A few examples of appraisal values for
LEARNING TO CARE

• FRIENDLY CONSIDERATION OF LITTLE
  FRIENDLY CONSIDERATION OF LITTLE NEEDS OFTIMES DEVELOPS...Anonymous. Friendly Consideration of Little Needs Oftimes Develops Big Customers! Circa 1930s. Acrylic and pencil on board. Original WPA-era work-incentive poster artwork. 15 x 20 inches. Light soiling and chips on board edges not affecting art.
• CHARLES BIBBS LIMITED-EDITION
  CHARLES BIBBS LIMITED-EDITION GICLEE PRINTFramed limited-edition giclee print on paper, "The Caregivers II," signed lower left Charles Bibbs (California, 20th c.), dated 2009, numbered 30/ 300, accompanied by certificate of authenticity issued by the artist, sight: approx 24"h, 14"w, overall: approx 33.75"h, 23.75"w, 9lbs
• ANTON CETÍN (CROATIAN B. 1936) A
  ANTON CETÍN (CROATIAN B. 1936) A PRINT, "CARING," ARTIS...ANTON CETÍN (Croatian b. 1936) A PRINT, "Caring," ARTIST PROOF, 1985, aquatint on paper, signed and dated in margin in pencil, "A. Cetín '85," titled and marked L/L in pencil in margin, "A.P.," 20" x 19", framed, 26 1/2" x 24 1/4". Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Peter Care (born 1952), a
  Peter Care (born 1952), a circular porcelain sculpture of three interlocking pieces, the exterior in copper and cream glazes, the interior textured and shaped to resemble fabric, impressed mark, 16.5cm diameter, together with a studio ceramic vase of organic form, the black lustre glaze painted with grey and white roundels and splashes, indistinctly signed and dated 1984, 13.5cm high [2]
• Peter Care (British, born 1952),
  Peter Care (British, born 1952), a porcelain celadon jar and cover, 13cm high and a pot pourri with pierced cover
• HOWARD FINSTER LITHOGRAPH,
  HOWARD FINSTER LITHOGRAPH, 1997,"WHO WILL CARE..." Howard Finster (American/Alabama, 1916-2001), "Who Will Care For The Last Animals On Earth," 1997, lithograph on paper, depicting a wolf surrounded by angels, signed in pencil at lower left and numbered 60/100 at lower right. Sight approx: h. 27", w. 28.75", Overall: h. 29", w. 30.75".
• LUIGI FERRAZZI (19TH C. ITALIAN)
  LUIGI FERRAZZI (19TH C. ITALIAN) Caring for Grandfather, a colloquial scene, oil on canvas, laid to maso, signed lower left, unframed, 14 1/4" x 11 5/8". Retouched.
• CURRIER & IVES "CARES OF A
  CURRIER & IVES "CARES OF A FAMILY" PRINT 1856Arthur Fitzwilliam Tait (American/British, 1819-1905) for Currier and Ives, United States. Color lithograph titled "Cares of a Family," depicting a mother bird or quail surrounded by her chicks, 1856. Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0907, page 93. Provenance: Distinguished Corporate Collection, Ohio. Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907. Sight; height: 20 in x width: 25 in. Framed; height: 26 1/2 in x width: 31 1/2 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• LG IMPRESSIONIST CHILDREN
  LG IMPRESSIONIST CHILDREN PORTRAIT PAINTING ,20th Century Depicts a young girl in a pink hat with a basket of oranges seated on stairs while a baby kisses her cheek.
• F. Carelini, oil on panel, young
  F. Carelini, oil on panel, young boy in the street, 14" x 9 1/2" Estimate $25-50
• RONALD WILLIAM FORDHAM SEARLE,
  RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920-2011), I CARE II, 1970, LITHOGRAPHRonald William Fordham Searle, New York / England, France, (1920-2011) I Care II, 1970, lithograph Titled and numbered 58/99 lower left. Signed and dated lower right. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. lithograph
• British School (20th Century)
  British School (20th Century) "Woman Feeding Birds in a Cottage Garden", oil on canvas, 24" x 36". Presented in a carved giltwood exhibition frame.
• CHAIM GROSS, BRONZE SCULPTURE Chaim
  CHAIM GROSS, BRONZE SCULPTURE Chaim Gross (American, 1902-1991), "Caring or Mother & Child", patinated bronze mounted on Lucite cube, signed, 8"h x 5"w x 3.5"d (overall)
• WWII poster 1943, 'Learn First Aid'
  WWII poster 1943, 'Learn First Aid' 28" x 22" Condition: creased slight yellowing
• CAREW RICE (SC, 1899-1971)
  CAREW RICE (SC, 1899-1971) SILHOUETTE "Ain't Love Grand!", cut paper silhouette, signed and dated 1950 lower right, stamped 'Carew Rice, Wiggins Road, Green Pond, S.C.' verso, depicting a sailor and young woman kissing, artwork is accompanied by a note presenting this piece as a 'thank you' gift from 'Beta', unframed, 6" x 4". Toned.
• PR OF 19TH C. AMERICAN SCHOOLGIRL
  PR OF 19TH C. AMERICAN SCHOOLGIRL SENTIMENTAL DRAWINGS Kate Greenaway influenced, both on chamfered hardboard with inked figures on paper glued to black with white ink surround and captions "I don't care what a daisy says, I'm sure to get married one of these days" & "Gin a body Kiss a body, Need a body cry?", unsigned, 7 1/4" x 3 3/4" each. Scuffed, corners bumped.
• ENESCO PRECIOUS MOMENTS
  ENESCO PRECIOUS MOMENTS FIGURINETitled: Loving Caring Sharing Along The Way. Porcelain collectors piece from Enesco Collectors Club. Features little girl holding flowers while standing next to a signpost with arrows pointed in diffeent directions. Enesco backstamp. Issued: 1992 Dimensions: 3.25"W x 5"H Manufacturer: Precious Moments Condition: Age related wear.
• A. COURE (FRANCE, LATE 19TH
  A. COURE (FRANCE, LATE 19TH CENTURY), "LITTLE CHILDREN, LOVE ONE ANOTHER.", HAND-COLORED ETCHING, 6.26" X 5.25" SIGHT. FRAMED 11.5" X 10.5".A. COURE, France, Late 19th Century, "Little Children, Love One Another.", depicting a kingfisher and water lilies. Dimensions: Hand-colored etching, 6.26" x 5.25" sight. Framed 11.5" x 10.5". Provenance: Graham Arader Gallery, Philadelphia, 1990.Private California Collection.
• AMERICAN SCHOOL "READING LESSONS"
  AMERICAN SCHOOL "READING LESSONS" FIGURAL O/C American School, "Reading Lesson" 19th century, oil on canvas depicting a mother or tutor reading with a little girl, monogrammed JB to lower left, framed Approximate dimensions: Canvas h. 24", w. 20"; Overall h. 33. 75", w. 29. 75", d. 3. 5".
• A SCHOLAR TEACHING MAIDENS ON A
  A SCHOLAR TEACHING MAIDENS ON A TERRACE LATE MUGHAL, 18TH/ 19TH CENTURY gouache and gold on paper laid down on card, with gold sprinkled blue outer border, the scholar holding a pen and paper seated in front of an arched pavilion, with two maidens to his right and one to his left with books and papers sitting on a large carpet, a princess looking on holding a white handkerchief from behind, framed(1)21.5cm x 13.5cmProvenance: Private English collection, acquired before the First World War in India, thence by descent
• Pair Dutch School paintings
  Pair Dutch School paintings depicting grandparents with grandchildren teaching domestic and academic lessons, oil on board. 7 1/2" x 6 1/4".
• Jan van Noordt (Dutch, circa
  Jan van Noordt (Dutch, circa 1620-after 1676) Caritas, 1645 oil on canvas formerly signed and dated 1645 (see Note) 24 x 24 inches. Property from the Collection of William and Sharon Treul, Pewaukee, Wisconsin
• German School (19th/20th century)
  German School (19th/20th century) The Good Samaritan oil on canvas 6 1/4 x 10 1/2 inches.
• AMERICAN SCHOOL, 19TH C. ALL
  AMERICAN SCHOOL, 19TH C. ALL CREATURES, OIL Depicting a mother nursing (Virgin and Child?), among livestock in a landscape, oil on canvas, unsigned, 7 x 27 1/2 in., framed.
• Circular relief by Louisa Eyre 1926
  Circular relief by Louisa Eyre 1926 - "Child Brings Hope...."
• The College of Life or Practical
  The College of Life or Practical Self-Educator for The Colored Race Forming an Educational Emancipator and a Guide to Success....by Northrop Gay and Penn Washington: Dyson & Company 1896. 4to 720 pp hardbound blue cloth with decorative embossed cover illustration with b/w images and with "hundreds" of engravings. Illustrating the Afro-American process giving example of achievements of successful men and women of the race.
• English School, early 19th
  English School, early 19th Century/Young Ladies giving Charity to a beggar boy/convex reverse glass painting, 12.5cm diameter in a marble frame/Provenance: The Estate of Anthony J Beeson
• ITALIAN SCHOOL, EX-VOTO PAINTING
  ITALIAN SCHOOL, EX-VOTO PAINTING Italian School (19th c.), "Grazia Ricevuta", Madonna and Child watching over a man administering medicine to a sick horse, mixed media on paper or board, dated 1890 and inscribed "M.D." lower right, 8"h x 10"w (sight), 9.5"h x 11.5"w (frame)
• DeJONGHE Gustave Leonhard
  DeJONGHE Gustave Leonhard (Belgium 1829-1893) : ''Kind Heart'' Oil on Canvas depicts the kindness of a child with her mother giving money to a young less fortunate mother cradling her infant signed LL Gustave DeJonghe 34'' x 25 1/4'' gilded frame with overpaint and in need of maintenance 44'' x 33''.CONDITION: Several minor touch ups of inpainting could use a clean.
• American School portrait, young
  American School portrait, young child seated on stone step in a garden and holding a nosegay of roses, unsigned, oil on canvas, oval 41-1/2 x 31-1/2 in.; 20th century stained and gilt carved wood reeded cove molding frame. Original stretcher, two periods of restoration, three patches verso, crackle, cupping, stretcher marks, retouch scattered throughout including figure affecting 20 percent of surface; frame resurfaced. Said to be from the Estate of Dr. Freeman, Mankato, New York, circa 1840s; Private Midwest Collection
• NETHERLANDISH SCHOOL: THE MADONNA
  NETHERLANDISH SCHOOL: THE MADONNA NURTURING THE INFANT CHRISTNetherlandish School: The Madonna Nurturing the Infant Christ, oil and tempera on wood panel; accompanied by a letter of authentication from Willem L. van de Watering of Wouter Janssen Gallery, dated 20 November, 1996, attributing the present work to the Master of the Embroidered Foliage, early 16th century Dimensions: 10 1/4 x 7 3/4 in. (26 x 19.7 cm.), Frame: 15 1/2 x 13 in. (39.4 x 33 cm.) Provenance: with Henry James Spiller. London; sold Christie's, London, May 15, 1936 [lot 95, as "German School"]; the Pacific Palisades estate and collection of Mr. and Mrs. Hoyt S. Pardee, the founder of Pardee Construction Company Condition: An area of possible inpainting to the right of her neck, approximately 2 x 1/2 inches, with 2-3 smaller possible touchups. Two shallow, pinhead-sized chips to the surface of paint on her red robe, beneath Christ. Slight frame wear visible at borders. Craquelure throughout. Not examined out of frame.
• ATTRIBUTED TO JACQUES PHILIPPE
  ATTRIBUTED TO JACQUES PHILIPPE CARESME (FRENCH, 1734 - 1796), PEN AND INK WASH ON LAID PAPER, DEPICTING A SATYR LOUNGING WITH TWO NUDE WOMEN IN CLASSICAL OUTDOOR SETTING WITH FOUNTAIN, URN, AMPLE GROUPINGS OF FRUIT, T...Attributed to Jacques Philippe Caresme (French, 1734 - 1796), pen and ink wash on laid paper, depicting a satyr lounging with two nude women in classical outdoor setting with fountain, urn, ample groupings of fruit, two figures appear above clouds, one with horn, naturalized background, newer mat over 19th C. mat with "Caresme" in script at center, framed under glass, not examined out of frame, wear consistent with age including light toning, foxing, etc., ss: 8" h. x 10 1/2" w.
• PRINT, LEARNING "Learning," 1992,
  PRINT, LEARNING "Learning," 1992, lithograph, signed "Phys M Buller" and dated lower right, titled lower left, edition 1/5, overall (with frame): 38.5"h x 31.5"w
• 19th Century German School after
  19th Century German School after Caspar Netscher/Woman Feeding a Parrot, oil on metal/19.5cm x 15.5cm
• Louis Icart (French, 1888-1950),
  Louis Icart (French, 1888-1950), "New Friends", a young lady adoringly holds three kittens; drypoint etching and aquatint; 17" x 14"; pencil signed and numbered 256 in the margin, copyright 1925 by Les Graveurs Modernes, Paris.
• CONTINENTAL SCHOOL, 19TH C.
  CONTINENTAL SCHOOL, 19TH C. WATCHING OVER THE BABY, OIL Oil on canvas, unsigned, 9 3/4 x 8 1/2 in., framed.