- ADORATION OF THE SHEPHERDS. WOODCUT,
ADORATION OF THE SHEPHERDS. WOODCUT, C. 1555 (AFTER TITIAN). DREYER 17-1; CHIARI VII. UNCOMMON. THE ARTIST'S MONOGRAM, L.L. PRINTED ..Adoration of the Shepherds. Woodcut, c. 1555 (after Titian). Dreyer 17-1; Chiari VII. Uncommon. The artist's monogram, l.l. Printed in black ink on contemporary laid paper with small margins to the printed border. A very good impressions save for several condition issues: The print is laid down onto a support board; a horizontal split through the middle of the image; various losses in the printed border; the tip of l.l corner is missing; damage to the l.r. corner; various minors scuffs. 399 x 501 mm.(15 3/8 x 19 1/4 in.) Landscape with a Milkmaid. Woodcut, c. 1528. (after Titian). Passavant 96; Rosand & Muvaro 21. Uncommon. Printed in black ink on contemporary laid paper with small margins to the printed border. A very good impression save for several condition issues: The print is laid down onto a support board; several nicks, bumps and paper losses in the margins and in some cases extending to just within the image; corners are damaged; general light, discoloration. 399 x 501 mm. (15 3/8 x 19 1/4 in.) (2)
- A 15th Century stone carving, the
A 15th Century stone carving, the Adoration of the Magi, 44cm x 23cm
- Mihail Mihailovsky (Russian b.
Mihail Mihailovsky (Russian b. 1968) "The Adoration". Oil on canvas signed in the lower right corner and dated '92 signed titled in Cyrillic verso and dated framed overall apprx. 27" x 38-3/4".
- A Miniature Painting, 'Adoration
A Miniature Painting, 'Adoration of Madonna', after Fra Filippo Lippi, watercolor framed in brass, unsigned, 3"H, 2 3/8"W, no signature or markings on painting, the glass has 2 nicks by the frame at the bottom, painting in good condition
- REMBRANDT "ADORATION OF THE SHEPHERDS"
REMBRANDT "ADORATION OF THE SHEPHERDS" ETCHINGRembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). 18th century posthumous etching on paper titled "Adoration of the Shepherds with Lamp," depicting the shepherds gathered around the Virgin Mary and infant Jesus. Signed in the plate along the lower center.
Sight; height: 4 in x width: 5 1/4 in. Framed; height; 17 1/2 in x width: 18 1/2 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
- LLADRO LADY ADORING FLOWERS PORCELAIN
LLADRO LADY ADORING FLOWERS PORCELAIN SCULPTURE Spain,1982Depicts a tall slender woman dressed in a long white dress admiring a floral arrangement on a pedestal.
- LIMOGES ENAMELED DEVOTIONAL ICON
LIMOGES ENAMELED DEVOTIONAL ICON OF A SAINT IN BAROQUE STYLE CARVED GILT WOOD FRAME 7 ½" x 5 ¾" Enamel on copper devotional image of a saint, kissing the Crucifix with a table before him with a vase of lilies, a crown and a rosary. In an Italian gilt frame. Most probably Saint Dominic. Lilies representing chastity, the crown representing the Virgin Mary, the Rosary, (at one time thought to have been introduced to the world by St. Dominic) and the book.
- After Gerrit van Honthorst (Dutch
After Gerrit van Honthorst (Dutch 1590-1656) The Adoration of the Shepherds oil on canvas 43 x 25 1/2 inches.
- After Paolo Veronese (Italian,
After Paolo Veronese (Italian, 1528-1588)
19th Century
Adoration of the Magi
oil on canvas
25 1/4 x 33 inches.
- REMBRANDT ETCHING "ADORATION OF
REMBRANDT ETCHING "ADORATION OF THE SHEPHERDS"Rembrandt H. Van Rijn (Netherlands, 1606-1669) etching, "Adoration of the Shepherds : with the Lamp" on ivory laid paper. Signed "Rembrandt F" lower middle left in the image. Label verso with reference information - State II/III, Bartsch #45, Hind #273. Etching having a sharp, dark impression with good contrasts. Float mounted and housed in a gilt wood frame. Plate - 4 1/4" H x 5 1/16" W. Framed - 17 7/8" H x 18 5/8" W. Circa 1654. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
Very slight toning to paper. Minor abrasions to frame.
- SPANISH COLONIAL SCHOOL DEVOTIONAL
SPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century)
The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in.
Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina
Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor.
Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love
Condition:
original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
- Italian Old Master painting, Adoration
Italian Old Master painting, Adoration of the Shepherds, nativity with shepherds, two angels holding banner Gloria in Eccelcis Deo , unsigned, oil on canvas, possibly 17th century, 56 x 49 in.; modern gilt wood and composition frame. Restretched on new stretcher, lined with wax and linen, retouch throughout affecting approximately 20 percent of surface, frame abrasions, flaking, cleavage, cupping, crackle; frame with abrasions. The Estate of the Late Francis Reese, Ball Ground, Georgia
- SPANISH COLONIAL SCHOOL DEVOTIONAL
SPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century)
The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in.
Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina
Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor.Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love
Condition:
original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
- An oil on oak panel of the Adoration
An oil on oak panel of the Adoration of the infant Christ possibly 18th century 29 x 37cm.
- Rembrandt etching (Rembrandt Van
Rembrandt etching (Rembrandt Van Rijn, Dutch, 1606-1669), "The Adoration of the Shepherds with the Lamp", second state, reworked upper right , signed lower left in plate "Rembrandt F.", etching on laid paper, page 4-1/4 x 5-1/16 in.; modern gilt wood frame. Light toning and foxing, trimmed close to plate, floated on silk mat; frame with abrasions. Bellette Hofmann Fine Art, New York; Private Collection, Nashville, Tennessee
- 18TH C. OIL ON COPPER 'ADORATION
18TH C. OIL ON COPPER 'ADORATION OF THE SHEPHERDS'18th C. unnknown Italian school artist, oil on copper in gilt frame depicting adoration of the shepherds and infant baby Jesus. Measures 36"H x 28"W framed; 33"H x 24"W unframed.
- FRENCH PAINTED PLASTER OUR LADY
FRENCH PAINTED PLASTER OUR LADY OF LOURDES, 53"HFrench painted plaster sculpture, Our Lady of Lourdes, depicting the Virgin Mary in white robes with blue sash, hands clasped in prayer, a rosary at her right side, gilt roses laid at her feet, standing on a rocky base, approx 53"h
- REMBRANDT VAN RIJN, ADORATION OF
REMBRANDT VAN RIJN, ADORATION OF THE SHEPHERDSRembrandt Van Rijn, 1606-1669, "The Adoration of the Shepherds at Lantern Light" (Die Anbetung der Hirten) printed circa 1800
(BGAR2905)(WT)
Dimensions: 5 7/8" x 7 7/8", sheet 6 1/3" x 8 1/4"
Condition:
Edges of margin rough, nicks, fold.
- A gilt-bronze plaque of the Nativity
A gilt-bronze plaque of the Nativity and the Adoration, 17th/18th Century, with chain of coral and filigree beads
- Artist Unknown (Dutch 18th century)
Artist Unknown (Dutch 18th century) The Adoration of Christ oil on canvas 65 3/8 x 47 1/4 inches.
- UNKNOWN ARTIST "ADORATION" OIL
UNKNOWN ARTIST "ADORATION" OIL ON CANVAS PROBABLY 18TH ...Unknown Artist "Adoration" oil on canvas probably 18th century unsigned 27" x 21"
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- Artist Unknown (18th century) Adoration
Artist Unknown (18th century) Adoration oil on canvas 43 1/2 x 34 3/4 inches.
- Manner of Pieter Coecke van Aelst
Manner of Pieter Coecke van Aelst (Flemish, 1502-1550) "The Adoration of the Magi", first quarter 18th-century oil on panel, unsigned. Presented in an ebonized wood frame with gilded edges.
- After Pietro Testa (Italian 1611-1650)
After Pietro Testa (Italian 1611-1650) "Il Lucchesino" Adoration. Etching on wove paper "Pietro Testa delineauit" in the lower left of the plate "In Rioma da Vincenzo Billy" in the lower right of the plate lengthy inscription in pencil in Italian in the lower margin floated in a mat and framed under glass overall 16-5/8" x 19". Paper size 9-3/4" x 12-1/2".
- MINATURE PAINTING - Oil on Ivory
MINATURE PAINTING - Oil on Ivory Ascension of Louis XVI a Royalist deification of the martyred French King ca 1800 depicting him departing this world dressed as a Legionnaire Royal cloak around his shoulders surrounded by family angels putti and a
- OOC MOUNTED ON BOARD - 17th-18th
OOC MOUNTED ON BOARD - 17th-18th c. French Religious Icon of Madonna and Child having later addition of gold moriage; they are depicted gloriously crowned and enrobed as Garde Robe de Notre Dame in fruit-bearing tree above poplar-studded landscape cruci
- ITALIAN RENAISSANCE STYLE PAINTING
ITALIAN RENAISSANCE STYLE PAINTING OF THE MADONNA ADORING THE CHRIST CHILD Oil on canvas (lined), 19th century or earlier, in antique but later giltwood frame.
- Old Master painting, Italian Renaissance
Old Master painting, Italian Renaissance panel painting, Adoration of the Shepherds, dated center on rock "1520", Martino Piazza da Lodi, born circa 1475, died circa 1530, oil on panel, 24-1/2 x 19-1/8 in.; fine 16th century style Florentine tabernacle frame with etched or stenciled decoration. Panel with pest damage, grime, small points of flaking, edges with chips, small points of retouch, loss to gilding at nimbus, crackle, craquelure; frame with pest damage, wear to gilding, some minor losses.
- After Peter Paul Rubens (Flemish,
After Peter Paul Rubens (Flemish, 1577-1640), 18th century, "Adoration of the Magi", oil on canvas, unsigned, 37-1/2 x 67-1/4 in., gilt wood and composition Florentine style frame,
- EDOUARD LORMIER (GREECE/FRANCE,
EDOUARD LORMIER (GREECE/FRANCE, 1847-1919), "LE DéVOUEMENT" (THE DEVOTION)., BRONZE, HEIGHT 28” AND WIDTH 18”.EDOUARD LORMIER, Greece/France, 1847-1919, "Le Dévouement" (The Devotion). Figure standing on a rockery base. Signed within the cast "Bronze France E. Lormier". Susse Frères (France, active 1839-1970s) pastille foundry stamp. Dark brown patination. Dimensions: Bronze, height 28" and width 18". Provenance: Property of India House, New York.Note:A full-scale monumental version of the the same figure, titled "Monument des Sauveteurs", was installed on the Boulevard de Alliés in Calais in 1899 and later transferred to the Quartier of Courgain in 1960.
- MINATURE PAINTING - Oil on Ivory
MINATURE PAINTING - Oil on Ivory Ascension of Louis XVI a Royalist deification of the martyred French King ca 1800 depicting him departing this world dressed as a Legionnaire Royal cloak around his shoulders surrounded by family angels putti and a
- After Jacopo Bassano (Italian,
After Jacopo Bassano (Italian, 1510-1592)
Late 19th Century
Adorazion Dei Pastori (Nativity)
oil on board
8 x 6 inches (sight).
Property from Lynch Four LLC, Edwards, Colorado
- ITALIAN SCHOOL, 18TH-19TH CENTURY,
ITALIAN SCHOOL, 18TH-19TH CENTURY, ADORATION OF THE CHRIST CHILD, UNSIGNED, OIL ON CANVAS, 9-1/2 X 7 INCHESItalian School, 18th-19th Century, Adoration of the Christ Child, Unsigned; inscribed indistinctly L. D.... on verso Oil on canvas 9-1/2 x 7 in (24.1 x 17.8 cm) Dimensions: 9-1/2 x 7 in (24.1 x 17.8 cm)
- AFT GERARD DAVID ADORATION OF MAGI
AFT GERARD DAVID ADORATION OF MAGI LARGE O/C 1555Damianus van der Goude , 16th c., (workshop of Frans Floris), "Adoration of the Magi" after Gerard David, Netherlandish, large oil on canvas (previously transferred from panel). This version is extremely close in size to David's earlier version in the National Gallery of London, but differs in small details. NOTE: Our specialist has identified the painting as the sole work recorded by the artist, an archer serving under Philip of Spain, Lord of the Netherlands, reigning as Philip II of Spain in 1556. LITERATURE: The Fifteenth Century Netherlandish Schools (National Gallery Catalogues) November 24, 1998 by National Gallery, Lorne Campbell (Author), page 145, Figure 7
66 x 74 inches, unframed
From the personal collection of Laura Sconocchia Fisher Steinberg, ex-spouse of the late financier Saul Steinberg. Formerly in the Augusta Family Collection, thence by descent to Cristina Augusta
(LSTE1000)(TC)
Condition:
Relined with new stretchers; a few old well repaired tears visible from the front; under blacklight, overpainting, reglazing, and inpainting, notably to the figure of Balthazar, the figures of the Virgin and Christ with minor inpainting. A vertical line and a horizontal line more visible under blacklight, possibly from having been folded in the past or old stretcher marks.Old rabbet rubbing evident across the bottom and edges.Small scattered and minor losses to the painting surfaces, typical craquelure.
- Large French Bronze-Patinated Plaster
Large French Bronze-Patinated Plaster Figure of Eros, the love-god depicted exhausted and resting from his labors while seated on a lion skin, with a deceased dove at his feet, fourth quarter 19th century, h. 30".
- JOAN MIRó (SPANISH, 1893-1983)
JOAN MIRó (SPANISH, 1893-1983) "L'ADORATEUR DU SOLEIL" (SUN WORSHIPPER) Etching, aquatint and carborundum in colors. Signed in pencil, 'H.C.', signed 'Miró' (lower right) and dated '1969' (on arches).