A few examples of appraisal values for
LE BLANK

• LE BLANT, Julien, (French,
  LE BLANT, Julien, (French, 1851-1936): ''Highway Robbery'', 58'' x 87'', signed lower right, exhibited in Paris at the Pottier Gallery, period gilded gesso frame, 78'' x 105''. Originally titled ''Le Courrier des Bleus'' (''Couriers of the Blues''). Provenance: Purchased at Sotheby's from the Malcolm-Forbes Collection in October 1993, Lot #133. CONDITION: Frame has wear and loss.
• Martin Blank (American, b. 1962),
  Martin Blank (American, b. 1962), male nude art glass torso. Engraved signature. 13"H. Very good condition with no chips, cracks or repairs.
• JEAN-CHARLES BLAIS (b. 1956):
  JEAN-CHARLES BLAIS (b. 1956): "UNTITLED #3685 " FROM THE "SUITE NIPON POUR C.B." Linocut print on paper 30 x 19 3/4 in. (sheet) signed titled dated and numbered 5/25 in pencil.
• MICHEL PIQUETTE (20TH C.) NUIT
  MICHEL PIQUETTE (20TH C.) NUIT BLANCHE A BERLINFramed print on aluminum, "Nuit blanche a Berlin," from the series "Tout se perd, rien ne se cree," Michel Piquette (Canadian, 20th c.), numbered 2/ 5, dated 2014-15, sight: approx 31.5"h, 31.5"w, overall: 32"h, 32"w, 8.25lbs **Provenance: from a high-end downtown Austin, Texas condo**
• CHARLES LEVIER (French
  CHARLES LEVIER (French 1920-2003). LA TABLE BLANCHE signed lower right; also signed and titled on verso. Oil on canvas - Framed 24 in. x 36 in.
• MICHEL PIQUETTE (20TH C.) NUIT
  MICHEL PIQUETTE (20TH C.) NUIT BLANCHE A BARCELONEFramed print on aluminum, "Nuit blanche a Barcelone," from the series "Tout se perd, rien ne se cree," Michel Piquette (Canadian, 20th c.), numbered 2/ 5, dated 2014-15, sight: approx 31.5"h, 31.5"w, overall: 32"h, 32"w, 8.25lbs **Provenance: from a high-end downtown Austin, Texas condo**
• Jean-Jacqu
  Jean-Jacqu
• Charles Blank (American/Louisiana
  Charles Blank (American/Louisiana 20th c.) two oils on canvas including "Figure Study" and "Woman in a Green Dress" both signed lower right one titled en verso 12 in. x 9 in. and 12 in. x 10 in. the former in a period wood slat frame.
• CHARLES BLANK
  CHARLES BLANK (AMERICAN/LOUISIANA, 20TH C.)Charles Blank (American/Louisiana, 20th c.) , "Mr. Kitty", 2005, acrylic on gallery-wrapped canvas, initialed lower right, titled lower center, signed, titled and dated en verso, "Brunner Gallery" label with artist and title on stretcher, 60 in. x 60 in., unframed Condition: Overall good condition
• JULIEN LE BLANT, FRENCH NAVAL
  JULIEN LE BLANT, FRENCH NAVAL CONSCRIPTION, O/C Julien Le Blant (French 1851-1936), "Naval Conscription", oil on canvas depicting an outdoor scene with a group of people acknowledging a young man in a sailor's uniform beside a horse drawn carriage, signed ?J. Le Blant? at lower left, framed. Approx. canvas h. 26?, w. 38?; overall h. 30.5?, w. 42.5?, d. 2?.
• ALAIN BLONDEL, LEMPICKA,
  ALAIN BLONDEL, LEMPICKA, CATALOGUE RAISONNE 1921-1979, PUBLISHED SWITZERLAND 1999Alain Blondel, Lempicka, Catalogue Raisonne 1921-1979, Published Switzerland 1999,
• After Francois Levaillant
  After Francois Levaillant (French, 1753-1824) \"La Penuche e Face Bleue\", (The Blue-Faced Parakeet), lithograph, plate 47, sight 21\" x 13-1/2\". Glazed, French matted and presented in a polychromed frame.
• PRINT, MOYENINFAILLIBLE DE
  PRINT, MOYENINFAILLIBLE DE DIRIGER LES BALLONS "Moyeninfaillible de Diriger les Ballons," engraving with hand coloring, published in Paris, 1787, sheet (unframed): 15"h x 11.25"w
• CHARLES BLONDIN FRENCH
  CHARLES BLONDIN FRENCH IMPRESSIONIST PAINTING France,1913-1991Depicts an empty Parisian street lined with trees and buildings. Blondin was best known for his depictions of Paris in different seasons with the Paris Etching Society and the Camilla Lucas Gallery publishing a collection Blondin's Paris etchings.
• ROSS BLECKNER, (B. 1949, AMERICAN),
  ROSS BLECKNER, (B. 1949, AMERICAN), "UNTITLED," 2000, SCREENPRINT IN COLORS ON PAPER UNDER GLASS, IMAGE: 16.25" H X 25" W; SIGHT: 17.75Ross Bleckner, (b. 1949, American) "Untitled," 2000 Screenprint in colors on paper under glass Edition 55/100 Signed, dated and numbered in pencil in the lower margin: Ross Bleckner Image: 16.25" H x 25" W; Sight: 17.75" H x 26.5" W Provenance: Private Collection, California Screenprint in colors on paper under glass Dimensions: Image: 16.25" H x 25" W; Sight: 17.75" H x 26.5" W Provenance: Private Collection, California
• JEAN DUBUFFET (FRENCH 1901-1985):
  JEAN DUBUFFET (FRENCH 1901-1985): CHIEN Marker on white paper cut and pasted on Kraft paper dated 1973 and initialed lower right. Provenance: Jeanne Frank New York; Blake Edwards. 8 1/4 x 10 3/8 in. 16 1/8 x 18 x 1 1/2 in. (frame).
• Antoine Blanchard (French,
  Antoine Blanchard (French, 1910-1988) "Place du Luxembourg, Le Pantheon",oil on canvas, 20" x 24", signed lower left "Antoine Blanchard". Presented in a contemporary giltwood frame.
• HENRI DE TOULOUSE-LAUTREC, (FRENCH,
  HENRI DE TOULOUSE-LAUTREC, (FRENCH, 1864-1901), LA REVUE BLANCHE, 1895, LITHOGRAPH IN COLORS, SIGHT: 48 X 33 IN., FRAME: 56 1/2 X 41 1/2 IN.HENRI de TOULOUSE-LAUTREC, (French, 1864-1901) La Revue Blanche, 1895, lithograph in colors marked with monogram and date, l.l. and "imp. Edw. Ancourt Paris" l.r., with hexagonal French tax stamp in black ink, l.r. sight: 48 x 33 in., frame: 56 1/2 x 41 1/2 in. Provenance: Purchased in Paris by Mr. & Mrs. J.P. McWilliams; by descent in the family. Other Notes: In 1895, Henri de Toulouse-Lautrec was commissioned to create the annual promotional poster for La Revue Blanche, the avant-garde Parisian art and literary magazine. Lautrec chose to depict Misia Natanson (1872-1950), the wife of one of the magazine's publishers, and a muse to many artists and writers associated with the journal. Lautrec chose to depict Misia figure skating, yet cropped the image so that her skates do not show. She glides gracefully across the sheet, the unbalanced composition and stark background together captivating the viewer, drawing his eye toward her elegant figure. This image has come to be one of the most iconic of Toulouse-Lautrec's posters, and serves an important example of the aesthetic of bohemian art and literary circle in belle-époque Paris. Condition: Condition: This work was professionally conserved in 1990 by Frank Fabry/Graphic Arts Conservation, Cleveland in conjunction with it being framed by The Wood Trader, Cleveland.
• MICHEL PIQUETTE (20TH C.) NUIT
  MICHEL PIQUETTE (20TH C.) NUIT BLANCHE A SINGAPOURFramed print on aluminum, "Nuit blanche a Singapour," from the series "Tout se perd, rien ne se cree," Michel Piquette (Canadian, 20th c.), numbered 1/ 5, dated 2014-15, sight: approx 31.25"h, 31.25"w, overall: 31.75"h, 31.75"w, 8.25lbs **Provenance: from a high-end downtown Austin, Texas condo**
• ANTOINE BLANCHARD, IMPRESSIONIST
  ANTOINE BLANCHARD, IMPRESSIONIST PARISIAN STREET Antoine Blanchard (French, 1910-1988). "Paris - Le Vaudeville", oil on canvas. Signed lower right; signed and titled verso. Approx. 20.25" x 25.5" (frame), 13" x 18" (canvas)
• Charles Blondin French street scene
  Charles Blondin French street scene well listed artist 1920 - 2004 on canvas image area 21'' x 25''
• Antoine Blanchard (French
  Antoine Blanchard (French 1910-1988) "Place de la Madeleine" oil on canvas signed lower right 16 in. x 20 in. in a giltwood frame.
• Ross Bleckner (American b. 1949)
  Ross Bleckner (American b. 1949) Untitled 1980 oil on paper signed Ross Bleckner and dated (verso) 40 x 30 inches.
• ANTOINE BLANCHARD (1910-1988) PARIS
  ANTOINE BLANCHARD (1910-1988) PARIS STREET SCENE. Oil on canvas signed also signed on verso 13''x15'' Condition: Medium to noticeable surface grime throughout; Some minor scattered areas of craquelure primarily in sky; Visible stretcher bar impressions particularly at top and bottom which also sustain some light cracking along the impression lines; Approx. 1/4 inch minor bulge at upper right corner; Canvas is unlined and stable; Otherwise no apparent paint loss surface abrasions restoration or other significant condition issues
• MICHEL PIQUETTE (20TH C.) NUIT
  MICHEL PIQUETTE (20TH C.) NUIT BLANCHE A AMSTERDAMFramed print on aluminum, "Nuit blanche a Amsterdam," from the series "Tout se perd, rien ne se cree," Michel Piquette (Canadian, 20th c.), numbered 2/ 5, dated 2014-15, sight: approx 31.5"h, 31.5"w, overall: 32"h, 32"w, 8.25lbs **Provenance: from a high-end downtown Austin, Texas condo**
• JAN DE MAESSCHALCK, (B. 1958,
  JAN DE MAESSCHALCK, (B. 1958, BELGIAN), "UNTITLED," 2007, OIL ON LINEN, 19.5" H X 14" WJan De Maesschalck, (b. 1958, Belgian) "Untitled," 2007 Oil on linen Signed and dated verso: Jan De Maesschalck / 25 VIII 2007; titled by repute 19.5" H x 14" W Provenance: The Blake Byrne Collection Oil on linen Dimensions: 19.5" H x 14" W Provenance: The Blake Byrne Collection
• Marc Chagall (1887-1985) Le Bouquet
  Marc Chagall (1887-1985) Le Bouquet noir et bleupublished by Maeght in Paris 1957 color lithograph pencil signed lower right numbered 47/90. Presented in a black shadowbox frame. Sheet 14 x 11 1/16 in. with deckled bottom edge. SS 12.75 x 10 in.; DOA 25 x 22 in.No apparent condition concerns.
• CHARLES BLONDIN (French 20th).
  CHARLES BLONDIN (French 20th). MOULIN ROUGE PARIS signed lower right. Oil on canvas - Unframed 8 1/2 in. x 10 1/2 in.
• Pierre de Belay painting, inscribed
  Pierre de Belay painting, inscribed verso " Les Batteurs de Ble noir ou de Sarrazin ", signed lower right "de Belay '26", oil on fiberboard, 21-1/8 x 25-1/8 in.; modern carved and gilt wood French style frame. Chips and tears at edges of fiberboard, light mildew in clouds, water staining verso of edges; frame with abrasions. Phillips Galleries, Palm Beach, Florida; Private Collection, Delaware.
• "PLAN DE PARIS à VOL D'OISEAU"
  "PLAN DE PARIS à VOL D'OISEAU" BLONDEL LA ROUGERIE MAP OF PARIS 28" x 40" Contemporary map of Paris, laid on an aluminum sheet, ca. 1950's.
• Bernard Buffet (1928-1999 French)
  Bernard Buffet (1928-1999 French) ''Le Jongleur'' 1968 Color Lithograph 28''x19'' Sight. Ink signed and numbered 112 of 120 edition lower margin. Gallery framed 34''x25''. Excellent condition with strong colors. Not examined outside of framing.
• Antoine Blanchard (French,
  Antoine Blanchard (French, 1910-1988), Parisian street scene, oil on canvas; 23 1/4" x 35 1/4"; signed lower right. Also with estate stamp verso: 'Peinture Originale, Antoine Blanchard'.
• CHARLES BLONDIN, IMPRESSIONIST
  CHARLES BLONDIN, IMPRESSIONIST OIL ON CANVAS Charles Blondin (French, 1913-1991), Paris street scene, signed lower left, canvas on stretcher, unframed, 18"h x 22"w
• LEO LAPORTE BLAIRSY (FRENCH, 1867 -
  LEO LAPORTE BLAIRSY (FRENCH, 1867 - 1923) 7" x 11 ½" x 23" "Le Menuet". Bronze sculpture signed on the right cavetto (viewer facing object). Blairsy was noted for presenting women in full length dresses; this sculpture is a frozen moment of a young female dancer circa 1890. Medium brown patina with separate cast base attached to main body with studs. Past owner has lightly scratched his personal identification on the back.
• Jean-Baptiste Audebert LE JOCKO
  Jean-Baptiste Audebert LE JOCKO LA MONE Two hand-colored color stipple engravings Estimate:$600-$800
• Jean Peltier (French, 1907-1984)
  Jean Peltier (French, 1907-1984) "Barques a Voile Bleu", oil on canvas, 18" x 21-5/8", signed lower left, retains gallery label en verso "The Eric Galleries, Inc., NY". Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from The Eric Galleries, Inc., New York, dated November 12, 1974.