenance: From a private collector, Indianapolis. From the archives of AskArt: After his studies under Dutch artist Johan Thorn Prikker at the Krefeld "Kunstgewerbeschule", Heinrich Campendonk followed Franz Marc's invitation to the Bavarian village of Sindelsdorf and moved there in 1911. At that time Heinrich Campendonk already found the basic subject of his works: the depiction of harmony between man and beast, Creation, the infinite circle of life and death. He produced paintings, watercolors, gouaches and his first woodcuts. In Sindelsdorf the artist met other members of the "Blauer Reiter" group and participated in one of the group's exhibitions that very same year. Two years later, Heinrich Campendonk also showed his work together with the "Blauer Reiter" at the "Erster Deutscher Herbstsalon" at Herwarth Walden's gallery "Der Sturm" in Berlin. During these years Campendonk's artwork was influenced by Marc, Macke and Kandinsky. A stiff geometrical form language was combined with color in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Heinrich Campendonk moved to Seeshaupt at the Starnberger See, from where he went on extensive travels. At that point Campendonk's painting was marked by softly flowing forms, large calm areas of intensive light and lyrical, often fairytale-like mood. He also produced works in glass painting. In 1926 Campendonk was appointed professor at the Düsseldorf Art Academy. Campendonk gained acclaim as an artist since the mid-1920s particularly through numerous glass windows he made for churches and public buildings (such as the Düsseldorf parliament building and the Paulskirche and the Essen Münster etc.). When he was dismissed from his teaching profession in 1933, he emigrated to the Netherlands, where he accepted a teaching position for "monumental and decorative art" at the "Rijksakademie van beeldende Kunsten" in Amsterdam. After the end of the war, Campendonk did not return to Germany. He continued to work as a teacher and received numerous orders for glass windows in the Netherlands and Germany. In 1956 Campendonk was awarded the Quellinus Prize by the city of Amsterdam and made knight of the order "De Nederlandse Leeuw". woodcut
• G.K. (Georges Kugelmann) Benda
  G.K. (Georges Kugelmann) Benda (French 20th century) Mistinguett poster 58 x 43 inches.
• A German Pewter Mounted Saltglaze
  A German Pewter Mounted Saltglaze Stoneware Stein circa 1888 having a hinged pewter lid with engraved Denver Lawn Tennis Club. Doubles/ July 1888; the base with relief decoration in blue marked in German Trink was klor ist above a King figure above Wohl/ bekomm's all flanked by hops flowers. Height 9 x width 6 x depth 4 1/2 inches.
• 18th C. Meissen porcelain
  18th C. Meissen porcelain Kaendler figuremodeled as a shepherd standing against a tree stump petting his dog with a lamb at his feet on a rococo base. Cross swords mark in blue under glaze ''H'' in iron red. Literature: ''Meissen China An Illustrated History '' Dr. K. Berling editor; pg. 34 table 13 figure 7. 11.25''H Circa - 1750.
• Tall Italian Provincial Wrought
  Tall Italian Provincial Wrought Tin-Mounted, Antique Red-Painted and Parcel-Gilt Tapered Wooden Kindling Bucket, in \"Fleur de Lys\" decor, fitted with a gilt wrought-iron arched swing handle with a turned crimson-painted wooden grip of bobbin form, probably of Tuscan origin, h. 16\", dia. 12-1/2\".
• Christian Dell. Table lamp. c.
  Christian Dell. Table lamp. c. 1932, enameled steel, nickel-plated brass, plastic. 17½ h × 8 w × 17 d in. result: $819. estimate: $700–900. Molded manufacturer's mark to shade ‘Original Kaiser-Idell’. Provenance: Private Collection, Miami
• METTLACH MUSICAL 1/2-LITER STEIN
  METTLACH MUSICAL 1/2-LITER STEIN Vintage Pewter Mounted Etched "Landsknechte" Stein by Villeroy & Boch Mettlach, #2231, with wind-up musical box in base, figural thumblift, 9 7/8" high. Good condition.
• *A Continental Gilt Metal Encrier
  *A Continental Gilt Metal Encrier cast in the form of a student reading next to the inkwell raised on a rectangular marble base. Width 7 inches.
• ARMAND MARSEILLE KOPPELSDORF GERMAN
  ARMAND MARSEILLE KOPPELSDORF GERMAN TODDLER DOLL with blue fixed eyes open mouth with teeth composition bent limb body blonde hair. Length 24''. Marked A M Koppelsdorf 996 over A13M. Long dress knitted booties.
• WASSILY KANDINSKY (1866 - 1944):
  WASSILY KANDINSKY (1866 - 1944): KLANGE 4woodcut on light cream wove paper; page from the book "Reiterweg"; matted and framed under acrylic; 7 x 8 3/4 inches sight; 15 1/2 x 17 1/2 x frame; Condition: