1940's Lane Cedar Chest with KeyFrom an estate is a very nice 1940's Lane cedar chest with the original key and Lane Warranty still stapled inside and the push button lock still works. The cedar chest serial number dates it 1941 and the Lane Warranty is stamped 1949. It is walnut veneer with a waterfall front over the cedar. It is in very good to excellent condition measures 46'' long X 23'' tall.
Books: Fine art furniture decorative arts and travel guides Bernier Rosamond. MATISSE PICASSO MIRO: AS I KNEW THEM. New York: Alfred A. Knopf 1991. Bridgman George B. BRIDGMAN'S LIFE-DRAWING. London: John Lane the Bodley Head Limited 1926. Neuhaus Eugen. WILLIAM KEITH: THE MAN AND THE ARTIST. Berkeley California: University of California Press 1938. Peters Harry T. CURRIER & IVES: PRINTMAKERS TO THE AMERICAN PEOPLE. Garden City New York: Doubleday Doran & Co. Inc. 1942. Walker Phoebe Flory (et al). WATERCOLOR PORTRAITURE. New York: G.P. Putnam's Sons 1949. Watson Ernest W. COLOR AND METHOD IN PAINTING: AS SEEN IN THE WORK OF 12 AMERICAN PAINTERS. New York: Watson-Guptill Publications Inc. 1946. Weisberg Gabriel P. ART NOUVEAU BING: PARIS STYLE 1900. New York: Harry N. Abrams Inc. 1986. Conrad Barnaby (et al). INTERVIEWS WITH MASTER PHOTOGRAPHERS. New York: Paddington Press Ltd. 1977. Signed by author. Conrad Barnaby. JOHN REGISTER. San Francisco: Chronicle Books 1989. Signed by author. Fowler Don D. THE WESTERN PHOTOGRAPHS OF JOHN K. HILLERS. Washington & London: Smithsonian Institution Press 1989. ARCHITECTURAL MONOGRAPHS: JOHN SOANE. London: Academy Editions 1983. Inscribed: For Millei From the author London April 1984. Chaffers William. MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY AND PORCELAIN. California: Borden Publishing Co. 1946. With dustjacket. Giacomotti Jeanne. FRENCH FAIENCE. New York: Universe Books 1963. 1st edition. With dustjacket. Honey William Boyer. EUROPEAN CERAMIC ART FROM THE END OF THE MIDDLE AGES TO ABOUT 1815: A DICTIONARY OF FACTORIES ARTISTS TECHNICAL TERMS ET CETERA. London: Faber and Faber Limited 1952. With dustjacket. Schmidt Robert. EARLY EUROPEAN PORCELAIN AS COLLECTED BY OTTO BLOHM. Munchen: F. Bruckmann 1953. Limited edition 355/1500. With dustjacket. Tilmans Emile. PORCELAINES DE FRANCE. Paris: Editions Mondes 1953. CORONATION EXHIBITION:1953. London: The Antique Porcelain Co. Ltd. 1953. IRO-NABESHIMA: THE COLOURED NABESHIMA CERAMIC WARE. Japan: Heian-Do 1954. Limited edition. With dustjacket. STAATLICHE PORZELLAN-MANUFAKTUR: MEISSEN. Berlin:1978. Pamphlet. Aronson Joseph. THE ENCYCLOPEDIA OF FURNITURE. New York: Crown Publishers 1949. Jarry Madeleine. LE SIEGE EN FRANCE: DU MOYEN AGE A NOS JOURS. Paris: Paul Hartmann 1948. With glycin book cover. Oglesby Catharine. FRENCH PROVINCIAL DECORATIVE ART. New York: Charles Scribner's Sons 1951. With dustjacket. Viaux Jacqueline. FRENCH FURNITURE. New York: G.P. Putnam's Sons 1964. With dustjacket. Watson F. J. B. FURNITURE: TEXT WITH HISTORICAL NOTES AND ILLUSTRATIONS. London: William Clowes and Sons Ltd. 1956. M. HARRIS & SONS CENTENARY BOOK. London: M. Harris & Sons 1968. Limited edition numbered 121. Barton John. THE HOLLOW CROWN: THE FOLLIES FOIBLES AND FACES OF THE KINGS AND QUEENS OF ENGLAND. London: Hamish Hamilton 1971. With dustjacket. Fillitz Hermann. SCHATZKAMMER: THE CROWN JEWELS AND THE ECCLESIASTICAL TREASURE CHAMBER. Vienna Kunsthistorisches Museum 1963. Gudiol Jose. THE ARTS OF SPAIN. New York: Doubleday & Co. 1964. With dustjacket. Neuhardt Johannes. SALZBURGS ALTE SCHATZKAMMER: 11 JUNI BIS 15 SEPTEMBER 1967 IN DEN ORATORIEN DES SALZBURGER DOMES. Salzburger Domkapitel 1967. Steingraber Erich (ed). ROYAL TREASURES. London: Weidenfeld & Nicolson 1968. With dustjacket. Zucker Benjamin. GEMMES ET JOYAUX: MYSTERES PASSIONS MAGIES. Editions Saphir 1988. With dustjacket. LOUIS XIV FASTE ET DECORS: MAI-OCTOBRE 1960. Paris: Musee des Arts Decoratifs 1960. TREASURES OF BRITAIN AND TREASURES OF IRELAND. London: Drive Publications Ltd. 1968. 1st edition. With dustjacket. Together with pamphlet. THE COURT OF JEWELS: AN ASSEMBLY OF FABULOUS GEMS FROM THE WORLD-FAMOUS WINSTON COLLECTION. Ambriere Francis. LES GUIDES BLEUS: ALLEMAGNE REBUBLIQUE FEDERALE BERLIN; AUTRICHE; BOURGOGNE LYONNAIS; ITALIE; PORTUGAL MADERE ACORES; and YOUGOSLAVIE. Paris: Hachette 1962 65 68 70 & 72. (6 vols). Two with slipcases. Ambriere Francis. LES GUIDES BLEUS: HOLLANDE; GRECE; and EGYPTE. Paris: Hachette 1956. (3 vols). With dustjackets. Ambriere Francis. LES GUIDES BLEUS ILLUSTRES: VERSAILLES ET LES TRIANONS and MOSCOU LENINGRAD. Paris: Hachette 1953 & 63. (2 vols). Baedeker K. MIDI DE LA FRANCE; NORD-EST DE LA FRANCE; and SUD-EST DE LA FRANCE. Paris: Leipzig 1892 97 and 99. (3 vols). Champigneulle Bernard. VERSAILLES: LE CHATEAU LES JARDINS LES TRIANONS. Paris: Bordas 1949. Chettle G. H. HAMPTON COURT PALACE. London: Her Majesty's Stationery Office 1969. Clyne Douglas. YOUR GUIDE TO PORTUGAL. London: Alvin Redman 1965. With dustjacket. Delalle Ivo. TROGIR. Trogir: L' Association de Tourisme de la Commume de Trogir 1969. Foder Eugene (ed). FODER'S SCANDINAVIA 1970. London: Hodder and Stoughton 1970. With dustjacket. Gebelin Francois. THE CHATEAUX ON THE LOIRE. Paris: Editions Alpina 1950. Joffet Robert. BAGATELLE: HISTOIRE ET GUIDE. Paris: La Maison Rustique nd. Kininmonth Christopher. THE TRAVELLERS' GUIDE TO SICILY. London: Jonathan Cape 1972. Levron Jacques. ANGERS: SON CHATEAU SES MONUMENTS. Paris: B. Arthaud 1952. Muirhead L. Russell. SHORT GUIDE TO PARIS. London: Ernest Benn Limited 1951. With dustjacket. Pillement Georges. LES HOTELS DU FAUBOURG SAINT-GERMAIN. Paris: Editions Bellenand 1950. Segogne d' Henry De. LES CURIOSITES TOURISTIQUES DE LA FRANCE: SEINE ET OISE (2); EURE ET LOIR; and MANCHE. France: Kleber-Colombes 1952. (4 vols). With dustjackets. Vernes Suzanne. GUERMANTES. Paris: Editions Proba 1949. Author signed. ATLAS HISTORIQUE. Munich: Stock 1968. LES GUIDE LEBEY: DE RESTAURANTS DE PARIS. Paris: A. Leconte 1988. With dustjacket. Together with pamphlet. VERSAILLES. 1950-51. BUTTERFIELD & BUTTERFIELD: THE ESTATE OF MICHAEL TAYLOR: SAN FRANCISCO. 1987. With dustjacket. CHRISTIES INTERNATIONAL MAGAZINE: OCTOBER-NOVEMBER 1988; JANUARY-FEBRUARY 1989; and FEBRUARY-MARCH 1989. (3 vols). CHRISTIES: REVIEW OF THE SEASON: 1972-80 & 1988-89. (11 vols). With dustjackets. CHRISTIES: REVIEW OF THE YEAR: 1970/71. With dustjacket. CHRISTIES: CATALOGUE OF MAGNIFICENT JEWELS: 1969 & 1970. (2 vols). COLLECTION LADY KENT: ET A DIVERS AMATEURS. 1959. COLLECTION LOUIS MANTE. 1956. ETUDE COUTURIER-NICOLAY. 1983. SOTHEBY & CO: THIRY RENAISSANCE JEWELS AND WORKS OF ART FROM THE COLLECTION OF THE LATE ARTURO LOPEZ-WILLSHAW. 1970. With dustjacket. SOTHEBY & CO: THE RENE FRIBOURG COLLECTION (vols III & VII). With dustjackets. SOTHEBYS: PARKE BERNET LOS ANGELES: 1976. SOTHEBYS: THE IVORY HAMMER. (vols I & II). SOTHEBYS: THE JEWELS OF THE DUCHESS OF WINDSOR. 1987. With dustjacket. SOTHEBYS: THE PATINO COLLECTION. 1986. With dustjacket. THE BURLINGTON HOUSE FAIR. 1982. THE CONNOISSEUR YEAR BOOK: 1956. With dustjacket. THE GROSVENOR HOUSE ANTIQUES FAIR. 1984. VENTE DES FLORALIES. 1966. (97pcs) Provenance: From the literary collection of a titled French lady. 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GRANT FEATHERSTON (1922-1995) A RELAXTION CHAIR DESIGNED 1949 Melbourne c.1949 laminated wood fabric Literature: Terence Lane Featherston Chairs National Gallery of Victoria 1988 p.16
7 vols. Modern First Editions - American Women Authors: O'Connor, Flannery. A Good Man is Hard to Find. New York: Harcourt, Brace, (1955). 1st ed., 2nd issue. 12mo, orig. cloth; light wear, d/j (some chipping to edges - minor loss of lettering). Discoloration to endpapers, minor staining to fore-edge. VG-. Farmer A2.I.a.[2]. * Stein, Gertrude. The Autobiography of Alice B. Toklas. London: John Lane, (1933). 1st English ed. 8vo, orig. cloth; light edge wear, d/j (some edge wear, spine panel darkened). Plates. Some internal foxing. VG-/VG+. Wilson A20e. * _ _. Everybody's Autobiography. New York: Random House, (1937). 1st ptg. 8vo, orig. cloth, silver spine label; light wear. Plates. Some darkening to endpapers. Wilson A28a. * _ _. Lucy Church Amiably. New York: Something Else Press, 1969. 1st Am. ed. 8vo, orig. bds., d/j (price clipped). Wilson A14b. * Welty, Eudora. Delta Wedding. New York: Harcourt, Brace, (1946). 1st ed., 2nd ptg. 12mo, orig. cloth; light wear, d/j (head & foot of spine panel chipped, spotting to back panel). VG-. Park A5:1.2. * _ _. The Golden Apples. New York: Harcourt, Brace, (1949). 1st ed. 8vo, orig. bds.; some edge wear, d/j (some chipping at top of spine & front panel, very slightly dusty). Former owner's ink signature on front free endpaper recto. VG-. P. A7:1. * _ _. The Ponder Heart. London: H. Hamilton, (1954). 8vo, orig. cloth; light wear, d/j (price clipped). Some discoloration to endpapers.
18 pieces. Movie Posters. (Western Series & C.): "Law of The Panhandle." Monogram, 1950. Johnny Mack Brown.* "Colorado Ambush." Monogram, 1951. J.M.B. * "Man from Sonora." Monogram, 1951. J.M.B. * "Texas Lawmen." Monogram, 1951. J.M.B. * "Riders of The Deadline." United Artists, 1943. Hopalong Cassidy, Robert Mitchum's last B Western. * "Hoppy's Holiday." United Artists, 1947. * "Hopalong Rides Again." Screen Guild, n.d. * "The Homesteaders." Allied Artists, 1953. Wild Bill Elliott. * "Lone Texas Ranger." Republic, n.d. W.B.E. * "Western Mail." Monogram, n.d. Tome Keene. * "Frontier Investigator." Republic, 1949. Alan Rocky Lane. * "Vigilante Hideout." Republic, 1950. A.R.L. * "Leadville Gunslinger." Republic, 1952. A.R.L. * "Riders of The Northland." Columbia, 1942. Re-release? Charles Starrett. * "Texas Buddies." World Wide, n.d. Bob Steal. * "Michigan Kid." Universal, 1946. * "The Lone Ranger." Warner Bros., 1956. * "Heritage of The Desert. " Paramount, 1939. Re-release. Zane Grey. All color litho insert format, 36 x 14 inches (915 x 355 mm). Many with repairs to verso, some edge wear & dust soiling,margin of "Frontier Investigator" rather chipped. Conditions C-/B+, most B.
^ Roger Dellar, R.I. (b. 1949)
Thompson's Lane, Cambridge
Signed
Oil on board
39 x 28.5cm x 15 x 11in
Provenance:
The Wykeham Gallery No. 2230
Good condition
Lunt sterling flatware service circa 1949
Memory Lane pattern, consisting of:
12 French blade hollow handle knives, L8 3/4"
11 hollow handle butter spreaders, L6"
12 forks, L7 1/8"
12 forks, L6 1/2"
12 round soup spoons, L6 1/4"
12 teaspoons, L5 5/8"
1 tablespoon, L8 1/4"
total 60.2 weighable oz
(72pcs)
Provenance: Columbia, South Carolina private collection.
21 vols.Literature, including Modern First Editions: Stevenson, Robert Louis. Aes Triplex. [New York]: Stevenson Memorial, 1898. 1/160 printed by the De Vinne Press. 8vo, orig. gilt-lettered wrappers. Frontis. Slipcase. Near Fine. * Conrad, Joseph; Hueffer, Ford M. The Inheritors. London: W. Heinemann, 1901. 1st ed. 8vo, orig. pictorial yellow & black cloth; some edge wear, moderately dusty. 32 pp. pub. cat. at back. Custom 1/2 morocco & cloth slipcase. 1st issue, without dedication leaf, to edge untrimmed, pub. device on spine with initials. Smith 6. * Strindberg, August. Plays. Boston: J.W. Luce, 1912. 1st Am. ed. 12mo, orig. blue cloth, gilt; light to moderate wear. Frontis. portrait. Includes Countess Julie. * Nicolson, Harold. Swinburne. London: Macmillan, 1926. 1st ed. 8vo, orig. burgundy cloth, gilt-lettered spine, top edge stained red, other edges untrimmed; minor wear, d/j (head of spine chipped. * Lawrence, D.H. David. London: M. Secker, (1926). 1/500. 8vo, orig. yellow-orange cloth; slightly dusty. Roberts A-34. * De La Mare, Walter. Lewis Carroll. London: Faber & Faber, (1932). 1st ed. 8vo, orig. brown cloth, d/j (some edge wear, small cellotape repairs to verso, foot of spine chipped). * Eliot, T.S. The Rock. New York, (1934). 1st Am. ed. 12mo, orig. cloth; moderate wear. Gallup A26b. * Stein, Gertrude. Four Saints in Three Acts. New York: Random House, 1934. 1st ed. 8vo, orig. black cloth; light wear, d/j (chipped at spine panel ends & along the top of front & back panels). Wilson A21a. * _ _. Brewsie and Willie. New York: Random House, (1946). 1st ptg. 12mo, orig. cloth; some minor dust soiling. W. A39a.* Lewis, Wyndham. The Letters of... Norfolk: New Directions, (1963). 1st ed. Thick 8vo, orig. salmon-pink cloth; light wear, d/j (some wear, light chipping to edges). Color frontis. portrait (self-portrait). * Lane, Selma G. The Art of Maurice Sendak. New York: Abrams, (1980). First edition. 4to, orig. color pictorial cloth, white-lettered glassine d/j. Color plates (incl. fold. & mechanical), other illus. Near Fine-.* Isherwood, Christopher. Lions & Shadows. London: Hogarth Press, 1938. 1st ed. 8vo, orig. blue cloth, black-lettered spine; light wear, d/j (head of spine panel chipped - with loss of "L" from "Lions", other minor edge wear). * Frontis. 1st bdg. state. VG+. Woolmer 431 * _ _. The Condor and The Cows. London: Methuen, (1949). 1st ed. Lg. 8vo, orig. pink cloth; slightly dusty, d/j (chipping along edges - small losses to a few letters). Photo plates by William Caskey. VG/VG+. * _ _. Prater Violet. New York: Random House, (1945). 1st ptg. 12mo, orig. grey cloth; light edge wear, d/j (minor chipping to edges). VG+. * _ _. Down There on A Visit. Simon and Schuster, 1962. 1st ptg. 8vo, orig. bds., d/j. VG+/NM-. * _ _. The World in The Evening. New York: Random House, (1954). 1st ptg. 8vo, orig. cloth, d/j (minor chipping to edges). Discoloration from newspaper clippings on endpapers. * Spender, Stephen. Ruins and Visions: Poems... New York: Random House, (1942). 1st ptg. 8vo, orig. reed cloth; light wear, d/j (some wear & minor chipping to edges, price clipped). * _ _. World Within World. New York: Harcourt, Brace, (1951). 1st Am. ed. 8vo, orig. grey cloth; light wear, d/j (minor edge wear). Discoloration from newspaper clippings to endpapers. VG+. * Day-Lewis, C(ecil). World Over All. London: J. Cape, (1943). 1st ed. 8vo, orig. tan cloth; moderate wear & dust soiling, d/j (edge wear, some spotting). VG-. * _ _ Collected Poems, 1929-1936. London: Hogarth Press, 1948. 8vo, orig. blue cloth, gilt; extremities slightly sunned, d/j (some chipping & minor fading). 1st ed. thus. VG. * Heaney, Seamus. The Cure at Troy: A Version of Sophocles' Philoctetes. New York: Farrar, Strauss and Giroux, (1991). 1st Am. ed. 12mo, orig. cloth, d/j (some spotting).
Augusta Denk Oelschig (Petressen) (American/Georgia 1918-2000) "Four Sombreros" c. 1947 oil on canvas signed lower right Charleston Renaissance Gallery label en verso 14 in. x 18 in. framed. Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Note: Savannah-born artist Augusta Oelschig studied under Lamar Dodd at the University of Georgia in the late 1930s. She returned to Savannah which was bustling not only with artists but also with a successful group of female painters including Hattie Saussy Emma Cheeves Wilkins and Mary Comer Lane. Oelschig's career flourished and in 1947 she married James Petressen whose name she used until their divorce in the early 1960s. The couple visited Mexico City for most of 1947. It was during this time that she most likely painted Four Sombreros employing the same empathetic eye she used to depict the residents of Savannah. Upon their return to the US the couple settled in New York where Oelschig was represented by several important galleries. She returned to Savannah after her divorce and lived there until her death in 2000.
JOHN ROBERT DICKSEE (1817-1905)Showing an English country lane etching signed in pencil in the margin 17" x 15" along with 2 portrait studies of ladies each 24" x 18 1/2" and Michael Chase (1915-2001) watercolour study of a lumber yard signed and dated 1949 10" x 14" (4)
Francis Dodd (1874-1949), Kennington Lane, watercolour over pencil, inscribed on label verso, 22cm x 31cm. DDS
THOMAS WILLOUGHBY NASON (AMERICAN, 1889-1971) COUNTRY LANE along with TWO WOOD ENGRAVINGS Watercolor on paper: 8 1/8 X 14 in. Framed; lower right signed: T. Nason; "An American Home;" wood engraving: 8 x 10 in.; lower left initialed in plate: TWN; lower right signed in graphite; T. W. Nason; "Barnyard,' wood engraving: 8 1/4 x 12 1/2 in.; lower left ed. 50; lower right signed and dated: W. Nason 1949(3)
Collection of Modern Literature Mailer, Norman. The naked and the dead. London: Allan Wingate, 1949. First British edition, 8vo., publisher's cloth, dust wrapper, repairs to head and tail of wrapper, lower inner joint splitting: The deer park. London: Allan Wingate, 1957. First British edition, 8vo., publisher's cloth, dust wrapper, priced clipped; An American dream. London: Andrew Deutsch, 1965. First British edition, 8vo, publisher's cloth, dust wrappers, price clipped, inscription on front free endpaper; Advertisements for myself. London: Andrew Deutsch, 1961. First British edition, 8vo., publisher's cloth, dust wrapper; Cannibals and Christians. London: Andrew Deutsch, 1967. First British edition, 8vo., publisher's cloth, dust wrapper; Hughes, Richard. The fox in the attic. London: Chatto & Windus, 1961. First edition, 8vo., publisher's cloth, dust wrapper; White, Patrick. Voss. London: Eyre & Spottiswoode, 1957. First edition, 8vo., publisher's cloth, dust wrapper; Greene, Graham. May we borrow your husband? London: The Bodley Head, 1967. First edition, 8vo., publisher's cloth, dust wrapper; Koestler, Arthur. The Yogi and the commissar and other essays. London: Cape, 1945. First edition, 8vo., publisher's cloth, dust wrapper, price clipped; Spark, Muriel. The Abbess of Crewe. London; Macmillan, 1974. First edition, 8vo., publisher's cloth, dust wrapper; Adams, Richard. The plague dogs. London: Allen Lane in conjunction with Rex Collings, 1977. First edition, 8vo., publisher's cloth, dust wrapper; and 44 others (53) Estimate £ 200-300 + fees. Sold for £1,375 (buyer's premium included)
Major General Edmund Pendleton Gaines Archive, Namesake of Gainesville, Florida!: Autographs. General Edmund Pendleton Gaines (1777-1849) Archive Known as the Historic Namesake of Gainesville, Florida. (EDMUND PENDLETON GAINES) (1777-1849). career United States Army officer of nearly fifty years, attaining the rank of Major General; one of the Army's Senior Commanders during its formative years early to mid-1800s; a Veteran of the War of 1812, Seminole Wars, Black Hawk War, and Mexican-American War. For his victory at the First Battle of Fort Erie during the War of 1812, Gaines was awarded with the thanks of Congress, a Congressional Gold Medal, and a brevet promotion to Major General. This Archive Collection of Four Items related to Edmund Pendleton Gaines (nothing is signed). The Gaines material was held by notable descendants of President Zachary Taylor, through his daughter Ann Mackall Taylor and her husband Richard Crooke Wood, as Gaines was a contemporary of Taylor's and a companion-in-arms. This Archive includes:. . 1. Hand-Painted Miniature Watercolor Portrait and Lock of Hair attributed to Gaines. Indeed, the "key" item in this lot being a colorful Hand-Painted Miniature Portrait of a young Edmund Pendleton Gaines apparently from life, dressed in his military uniform as a handsome American soldier. This Miniature Portrait is to our best knowledge previously unknown. It came with other pieces related to Edmund Pendleton Gaines who's distinguished career spanning numerous conflicts over 50 years of active service in U. S. Army military. He is also the namesake of Gainesville, Florida. The Portrait itself measures 2" x 2. 5". It is not artist signed or identified, housed in a period gold locket under beveled glass. The opposite side contains a woven locket of authentic dark golden-brown hair, under beveled glass with a painted patriotic deep blue surrounding field together with 13-Stars with gold-gilt with accompanying decorative rays. We estimate the date of its production circa 1805-1812 when Gaines would be in his late 20s to around 30 years of age. There is a vertical broken crack in the painting, a result of natural warping and shrinkage, yet held together and in place by its original backing card and is worthy of conservation. Housed in its original period custom leather covered felt-lined hindged case with brass hook a top for attachment of the bezel Portrait. . 2. The Portrait image does closely resemble the very Portrait of Gaines as depicted on the U. S. Mint Medal presented to Gaines for the Battle of Erie (a modern restrike example of this medal accompanies the lot). . 3. Also included is a 1949 biography of Edmund Pendleton Gaines titled, "Edmund Pendleton Gaines Frontier General" by James W. Silver, 291 pages, Hardcover, Extremely Fine. . 4. A simple wood framed Engraving reprint of an older Edmund Pendleton Gaines inscribed on the verso, "great, great grandmother's brother", soiling and tone. (A modern signed letter of provenance provided by a previous auction's consignor, detailing its long line of ownership provenance, will also accompany the lot. ). . A number of places in the United States were named in Major General Edmund Pendleton Gaines' honor, including: Gainesvilles in Florida, Texas, Georgia, and New York; Gaines Township in Michigan; and Gainesboro in Tennessee. He was also the namesake of Gaines Streets in Tallahassee, Florida, and Davenport, Iowa; and Fort Gaines, a historic fort on Dauphin Island, Alabama. (4 items). Edmund Pendleton Gaines (March 20, 1777 - June 6, 1849) was a career United States Army officer who served for nearly fifty years, and attained the rank of major general. He was one of the Army's senior commanders during its formative years in the early to mid-1800s, and was a veteran of the War of 1812, Seminole Wars, Black Hawk War, and Mexican-American War. . A native of Culpeper County, Virginia, he was named for his great-uncle Edmund Pendleton. Gaines was educated in Virginia and joined the Army as an ensign in 1799. He served for a year before being discharged, but returned to service in 1801 and remained in uniform until his death. In the early years of his military career, Gaines carried out important tasks including construction of a federal post road from Nashville, Tennessee to Natchez, Mississippi. . As commander of Fort Stoddert in 1807, he detained Aaron Burr, and Gaines subsequently testified at Burr's trial for treason. During the War of 1812, Gaines advanced through the ranks to colonel as commander of the 25th Infantry Regiment and he fought with distinction at the Battle of Crysler's Farm. Gaines was promoted to brigadier general during the war, and received a brevet promotion to major general. . The War of 1812 brought Gaines back to military duty and he was appointed major of the 8th Infantry Regiment. In July 1812, became lieutenant colonel in the 24th Infantry Regiment. In 1813, he was promoted to colonel and commanded the 25th Infantry Regiment with distinction at the Battle of Crysler's Farm. He became adjutant of the Army of the Northwest, commanded by General William Henry Harrison, and was with Harrison at the Battle of the Thames. . He was promoted to brigadier general on March 9, 1814 and commanded the post at Fort Erie after the U. S. capture. General Jacob Brown was wounded at the Battle of Lundy's Lane and when the Army of the Niagara returned to the fort, command was passed to Gaines. At the Siege of Fort Erie Gaines was in command on the fortifications on 15 August 1814, when a British assault was bloodily repulsed. . For this victory - the First Battle of Fort Erie - Gaines was awarded the Thanks of Congress, a Congressional Gold Medal, and a brevet promotion to major general. General Gaines was seriously wounded by artillery fire and General Brown, having recovered, returned to command. Gaines' wound ended his active field for the rest of the war, and he was given command of Military District Number 6. . Gaines' post-war service included diplomacy with and military engagements against various tribes of Native Americans, though Gaines later opposed Andrew Jackson's Indian removal policy. One of his infamous post war actions, as a General of the Federal Army, was the destruction of a fort just over the state boundary in then Spanish held Florida. . Filled with escaped slaves, this enclave was a challenge to the authority of the nearby states and slavery itself. It held over 270 people, most, if not all, blacks who had freed themselves by running away. When the fort was taken they were captured and killed (or perhaps executed. See Meacham below). . The 1828 death of Jacob Brown, the Army's senior officer, touched off a bitter feud between Gaines and Winfield Scott over which had seniority and the best claim to succeed to command. The quarrel became public and President John Quincy Adams decided to bypass both Gaines and Scott to offer the post to Alexander Macomb. When Macomb died in 1841, President John Tyler quickly headed off a rekindling of the Gaines-Scott dispute by appointing Scott as the Army's commanding general. Gaines continued to serve as a district, department and division commander, but became increasingly marginalized as Scott gained influence. . At the start of the Mexican-American War, Gaines was stationed in Louisiana and issued a public call throughout the southern and southwestern states for volunteers to join Zachary Taylor's army. He faced a court-martial for recruiting without prior authorization, but successfully defended his actions. Gaines died in New Orleans, Louisiana and was buried at Church Street Graveyard in Mobile, Alabama.
Dennis Lyall (B. 1946) "Flag Day Proclaimed" Oil: Dennis Lyall (American, B. 1946) "Flag Day Proclaimed" Signed lower center. Original Oil painting on Canvas. . . Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. . This painting is the original painting which was published on the Fleetwood Commemorative Cover for Old Glory's Proudest Moments postmarked on the anniversary August 3, 2002. . . The Continental Congress adopted the Stars and Stripes as the official flag of the Republic on June 14, 1777, and determined: "White signifies Purity and Innocence; Red, Hardiness and Valor; Blue signifies Vigilance, Perseverance and Justice. " The U. S. flag as a symbol of democracy and freedom has remained constant since that day, but its design has evolved to keep pace with the Nation's growth. Likewise, the perception of the importance of the flag as a national symbol has taken time to develop. It took a century for an official flag birthday to come to fruition. Flag Day was first observed in 1877 when Congress asked that all public buildings fly the flag on June 14. The idea caught on, and individuals enthusiastically advocated the regular observance of June 14 as "Flag Birthday. " In following years the celebration developed mainly as one involving school children although adults, too, participated. In 1914, U. S. Secretary of Interior Franklin K. Lane delivered a Flag Day address. Inspired by three decades of state and local celebrations, Flag Day was officially proclaimed by President Woodrow Wilson in 1916, but not until 1949 did President Harry Truman sign an Act of Congress designating June 14th as National Flag Day. It took another 17 years for Congress to establish National Flag Week in 1966. On June 14, 2002, Americans everywhere celebrated the 225th birthday of their flag. . . Image Size: 15 x 13 in. . Overall Size: 18. 5 x 16 in. . Unframed. . (B17018) Condition . - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. . - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. . - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. . - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. . - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail. com . - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. . - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. . - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
Grp: Modern and Contemporary Art Books: Large group of reference books, monographs, and catalogs on modern and contemporary art, including works on major movements such as Futurism and Synchromism, and artists including Zao Wou-Ki, Georges Rouault, Pablo Picasso, and Anselm Kiefer, among many others. Additionally includes works on Eastern European and Latin American art during the period, along with several auction catalogs. A full list of titles included is as follows: three catalogs from Arthur Tooth and Sons Limited; William C. Seitz, "Hans Hofmann"; George W. Staempfli invitation to "Mary Bauermeister" exhibition; Frank O'Hara "New Spanish Painting and Scupture"; an issue of "In the Art World" catalog; catalog from San Jose State University "Holly Lane"; catalog of the University Art Museum, University of California "Lindner"; Marlborough New London Gallery catalog "Ben Nicholson: Twelve New Works June 1967"; catalog of Galerie des Granges "Andre Planson: Oeuvres Recentes (1970-1975); Graham W. J. Beal "Wayne Thiebaud Painting"; an issue of the Arts Club of Chicago "Germaine Richier, January 21-February 19, 1966"; Eine Sammlung "Werner Gilles"; catalog from Centro Cultural San Angel "Mauricio Cervantes: El Codigo de lo Intangible"; resume/promotional material of John Black; Max Bill promotional material; Museum of Modern Art catalog "Picasso: 75th Anniversary Exhibition"; catalog from Marlborough Gallery "William Baziotes: Late Work 1946-1962"; catalog from the Italian Festival - San Francisco April-May 1959 "Italy: Three Directions in Painting and Sculpture of Younger Italian Artists"; catalog from Aquavella Galleries "XIX & XX Century Drawings, Watercolors, Pastels, Gouaches, Collages: October 21-November 24, 1982"; catalog from Richard Gray Gallery "Picasso's Picassos: Paintings, Drawings & Sculpture from the Artist's Estate"; catalog from Howard Wise Gallery "Light Ballet"; catalog from Galeria Arte Actual Mexicano "Ricardo Mazal Pinturas"; catalog from Centro Cultural San Angel "Alberto Castro Lenero: La Fragmentacion"; two copies of Frank Gaard's "Terence la Noue"; 2 copies of a catalog from the Arts Club of Chicago, The University Gallery and the Jewish Museum "Pierre Alechinsky"; catalog from the Weintraub Gallery "Henry Moore: Sculpture, Watercolors & Drawings, Graphics, Portfolios"; catalog from Marlborough Gerson Gallery "Arnaldo Pomodoro"; Deborah Wye "Louis Bourgeois"; Allison C. Meier, Kris Kuksi, and Samuel D. Gliner "Colin Christian: Trypophobia"; Time Magazine, "Covers"; a catalog from Staempfli "Minoru Yamasaki: The Architect and his use of Sculpture as an Integral Part of Design"; catalog from the Arts Club of Chicago "Tom Holland"; Peter Selz "15 Polish Painters"; Werner Schmalenbach "The Known and Unknown of Julius Bissier"; "Adrian Berg: Recent Paintings of Gloucester Gate, Regents's Part"; Atherton Curtis and Paul Proute "Adolphe Appian: son Oeuvre Grave et Lithographie"; catalog from Marisa del re Gallery "Diego Giacometti"; Thalia Gouma-Peterson "Miriam Schapiro: A Retrospective, 1953-1980"; Ebria Feinblatt and Bruce Davis "Los Angeles Prints, 1883-1980"; catalog from La Sociedad Mexicana de Arte Moderno "Alberto Castro Lenero: Castillo Interior"; catalog from the University of California, Los Angeles/Cleveland Museum of Art/Minneapolis Institute of Arts/Museum of Fine Arts, Boston/Philips Gallery, Washington D. C. /San Francisco Museum of Art "John Marin Memorial Exhibition"; catalog from Chapellier Gallery "Frank Duveneck 1849-1919"; Edward Kienholz "Volksempfangers Nationalgalerie Berlin"; the Connoisseur, January 1963; publication from Galleria Fiamma Vico Frezzeria San Marco "Gaston Orellana Aldo Bresciani"; Robert Rosenblum "The Sculpture of Picasso"; catalog from the Sidney Janis Gallery "The High-Kitsch of Eilshemius at Janis"; catalog from the Sun Valley Art Auction June 29, 1991; catalog from Galerie van de Loo "Alfred Kremer: Seichnungen"; catalog from the Sidney Janis Gallery "New Paintings Sculpture & Drawings by Jim Dine"; Maurice Tuchman "American Sculpture of the Sixties"; catalog from the Ravinia Festival Art Exhibit 1962; Vittore Frattini "Miklos N. Varga: Frammenti Lirici 2"; Beelden Schilderijen Tekeningen Grafisch Werk "Robert Vander Eycken"; catalog from the Chicago Sculpture International May 10-15 1984"; "Edward Lentsch"; catalog from Minnesota Museum of Art "Kollwitz"; catalog from the Art Institute of Chicago "Anselm Kiefer"; catalog from the Marlborough Gallery "Ettore Colla"; catalog from Manny Silverman Gallery "Edward Dugmore Burning Bright: Paintings 1950-1959"; catalog from Wexner Center of the Arts "Will / Power: New Works by Papo Colo, Jimmie Durham, David Hammons, Hachivi Edgar Heap of Birds, Adrian Piper, Aminah Brenda Lynn Robinson"; catalog from Staempfli "Fritz Koenig"; catalog from Robert Miller gallery "Robert S. Zakanitch"; Jennifer Licht "Eight Contemporary Artists"; catalog from Stephen Roman + Private Art Dealer "Darcilio Lima 1944-1991"; catalog from Musee d'Art Americain Giverny and Terra Museum of American Art, Chicago "Roxy Paine"; catalog from Robert Fraser Gallery "Peter Blake"; catalog from Grand Central Art Galleries "August Mosca: A Fifty Year Retrospective"; catalog from Marlborough Gallery "Larry Rivers 1970-1973"; catalog from Marlborough Gallery "Isaac Witkin"; Martin Friedman "Adolph Gottlieb"; catalog from Marisa del re Gallery "Baj Fontana Manzoni"; catalog from Howard Wise Gallery "Otto Piene: Elements"; catalog from Lefebre Gallery "Corneille"; catalog from FineArts Printing Services "Johnmarc Edwards"; "Tongabezi: Victoria Falls, Zambia"; 1998 Pew Fellowships in the Arts catalog; catalog from BlumHelman gallery "David True--Recent Paintings"; catalog from Marlborough-Gerson Gallery "R. B. Kitaj"; 5 issues of Art in America magazine; William Firebrace "Things Worth Seeing: A Guide to the City of W"; catalog from Curt Valentin Gallery "Lehmbruck and his Contemporaries"; "Karl Hartung"; Katrina Daschner "Killing the Systems Softly"; 8 Walker catalogs; a catalog from Kunstmuseum Luzern; catalog from Felix Landau Gallery "Harry Kramer: Sculptures, Objects and Films"; Rita Caurio "Artexile No Brasil: Viagem pelo Mundo da Tapecaria"; Francisco Goya and Philip Hofer "The Disparates or, The Proverbios"; a catalog from The Art Gallery at Kennesaw State College "Cameroon Art: Selections from the Collection of William Arnett"; 2 issues of Art in America journal; Albert E. Elsen "Modern European Sculpture 1918-1945: Unknown Beings and Other Realities"; a catalog from the Art Institute of Chicago "A Century of Progress : Exhibition of Paintings and Sculpture, June 1 to November 1 1933"; an issue of Directions in Contemporary Painting and Sculpture from the Art Institute of Chicago publication; Alan G. Wilkinson "The Drawings of Henry Moore"; a catalog of Marlborough Gallery "Grisha Bruskin"; three publications by the Museum of Modern Art; one issue of Paris/New York Arts Yearbook 3"; five issues of Arts International journal; four issues of Art International: The Lugano Review journal; publication/catalog from the Dr. Martyna Miskinis Collection; four issues of the Journal of Decorative and Propaganda Arts; catalog of the National Gallery of Jamaica and the Smithsonian Institution exhibition "Jamaican Art: 1922-1982"; a catalog from the Museu de Art Moderna's VII Bienal "Estados Unidos da America" 1963; Gail Levin "Synchromism and American Color Abstraction 1910-1925"; a catalog from Gebr. Douwes Fine Art "Russian Paintings"; catalog from National Collection of Fine Arts "Sao Paulo 9"; two issues of "Alan D'Arcangelo" from Marlborough Gallery; a catalog from Associated American Artists "Lyonel Feininger: Ships and Seas"; Frances Carey and Antony Griffiths "From Manet Toulouse-Lautrec: French Lithographs 1860-1900, catalog of an Exhibition at the Department of Prints and Drawings in the British Museum, 1978"; catalog from Walker Art Center "Tyler Graphics: The Extended Image"; a catalog from Hauswedell & Nolte Auction House; Handzeichnungen, "Documenta III, " two copies; Ken Friedman "Fluxus Virus: 1962-1992"; Ann Temkin "Alice Neel"; catalog from Knoedler Contemporary Art "David Smith"; Andre Maisonneuve "Ger Lataster"; catalog from the Edinburgh Festival 1955 "Paul Gauguin: Paintings, Sculpture and Engravings"; catalog from Richard Gray Gallery "Jennifer Bartlett"; catalog from Felix Landau Gallery "First West Coast Exhibition Kinetic Sculpture and Cinematisations by Pol Bury"; Earl S. Braggs "Hat Dancer Blue"; catalog from Lefebre Gallery "Julius Bissier"; "Italian Art: Monographs on Artists" catalog 115; catalog from Dayton's Gallery 12 "Calder"; Andrew Carnduff Ritchie "The New Decade: 22 European Painters and Sculptures"; Frederick A. Sweet "Sargent, Whistler and Mary Cassatt"; catalog from Pamela Auchincloss Gallery "Charles Arnoldi: Recent Monotypes from the Garner Tullis Workshop"; an issue of The Arts Club of Chicago journal May 6 through June 26, 1985; catalog from Bowdoin College Museum of Art "Leonard Baskin"; catalog from Dayton's Gallery 12 and Dwan Gallery "Charles Ross: Prisms"; Walker Arts Center publication "Nicholas Krushenick"; an issue of Sport Equestri journal "La Vita di Caprilli"; three catalogs from Marlborough Gallery; Jean Leymarie "Zao Wou-Ki"; Janis Conner and Joel Rosenkranz "Rediscoveries in American Sculpture: Studio Works 1893-1939"; catalog from Stedelijk Museum Amsterdam "Anselm Kiefer: Bilter 1986-1980"; Paul Maenz & Gerd de Vries "Anselm Kiefer"; Henrik Cornell "Carl Milles and the Milles Gardens"; catalog from Comune di Milano "Giorgio de Chirico; Jenny Lion "Magnetic North"; catalog from Wexner Center for the Arts "Maya Lin: Public/Private"; Walker Art Center "6 Artists 6 Exhibitions"; Howard Wise Gallery "Lights of Silver by Mack"; catalog from Stadische Kunsthalle Dusseldorf, ARC/Musee d'Art Moderne de la Ville de Paris, The Israel Museum "Anselm Kiefer"; catalog from Marian Goodman Gallery "Anselm Kiefer"; catalog from Walker Art Center "New Art of Argentina"; Museum of Modern Art "Georgio de Chirico"; Kasmin Limited "John Howlin Recent Paintings"; Marlborough-Gerson "Four London Artists: Gordon House, Colin Lanceley, Richard Lin and Joe Tilson"; Marlborough Prints Price List; catalog from the Arts Club of Chicago and University of Minnesota Gallery "Alan Davie"; Marlborough Gallery "Colin Lanceley"; catalog from the Junior Council of the Museum of Modern Art "Recent Painting USA: The Figure"; Martin Friedman, Graham W. J. Beal, Lisa Lyons "Drawings by Lesak and Rainer"; promotional material from Borgenicht Gallery; catalog from Katonah Museum of Art "Dorothy Dehner: Sixty Years of Art"; two promotional pamphlets from Staempfli; Elizabeth Armstrong and Sheila McGuire "First Impressions: Early Prints by Forty-Six Contemporary Artists"; catalog from Hapsburg, Feldman Fine Art Auctioneers "Soviet Contemporary Art: The Property of the Kniga Collection, Paris"; Vavara Rodchenko and Aleksandr Lavrentiev "The Rodchenko Family Workshop"; Walker Art Center catalog "Richard Sussman"; catalog from Charles Cowles Gallery "Tom Holland"; catalog for the VII Bienal in Sao Paulo, Brazil "10 American Sculptors: Agostini, Chryssa, Decker, Kipp, Mallary, Schmidt, Segal, Sugarman, Weinrib, Wines"; Barbara J. Bloemink "The Art of Esteban Lisa"; Marlborough Gallery catalog "Contemporary Spanish Realists"; Robert C. Morgan "All the Lost Souls: Lu Zhang's Mirror of Identity"; promotional material for Lefebre Gallery; Walker Art Center "Michelangelo Pistoletto: A Reflected World"; Pierre Alechinsky "Three Pillories: A Key to an Image"; five catalogs from Dre Devens Dutch Constructivist; catalog from the Museum of Modern Art, Minneapolis Institute of Arts, San Francisco Museum of Art and the Art Gallery of Toronto "Les Fauves"; catalog from the Minneapolis Institute of Arts "Modern Illustrated Books from the Collection of Louis E. Stern"; Sylvan Cole, Jr and Robert Doty "Will Barnet: Etchings, Lithographs, Woodcuts, Serigraphs 1932-1972 catalog raisonne"; Edith Hoffmann "Kokoschka Life and Work"; Elac Lyon "Mattiacci, Mochetti, Nannucci"; Wladimiro Settimelli and Filippo Zevi "Gli Alinari: Fotografi a Firenze 1852-1920"; William C. Seitz "Mark Tobey"; Kunstforum International "Zwischenbilanz II Neue Deutsche Malerei"; Henry Geldzahler "New York Painting and Sculpture: 1940-1970"; Virginia M. Mecklenburg "The Patricia and Phillip Frost Collection: American Abstraction 1930-1945"; Gert von Osten "Plastik seit 1800 in Deutschland, Osterrich und der Schweiz"; Steven Heller and Louise Fili "Dutch Moderne: Graphic Design from Destijl to Deco"; one Christie's catalog; Joshua C. Taylor "Futurism"; Sotheby's catalog, "The Eye of a Collector: Works from the Collection of Stanley J. Seeger"; journal from the University of Minnesota "Germany in the Twenties: The Artist as a Social Critic"; Bruckmann Munchen "Marino Marini"; Verlag Torsten Brohan "Hans Moller"; Henri Baruk, Andre Neher and Leon Askenazi "Le Livre de Ruth"; catalog from Istituto di Cultura di Palazzo Grassi "La Pittura Metafisica"; catalog from Galerie van de Loo Munchen "Maurice Wuckaert"; Marlborough Gallery "Avigdor Arikha Ink Drawings 1965-1972"; catalog from Weinstein Gallery "Fifteenth Anniversary"; two copies of Malcolm C. Salaman "Fine Prints of the Year: An Annual Review of Contemporary Etchings and Engraving"; catalog from the Pushkin Museum, Moscow "Impressionist and Post-Impressionist Paintings from the U. S. S. R. "; catalog from the Far Gallery "Leonard Baskin: The Graphic Work, 1950-1970"; catalog from Editions Limited Gallery "Jurgen Peters"; Martin Friedman and Graham W. J. Beal "George Segal: Sculptures"; Judith Zilczer "'The Noble Buyer: John Quinn Patron of the Avant-Garde"; Luis R. Cancel, Jacinto Quirarte, Marimar Benitez, Nelly Perazzo, Lowery S. Sims, Eva Cockcroft, Felix Angel, and Carla Stellweg "The Latin American Spirit: Art and Artists in the United States, 1920-1970"; catalog from the United Book Guild "Aubrey Beardsley Drawings"; Peter Selz "Emil Nolde"; Kunsthaus Richterswil "Ardyn Halter"; Jean Dubuffet "Dubuffet: 1962-66"; John Richardson "Georges Braque 1882-1963: An American Tribute"; Walker Art Center catalog "Scale and Environment: 10 Sculptors"; Pace Gallery Publications "Dubuffet"; William H. Wilson "Raoul Dufy: A Retrospective"; Publication from R. S. Johnson International, Chicago "Pablo Picasso (1881-1973): Master of Graphic Art"; Martin H. Bush and Kenworth Moffett "Goodnough"; David Eugene Smith "Mathematics and Poetry"; catalog from Galerie van de Loo Munchen "Dimitri Hadzi"; Stephanie Barron "German Expressionist Sculpture"; an issue of "Avant-Garde" magazine; Carl de Keyzer "Homo Sovieticus"; catalog from the Tel Aviv Museum of Art "Yigal Ozeri 1994-1997"; Demetrio Paparoni "Stefano Peroli"; two issues of Design Quarterly journal; Robert P. Metzger "Reuben Nakian: Centennial Retrospective 1897-1986"; Schule von Pistoia "Barni Buscioni Ruffi"; publication from Hundert Tage fur Salzburg "Mimmo Paladino"; Minnesota Museum of Art publication "Clara"; James David Draper and Guilhem Scherf "Augustin Pajou: Royal Sculptor 1730-1809"; Albert Scaglione "Laszlo Dus"; Germano Celant "Mario Merz"; catalog from Tubingen-Hamburg-Zurich "Joseph Beus Olfarben 1949-1967"; two copies of Ronald Paulson "Hogarth's Graphic Works: First Complete Edition"; Pierre Courthion "Rouault"; Leon Bellefleur postcards "12 Dessins - Drawings"; "Byelorussian Glassmaker's Art"; catalog from G. di San Lazzaro. SKU: 04011 Follow us on Instagram: @revereauctions Condition Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions. com with any condition questions.
George Willis-Pryce (British 1866-1949)/Derbyshire Lane/signed/oil on canvas, 19cm x 29cm