A few examples of appraisal values for
KRAUSE

• Heinrich Krause (Austrian,
  Heinrich Krause (Austrian, 1885-1985) Woman Dressing with Servant oil on canvas laid to board signed Krause (lower right) 12 x 7 1/2 inches (sight). Property from a Private Collector, Lincolnwood, Illinois
• FRIEDRICH KRAUS, OIL ON CANVAS,
  FRIEDRICH KRAUS, OIL ON CANVAS, C. 1890 Friedrich Kraus (German, 1826-1894), Portrait of a Young Woman, signed and dated upper right, 26"h x 20"w (sight), 35"h x 29"w (frame)
• Bruno Krauskopf (German,
  Bruno Krauskopf (German, 1892-1960), Abstract with Figur
• KRAUSS, Valerie, (American, 20th
  KRAUSS, Valerie, (American, 20th C.): Female Nude Torso, Ceramic Wall Sculpture, 19 1/2'', signed Valerie.
• Carl Max Kruse (German 1854-1942)
  Carl Max Kruse (German 1854-1942) the messenger Bronze, black-brown patina, modeled as a nude classical figure running and holding an olive branch, raised on a rectangular black marble base, inscribed 'Max Kruse', 'NENIKHKAMEN' and with foundry mark 'Aktien Gesellschell / vorm Gladenbeck u Sohn'. H: 14 3/4 in. (overall) PROVENANCE: Property of a private collector, Miami Beach FL Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• Friedrich Kraus German, 1826-1894
  Friedrich Kraus German, 1826-1894 Young Girl Playing with Dominos Estimate:$2,500-$3,500
• AFTER JOHANN PETER KRAFFT
  AFTER JOHANN PETER KRAFFT (GERMAN, 1780 - 1856) 10¾" x 9?" "Ossian and Malvine". Oil on metal, unsigned, in gold carved frame, 16¼" x 15" overall.
• GEORGE KRAUS, AMERICAN 20TH CENTURY
  GEORGE KRAUS, AMERICAN 20TH CENTURY WILD FLOWERS ETCHING IN AQUATINT, FRAME: 30 1/8 X 16 3/4 IN. (76.52 X 42.55 CM.)George Kraus, American 20th Century Wild Flowers Etching in Aquatint,, Dimensions: Frame: 30 1/8 x 16 3/4 in. (76.52 x 42.55 cm.)
• KRAUTHEIM WIESENGRUND PORCELAIN
  KRAUTHEIM WIESENGRUND PORCELAIN VASEKrautheim porcelain vase. Butterfly and flower decoration, gilt painted rim and base. Marked on the underside Krautheim Selb Bavara Germany and Wiesengrund und Bergeshoh'n. 14 1/8"H.
• * (BOTANY GERMAN) KRAUSS JOHANN
  * (BOTANY GERMAN) KRAUSS JOHANN CARL Blumen und Insecten-Buch. Nuremberg: Christian Sigmund Froberg sold by J.C. Hoflich n.d. [c. 1790] 4to 3/4 vellum over marbled boards. 16 (of 66) engraved plates detached and laid-in and 14 pages of text. Renewed endpapers; pages toned; sold as a collection of plates.
• HAROLD KRAUS O/B, STILL LIFE W/
  HAROLD KRAUS O/B, STILL LIFE W/ GRAPESHarold Kraus (Tennessee, b. 1940s) oil on board painting entitled "Grapes" depicting a stylized sprig of white grapes resting in a black vessel and set against a gold and green background. Signed "Kraus" lower right, additionally signed and titled en verso. Floated in a giltwood frame with black fabric mat. Board: 7" W x 10 1/2" H. Frame: 21 1/2" W x 25 1/2" H. Condition: Painting in excellent condition. Frame with abrasions, gilt loss, and accretions to mat.
• Kate Krause Ball (Mrs. Preston)
  Kate Krause Ball (Mrs. Preston) (American/Texas 1892-1973) "Mountainous Landscape" oil on canvas board signed lower right 10 in. x 14 in. in a period frame.
• Erich Brauer etching (Austrian,
  Erich Brauer etching (Austrian, born 1929), Wer Kommt aus der Wueste, 1967, 5760, surreal landscape with figure and dog, signed lower right in pencil "Brauer", color etching on paper, 11-12 x 11-58 in.; gilt wood frame.
• Susan Kraut (American 20th century)
  Susan Kraut (American 20th century) Houses 1976 (a pair of works) oil on canvas each signed Susan Kraut and dated (verso) 20 x 17 inches each.
• LAVERNE KRAUSE OIL ON
  LAVERNE KRAUSE OIL ON BOARDLAVERNE KRAUSE (Portland, Oregon 1924-1987) oil on board, "Blue Green Flower Theme," floral still-life. Signed lower right and dated 1969, titled verso. Label attached verso from the Rental-Sales Gallery, Portland Art Museum. Image measures 36" x 24". In a thin wood frame.
• FRITZ HALBERG-KRAUSS (GERMAN,
  FRITZ HALBERG-KRAUSS (GERMAN, 1874 - 1951) 20" x 27 ¾" Landscape. Oil on canvas, signed lower right, in decorative frame, overall 22 ½" x 30 ?".
• A large German stoneware
  A large German stoneware Bartmannkrug with bearded face mask above circular seals, 42cm high
• KASSNER, ALOIS. ZAUBERER.
  KASSNER, ALOIS. ZAUBERER. KASSNER.Hamburg: Adolph Friedländer, 1935. A half-length portrait of Kassner in white tie and tails is surrounded from behind by animals from his show, including a goat and his vanishing elephant named Toto, and in front by small demons who aid him in performing the Any Drink Called For routine also known as the Inexhaustible Bottle trick. 19 x 55". Minor wear in lower quarter, a few old folds; A-.
• A large German stoneware
  A large German stoneware Bartmannkrug with bearded face mask above a circular seal, 42cm high
• Carl Max Kruse (German,
  Carl Max Kruse (German, 1854-1942) Cast by Aktien-Gesellschaft Gladenbeck Foundry, Berlin Der Siegesbote von Marathon bronze signed, with foundry mark on base Height of figure 13 1/2 inches.
• Fritz Halberg-Krauss German
  Fritz Halberg-Krauss German 1874-1951 Landscape with Cattle and Herder oil on canvas signed ''F. Halberg-Krauss Munchen'' lr 21 1/2 x 29 in. framed Estimate $ 1 500-2 000 Craquelure. Paintings have not been examined by blacklight.
• BRUNO KRAUSKOPF (GERMANY,
  BRUNO KRAUSKOPF (GERMANY, 1892-1960), "MOTHER AND CHILD"., OIL ON CANVAS, 40" X 24". FRAMED 47" X 31".BRUNO KRAUSKOPF, Germany, 1892-1960, "Mother and Child". Signed lower left "B. Krauskopf". Signed verso. Titled on label for Feigl Gallery, Madison Avenue, New York. Dimensions: Oil on canvas, 40" x 24". Framed 47" x 31".
• H.D. Kruseman Van Elten painting
  H.D. Kruseman Van Elten painting (Hendrik Dirk Kruseman Van Elten, Dutch, 1829-1904), signed lower right "Kruseman Van Elten", oil on artist board, 6-7/8 x 10-1/2 in.; probably original 19th century gilt wood and composition frame. Board slightly warped, some wear to corners; frame resurfaced, loss to composition. Mr. And Mrs. Michael Gray; Turchin Center for the Visual Arts, Boone, North Carolina; Private Collection, Vilas, North Carolina
• Karl Kauffman (German,
  Karl Kauffman (German, 1843-1901/05) Landscape Painting, depicting geese flying over a river, signed with one of his many pseudonyms, Th Walter, oil on canvas, 27" x 21-3/4", framed 29-1/2" x 24-1/4", good condition, Danks painting has 5 patch repairs
• Friedrich Schroeder-Sonnenstern
  Friedrich Schroeder-Sonnenstern (Lithuanian 1892-1982) "Die Kultur Gater Transport" crayon and pencil on paper signed and dated "1957" lower right titled lower left sight 19 3/4 in. x 28 in. framed. Those works created from solitude and from pure and authentic creative impulses - where the worries of competition acclaim and social promotion do not interfere - are because of these very facts more precious than the productions of professionals. After a certain familiarity with these flourishing of an exalted feverishness lived so fully and so intensely by their authors we cannot avoid the feeling that in relation to these works cultural art in its entirety appears to be the game of a futile society a fallacious parade. Jean Dubuffet (French 1901-1985) In 1945 the French artist Jean Dubuffet traveled to a mental asylum in Switzerland to study the works of art produced by the inmates. The artistic creations of those suffering from mental illness had been observed and written about by psychiatrists for decades most significantly in Hans Prinzhorn's 1922 Artistry of the Mentally Ill. Dubuffet was enthralled by the creativity of the work he saw and believed that he had finally found the spontaneous raw art for which he had been searching -his "art brut" - an art uncontaminated by society tradition or the art market. Though frequently referred to as "the art of the mad" art brut was actually more inclusive encompassing all those on the margins of society - the poor the criminal as well as the mentally ill. Essential to Dubuffet's concept was the idea that these artists untrained and unaware of artistic traditions and techniques created only for themselves; their work was produced for reasons separate from its possible use as a commodity. One such artist was Schroeder-Sonnenstern. One of thirteen children Schroeder-Sonnenstern had a troubled childhood spending time in a facility for juvenile offenders. He had his first of several compulsory stays at a mental institution in 1910 where he was diagnosed with dementia praecox (schizophrenia). It was not until 1930 that he began to draw creating a highly imaginative very personal iconography. Schroeder-Sonnenstern's bizarre compelling compositions verge on the surreal; in fact in 1959 he exhibited at the Exposition Internationale du Surrealisme in Paris. His bright vivid colors smooth lines and fantastical figures combine to create works that are infinitely appealing as is evident in the present lot. Reference: Leo Navratali. "Art Brut and Psychiatry". Raw Vision Magazine Issue 15; Galerie St. Etienne New York Exhibition Essay "The Outsider Question" March 1993; Jane Kallir "European Self-Taught Art: Brut or Naive" Galerie St. Etienne New York Exhibition Essay January/March 2000; Michael Bonesteel "Sacred Monsters". Outsider Magazine. Intuit: The Center for Intuitive and Outsider Art Chicago.
• Max H. Kruse (German/American
  Max H. Kruse (German/American 1869 - 1938) "Nenikikamen". Bronze sculpture with title and artist name in base attached to a red marble base overall measures 22-3/4"H x 17"L x 6"W.
• James Krone (American, b. 1975)
  James Krone (American, b. 1975) Screen 7, 2012 oil on canvas, sized with rabbit skin glue signed James Krone, titled and dated (verso) 50 x 40 inches.
• SUSAN KRAUT. INTERIOR, COLOR
  SUSAN KRAUT. INTERIOR, COLOR ETCHING Artist Proof, signed lr, plate size: 5 x 6 in., framed.
• PORTRAIT SIGNED "A. KREISEL".
  PORTRAIT SIGNED "A. KREISEL". American, 20th century. Possibly Alexander Kreisel. Signed lower right. Woman on a sofa. Unframed, 16"h. 20"w.
• KOLLWITZ Kathe (German
  KOLLWITZ Kathe (German 1867-1945): Die Pfluger from Bauernkreig plate 1 After 1945 with Von der Becke blindstamp Etching and aquatint 19 1/2'' x 23 1/2'' with margins (Klipstein 94 IX/IX b) Berlin Halensee blindstamp lower right not laid.CONDITION: Some light staining in the margins good overall several spots of foxing in the margins.
• KASSNER, ALOIS. DIREKTOR KASSNER.
  KASSNER, ALOIS. DIREKTOR KASSNER. DER ZAUBERFüRST.Hamburg: Adolph Friedländer, 1919. Kassner reclines in a plush chair at the center of the poster, surrounded by colorful bubbles in which vignettes of various illusions from his show are depicted. These include the Milk Can escape, billiard ball manipulation, the production of livestock, a Substitution Trunk trick, and more. 37 ½ x 53 ½". Restoration at old folds and to restore small losses in margins; B. Uncommon.
• VICTOR KLAUSS (GERMAN) FRAMED
  VICTOR KLAUSS (GERMAN) FRAMED ABSTRACT GICLEEFramed giclee on canvas, Abstract Figures, signed lower right V. Klauss (Victor Klauss, German, 20th/ 21st. c.), numbered 65/ 530, sight: approx 39.5"h, 39.5"w, overall: approx 43.5"h, 43.5"w, 16.5lbs
• Doris Vlasek-Hails (American,
  Doris Vlasek-Hails (American, 1938-2004) "So Long Kurtskies" expressionist acrylic on linen the aforementioned "Kurt" dons his topcoat before departing. Signed and dated '98 upper left. 36" x 24".
• LIES KRAAL: THREE WORKSeach 2010;
  LIES KRAAL: THREE WORKSeach 2010; each acrylic on wood panel; each signed, titled and dated to label verso; comprising "Cecil Taylor", "Wolfgang Amadeus Mozart" and "G-10"; Provenance: The Estate of Charles Fries and Ava Ostern Fries, Los Angeles; each 15 x 15 inches; 16 x 16 inches frame; Condition:
• (LOT OF 11) K&A KRAUTHEIM BAVARIA
  (LOT OF 11) K&A KRAUTHEIM BAVARIA GILT SERVICE PLATES (lot of 11) K&A Krautheim Bavaria gilt service plates, green printed factory mark, 10.75"dia. Provenance: Property from the estate of Patricia Moffat Pope, San Francisco, CA, Mrs. Pope was born May 12,1927, to parents William H. Moffat and May Martin Moffat in Reno, Nev. She grew up, a cattleman's daughter, loving the ranches and riding horses. She married George A. Pope Jr. in 1959 and together they built a Thoroughbred horse racing empire that included 27 stakes winners in the United States and in Europe. Among the many races that they won include the 1962 Kentucky Derby
• ALEXANDER KRUSE "SUMMER PICNIC"
  ALEXANDER KRUSE "SUMMER PICNIC" PLAYING KIDS O/B Alexander Kruse (American 1888-1972), "Summer Picnic In The Heartland" c. 1940, oil on canvas board depicting a landscape with a group of children leaning against a fence and a young boy flying a kite, signed at lower right, framed. Provenance: Acquired from Slotin Folk Art Auction, lot 282, Nov. 9 & 10, 2013; Private Collection Harry R. Greenblatt, Atlanta, Georgia. Approx. board h. 12", w. 16". Frame h. 21.25", w. 25.25", d. 9".