A few examples of appraisal values for
KING ARTHUR EDWARDS

• [History of Edward III, 1688]
  [History of Edward III, 1688] Joshua Barnes, The Full History of that Most Victorious Monarch, Edward III, King of England and France and Lord of Ireland…Sirnamed the Black Prince, printed for John Hayes for the author, Cambridge, 1688, contemporary English red morocco with fine gilt ornamentation, spines with fine gilt decoration and raised labels, binding possibly by Charles Mearne, bookplates for "Arthur and Elizabeth Widdicomb, Holdsworth", 14-1/2 x 9-1/2 in.; lot includes typed letter of family history from Kroch's & Brentano's in Chicago, dated 1956,
• ENGLISH, AFTER ARTHUR RACKHAM
  ENGLISH, AFTER ARTHUR RACKHAM FIVE EDWARDIAN PRINTS, CIRCA 1920 printed on silk, with hand colouring, three measure 19cm square; the other two are 16.5cm x 19cm(5)
• § EDWARD BAWDEN C.B.E., R.A.
  § EDWARD BAWDEN C.B.E., R.A. (BRITISH 1903-1989) EDWARD BAWDEN EDITIONED PRINTS [By] Jeremy Greenwood. With an Introduction by Elspeth Moncrieff.Woodbridge: The Wood Lea Press, 2005.First edition, deluxe issue, one of 55 copies (of which 50 for sale), oblong quarto, original quarter morocco, colour illustrations throughout. With 12 linocuts by Edward Bawden depicting scenes from Morte d'Arthur, printed by Bawden's son Richard Bawden from Edward's original linocuts on a single sheet of thick wove paper, and with manuscript limitation on verso, the linocuts in grey card chemise as issued and housed together with the book in original blue cloth solander boxProvenance: The Wood Lea Press, Suffolk, 29th June 2005.
• Edward (Lawrence) The Duty of a
  Edward (Lawrence) The Duty of a Steward to his Lord., 1727, 4to, two folding engraved plates, calf, re-backed
• Ronald S Embleton
  Ronald S Embleton (1930-1988)/King Uther Pendragon/illustration for The Story of the Boy King Arthur/gouache, 16cm x 30.5cm/Provenance: The Estate of Anthony J Beeson
• GEORGE EDWARDS (BRITISH,
  GEORGE EDWARDS (BRITISH, 1694-1773), TWO WATER BIRD ENGRAVINGS Hand-colored engravings, 18th century, on laid paper, to include American Kingfisher and The Puffin, and the Razor-bill, presented in uniform antique partial giltwood frames.
• MONUMENTAL ENGRAVING - Titled
  MONUMENTAL ENGRAVING - Titled ''Charles the First on the eve of the Battle of Edge Hill'' depicting the soon to be dethroned and beheaded king mapping strategy with his generals very detailed engraved by Bromley after Landseer shrink-wrapped SS: 22'' x
• An Invitation to the Coronation
  An Invitation to the Coronation of their Majesties King Edward VII and Queen Alexandra, 26th day of June, 1902/signed by the Duke of Norfolk, the Earl Marshall to Mr C Oman, 20cm x 25cm
• EDWARD EDWARDS, ST. IVES, CORNWALL,
  EDWARD EDWARDS, ST. IVES, CORNWALL, ENGLAND, OIL ON BOARD, FRAMED: 28-1/4 X 22 INEdward Edwards, St. Ives, Cornwall, England, Oil on Board, Framed: 28-1/4 x 22 in
• SAMUEL ARLENT EDWARDS (BRITISH,
  SAMUEL ARLENT EDWARDS (BRITISH, 1861 - 1938)Samuel Arlent Edwards (British, 1861 - 1938), mezzotint after Filippo Lippi's "Madonna", artist signed and titled in pencil in margins, 19" x 11 1/2", M. Knoedler & Company, New York label on verso, total size 22 1/2" x 15". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• (ENGLISH HISTORY, 19TH CENTURY) A.
  (ENGLISH HISTORY, 19TH CENTURY) A. C. Ewald; The Right Hon. Benjamin Disraeli Earl of Beaconsfield, K.G., and his Times (London: MacKenzie, n.d. c. 1880) 2 vols., bound in 5, 4to, pictorial cloth
• Sydenham Teast Edwards (British,
  Sydenham Teast Edwards (British, 1768-1819) "Botanicals", suite of eight hand-colored engravings, sight 16" x 11", London, 1822. Glazed, French matted and presented in carved giltwood frames.
• Edward VII Grant of Arms Letters
  Edward VII Grant of Arms Letters Patent to Heber Mardon of Ashwick in the County of Somerset, England, 1904 gouache and ink on vellum, with appended cased wax seals, signed by Alfred Scott-Gatty, George Edward Cokayne, and registered by Henry Farnham Burke, in red Morocco leather case with tooled ER cypher case 2.5 x 22 x 5.75 in — 6.4 x 55.9 x 14.6 cm
• AFTER MAURICE QUENTIN DE LA TOUR
  AFTER MAURICE QUENTIN DE LA TOUR (1704-1788) A PORTRAIT MINIATURE OF CHARLES EDWARD STUART the half-length portrait of Prince Charles in an unmarked yellow metal mount, engraved to the reverse: ‘Portrait of Charles Edwd Stuart, sent by him to Mrs Eleanor Curzon, sister of Sir Nathaniel Curzon, aunt to 1st Lord Scarsdale, & 1st Viscount Curzon. This Lady assisted the Pretender at different times with considerable sums of money.’, in a hinged case, 3.5cm high Provenance: A private Dorset collection of miniatures.
• Edwin Dalton Smith
  Edwin Dalton Smith (1800-1883)/George Arthur Knightly Little (1823-1829)/His father The Rev George Ernest Housman Little (1797-1878)/both signed and dated 1853/oval, watercolour, 36cm x 29cm
• MALLORY, KING ARTHUR, BEARDSLEY
  MALLORY, KING ARTHUR, BEARDSLEY ILLUSTRATOR, 1893 Sir Thomas Mallory THE BIRTH LIFE AND ACTS OF KING ARTHUR... (London: Dent, 1893) One of 300 copies on handmade paper; 2 vols., 4to, pictorial cloth.
• Stanhope Forbes (Elizabeth), King
  Stanhope Forbes (Elizabeth), King Arthur's Wood: A Fairy Story, London: Simpkin, Marshall, Hamilton, Kent & Co., c 1904, illustrated by the author, oblong Folio, multiple colour plates.
• ARTHUR WARDLE (ENGLISH, 1864-1949),
  ARTHUR WARDLE (ENGLISH, 1864-1949), PORTRAIT OF A CAVALIER KING CHARLES SPANIEL Oil on copper, signed lower right, presented in a later gilt frame with linen liner.
• (2) GEORGE VERTUE KINGS OF
  (2) GEORGE VERTUE KINGS OF ENGLAND ENGRAVINGS(lot of 2) Framed engravings on paper, after George Vertue (English, 1684-1756), including: (1) Edward III, King of England and France, from an ancient painting in Windsor Castle, (1) King Canute ye Dane, sight: approx 11.25"h, 7.25"w, overall: 15.25"h, 11.25"w; 3.5lbs total
• George Cruikshank (British
  George Cruikshank (British 1792-1878) ten etchings for the book Arthur O'Leary. ?
• Arthur William Head (1861-1930) -
  Arthur William Head (1861-1930) - Oil painting - ''Corfe Castle Dorset'' wooden panel 13.5ins x 9.5ins signed in gilt moulded frame and glazed Provenance: Direct descent from artist to vendor who is the artists grandson
• EDWARD LEAR (ATTRIB.), DRAWING, EX.
  EDWARD LEAR (ATTRIB.), DRAWING, EX. FORD FOUND. Attributed to Edward Lear (British, 1812-1888), "Please my Lord I want to be made a Bishop", pen and brown ink caricature drawing on paper, no visible signature, inscribed in pencil verso "Edward Lear", 4.25"h x 6.75"w (sight), 8.75"h x 11.25"w (frame)
• SIR THOMAS LAWRENCE, P.R.A.
  SIR THOMAS LAWRENCE, P.R.A. (BRISTOL, LONDON, 1769-1830) LADY ELIZABETH MARY, COUNTESS OF BELGRAVE, AFTERWARDS MARCHIONESS OF WESTMINSTER Painted in 1818. Oil on canvas. Carved and giltwood frame. Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce. Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government. Literature: Sir W. Armstrong, Lawrence, London, 1913, p. 113. Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. Lawrence was also a collector and formed one of the finest collections of Old Master drawings ever known. His first royal commission was from Queen Charlotte, whose portrait he painted in 1789.
• England under the Reigns of
  England under the Reigns of Edward VI and Mary, with the Contemporary History of Europe, illustrated in a Series of Original Letters never before printed. With historical introductions and biographical and critical notes, by Patrick Fraser Tytler (London, 1839; complete in two volumes).
• Edward Taylor (1828-1906) after Sir
  Edward Taylor (1828-1906) after Sir William Ross/Portrait Miniature of Frederick John Howard of Compton Place, Sussex and his wife Lady Fanny Howard/watercolour on ivory, 4.25cm x 3.5cm/both framed by J & W Vokins/Provenance: From the collection of the Earl of Liverpool
• (EDWARD) WELLER, LONDON AND
  (EDWARD) WELLER, LONDON AND WESTMINSTERIN THE REIGN OF QUEEN ELIZABETH First Published 1563. A mid-19th Century copper engraved facsimile of Ralph Agas 1563 original, (only one known to exist now in the Guildhall Library, London). Hand colored.
• ARTHUR POND, AFTER PIER LEONE
  ARTHUR POND, AFTER PIER LEONE GHEZZI, ETCHINGArthur Pond (British 1701-1758), after Pier Leone Ghezzi, etching, Rt. Honorable Lord Duncannon and Hugh Tomson (British, 1860-1920), etching, School for Scandaleach approximately 11 1/4 x 8in (28.5 x
• FRAMED ENGRAVING ARTHUR DUKE OF
  FRAMED ENGRAVING ARTHUR DUKE OF WELLINGTONFramed engraving on paper, Field Marshal Arthur Wellesley, Duke of Wellington, after Sir William Beechey RA (English, 1753-1839), sight: 19.75"h, 15.25"w, overall: 33.25"h, 27.75"w, 12lbs
• A Molteno Edward IV being
  A Molteno Edward IV being introduced to Jane Shore stipple engraving
• MICHAEL SUTTY PORCELAIN FIGURE OF A
  MICHAEL SUTTY PORCELAIN FIGURE OF A KNIGHT WITH LIONModeled as Edward Plantagenet, Prince of Wales standing in a gothic doorway. Edward Plantagenet, 17th Earl of Warwick (25 February 1475 ? 28 November 1499) was the son of Isabel Neville and George Plantagenet, 1st Duke of Clarence, and a potential claimant to the English throne during the reigns of both his uncle, Richard III (1483?1485), and Richard's usurper, Henry VII (1485?1509). He was also a younger brother of Margaret Pole, 8th Countess of Salisbury. Edward was tried and executed for treason in 1499. #britishking Artist: Michael Sutty Issued: 1980s Dimensions: 13.5"H Edition Number: 113 of 500 Manufacturer: Michael Sutty Country of Origin: England Condition: Good
• EDWARD JOHN STEVENS, ANCIENT
  EDWARD JOHN STEVENS, ANCIENT KING, 1957 Edward John Stevens, Jr. (American, 1923 - 1988) "Ancient King" titled, signed, and dated on stretcher, with gallery label from the E. Weyhe Art Books Gallery on reverse reading "Ancient King / original oil / by / Edward John Stevens" and with additional inventory labels, depicting a Pre-Columbian Aztec double flute player sculpture rendered in detailed overlapping patterns. Image: 31.5" H x 23.5" W; frame: 39" H x 31" W.
• Pollard, (Alfred W) The Romance
  Pollard, (Alfred W) The Romance of King Arthur and his Knights of the Round Table, Macmillan, London, 1917, illustrated by Arthur Rackham, together with Bedier (Joseph), The Romance of Tristram and Iseult, Heinemann, London (2)
• (3) GEORGE WHARTON EDWARDS, LONDON,
  (3) GEORGE WHARTON EDWARDS, LONDON, PARIS, ROME(lot of 3) Books: George Wharton Edwards (American, 1859-1950), published by The Penn Publishing Company, Philadelphia, all with gilt embossed exterior cover, featuring each city's crest in polychrome, all with color and monochrome images, including: (1) "London," published in 1922; (1) "Paris," published in 1924; (1) "Rome," published in 1928; approx 11"h, 8.25"w; 12.25lbs total **Provenance: The estate of Mr. Wesley and Mrs. Suzanne LaFever, Beverly Hills, California**
• Arthur James Collister (British). A
  Arthur James Collister (British). A watercolour with bodycolour ''Bosham Sussex''. 17 x 12 cm.
• Edward Tayler
  Edward Tayler (1828-1906)/Portrait Miniatures of Arthur William de Brito Savile Foljambe and of Gerald William Frederick Savile Foljambe aged one year/dated respectively 1871 and 1879/watercolour on ivory, 5cm x 4cm framed by J & W Vokins/Provenance: From the collection of the Earl of Liverpool
• Edward Sharland (British
  Edward Sharland (British 1884-1967)/Chester Cathedral/Canterbury Cathedral/etchings, 40cm x 23cm and four other etchings including Gertrude Hayes, Gerald M Burn, etc.