A few examples of appraisal values for
L C SMITH

• Michael A. Smith (American 20th
  Michael A. Smith (American 20th century) Street Scene Photograph signed l.r. dated 1986 l.l.; 17.25 x 21.5 in. Condition: Not examined out of frame.
• Michael A. Smith (American b. 1942)
  Michael A. Smith (American b. 1942) Architectural Scene Black and white photograph signed l.r. dated 1984 l.l.; approx 7.5 x 19.5.
• SMITH Charles Augustus. O/C of
  SMITH Charles Augustus. O/C of Ethereal Cityscapewith Figures. Signed lower left. Smith's work is described in a 2000 New York Times review of a group exhibition: ''The show...contains more than a few surprises most notably the work of Charles Augustus Smith. Besides his commercial work Mr. Smith also managed to produce a large number of curious fine-art paintings. His works... mix the experimental approach of Max Ernst with the dreaminess of Odilon Redon's imagery...'' Charles Augustus Smith American- New York mid 20th century. From a Larchmont NY estate. Dimensions: 30'' high x 24'' wide. Condition: Good.
• CARY SMITH, (B. 1955), "I CAN'T
  CARY SMITH, (B. 1955), "I CAN'T EXPLAIN IT," 1991, OIL AND WAX ON PANEL, 22" H X 11" WCary Smith, (b. 1955) "I Can't Explain It," 1991 Oil and wax on panel Signed, dated, titled and inscribed verso: Cary Smith / For Linda Cathcart, with Many Thanks 22" H x 11" W Provenance: Estate of Linda Cathcart, Montecito, C Oil and wax on panel Dimensions: 22" H x 11" W Provenance: Estate of Linda Cathcart, Montecito, C
• LANCE SMITH (BRITISH, B. 1950)
  LANCE SMITH (BRITISH, B. 1950) Untitled, Abstract composition signed, dated and numbered in pencil 'lance smith 1991 23/35' (in lower margin) etching with aquatint and gold leaf 58 x 45cm ARR
• Cary Smith American, b. 1955 Untitled,
  Cary Smith American, b. 1955 Untitled, 1987
  Estimate:$1,000-$1,500
• Cary Smith American, b. 1955 I
  Cary Smith American, b. 1955 I Series #7, 1993
  Estimate:$700-$900
• L. SMITH, LARGE SCALE OIL ON CANVAS,
  L. SMITH, LARGE SCALE OIL ON CANVAS, TENNIS L. Smith (American, 20th/21st c.), "Sunday Lawn Tennis", oil on canvas, signed "L. Smith" at lower right, gallery tag verso, 23.5"h x 47.5"w (sight), 34.5"h x 59"w (frame)
• LAWRENCE BEALL SMITH, OIL ON MASONITE,
  LAWRENCE BEALL SMITH, OIL ON MASONITE, C. 1944 Lawrence Beall Smith (American, 1902-2002), Red Cross, signed lower right, unframed, 13"h x 17"w
• Joseph C. Claghorn American 1869-1947
  Joseph C. Claghorn American 1869-1947 ''Interrupted Journey The Old Sheffield Smith in Mass.'' watercolor on paper signed ''J.C. Claghorn'' lr 223 3/4 x 34 in. framed Estimate $ 400-600 Paintings have not been examined by blacklight.
• L.C. SMITH SUPER SPEED MANUAL TYPEWRITERL.C.
  L.C. SMITH SUPER SPEED MANUAL TYPEWRITERL.C. Smith Super Speed Manual Typewriter
• CHARLES L.A. SMITH (AMERICAN 1871-1937),
  CHARLES L.A. SMITH (AMERICAN 1871-1937), WESTERN LANDSCAPE, WATERCOLOR, FRAME: 26 X 30-1/4 INCharles L.A. Smith (American 1871-1937), Western Landscape, Watercolor, Frame: 26 x 30-1/4 in
• SMITH Charles Augustus. O/C of
  SMITH Charles Augustus. O/C of Ethereal ChurchRuins with Figures. Signed lower right. Smith's work is described in a 2000 New York Times review of a group exhibition: ''The show...contains more than a few surprises most notably the work of Charles Augustus Smith. Besides his commercial work Mr. Smith also managed to produce a large number of curious fine-art paintings. His works... mix the experimental approach of Max Ernst with the dreaminess of Odilon Redon's imagery...'' Charles Augustus Smith American- New York mid 20th century. From a Larchmont NY estate. Dimensions: 30'' high x 24'' wide Condition: Good.
• SMITH M. 20th Century O/C of a
  SMITH M. 20th Century O/C of a Seated Beauty.Signed lower right. From a Hartsdale NY estate. Dimensions: 36'' high x 44'' wide. Condition: Good.
• CHARLES LA SMITH (1871 - 1937):
  CHARLES LA SMITH (1871 - 1937): "PEACEFULNESS"oil on canvas; signed lower right; titled on stretcher verso; 20 x 24 inches; 24 x 28 1/4 inches frame Condition:
• Michael Smith (American/New Orleans
  Michael Smith (American/New Orleans 1937-2008) 13 important New Orleans Jazz and Heritage Festival photographs comprising "Lightning Hopkins with Guitar" "Professor Longhair" "Jazz Fest Audience" "Danny Barker" "Barbara Lynn" "Ironing Board Sam" "Gatemouth Brown" "Second Line" "James Booker" "Lightning Hopkins with Can" "B.B. King" and "Olympia Brass Band" silver gelatin prints each 5 in. x 7 in. together with "Bukka White Roosevelt Sykes & B.B. King" 8 in. x 10 in. signed en verso.
• SMITH, Gladys Nelson, (American,
  SMITH, Gladys Nelson, (American, 1890-1980): Seated Gypsy Strongman Smoking Pipe, Oil/Canvas, 35'' x 31'', signed, framed, 40'' x 35 1/2''. Studied under W.A. Griffith at U Kansas, at the Art Institute of Chicago, the Art Students League, and at the Corcoran School of Art under Edmund C. Tarbell.CONDITION: Cleaned, clear fiberglass lining with wax reline, several small dots of inpaint.
• Douglas Smith (Contemporary Old
  Douglas Smith (Contemporary Old Lyme artist) oil on canvas signed LL dated 1990 exhibition label on back 16'' h. x 16'' w.
• LAWRENCE BEALL SMITH (NY/DC, 1909-1995)
  LAWRENCE BEALL SMITH (NY/DC, 1909-1995) "The Skaters", litho on Rives paper, pencil signed, titled and dated '39, depicting three young African-American children on a New York sidewalk, rounding past battered trash cans, unframed, loose, in folio, 11 1/4" x 8 3/4" image on 15 1/2" x 12" sheet.
• CHARLES LORRAINE SMITH (1751-1835,
  CHARLES LORRAINE SMITH (1751-1835, UK) OILpainting on board titled "The Meet". Depicts an English fox hunting scene. Unsigned, identified on front plaque. Sight size 12" x 15 3/4", overall with frame 14" x 18". Comes with receipt from May 1966, purchased from the Incurable Collector Inc., Paintings, Antiques, and Works of Art, 36 East 57 St, New York, NY. Also on verso is a label for Parker Gallery, London. Provenance: Webb estate.
• GORDON R. SMITH (1920-2010): CHARLIE
  GORDON R. SMITH (1920-2010): CHARLIE PORTER & GRANDSON (MICHAEL LEE) JACKHORN KY Gelatin silver print 9 1/4 x 9 1/4 in. (sight) 10 7/8 x 14 in. (sheet) signed titled and dated.
• Martin Smith (1950 England) Surface
  Martin Smith (1950 England) Surface and Void #41999Earthenware; ht. 9 dia 13.5 in.Martin Smith is Professor of Ceramics at the Royal College of Art London and considered to?be one of the most important minimalists in ceramics today. Martin Smith's work is included in many public collections including the Victoria and Albert Museum London the?National Museum of Modern Art Tokyo the?Stedelijk Museum Amsterdam ?The Metropolitan Museum of Art New York the?Museum Boijmans van Beuningen Rotterdam the?Museum Kunst und Gewerbe Hamburg ?and the?Kanazama Crafts Council Taiwan.??
• OOC - Portrait of Continental Indian
  OOC - Portrait of Continental Indian Man signed lr 'A. Smith 1841' probably a British artist the subject is depicted in black coat with buff vest and black cravat gold chain his hair long in original gold gesso frame SS: 8 1/4'' x 7'' OS: 12 3/4'' x
• EBEN SMITH (WORKED 1814-1856 IN
  EBEN SMITH (WORKED 1814-1856 IN BEVERLY, MA)EARLY 19TH CENTURY PEWTER COFFEE POT CA. 1820. LIGHTHOUSE FORM WITH ENGRAVED CARTOUCHE. SHOWS OLD REPAIR TO HANDLE. 12” HIGH
• 2pc Charles Smith (1922-2009 Washington)
  2pc Charles Smith (1922-2009 Washington) ''Circle Forms'' 1960's Painted and Welded Steel Sculptures 12'' and 13''. Colorful geometric forms on painted wood bases. Unsigned. Some minor edge wear. From the estate of Northwest sculptor, Charles W. Smith. This artist's work was recently show at the Cascadia Museum in Edmonds, Washington.
• Michael P. Smith (American/New
  Michael P. Smith (American/New Orleans 1937-2008) six "Jazz and Heritage Festival" photographic prints "There was a time for all sweet Mamas: Mahalia Jackson" "There was a time when sweat meant respect: Clifton Chenier" "Time is a shadow on the wall: Professor Longhair" "There was a time when the sun was joy: Stevie Wonder" "There was a time when the elders sang: Roosevelt Sykes" and "There was a time when the horns were bright: Fairview Brass Band" silver gelatin prints title labels en verso sight 7 in. x 8 1/2 in. matted and framed alike; with original paper sleeve.
• Jerry Smith (American, b.1944)
  Jerry Smith (American, b.1944) Maine coastal landscape with lighthouse watercolor on paper signed lower left Smith's paintings depict the Indiana landscape or the Maine coast, where he makes frequent painting excursions. Smith has exhibited at the Hoosier Salon and the Brown County Art Guild. 5 1/2" x 8 1/2"
• LOWELL ELLSWORTH SMITH (AMERICAN,
  LOWELL ELLSWORTH SMITH (AMERICAN, 1924-2008)Lowell Ellsworth Smith American, 1924-2008 Church Near Patzcuaro Watercolor on paper Signed lower right as well as to verso with title. Architectural rendering of a chapel with figures mingling in the road outside, behind plexiglass, gilt frame with label to verso for National Cowboy Hall of Fame; Prix de West Invitational. Acquired June 12th, 1999 from Prix de West Invitational of Oklahoma City, Oklahoma and accompanied by paperwork, bill of sale. Sight: 10 x 14 1/4 in. (25.40 x 36.20 cm.), frame: 19 x 22 1/2 in. (48.26 x 57.15 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• W. EUGENE SMITH, CHARLIE CHAPLIN
  W. EUGENE SMITH, CHARLIE CHAPLIN SET PHOTOLarge silver gelatin photograph print of Charlie Chaplin in clown makeup on the set of Limelight (1952). Likely by set photographer W. Eugene Smith (American, 1918-1978). Measures 16" x 20". Photo has creases and closed tears at the edges. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• Cary Smith American, b. 1955 Where
  Cary Smith American, b. 1955 Where Was This [Diptych], 1990
  Estimate:$2,000-$3,000
• LOWELL ELLSWORTH SMITH (AMERICAN,
  LOWELL ELLSWORTH SMITH (AMERICAN, 1924-2008)Lowell Ellsworth Smith American, 1924-2008 Town Gate Hacienda Vista Hermosa Watercolor on paper Signed lower right. Impressionistic scene outside adobe gates, three figures, one with burro, mingling at the entrance. Matted and set behind plexiglass in a gilt frame, National Cowboy Heritage Museum: Prix de West Invitational label affixed to verso offering the title, as well as a marker signature to the backing. Acquired June 14th, 2008 from Prix de West Invitational of Oklahoma City, OK and accompanied by paperwork. Sight: 13 3/4 x 20 1/2 in. (34.93 x 52.07 cm.), Frame: 26 1/4 x 23 1/4 in. (66.68 x 59.06 cm.) Ex. National Cowboy Heritage Museum The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• CARL J. SMITH (AMERICAN B. 1928)
  CARL J. SMITH (AMERICAN B. 1928) A PAINTING, "IN THE ME...CARL J. SMITH (American b. 1928) A PAINTING, "In the Mesa Shadow," oil on canvas, signed L/R, verso titled on stretcher and a paper gallery label. 10 1/2" x 13 1/2" Provenance: Country Store Gallery, Austin, Texas. Private Collection, Washington State. Condition: Minor expected surface wear, and some soil in the lower right, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• Graham Smith (1870-?)/The Cottesmore
  Graham Smith (1870-?)/The Cottesmore at Launde Abbey/signed, inscribed and dated '46, 27cm x 37cm
• F. CARL SMITH (1868 - 1955): "SIERRA
  F. CARL SMITH (1868 - 1955): "SIERRA LAKE"oil on panel signed lower right Provenance: William Karges Fine Art gallery label verso 14 1/4 x 10 1/4 inches panel; 17 1/4 x 21 1/4 inches frame Condition:
• SMITH, Gladys Nelson, (American,
  SMITH, Gladys Nelson, (American, 1890-1980): Country Hillside with Farmhouse and Barn, Oil/Canvas/Board, 12 3/4'' x 16 3/4'', monogrammed GNS, framed, 19 1/2'' x 22 1/2''. Studied under W.A. Griffith at U Kansas, at the Art Institute of Chicago, the Art Students League, and at the Corcoran School of Art under Edmund C. Tarbell.CONDITION: Cleaned, several dots of inpaint, ready to hang.
• Smith (CR) 'Illustrations of Roman
  Smith (CR) 'Illustrations of Roman London'. London, 1859, 4to, full contemporary morocco binding. Handsome copy (1)/Provenance: The Estate of Anthony J Beeson