A few examples of appraisal values for
LEGACY

• A PAIR OF REGENCY SILVER OVAL
  A PAIR OF REGENCY SILVER OVAL MEAT DISHESA pair of Regency silver oval meat dishesRichard Sibley I, London1814Engraved with a coat-of-arms, inscribed to underside Bought with a Legacy / bequeathed / by the Dowr Lady Heathcote.length 15 1/4in
• ROBERT INDIANA (AMERICAN,
  ROBERT INDIANA (AMERICAN, 1928-2018) ART (FOR COLBY COLLEGE) Silkscreen in colors on wove paper. Pencil signed 'R. Indiana' (lower right), numbered '47/100', and dated '1973'.Artist BioRobert Indiana (American, 1928-2018) Robert Indiana was an American artist who played a central role in the development of assemblage art, hard-edge painting, and Pop-art. Indiana, a self-proclaimed “American painter of signs”, created highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists who make the written word a central element of their oeuvre. Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works.
• A Football Coach's Porcelain
  A Football Coach's Porcelain Occupational Shaving Mug Belonging to Amos Alonzo Stagg Circa 1912 featuring a full wrap of transfer images of fourteen football players and coach Amos Alonzo Stagg against a maroon background. identified players include Paul "Shorty" Des Jardiens, Marion L. Skinner, and John Bennett Canning, all of whom played for the University of Chicago Maroons during the 1912 season. center features a C with a football in it encircling the date 1912. underside marked VESEY with impressed Austria. Height 3 5/8 inches. Amos Alonzo Stagg (1862-1965) was perhaps the most influential figure in the history of collegiate athletics. Having coached and contributed to the development of multiple sports, his legacy remains primarily with football and basketball. The legendary Notre Dame coach Knute Rockne once said that "all football comes from Stagg." He is enshrined in two Halls of Fame, and the NCAA Division III football championship is known as the Stagg Bowl. Stagg's football career began at Yale University, where he was selected to the first Football All-American team as a player in 1889. The following year, he began his football coaching career at Springfield College (1890-1891), where James Naismith, later famous as the inventor of basketball, played under him. Stagg's most significant contributions to football occurred during his forty-one-year tenure as head coach of the University of Chicago (1892-1932). Under his guidance, Chicago became known as a football powerhouse during the first quarter of the twentieth century, winning seven Big Ten championships (1899, 1905, 1907, 1908, 1913, 1922, and 1924). In addition to his football duties, he also coached track, baseball, and basketball and is credited with helping to organize the Big Ten Conference. In 1912, the year identified on this mug, the Maroons finished second in the Western Conference with a 6-1 record and outscored all their opponents. Property from the Collection of James Carpenter, Montague, New Jersey
• A Legacy Venetian Mirror Late
  A Legacy Venetian Mirror Late 19th Century 36 x 24 inches.
• 63PC MAGIC THE GATHERING KEY
  63PC MAGIC THE GATHERING KEY TRADING CARD GROUP United States1996-2003Group includes sixty-three 1996 through 2003 Magic: The Gathering trading cards, includes cards from Exodus, Urza's Destiny, Urza's Legacy, and 12th Edition amongst others, some rare foils, all cards appear to have always been cared for, light signs of play wear, please refer to photographs.
• 2003 YUGIOH LEGACY OF DARKNESS
  2003 YUGIOH LEGACY OF DARKNESS 1ST ED COMPLETE SET United States20032003 Yu-Gi-Oh! Legacy of Darkness 1st edition complete trading card set, includes cards #000-#100, cards were opened when new then wax wrapped for protection, unwrapped and placed in 9-card holders, key cards LOD-000 Yata-Garasu (CGC 9.5) and LOD-100 Injection Fairy Lily (CGC 8.5) graded to exemplify condition, please refer to photographs.
• 15PC 2002-04 YUGIOH COMPLETE CARD
  15PC 2002-04 YUGIOH COMPLETE CARD SET COLLECTION United States2002-2004An opportunity for someone to have an incredible instant collection! Group includes 2002 Yu-Gi-Oh! Magic Ruler, Metal Raiders, Pharaoh's Servant (x2), 2003 Dark Crisis (x2), Labyrinth of Nightmare (x2), Legacy of Darkness (x2), Magician's Force, Pharaonic Guardian (x2), and 2004 Ancient Sanctuary (x2) Unlimited trading card sets, all complete with holographic cards, cards were opened when new then wax wrapped for protection, from the same collection as the 1st Ed. graded cards and sets, cards with minimal wear and left in wrapped condition as found in the collection, please refer to photographs.
• SCOTT MEYERS BRONZE COWBOY
  SCOTT MEYERS BRONZE COWBOY SCULPTURE Texas,b.1958Titled "Bosque River Legacy," depicts an old cowboy leaning against a rock formation while the head of another cowboy protrudes from the left side of the rock glancing towards the back where a figure of a tree and landscape can be seen.
• STANLEY BLEIFELD
  STANLEY BLEIFELD (AMERICAN,1924-2011), THE LEGACY 1965, patinated bronze, artist signed and dated, with inscription "LOVE 3/24/69" and Italiam foundry stamp FONDERIA / LUIGI TOMMASI/PIETRASANTA, mounted upon a polished slate terrace.
• RUSSIA GORBACHEV THE LEGACY 12 COIN
  RUSSIA GORBACHEV THE LEGACY 12 COIN SILVER MEDAL SET 47 mm small medals; 89 mm large medal A .999 silver medal set commemorating the achievements of Gorbachev and the tenth anniversary of the fall of the Berlin wall. Eleven smalll medals are 46 mm in diameter, weighing 62 grams each. The large medal is plated in 24 KT gold, 89 mm in diameter, and weighing 248 grams. Original leather covered display box and cardboard outer box. Medals struck as proofs.
• THREE COACH BAGS & TWO COACH
  THREE COACH BAGS & TWO COACH SCARVES Comprising a gold and multicolored canvas "Poppy Legacy" Coach shoulder bag with gold tone hardware and dual flat leather handles. Interior flat wall pocket, cell phone flat pocket, pencil pocket, zipper pocket, exterior zipper pocket, and zipper closure at top. Measuring: approx. 16 in. L., approx. 12 3/4 in. H., approx. 6 1/4 in. D.; a black leather Coach shoulder bag with gunmetal tone hardware and an adjustable flat leather strap. Two interior flat wall pockets, zipper pocket, and zipper closure at top. Includes dust bag. Measuring: approx. 14 3/4 in. L., approx. 11 3/4 in. H., 4 3/4 in. D.; a gray leather Coach shoulder bag with gunmetal tone hardware and an adjustable flat leather strap. Two interior flat wall pockets, zipper pocket, and zipper closure at top. Includes dust bag. Measuring: approx. 14 3/4 in. L., approx. 11 3/4 in. H., 4 3/4 in. D.; a blue and black Coach scarf. Measuring: approx. 80 in. L., 25 in. H.; and a black, pink and multicolored Coach scarf. Measuring: approx. 53 in. L., approx. 53 in. H.
• THE MONSTER LEGACY GIFT SET With
  THE MONSTER LEGACY GIFT SET With three Monster Legacy Collection figures; Dracula, Frankenstein, and The Wolf Man, in the original box.
• Wolmar "Tito" Castillo (Mexican,
  Wolmar "Tito" Castillo (Mexican, 20th C.) Chameleon Ice Bucket, Taxco, Mexico, c. 1960, silver on handwrought copper, two chameleon form handles mounted with modeled green stone, stamped mark "Wolmar Castillo Silversmiths Silver Plated, 7 1/8"H, 11" W x 6 3/4" D. Wolmar is the son of famed Taxco jewelry designer Antonio Castillo, founder of Los Castillo workshop, which contributed greatly to the development of Taxco jewelry in the 1940s and 1950s. The elder Castillo apprenticed under master silversmith William Spratling in his studios in Taxco. Wolmar continues this legacy of craft in silver
• PHILIP MELVIN (1938-2010) CANADIANA
  PHILIP MELVIN (1938-2010) CANADIANA carved wooded "Fat Irish Puffin", by folk artist Philip Melvin, listed in ‘Compendium of Canadian Folk Artists’, and his work is on display in the Canadian Museum of Civilization in Ottawa. Lacking capelin that was in the Puffin’s mouth. Somewhat itinerant, Melvin left a legacy of fun for us to enjoy. Measuring, 19" height x 15" width x 7 3/4" depth. The Larry Foster Collection.
• LEGACY LEATHER SOFA Late 20th
  LEGACY LEATHER SOFA Late 20th century; approx. 87 in. W.
• GILT-BRONZE FIGURE OF AMITAYUS
  GILT-BRONZE FIGURE OF AMITAYUS MONGOLIA, ZANABAZAR SCHOOL ?? ??????? ?????????finely cast seated in padmasana on a raised double lotus throne, a large vase containing the elixir of longevity cradled in his hands in dhyana mudra, wearing a low dhoti detailed with incised hem, a scarf flowing fluidly through his broad shoulders, elaborate necklace adorned his chest, further with jewellery on wrists, arms, and calves, large earrings flanked the meditative face below a five-leaf flame-like crown, hair tied up in high coiffure topped with a large jewel, stream-like long locks emerging from back of the head cascading down and spilling onto the throne, the baseplate gilt and incised with a double-vajra(1)32cm high; 5001gProvenance: Formerly in a private English collectionNote: Wearing a dignified expression and princely appearance, this Buddha of Infinite Life, seated on a stepped lotus base, resonates the artistic paradigms of the celebrated Mongolian Buddhist teacher and artist Jebstundampa Khutukhtu Zanabazar (1635-1723). The legacy of his sculptural style is recognisable by rich gilding and at times painted details on voluptuous portrayal of the female form, or, in this case, a masculine rendition of male form, shown through the powerful broad shoulders. The textile patterns, distinguished jewellery designs, smooth contours, sensitive modelling of the faces, fine arches of Amitayus' brows and his aquiline nose are also of his atelier. [1]Two comparable gilt-bronze figures of Amitayus, 19th century, are in the Zanabazar Museum of Fine Arts, HAR. 50243 & 50306, note the former with similarity of the lotus base depicts wide petals placed on a high pedestal finished with a beaded rim together with vertical lines imitating the ridges of a lotus pod, and the latter with elaborate vase of longevity; Several other examples can be found in auctions, including one, 18th century, sold at Bonham's Hong Kong, 29 May 2022, lot 140; one sold at Christie's London, 15 May 2018, lot 167; and one at Christie's New York, 31 Mar 2005, lot 188. [1] J. Casey, N. P. Ahuja, & D. Weldon, Devine Presence: Arts of India and the Himalayas, Barcelona: Casa Asia, 2003, pp. 168-171
• Lot of Equestrian Items to
  Lot of Equestrian Items to include (3) Books & Mirror, c/o Horses by Edwin Megargee 1946, Brandywine A Legacy of Tradition in du Pont-Wyeth Country photographs by Anthony Edgeworth text by Lisa Zeidner, The Majestic World of Arabian Horses by William L Pereira Jr photographs by Martin H Schreiber 1986, Masters of the Wild by Robert Abbett 1989 Artist Proof 3, and trumeau mirror with hunting dog print, and (6) Equestrian items, c/o pair of Eldonian stainless steel stirrups, single Steroline stirrup, pair of Neverro stirrups, Ulite bit
• SET OF EIGHT SOUTHERN FEDERAL
  SET OF EIGHT SOUTHERN FEDERAL INLAID CHERRY DINING CHAI...early 19th century, likely inland or coastal South Carolina or Georgia, seatback with pierced slats centered by floral inlaid medallions, two armchairs with shaped arms, trapezoidal seat, tapered legs, banded feet, birch secondary wood, 45 x 22-1/4 x 20 in. Note: According to corresponding documentation, these chairs were made for Dr. Alexander Grayson Verdiere's home at Bull Hill Plantation in Beaufort, South Carolina during the early 19th century, along with a matching sideboard, likely made by a cabinetmaker in South Carolina or Georgia. A closely related set of chairs are illustrated in Georgia's Legacy, History Charted Through the Arts by Jane Webb Smith, pg. 137, fig. 67. This chair form was common among chairs made by Charleston cabinetmakers, who typically imported similar inlay—see Bivens, The Furniture of Charleston, 1680-1820, Vol. II, pgs. 771-775; pg. 639. Provenance: The Verdiere Family, Bull Hill Plantation, Beaufort, South Carolina; Julia Maxwell, daughter of Dr. Alexander Grayson Verdiere, born at Bull Hill Plantation; Estate of Mary Sams, Atlanta, Georgia; Elizabeth Austin Antiques, Charleston, South Carolina; Private Collection Condition: all chairs structurally sound, refinished, one chair with several repairs to legs and seat rail, another chair with repaired seat rail, one chair with repaired crest rail, other minor filled areas, thin cracks, shrinkages, and other general wear as expected from age and use, slip seats replaced, seats were likely previously caned
• GENE KLOSS (1903-1996) PENCIL
  GENE KLOSS (1903-1996) PENCIL SIGNED ETCHINGGene Kloss (1903-1996)Dancers Will Bring Rain (1980)The drypoint etching signed by Gene Kloss in pencil below the image lower right is also titled by her lower left and numbered 15 from an edition of only 25 prints pulled before the plate was destroyed.Plate size 9 x 12, sheet measures 12.25 x 16.25, the frame is 18.25 x 21.25 inches.Very good to fine condition as shown here outside the frame and mat, the full untrimmed sheet, not laid down, clean and free from damage, no stain, puncture or repair; framed to archival standards in acid free mounts. There are tape hinges on the face of the sheet extreme upper left and right corners.Provenance: Purchased from Jack and Georgia Olson who operated American Legacy Gallery and, in the 1980s, purchased prints directly from Gene Kloss in Santa Fe.
• GENE KLOSS (1903-1996) PENCIL
  GENE KLOSS (1903-1996) PENCIL SIGNED ETCHINGGene Kloss (1903-1996)Trip To TownThe drypoint etching signed by Gene Kloss in pencil below the image lower right is identified as an Artist Proof print, and titled by her lower left. This image was pulled in an artist's proof edition of 0nly 25 prints before the plate was destroyed. Only one other example is on record as having appeared at auction.Plate size 12 x 9, sheet measures 17.75 x 13, frame measures 20.5 x 17.25 inches.Very good condition, the full untrimmed sheet with wide lower margin, not laid down, no damage, stain, puncture or repair, noting a very pale outline surrounding the image as shown here outside the frame and mat.Provenance: Purchased from Jack and Georgia Olson who operated American Legacy Gallery and, in the 1980s, purchased prints directly from Gene Kloss in Santa Fe.
• GENE KLOSS (1903-1996) PENCIL
  GENE KLOSS (1903-1996) PENCIL SIGNED ETCHINGGene Kloss (1903-1996)Corn Husking Time (1979)The drypoint etching signed by Gene Kloss in pencil below the image lower right is identified as an Artist Proof print, and titled by her lower left. This print was pulled in an artist's proof edition of 0nly 50 prints.Provenance: This print was purchased from Jack and Georgia Olson who operated American Legacy Gallery and, in the 1980s, purchased prints directly from Gene Kloss in Santa Fe.Plate size 9 x 12, sheet measures 14.25 x 18.25, the frame is 18.5 x 21.5 inches.Very good to fine condition as shown here outside the frame and mat, the full untrimmed sheet, not laid down, clean and free from damage, no stain, puncture or repair; framed to archival standards in acid free mounts. There are tape hinges on the face of the sheet extreme upper left and right corners.Provenance: Purchased from Jack and Georgia Olson who operated American Legacy Gallery and, in the 1980s, purchased prints directly from Gene Kloss in Santa Fe.
• LEON LOUGHRIDGE FOLIO OF 10 FLINT
  LEON LOUGHRIDGE FOLIO OF 10 FLINT HILLS WOODBLOCKSLeon Loughridge (Born 1952)The Flint Hills (2008)This completely unique lot is comprised of ten pencil signed reduction woodblock prints by Leon Loughridge, the Denver artist whose energies and techniques give his color woodblocks new attributes with each print pulled. The cloth covered clamshell box includes pencil signed prints, illustrated poems, artist correspondence and more. Print titles: Cottonwood Falls edition 1/17; Flint Hills edition 1/13; Morning Fields edition 1/22; Quiet Sunrise 1/6; Prairie Road 1/12; September Field 1/8; Sunset 1/8; Tin Sky 1/12; Vultures 1/10; and Weathered 1/10. The correspondence included here indicates that teach of these is #1 of the edition. Also included are nine pages of poetry illustrated with additional reduction woodblock vignettes for even more illustrations; a page of handmade paper incorporating a frond of Flint Hills prairie grass; Copyright, introduction and prelude pages; A colophon page describing the printing process and materials; plus a handwritten letter from the artist to Jack Olsen, co-founder and co-owner of Legacy Gallery in Kansas City.Each sheet measures 13 x 11 inches.Very fine and clean condition, near pristine, the full untrimmed sheets are free from issue of any type as shown here.Provenance: A private San Francisco collection.
• GRANT WOOD (1891-1942) PENCIL
  GRANT WOOD (1891-1942) PENCIL SIGNED LITHOGRAPHGrant Wood (1891-1942)The Midnight Alarm (1939)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil within the image lower right.Image size 12 x 7, sheet size 14 x 9, the frame is 19.75 x 15 inches.Very good condition, noting the outline of a mat burn as shown here outside the frame and mat, otherwise very good, the full untrimmed sheet, not laid down, no damage, puncture or repair; framed to archival standards in acid free mounts.Provenance: Purchased from Jack and Georgia Olson who operated American Legacy Gallery.
• "LEGACY" NATIVE AMERICAN INDIAN
  "LEGACY" NATIVE AMERICAN INDIAN PRINTFramed print, "Legacy," illegibly signed lower right, further marked "Artist's Proof," and 6 of 74, depicting three images of Native American Indians, sight: 23.25"h, 16.25"w, overall: 31.5"h, 24.5"w, 10lbs
• (24) TEXANA BOOKS(lot of 24) Texana
  (24) TEXANA BOOKS(lot of 24) Texana Books: (1) "Cowboys Out Our Way, Williams, 1951, autographed by J. Frank Dobie; (1) "Dallas, The Deciding Years"< Greene, 1973; (1) 'Texas Avenue at Main Street", Greene, 1964, pamphlet; (1) "The BUll of the Woods and Out Our Way", Williams, 1944; (1) "Early Texas Oil", Rundell, 1977; (1) "Ben Love, My Life in Texas Commerce, 2005; (1) "A History of the Presbyterian Church in Texas", Red, 1936; (1) "Death from the Sea", Galveston Hurricane, 1900, Mason, 1972; (1) "The Forty Acre Follies", Frantz,1983; (1) "The Caruths, Dallas Landed Gentry", Sanders, 1988; (1) "Cactus Pryor, Inside Texas, 1982; (1) "Allan Shivers", Kinch & Long, 1973; (1) "Big Red, Red McCombs", 2011; (1) "Cowpokes, Draggin S Ranch", Reid, 1966 pamphlet; (1) "Texas" Morehead, 1982; (1) "A Texas Looks at Lyndon", Haley, 1964; (1) "The Schiwetz Legacy", Schiwtz, 1972; (1) "Austin, A Historical Portrait", Willoughby, 1981; (1) "Texas History Movies" Patton & Rosenfield, 1943; (1) "Dallas, An Illustrated History", Payne, 1982; (1) "Texas Past, Enduring Legacy", Sansom & Meinzer, 1997; (1) "The Back Forty", Graham, 1968, pamphlet; (1) "Bulletin of The University of Texas", July 8, 1912; (1) "Waterloo Scrapbook, 1968-1970"; (1) "Footprints of Texas History", Dill, 1911, largest: 12"h, 9.5"w, 1.25", total: 38lbs
• PAULA HOFFMAN (AMERICAN, 20TH
  PAULA HOFFMAN (AMERICAN, 20TH CENTURY). Polymer on canvas. "Legacy". 1967. Signed, dated, and titled verso. Suburban Art League exhibition label affixed verso. From a Long Island, NY collection. Dimensions: 50" high x 42" wide Condition: Surface scuffs and scratches. Pressure marks.
• SALVADOR DALI (SPANISH, 1904-1989).
  SALVADOR DALI (SPANISH, 1904-1989). (Group of 3) from Historia de Don Quichotte de la Mancha. Including: "Don Quixote (The Dreamer), "Le Legacy" and "The Impossible Dream". Color etchings with aquatint on Arches paper. Each signed in pencil and numbered '21/300' in the lower margin. Each with the copyright blindstamp in the lower corner. A Letter of Authenticity for "Le Legacy" from JSA, New Jersey accompanies this lot. From a Stamford, CT collection. Dimensions: (Sheet): 30" h x 22 1/8" w. (Plate): 15 3/4" h x 17 1/2" w. Condition: Good. Toning. Unframed. Fox dot in lower margin of 1.
• SALVADOR DALI (SPANISH, 1904-1989).
  SALVADOR DALI (SPANISH, 1904-1989). (Group of 3) from Historia de Don Quichotte de la Mancha. Color etchings with aquatint on Japon paper, 1981. Including: "Don Quixote (The Dreamer), "Le Legacy" and "The Impossible Dream". Each signed in pencil and numbered '26/150' in the lower margin. Each with copyright blindstamp, lower corner. A copy of the COA from Levine & Levine accompanies this lot. From a Stamford, CT collection. Dimensions: (Sheets): 30" h x 22 1/8" w. (Plate): 15 3/4" h x 17 1/2" w. Condition: Occasional foxmark. Unframed, matted. Margins with light toning and rubbing.
• Watch and Pen Grouping to include
  Watch and Pen Grouping to include Ferrari WR sports watch, American Wine Society watch, Marcel Watch Corp. American Flag watch, Legacy watch, Timex Indiglo WR 30M, Radio Shack watch, (2) watch bands, US Army Japan Movement water resistant watch, Quartz Timex, currently running and Acqua Quartz water resistant watch and (2) papermate pens
• JUDAICA REFERENCE BOOKS, 12
  JUDAICA REFERENCE BOOKS, 12 Twelve Judaica reference books including: "A Treasury of Sephardic Laws and Customs" by Rabbi Herbert C. Dobrinsky, "Treasury from the Torah" by Morris Mandel and Leo Gartenberg, "The Torah Personality: A Treasury of Biographical Sketches" by Rabbi Nisson Wolpin, "The Precious Legacy: Judaic Treasures from the Czechoslovak State Collections" by David Altshuler, "The Graphic History of the Jewish Heritage" by P. Wollman-Tsamir, "Every Day Remembrance Day: A Chronicle of Jewish Martyrdom" by Simon Wiesenthal, "Ben-Gurion's Israel" by Benjamin Appel, "Pictorial" by Ernest Henriques de Souza, "The Holocaust Museum in Washington" by Jeshajahu Weinberg and Rina Elieli, and three books written in Hebrew. 12.25" H x 9.25" W.
• GROUP OF BOOKS OF IRISH
  GROUP OF BOOKS OF IRISH INTERESTIncluding: The Gardens of Ireland photographs by Michael George, text by Patrick Bowe, Hutchinson Ltd., 1986; The Lost Houses of Ireland by Randal MacDonnell, Weidenfeld and Nicolson, 2002; In the Houses of Ireland photographs by Walter Pfeiffer and text by Marianne Heron, Stewart, Tabori, and Chang, 1988; Romantic Irish Homes by Robert O'Byrne, photographs by Simon Brown, CICO Books, 2009; The Great Cities: Dublin by Brenden Lehane, photographs by John McDermott and Laurie Lewis, Time Life International, 1978; Irish Houses: History, Archtecture, Furnishings by Klaus-Hartmut Olbricht and Helga M. Wegener, photographs by Günther von Voithenberg, translated by David Smith, Gill and MacMillian, 1984; Vanishing Country Houses of Ireland by the Knight of Glin, David J. Griffin, and Nicholas K. Robinson, Irish Architectural Archive and the Irish Georgian Society, 1988; A Guide to Irish Country Houses by Mark Bence-Jones, Constable and Co. Ltd., 1988; Magnum Ireland edited by Brigitte Lardinois and Val Williams, Thames and Hudson, 2005; Mrs Delany: Her Life and Her Flowers by Ruth Hayden, The Bath Press, 1992; Dublin Decorative Plaster Work of the Seventeenth and Eighteenth Centuries by C. P. Curran, Alec Tirani Ltd., 1967, with some edge tearing to the jacket cover; The Follies and Garden Buildings of Ireland by James Howley, Yale University Press, 1993; The Houses of Ireland by Brian de Breffny and Rosemary Ffolliott, photographs by George Mott, Thames and Hudson, 1984; Life in an Irish Country House by Mark Bence-Jones, Constable and Co., 1996; The Houses of Ireland by Brian de Breffny and Rosemary ffolliott, photographs by George Mott, Viking Press, 1975, together with a sketch by Niall Smith; The Rediscovery of Ireland's Past: The Celtic Revival 1830–1930 by Jeanne Sheehy, photographs by George Mott, Thames and Hudson, 1980; Ireland's Traditional Crafts by David Shaw-Smith, Thames and Hudson, 1984; The Irish Country House: A Social History by Peter Somerville-Large, photographs by Mark Fiennes, Sinclair-Stevenson, 1995; The Legacy of Light: A History of Irish Windows by Nessa Roche, photography by Hugh MacConville, Wordwell Ltd., 1999; Sweet Cork of Thee by Robert Gibbings, E. P. Dutton and Co., 1951, first edition, with engravings by the author; and In an Irish House edited by Sybil Connolly, photographs by David Davison, Harmony Books, 1988, first edition (21). Condition Individual condition reports not available for this lot. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JOHN GOFFE CA.1750'S NH ENGRAVED
  JOHN GOFFE CA.1750'S NH ENGRAVED POWDER HORN. John Goffe 1701-1786, engraved powder horn with rearing crowned lion and foliate decoration, 12”L. Descended through the estate of Charlotte E. Woodbury. John Goffe's life and career appear in Colonel John Goffe, Brown, W.H.,Cummings, 1950. He also figures prominently in John Goffe's Mill, George Woodbury, Norton, 1948 and John Goffe's Legacy, Woodbury, Norton, 1955. He served as Lt. Col and Col. of the New Hampshire Militia Regiment and was present at both Fort William Henry and Ticonderoga during the French and Indian Wars.
• BASS HYBRID DECOYHarold E. "Rick"
  BASS HYBRID DECOYHarold E. "Rick" Rickert (1923-1990) Mt. Clemens, MI, c. 1955 13 1/4 in. long A bass perch hybrid with an open mouth, stamped scales, and textured metal fins. Signed with a stamped "R" on the anal fin. This decoy is from Rickert's special set of his best carvings. Original paint with light wear. Provenance: Rickert Collection Kangas Collection of International Folk Art and Decoys Literature: Gene and Linda Kangas, "Harold E. Rickert: Building a legacy of excellence in a set of spearing decoys," Decoy Magazine, March/April 2009, p. 8, exact fish illustrated.
• PIKE AND MUSKIE DECOYHarold E.
  PIKE AND MUSKIE DECOYHarold E. "Rick" Rickert (1923-1990) Mt. Clemens, MI, c. 1955 13 3/4 in. long This lot consists on one decoy carving made to simultaneously represent two types of fish. The paint the right side has the bars of a muskie and the left side has the spots of a pike. It has textured metal fins and stamped feathering. Signed under the right pelvic fin with a stamped "R." This decoy is from Rickert's special set of his best carvings. Original paint with light wear. Provenance: Rickert Collection Kangas Collection of International Folk Art and Decoys Literature: Gene and Linda Kangas, "Harold E. Rickert: Building a legacy of excellence in a set of spearing decoys," Decoy Magazine, March/April 2009, p. 10, exact fish illustrated. Gene and Linda Kangas, "Great Lakes Interpretations," Concord, OH, 2011, p. 264, exact decoy illustrated.
• STRIPED BASS DECOYHarold E.
  STRIPED BASS DECOYHarold E. "Rick" Rickert (1923-1990) Mt. Clemens, MI, c. 1955 13 in. long A striped bass with stamped scales, textured fins, and an open mouth. Signed with a stamped "R" on the anal fin. This decoy is from Rickert's special set of his best carvings. Original paint with light wear. Provenance: Rickert Collection Kangas Collection of International Folk Art and Decoys Literature: Gene and Linda Kangas, "Harold E. Rickert: Building a legacy of excellence in a set of spearing decoys," Decoy Magazine, March/April 2009, p. 11, exact fish illustrated.
• GRAYLING DECOYHarold E. "Rick"
  GRAYLING DECOYHarold E. "Rick" Rickert (1923-1990) Mt. Clemens, MI, c. 1955 12 1/2 in. long It has an open mouth, stamped scales, painted metal fins, and an "R" signature under the right pelvic fin. This decoy is from Rickert's special set of his best carvings. Original paint with light wear. Provenance: Rickert Collection Kangas Collection of International Folk Art and Decoys Literature: Gene and Linda Kangas, "Harold E. Rickert: Building a legacy of excellence in a set of spearing decoys," Decoy Magazine, March/April 2009, p. 8, exact fish illustrated.