A few examples of appraisal values for
LAST HOUR

• THE DESPERATE HOURS.The Desperate
  THE DESPERATE HOURS.The Desperate Hours. Paramount, 1955. Insert (36 x 14"). Film noir starring Humphrey Bogart and Frederic March, directed by William Wyler. An unrestored, clean example, with lightly softened and creased corners, scattered closed marginal tears, faint scuffs and soiling. B+.
• Last One In by Orville Bulman
  Last One In by Orville Bulman Orville Bulman (American 1904-1978). Oil on canvas signed l.l. titled and dated 1976 on verso; 16 x 13.5 in. (sight)
• Bill Freeman (American b. 1927)
  Bill Freeman (American b. 1927) "Last Light". Oil on canvas signed in the lower left corner framed in a wide driftwood finish frame overall 33" x 38-1/4". Titled on the stretcher bar.
• Ernest G Griset/The Last
  Ernest G Griset/The Last Milestone/signed and dated 1884/oil on canvas, 54cm x 44cm
• Jim Morgan (American, b. 1947) Last
  Jim Morgan (American, b. 1947) Last Look, 2002 oil on board signed Jim Morgan (lower left); signed (verso) 9 x 14 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• ANITA BUCHERER-GODEFFROY
  ANITA BUCHERER-GODEFFROY (GERMAN/FRENCH B. 1902), THE HOURS BEFORE MIDNIGHT, MIXED MEDIA ON PAPER, FRAMED, 15-3/4 X 17 INCHESAnita Bucherer-Godeffroy (German/French b. 1902), The Hours Before Midnight, Mixed Media on paper, Framed, 15-3/4 x 17 inches
• 20TH-21ST CENTURY ROMANTIC
  20TH-21ST CENTURY ROMANTIC SCHOOL, STUDY OF THE LAST DAY OF POMPEII, OIL ON CANVAS, FRAME: 25 1/2 X 37 1/2 IN. (64.77 X 95.25 CM.)20th-21st Century Romantic School, Study of The Last Day of Pompeii, Oil on Canvas,, Dimensions: Frame: 25 1/2 x 37 1/2 in. (64.77 x 95.25 cm.)
• Box Brass Hourglass & Basket
  Box Brass Hourglass & Basket
• AFTER HANS CHRISTIANSEN (GERMAN,
  AFTER HANS CHRISTIANSEN (GERMAN, 1866-1945). "L'HEURE DU BERGER" (HOUR OF THE SHEPHERD), 1898, LITHOGRAPH, FROM L'ESTAMPE MODERNE, FRAME: 21 1/2 X 17 1/2 IN. (54.6 X 44.5 CM.)After Hans Christiansen (German, 1866-1945). "L'heure du Berger" (Hour of the Shepherd), 1898, Lithograph, from L'Estampe Moderne,, Signed in plate and blind stamped l.r., Dimensions: Frame: 21 1/2 x 17 1/2 in. (54.6 x 44.5 cm.)
• John Seerey-Lester Giclee on Canvas
  John Seerey-Lester Giclee on Canvas ''Final Moments-Night Vision'' #8 of 180 black panther image area 30'' x 48''.
• MICHAL ZABOROWSKI (B.1960)
  MICHAL ZABOROWSKI (B.1960) RELIGIOUS PAINTINGFramed oil on canvas painting, "Last Message Before Vespers," signed lower right M. Zaborowski (Michal Zaborowski, Polish, b.1960), sight: approx 58"h, 46"w, overall: approx 60.5"h, 48.5"w
• Box 2pc Hourglass
  Box 2pc Hourglass
• 1883 Dodson's Coaching Incident's
  1883 Dodson's Coaching Incident's Engraving ''The Last Chance In'' image area 30'' x 18''.
• AFTER VIRGILIO MATTONI O/B
  AFTER VIRGILIO MATTONI O/B PAINTING, "LAST DAYS OF FERD...After Virgilio Mattoni (Spain, 1842-1923) oil on panel painting titled "Les derniers jours de Ferdinand III le Saint," (The Last Days of Ferdinand III, also called The Saint, originally painted by Mattoni in 1887). Housed in a giltwood frame with leaf-carved corner ornaments. Sight- 8" x 5". Frame - 15" x 11". Early 20th century. Condition: Small area of craquelure lower right corner of painting and some light wear to frame, otherwise very good condition.
• JOHN BRETT R.A. (BRITISH 1831-1902)
  JOHN BRETT R.A. (BRITISH 1831-1902) THE PARTING HOUR Dated 20th July 1893, oil on canvas37cm x 76cm (14.5in x 30in)Provenance: Brett Studio Sale, Christie's 15 Feb 1902 (107);Bought by Earle 26 guineas;Frost & Reed, London;Neales of Nottingham Dec 2005 (713);Abbott & Holder Ltd, LondonLiterature: Christina Payne, John Brett. Yale UP 2010. Cat 1407 ill p.238Note: This work, unusually for the artist, seems to portray a purely imaginary subject. It formed the model for a larger version, measuring 42" x 84", with the same title (currently unlocated). This was exhibited at the Royal Academy in 1894 with the following explanatory note:"They had habitually lain in wait to throw stones at him, but when he set out to quit their inhospitable shore they were sorry."
• Mark Kremer (Russian b. 1928)
  Mark Kremer (Russian b. 1928) "Towards Evening". Oil on board initialed in the lower right corner inscribed verso in Cyrillic framed in a wide gilt frame overall 15" x 15-1/2".
• CLAY HALFMAN (AMERICAN 20TH
  CLAY HALFMAN (AMERICAN 20TH CENTURY), LAST CALL, SERIGRAPH, NUMBERED 106/200, FRAME: 24-1/4 X 18-1/4 INClay Halfman (American 20th Century), Last Call, Serigraph, numbered 106/200, Frame: 24-1/4 x 18-1/4 in
• HOWARD FINSTER "THE WORK OF THE
  HOWARD FINSTER "THE WORK OF THE LAST DAYS". Georgia/Alabama (1916-2001). Enamel on metal disc dated 1979. Wear and loss. 22" dia.
• Michael Trovato
  Michael Trovato (American/Contemporary) "End of Day", oil on canvas, 12-1/2" x 22-1/2", signed lower right "Trovato". Presented in a carved giltwood frame.
• Prang Print ''There's Nothing
  Prang Print ''There's Nothing More Preciousthan Time'' Old English excellent image area 10'' x 17''.
• After Joseph Michel Pollet (French,
  After Joseph Michel Pollet (French, 1814-1870). "Une heure de la nuit," patinated bronze figure of a Classical female nude, 19th century, signed in cast "Pollet," 13 3/4 in. H., 6 1/2 in. L.
• Jurgen Gorg (German b. 1951)
  Jurgen Gorg (German b. 1951) Abendstunde oil on canvas signed J. Gorg (lower right) 39 x 39 inches.
• After William Mulready/The Last
  After William Mulready/The Last In/oil on canvas, 40cm x 50cm/Note: a copy of the painting in the Tate Gallery/Provenance: Dreweatt Neate, 20 May 2003, Lot 258?
• Zebrawood 8-Hour Floor Standing
  Zebrawood 8-Hour Floor Standing Hourglass, artist made including gray plaster molded hands of the artist, affixed to stand appearing to hold hourglass, a brass pin at side releases the hourglass to be turned, and affixed back in place, 36"H x 13 1/2"W
• Joseph C. Claghorn American
  Joseph C. Claghorn American 1869-1947 ''The Last of the Haying'' watercolor on paper signed ''J.C. Claghorn'' lr 19 1/2 x 33 in. framed Estimate $ 400-600 Paintings have not been examined by blacklight.
• John Gifford (manner of) (British
  John Gifford (manner of) (British d. 1900) THE END OF THE DAY oil on canvas framed signed: lower left illegibly H27'' W36'' Provenance: Atlanta Georgia private collection. Christie's-South Kennsington 30 November 2000 sale 8959 Canvas has been relined UV light examination reveals 2''x2'' L-shaped repair in upper-left sky area and few other specks throughout some light aligatoring and craquelure small abrasions at lower edge probably from rubbing against frame.
• Maxfield Parrish Print ''At Close
  Maxfield Parrish Print ''At Close of Day'' 1956 complete calendar mint.
• WOODY CRUMBO, LAST SUNSETWoody
  WOODY CRUMBO, LAST SUNSETWoody Crumbo, (Potawatomi/Chilocco, 1912 - 1989) Last Sunset, gouache on paper signed in plate lower right: Crumbo gouache on paper Dimensions: 12 1/2 x 16 1/2 in. (31.75 x 41.91 cm.), Frame: 18 x 21 3/4 x 1 in. (45.72 x 55.25 x 2.54 cm.) Provenance: Private Collection, United Kingdom
• LAST UNITED STATES SILVER COINAGE
  LAST UNITED STATES SILVER COINAGE CLOCKLast United States Silver Coinage Clock,
• Karl Muller (German 1865-1942)
  Karl Muller (German 1865-1942) Day's Endoil on artist's board signed lower left a fisherman relaxes with a drink and a pipe presented in a later wooden fame.Muller specialized in genre paintings.SS 12 x 16.5 in.; DOA 15 x 19.5 in.Some minor scuffs to the surfaces.
• Group of three Victorian
  Group of three Victorian porcelain fairings (fair prizes); "The Last in Bed to Put Out the Light": chipped candlestick, small chips on two corners, light age wear at base; "Returning at One O'clock in the Morning": chipped foot, flaked on back base rim; "Three O'clock in the Morning": light age wear on base; largest L 2" W 3 1/2" H 3 1/4" (Approx.)
• Three beaded evening bags.
  Three beaded evening bags.
• Jean Coval Garro (American,
  Jean Coval Garro (American, b.1922), "After Hours", summer landscape at dusk; oil on canvas; 15 1/2" x 19 1/2"; signed lower right. Jean Garro, lifelong Indiana resident, studied with Elmer Taflinger, Lois Sinnett, Francis Brown, and others. The prize winning artist has exhibited at numerous shows and salons. Her works hang in a number of prominent private and corporate collections.
• After Jam
  After Jam
• WINSLOW HOMER (AMERICAN, 1836-1910)
  WINSLOW HOMER (AMERICAN, 1836-1910) THE LAST DAYS OF HARVEST ALONG WITH WATCHING THE CROWS LITHOGRAPH: 7 X 8 1/4 IN. (SIGHT)Framed; lower right inscribed '77. The Last Days of Harvest / Harper's Weekly, December 6, 1873. (Cat. 82)'; WATCHING THE CROWS: 6 3/4 x 4 1/4 in. (sight), framed; lower right inscribed '35. Watching the Crows / Our Young Folks, June 1868 (Cat. 53)' (2) Lithograph: 7 x 8 1/4 in. (sight) Provenance: Estate of Ronald Sperling
• After Jul
  After Jul