A few examples of appraisal values for
L C SMITH 1886

• Smith (CR) 'Illustrations of
  Smith (CR) 'Illustrations of Roman London'. London, 1859, 4to, full contemporary morocco binding. Handsome copy (1)/Provenance: The Estate of Anthony J Beeson
• Glimpses of Africa by C.S. Smith
  Glimpses of Africa by C.S. Smith Nashville: A.M.E. Church Sunday School Fund 1895. 8 vo 286 pp blue cloth with gilt embossed lettering on front board. With many illustrations maps and pictures. Containing the author's impressions and observations during a voyage of the six thousand miles from Sierra Leone to St. Paul de Loanda and return.
• AUTOBIOGRAPHY OF JAMES L. SMITH,
  AUTOBIOGRAPHY OF JAMES L. SMITH, PUBLISHED BY NORWICH, 1881, LAURENCE C. JONES, THE SPIRIT OF PINEY WOODS, INTRODUCTION BY GEORGE FOSTER PEABODY, 1931 AND ROBERT LEWIS WARING, AS WE SEE IT, 1910Autobiography of James L. Smith, Published by Norwich, 1881, Laurence C. Jones, The Spirit of Piney Woods, Introduction by George Foster Peabody, 1931 and Robert Lewis Waring, As We See It, 1910, From the Estate of Dr. James K. Hill
• The Smith's Yard by James Abbot
  The Smith's Yard by James Abbot McNeill Whistler James Abbot McNeill Whistler (American 1834-1903).? 1895 lithograph on paper embossed stamp The Studio London l.r. catalogue raisonn? W 88; 8.75 x 7.25 in. (plate). Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Light struck toning to the plate.? Right margin slightly uneven.
• Carlton Alfred Smith (British
  Carlton Alfred Smith (British 1853 - 1946) "The Letter". Watercolor on paper signed lower right ca. late 19th/early 20th century. Young girl seated next to window reading a letter. In antique frame overall 22-1/2" x 17". Smith was a member of the New York Watercolor Society and the Society of British Artists. He exhibited in London particularly at the Royal Academy and Suffolk Street.
• SMITH Charles Augustus. O/C of
  SMITH Charles Augustus. O/C of Ethereal Cityscapewith Figures. Signed lower left. Smith's work is described in a 2000 New York Times review of a group exhibition: ''The show...contains more than a few surprises most notably the work of Charles Augustus Smith. Besides his commercial work Mr. Smith also managed to produce a large number of curious fine-art paintings. His works... mix the experimental approach of Max Ernst with the dreaminess of Odilon Redon's imagery...'' Charles Augustus Smith American- New York mid 20th century. From a Larchmont NY estate. Dimensions: 30'' high x 24'' wide. Condition: Good.
• George Smith (British, active
  George Smith (British, active 1786-1828) Two hand-colored engravings: Design for a Bed, plate 25, and Window Curtain, plate 6, from A Collection of Designs for Household Furniture and Interior Decoration, London, 1804-1805, 11 x 8-1/2 in.; matching black-painted frames with mirrored liners,
• Smith (Charles) A New General
  Smith (Charles) A New General Atlas, 1834. Large 4to., cont. half calf. Engraved title. 56 hand coloured engraved maps, some double page/see illustration
• JOHN WILLIAM HILL AND BENJAMIN F.
  JOHN WILLIAM HILL AND BENJAMIN F. SMITHJohn William Hill and Benjamin F. Smith , "New Orleans from the Lower Cotton Press 1852", small format chromolithograph, after David Moody (American, 1774-1874), published by Smith Bros. & Co., New York, sight 5 1/2 in. x 8 3/4 in., framed
• OOC - Portrait of Continental
  OOC - Portrait of Continental Indian Man signed lr 'A. Smith 1841' probably a British artist the subject is depicted in black coat with buff vest and black cravat gold chain his hair long in original gold gesso frame SS: 8 1/4'' x 7'' OS: 12 3/4'' x
• Michael A. Smith (American 20th
  Michael A. Smith (American 20th century) Street Scene Photograph signed l.r. dated 1986 l.l.; 17.25 x 21.5 in. Condition: Not examined out of frame.
• 1 piece. Tinted Lithograph.
  1 piece. Tinted Lithograph. Smith Bros. & Co., pub. "Philadelphia from Camden - 1850." (Philadelphia), 1850. 26 3/4 x 40 3/4 inches (680 x 1035 mm) - image & text, margins. Scattered light foxing.
• SMITH, Gladys Nelson, (American,
  SMITH, Gladys Nelson, (American, 1890-1980): Country Hillside with Farmhouse and Barn, Oil/Canvas/Board, 12 3/4'' x 16 3/4'', monogrammed GNS, framed, 19 1/2'' x 22 1/2''. Studied under W.A. Griffith at U Kansas, at the Art Institute of Chicago, the Art Students League, and at the Corcoran School of Art under Edmund C. Tarbell.CONDITION: Cleaned, several dots of inpaint, ready to hang.
• CHARLES L.A. SMITH (AMERICAN
  CHARLES L.A. SMITH (AMERICAN 1871-1937), WESTERN LANDSCAPE, WATERCOLOR, FRAME: 26 X 30-1/4 INCharles L.A. Smith (American 1871-1937), Western Landscape, Watercolor, Frame: 26 x 30-1/4 in
• Carlton Alfred Smith (British
  Carlton Alfred Smith (British 1853 - 1946) "Expectation". Watercolor on paper signed lower left ca. late 19th/early 20th century. Crisp and fresh colors young seated girl with dog. In antique frame overall 22-1/2"T x 17"W. Smith was a member of the New York Watercolor Society and the Society of British Artists. He exhibited in London particularly at the Royal Academy and Suffolk Street.
• CHARLES LA SMITH (1871 - 1937):
  CHARLES LA SMITH (1871 - 1937): "PEACEFULNESS"oil on canvas; signed lower right; titled on stretcher verso; 20 x 24 inches; 24 x 28 1/4 inches frame Condition:
• RALPH CROSBY SMITH (1907-1962),
  RALPH CROSBY SMITH (1907-1962), CAUGHT Fine Art
• Joseph C. Claghorn American
  Joseph C. Claghorn American 1869-1947 ''Interrupted Journey The Old Sheffield Smith in Mass.'' watercolor on paper signed ''J.C. Claghorn'' lr 223 3/4 x 34 in. framed Estimate $ 400-600 Paintings have not been examined by blacklight.
• SMITH Charles Augustus. O/C of
  SMITH Charles Augustus. O/C of Ethereal ChurchRuins with Figures. Signed lower right. Smith's work is described in a 2000 New York Times review of a group exhibition: ''The show...contains more than a few surprises most notably the work of Charles Augustus Smith. Besides his commercial work Mr. Smith also managed to produce a large number of curious fine-art paintings. His works... mix the experimental approach of Max Ernst with the dreaminess of Odilon Redon's imagery...'' Charles Augustus Smith American- New York mid 20th century. From a Larchmont NY estate. Dimensions: 30'' high x 24'' wide Condition: Good.
• SMITH, Gladys Nelson, (American,
  SMITH, Gladys Nelson, (American, 1890-1980): Panoramic Landscape with Farmhouses and Rolling Hills and Mountains in the Distance, Oil/Canvas/Board, 15'' X 12'', signed, framed, 18'' x 15''. Studied under W.A. Griffith at U Kansas, at the Art Institute of Chicago, the Art Students League, and at the Corcoran School of Art under Edmund C. Tarbell.CONDITION: Several dots of inpaint, cleaned and ready to hang.
• Frederic Smith (British, 19th
  Frederic Smith (British, 19th Century) "Summer Flowers", suite of six hand-colored engravings, London, 1824, sight 9-1/2" x 7". Glazed, matted and presented in green polychromed frames.
• Edwin Dalton Smith
  Edwin Dalton Smith (1800-1883)/George Arthur Knightly Little (1823-1829)/His father The Rev George Ernest Housman Little (1797-1878)/both signed and dated 1853/oval, watercolour, 36cm x 29cm
• Smith (J T) Antiquities of
  Smith (J T) Antiquities of Westminster, 4to, diced calf, 1807
• CHARLES LORRAINE SMITH
  CHARLES LORRAINE SMITH (1751-1835, UK) OILpainting on board titled "The Meet". Depicts an English fox hunting scene. Unsigned, identified on front plaque. Sight size 12" x 15 3/4", overall with frame 14" x 18". Comes with receipt from May 1966, purchased from the Incurable Collector Inc., Paintings, Antiques, and Works of Art, 36 East 57 St, New York, NY. Also on verso is a label for Parker Gallery, London. Provenance: Webb estate.
• Smithers, Henry. Liverpool, Its
  Smithers, Henry. Liverpool, Its Commerce, Statistics and Institutions. With a History of the Cotton Trade, Liverpool 1825. 8vo., cont. half calf gilt. Folding tables. With 10 others, guidebooks relating to Yorkshire, Derbyshire and Durham (11)/Provenance: Spetchley Park
• SMITH M. 20th Century O/C of a
  SMITH M. 20th Century O/C of a Seated Beauty.Signed lower right. From a Hartsdale NY estate. Dimensions: 36'' high x 44'' wide. Condition: Good.
• Charles W. Smith, Old Charleston
  Charles W. Smith, Old Charleston , The Dale Press, Richmond, Virginia, 1933, edition 1477/1550, inscribed "To Genevieve, Spring 1939", signed "Charles Smith", book with 14 woodcut prints of Charleston, cover with rows of flowerpots, 12-3/4 x 9-3/4 in. Generally good condition, edges with some browning, scattered stains, corners rubbed.
• JOSEPH LINDON SMITH (1863 -
  JOSEPH LINDON SMITH (1863 - 1950)Joseph Lindon Smith (New Hampshire, Rhode Island, 1863 - 1950) Watercolor and Gouache painting of peacocks. Signed lower right. Sight Size: 17.35 x 13 in. Overall Framed Size: 30.5 x 26 in. Framed behind glass. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Smith (J A) Memoirs of Samuel Pepys
  Smith (J A) Memoirs of Samuel Pepys Esq., FRS 5 vols., Henry Colburn, London 1828
• Graham Smith (1870-?)/The
  Graham Smith (1870-?)/The Cottesmore at Launde Abbey/signed, inscribed and dated '46, 27cm x 37cm
• JAMES MONGIN SMITH PORTRAIT
  JAMES MONGIN SMITH PORTRAIT MINIATURE, 1821 American school, possibly Southern, 1821. Oval watercolor mourning portrait miniature of James Mongin Smith (American, born Beaufort, SC, April 1, 1798, died Marietta, GA, November 26, 1859), together with a plated lock of his hair to the verso, in a 12k yellow gold frame under glass, and contained in a fitted case. Unmarked. Provenance: Likely given to his wife Laura Margaret Smith (nee Cole), then to her daughter, Laura Margaret Brumby (nee Smith), then to her daughter, Laura Margaret Hoppe (nee Brumby). A calling card for Mrs. Lewis D. Hoppe with personal inscriptions accompanies this lot. Note: Mrs. Lewis D. Hoppe, (nee Laura Margaret Brumby, 1867-1955), was the daughter of James Remley Brumby Sr. (1846-1934), founder of The Brumby Chair Company of Marietta, GA. The subject of the miniature was her maternal grandfather. James Mongin Smith was a rice planter who attended Yale University as well as Princeton University, classes of 1819 and 1822. His home Orange Hall, in Marietta, GA, burned in the early 1900s. It was a smaller replica of an earlier home, also of the same name in St. Mary's, GA. It is still standing. Approx. 2.75" x 2.25" (frame); 2.625" x 2.125" (sight).
• 1854 American Folk Art Sketch of
  1854 American Folk Art Sketch of a Home "Residence of James Smith 1854", pencil on paper with embossed border, 7-1/2" x 10" sheet, framed 9" x 11-1/2", good condition, toning and spotting
• SMITH, Gladys Nelson, (American,
  SMITH, Gladys Nelson, (American, 1890-1980): Seated Gypsy with Glass in Hand and Bottle, Oil/Canvas, signed, 24'' x 18'', wooden frame with gilt stencil, 27'' x 21''. Studied under W.A. Griffith at U Kansas, at the Art Institute of Chicago, the Art Students League, and at the Corcoran School of Art under Edmund C. Tarbell.CONDITION: Patch verso, cleaned, several dots of inpaint, ready to hang.
• A. Smith (American 20th century)
  A. Smith (American 20th century) The Boxers oil on masonite 16 x 19 1/2 inches.
• BENJAMIN F. SMITH JR.
  BENJAMIN F. SMITH JR. LITHOGRAPHBENJAMIN F. SMITH JR. (1830-1927) lithograph, "PHILADELPHIA FROM CAMDEN - 1850" after drawing by J.W. Hill & Smith, published by Smith Brothers& Co., NY., circa 1850. Busy river scene with views of West Philadelphia with buildings, tall ships, ferries, and docks, 26.5" x 42" (opening),33.25" x 48.75" (frame).
• SMITH'S NEW OUTLINE MAP OF THE
  SMITH'S NEW OUTLINE MAP OF THE HUMAN SYSTEM Published by the American Manikin Co. Peoria Illinois 1888; paper on board or wood together with lithographic tin parts in oak hinged box; with box closed; 44 1/2 x 20 in.