A few examples of appraisal values for
L C GRAVES

• Archive of the Personal Effects
  Archive of the Personal Effects of Captain Henry S. Graves Co. B 118 NY Infantry Lot includes a stenciled trunk with key framed CDV of Graves as a Sergeant tin plate knife fork and spoon mirror cased glasses leather pouch pin nibs in containor slide top box with shaving brush home made cork screw carved ring with initials HSG bible 1864 Almanac six un-used patriotic envelopes hynmbook clay pipe wooden carved pipe with intinials HSG.Hard tach in sugar bag single brass candle stick cleaning rod Remington pistol in holster with Intinials and unit zinc flask tin containor of snuff half a army blanket used as a shawl. Henry Graves enlisted in Company B. 118th New York as a sergeant in July 1862 at Chazy NY. He was promoted company first sergeant and then commissioned as a 2nd lieutenant a year later. Graves transferred to Company E as 1st lieutenant in May 1864. He was advanced to captain in December and finally mustered out in July 1865. The regiment was part of the Washington Defenses before taking the field as part of the 7th Corps during the Siege of Suffolk in April 1863. Part of the 18th Corps Army of the James the New Yorker's remained in garrison at Yorktown until the start of Grant's Overland Campaign in May 1864. Thereafter the regiment was constantly engaged on the south side of the James River against Petersburg and Richmond and saw hard fighting at Drury's Bluff Bermuda Hundred and Cold Harbor. The regiment then settled in to the trenches for siege operations against Petersburg on the Bermuda Hundred front until March 1865. The 118th joined in the final drive that resulted in the fall of Richmond and the pursuit of Lee's Army toward Appomattox having suffered 99 battle casualties. The regiment did provost duty at Richmond before mustering out in June 1865. Condition: Very good.
• Morris Graves (American
  Morris Graves (American 1910-2001) Ecstatic Gander 1952 oil on canvas laid down on masonite signed Graves and dated (lower right) 38 x 48 inches.
• 1 vol. Graves, Robert. Poems 1929.
  1 vol. Graves, Robert. Poems 1929. London: Seizin Press, 1929. First edition, #133/225 signed by Robert Graves. Sm. 8vo, orig. green cloth, gilt-lettered spine; minor edge wear, spine & edges starting to fade to brown. Some discoloration to front free endpaper, small perforation to pp. 9/10 - not affecting ptg. Internally clean. Higginson & Williams A.
• Michael Graves (American,
  Michael Graves (American, 1934-2015) NJ artist, "Architectural Study Humana Building", original study for the entrance loggia of the Humana Building in Louisville, KY, designed by Graves, mixed media on printed outline, signed "M. G. '82", provenance on reverse from Max Protetch Gallery, NY, 8-1/4" x 7" sight, framed 14-1/2" x 13-1/2", very good condition
• Nancy Graves 1940–1995. Muin. 1977,
  Nancy Graves 1940–1995. Muin. 1977, etching in colors with aquatint, engraving, drypoint, and hand-coloring. 31? h × 35? w in. result: $625. estimate: $800–1,200. Signed, dated and numbered to lower edge ‘24/32 N.S. Graves '77’. This work is number 24 from the edition of 32 published by Tyler Graphics, Mount Kisco, NY. Provenance: Skinner, Boston, American and European Works of Art, 11 May 2018, Lot 55 | Private Collection
• ABBOTT FULLER GRAVES
  ABBOTT FULLER GRAVES (AMERICAN/MASSACHUSETTS)Abbott Fuller Graves (American/Massachusetts, 1859-1936), "Jamaica", oil on canvas, signed lower right, pencil-inscribed "#32610" on stretcher, titled on "Vose Galleries of Boston" label on backing board, 14 in. x 20 1/4 in., framed.
• LOUIS OSCAR GRIFFITH
  LOUIS OSCAR GRIFFITH (AMERICAN/INDIANA)Louis Oscar Griffith (American/Indiana, 1875-1956, active New Orleans, 1916-1917), "Creole Courtyard, New Orleans, La", color aquatint on paper, pencil-signed and numbered "31/100" lower margin, pencil-signed, titled and inscribed on backing, sheet 17 3/16 in. x 14 13/16 in., framed
• PRINT, NANCY GRAVES Nancy Graves
  PRINT, NANCY GRAVES Nancy Graves (American, 1939-1995), "Lithograph based on Geologic Maps of Lunar Orbits and Apollo Landing Sites," 1972, lithograph in colors, pencil signed and dated lower right, edition VIII 8/100, gallery label (Quay Gallery, San Francisco, CA) affixed verso, sheet: 22.5"h x 30"w, overall (with frame): 24.75"h x 32.25"w
• PRINT, NANCY GRAVES Nancy Graves
  PRINT, NANCY GRAVES Nancy Graves (American, 1939-1995), "Lithograph based on Geologic Maps of Lunar Orbits and Apollo Landing Sites," 1972, lithograph in colors, pencil signed and dated lower right, edition VIII 8/100, gallery label (Quay Gallery, San Francisco, CA) affixed verso, sheet: 22.5"h x 30"w, overall (with frame): 24.75"h x 32.25"w
• Louis Oscar Griffith (American,
  Louis Oscar Griffith (American, 1875-1956), rustic architectural landscape, color aquatint; 7 3/4" x 9 3/4"; pencil signed and numbered 38 lower margin. Griffith studied at the St. Louis School of Fine Arts, the Art Institute of Chicago, and also in Paris and Brittany as well as the National Academy of Design.
• Nancy Graves 1940–1995. IV Julius
  Nancy Graves 1940–1995. IV Julius Caesar Quadrangle of the Moon (from the Geologic Maps of Lunar Orbiter and Apollo Landing Sites series). 1972, lithograph on Mylar. 22? h × 29? w in. result: $375. estimate: $800–1,200. Signed, dated, numbered and inscribed to lower edge ‘IV 47/100 Graves '72’. This work is number 47 from the edition of 100 printed by Landfall Press Inc,. Chicago and published by Carl Solway Gallery, Cincinnati.
• Eight Georgia biographies: works of
  Eight Georgia biographies: works of the lives of Linton Stephens, William H. Crawford, Augustus Baldwin Longstreet, Elder Jesse Mercer, George M. Troup, Thomas E. Watson, and Distinguished Negro Georgians by Cornelius V. Troup; detailed listing available.
• SCULPTURE, NANCY GRAVES Nancy
  SCULPTURE, NANCY GRAVES Nancy Graves (American, 1940-1995), "Corbeling," 1989, painted metal and mixed media sculpture, signed, titled, and dated at base, overall: 23.5"h x 30"w x 20"d
• Frederick Landseer Maur Griggs
  Frederick Landseer Maur Griggs (British, 1876-1932) "Memory of Clavering", Essex etching with poem below pencil signed and numbered V in the margin, also initialed and dated 1934 in the plate 6 3/4" x 9 1/4"
• Samuel W. Griggs (Massachusetts,
  Samuel W. Griggs (Massachusetts, 1827-1898), New Hampshire Landscape, signed lower left "S.W. Griggs", old tape verso with "Lasala 10-3-66/RD #1 Cochranville, PA" and "…purchased by grandfather William Granville Haw
• Louis Oscar Griffith
  Louis Oscar Griffith (American/Louisiana 1875-1956) "French Quarter New Orleans" color etching with aquatint signed and numbered "48/100" 12 in. x 10 in. framed.
• ABBOTT FULLER GRAVES, (AMERICAN
  ABBOTT FULLER GRAVES, (AMERICAN 1859-1936), CRASHING WAVES, 28 X 49 IN (71.1 X 124.5 CM)Abbott Fuller Graves, (American, 1859-1936) Crashing Waves, Signed Abbott Graves l.l. Oil on canvas Dimensions: 28 x 49 in (71.1 x 124.5 cm)
• Mabel Dwight (American, 1876-1955)
  Mabel Dwight (American, 1876-1955) "Old Graveyard New Orleans", 1929, lithograph, signed and dated in pencil lower right, edition of 30, retains gallery label en verso "Stone Press Gallery, New Orleans, Louisiana", sight 10-1/2" x 13-1/4". Glazed, matted and framed. Ex-collection: Dr. James W. Nelson, Gonzales, Louisiana.
• James Longstreet Confederate
  James Longstreet Confederate General Post-War ALS to Pres. U.S. Grant James Longstreet (1821-1904). Confederate Lieutenant General considered Lee's most trusted subordinate. Postwar ALS to President Grant 3pp December 29 1871 New Orleans Louisiana.Longstreet is writing to Grant regarding issues related to his role as surveyor of customs in New Orleans. Grant appointed Longstreet to the job in return for his being the most senior Confederate officer to join the Republican Party during reconstruction and to endorse his former enemy for president. Whether Longstreet switched his allegiance because he thought it was the right thing to do or because it would help secure him a government job it was not easy: he was despised by Southerners and as illustrated in this letter mistrusted by Northerners as well. Longstreet is responding to influential Republicans' requests for a change in the office and he has accordingly secured the resignation of Deputy Survey A.J. Smith though he laments that in view of the efforts of some of the prominent Federal Offices Men to cause my removal it sometimes occurs to me that my own resignation might be more appropriate but after explaining the effect these petty politics are having on the harmony of actions that is important to the function of the office he writes On the other hand some of my friends think that my resignation may to some extent imperil the policy of your administration.Longstreet goes on to give a strong endorsement of carpetbagging Republican Louisiana governor Henry C. Warmoth even as Longstreet admits Warmoth has aligned against Grant and the Republicans in the coming year's elections. Warmoth would end up being impeached for meddling in the electoral vote count with Grant ensuring the office went to William Pitt Kellogg who is one of those referenced as demanding a change in Longstreet's office in the beginning of the letter. Condition: Very good condition with very minor soiling and bleeding of ink. Final page engrossed in thicker paper.
• ABBOTT F. GRAVES WOMAN IN MIRROR
  ABBOTT F. GRAVES WOMAN IN MIRROR INTERIOR PAINTING Massachusetts, Maine,1859-1936Impressionist work depicting a young brunette woman in a white and pink gown leaning on a chair and gazing into a cheval mirror. The interior is illuminated by rays of sunshine filtered through the curtains in the background. As a Boston School artist Graves was taught in a realist fashion but grew to accept and utilize impressionism in his career.
• Morris Graves (1910-2001
  Morris Graves (1910-2001 Washington) ''Evening Light'' 1993 Lithograph in Colors 26''x44.5'' Image. An impressive large still life composition with his signature mystic glowing flowers. Pencil signed and numbered 32 of 120 edition lower margin. Gallery framing 35''x53''. Excellent condition with strong colors.
• WW. James McGlynn, American 20th
  WW. James McGlynn, American 20th Century, The Cemetery, Watercolor on Paper, Framed, 30 x 38 inches
• Cleve Gray (American 1918-2004)
  Cleve Gray (American 1918-2004) After Egypt 1978 acrylic on canvas signed Gray titled and dated (verso) 60 x 60 inches.
• ABBOTT FULLER GRAVES (1859 - 1936),
  ABBOTT FULLER GRAVES (1859 - 1936), ROSES, OIL ON BOARD...Abbott Fuller Graves (1859 - 1936), roses, oil on board, signed lower right Graves, 12" x 18". Condition: Good condition, several small spots with inpainting. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• GRACE T. GRANGER
  GRACE T. GRANGER (AMERICAN/LOUISIANA, 20TH C.)Grace T. Granger (American/Louisiana, 20th c.), "Louisiana Scenes", 21 graphites on tracing paper, 3 inks on paper, 2 watercolors on paper, one mixed media on paper, one ink and collage on paper, and one gelatin silver print, 4 signed, one signed, inscribed and partial sketch en verso, 8 1/2 in. x 11 in. to 17 in. x 14 in., unframed; accompanied by a newspaper article about the artist. (30 pcs.) Condition: Works vary from fair to very poor condition.
• ABBOTT FULLER GRAVES OIL ON CANVAS,
  ABBOTT FULLER GRAVES OIL ON CANVAS, PORTRAIT OF MAN. Abbott Fuller Graves (1859 - 1936) MA/ Maine, an oil on canvas, portrait of an old man, signed lower left Abbott Graves, image 20” x 16”, overall 23.5” x 19.5”
• Ralston Crawford (American
  Ralston Crawford (American 1906-1978) "St. Louis Cemetery New Orleans" lithograph pencil signed titled numbered "13/15" and noted as "2nd state" sheet 22 in. x 29 1/2 in. image 19 1/2 in. x 25 1/2 in. unframed.
• MORRIS COLE GRAVES (1910 - 2001):
  MORRIS COLE GRAVES (1910 - 2001): SURFBIRD1940; tempera and watercolor on rice paper, framed under acrylic; signed lower right; titled lower left; Provenance: Collection of Mr. and Mrs. Charles Laughton, Hollywood, CA; Fort Worth Art Center, Fort Worth, TX; Provenance: Property from an Important California Estate; Exhibited: Morris Graves Circulating Exhibition, U.C.L.A. 1956-57, number13 (labels verso); 24 3/4 x 29 1/4 inches sight; 28 x 33 inches frame Condition: taped down to the board, not glued; Rice paper slightly wavy in frame;
• William Alexander Griffith
  William Alexander Griffith (1866-1940 Laguna Beach CA) Sun Bathers likely Diver's Cove Laguna Beach
• ABBOTT FULLER GRAVES, (AMERICAN,
  ABBOTT FULLER GRAVES, (AMERICAN, 1859-1936), ROSES, OIL ON CANVAS, 30 X 40 IN., FRAME: 38 X 48 IN.ABBOTT FULLER GRAVES, (American, 1859-1936) Roses, oil on canvas signed Abbott Graves, l.r. 30 x 40 in., frame: 38 x 48 in. Provenance: The Collection of a Massachusetts Lady. Condition: Condition: Good condition. This work has not been lined and is clear under UV examination.
• Morris Graves (American, 1910-2001)
  Morris Graves (American, 1910-2001) Untitled (Owl), 1957 sumi inkwash on paper signed and dated lower right 14 3/4 x 25 inches (sheet); 13 1/4 x 24 inches (sight).
• Louis Oscar Griffith (American,
  Louis Oscar Griffith (American, 1875-1956), early American architectural street scene with figures; color aquatint; 9 3/4" x 11 3/4"; pencil signed and numbered 38/120 lower margin. Griffith studied at the St. Louis School of Fine Arts, the Art Institute of Chicago, and also in Paris and Brittany as well as the National Academy of Design.
• Frederick Landseer Maur Griggs
  Frederick Landseer Maur Griggs (British, 1876-1932) "The Pool", Gothic cathedral with bridge below etching pencil signed in the margin, also initialed and dated 1915-22 in the plate 6 1/4" x 5"
• FREDERICK LANDSEER MAUR GRIGGS
  FREDERICK LANDSEER MAUR GRIGGS (BRITISH) 1876-1938. LAUNDS. ETCHING 1928. COMSTOCK 39, V/VIII. ED: 70 IN THIS STATE (89 IN ALL STATE...Frederick Landseer Maur Griggs (British) 1876-1938. Launds. Etching 1928. Comstock 39, v/VIII. Ed: 70 in this state (89 in all states). Signed with pencil, l.r. Titled with pencil, l.r. The artist's stamp (Lugt 760a) and number, verso - the stamp bleeding through, recto. Printed by the artist in black ink on light japan. A large section of the lower left corner missing well away from image; however Comstock states that nearly all impressions in this state were trimmed to the platemark. A rich impression. 162 x 252 mm.(6 3/8 x 9 7/8 in.)
• Granville Redmond (1871-1935 Los
  Granville Redmond (1871-1935 Los Angeles CA) Stream Through a Moonlit Landscape
• T. Clarke engraving of three
  T. Clarke engraving of three mourning figures at Washington's tomb published in Boston 1801 8" x 7 3/4". ?