A few examples of appraisal values for
LEONARDO DA VINCI

• AFTER LEONARDO DAVINCI (ITALIAN,
  AFTER LEONARDO DAVINCI (ITALIAN, 1452-1519)After Leonardo DaVinci (Italian, 1452-1519), "Saint John the Baptist", decorative reproduction on panel, 17 7/8 in. x 15 in., framed. Condition: Overall poor condition. Ext. Frame: 24 3/4 in. x 21 3/4 in. x 2 in.
• 18th Century Italian School
  18th Century Italian School Follower of Leonardo da Vinci (Italian, 1452-1519) MONA LISA oil on linen laid down on board, unsigned 23.8 x 20 in — 60.5 x 50.8 cm
• After Leonardo da Vinci, Late
  After Leonardo da Vinci, Late 19th/Early 20th Century San Giovanni Battista di Leonardo da Vinci (Saint John the Baptist) oil on canvas titled and signed Prof. R. Barretta Museo Nazionale Napoli (verso) 19 3/4 x 14 1/2 inches. Property from the Estate of Catherine DeVoy, Milwaukee, Wisconsin
• IN THE MANNER OF LEONARDO DA VINCI,
  IN THE MANNER OF LEONARDO DA VINCI, CA. 18TH CENTURY 4 ?" x 3 ½" drawing; 8" x 5 ?" later paper Study of Madonna. Charcoal drawing with white highlights on elaborate watermark laid paper, hinged at four corners to a later period paper support, partial collector's stamp in lower right corner (purple circle 458), additional old writing on verso, in French matting, overall with mat 11 ?" x 9 ?", unframed.
• After Leonardo da Vinci/Self
  After Leonardo da Vinci/Self Portrait/oil on panel, 21.5cm x 17.5cm
• PORTRAIT OF LEONARDO DA
  PORTRAIT OF LEONARDO DA VINCIPortrait of Leonardo da Vinci, bronze; unsigned Dimensions: Overall: 22 x 12 x 12 in. (55.9 x 30.5 x 30.5 cm.) Condition:
• After Leonardo da Vinci (1452-1519)
  After Leonardo da Vinci (1452-1519) Italian MONA LISA Oil on canvas 31" (height) 78.7cm (height) 24.5" (width) 62.2cm (width)
• Leonardo DiVinci 'Virgin of the
  Leonardo DiVinci 'Virgin of the Rocks' Giclee Framed- 24x19''
• AFTER LEONARDO DA VINCI, HEAD OF
  AFTER LEONARDO DA VINCI, HEAD OF WOMAN, PRINT ON CANVAS, FRAME: 28 X 22 INAfter Leonardo da Vinci, Head of Woman, Print on Canvas, Frame: 28 x 22 in
• AFTER LEONARDO DA VINCI, THE MONA
  AFTER LEONARDO DA VINCI, THE MONA LISA COLOR PRINT AND TWO PRINTS OF EUROPEAN ARCHITECTURAL BUILDINGSAfter Leonardo da Vinci, The Mona Lisa Color Print and Two Prints of European Architectural Buildings,
• After Leonardo da Vinci, 20th
  After Leonardo da Vinci, 20th Century The Last Supper oil on panel 66 1/8 x 104 3/4 inches (sight).
• LEONARDO DA VINCI, THE MADRID
  LEONARDO DA VINCI, THE MADRID CODICES, #310, 1974, 6 VO...Leonardo da Vinci, The Madrid Codices, #310, 1974, 6 volumes, cased
• Salvador Dali (Spanish 1904-1989)
  Salvador Dali (Spanish 1904-1989) Leonardo da Vinci engraving edition 61/75 signed Dali (lower right) 7 x 5 inches.
• Manner of Leonardo da Vinci
  Manner of Leonardo da Vinci Portrait of a Young Woman Holding a Book Estimate:$800-$1,200
• AFTER LEONARDO DI SER PIERO DA
  AFTER LEONARDO DI SER PIERO DA VINCI (ITALY, 1452 - 1519) "Five grotesque heads, and three heads of men in profile" c.1510-20, sanguine ink on laid paper, in oak frame, matted and glazed, OS: 12 3/4" square, SS: 2 3/4" square. Copied from the original, late 19th c. From the Royal Trust Collection: RCIN 912491. "A drawing of eight heads; there are three grotesques in the top tier and three male heads, possibly all of the same subject, in the middle tier. In the lower tier are two heads of male and female grotesques, facing each other in profile. As in RL 12493, these heads were copied from an extensive series of Leonardo's grotesques. The first two here are a study in morphological contrasts - a sloping forehead opposite a beetling brow, a long pointed nose opposite a flat nose and so on. The ape-like creature with a monstrous lip at upper right is an extreme example of Leonardo's ugly old women, and one of his few genuinely disturbing, rather than comic, inventions. The woman at lower right with an elaborate coiffure is yet another satire on aged vanity. Text adapted from Leonardo da Vinci: the Divine and the Grotesque Provenance Bequeathed to Francesco Melzi; from whose heirs purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 14th Earl of Arundel, by 1630; Probably acquired by Charles II; Royal Collection by 1690"
• JOHN PINCHES, GENIUS OF LEONARDO DA
  JOHN PINCHES, GENIUS OF LEONARDO DA VINCI A cased set of silver medallions celebrating Da Vinci's work 50 in total in a table top cabinet, with explanatory information etc.
• ANTOINE SEBASTIEN FALARDEAU
  ANTOINE SEBASTIEN FALARDEAU (CANADIAN, 1822-1889), PORTRAIT OF LEONARDO DAVINCI, OIL ON CANVAS, 1857, AFTER A 17TH CENTURY POSTHUMOU...Antoine Sebastien Falardeau (Canadian, 1822-1889), Portrait of Leonardo DaVinci, oil on canvas, 1857, after a 17th century posthumous portrait of Leonardo, anonymous artist, previously believed to be a self-portrait, original hanging in the Pitti Gallery, Florence, Italy, ornate gilt wood frame, wear consistent with age including toning, craquelure, ss: 30" h. x 24" w. [PROVENANCE: Deaccessioned to benefit the Slater Memorial Museum's acquisition fund.] [PLEASE BRING APPROPRIATE ASSISTANCE AND VEHICLE, AS GALLERY STAFF CANNOT ASSIST WITH MOVING LARGER/HEAVIER PIECES AFTER PURCHASE]
• PORTRAIT OF LUCRETIA CRIVELLI AFTER
  PORTRAIT OF LUCRETIA CRIVELLI AFTER LEONARDO DA VINCI BY A. BIN: OIL/Canvas 21 1/2'' x 15'' signed in the stretcher verso encased in exceptional gilded and carved frame with repair 27'' x 20''.
• SCULPTURE, MICHAEL SCHILKIN Michael
  SCULPTURE, MICHAEL SCHILKIN Michael Schilkin (Finnish, 1900-1962), "Leonardo Da Vinci," circa 1950, Stoneware sculpture for Royal Copenhagen, signed verso and on side, overall: 22"h x 14"w x 9"d
• Painting after Leonardo da Vinci
  Painting after Leonardo da Vinci (Italian, 1452-1519), Ecce Agnus Dei (Behold the Lamb of God), circa 1840, depicting a young, smiling John the Baptist pointing heavenward towards inscription Ecce Agnus Dei, oil on canvas, 18-1.2 x 14-78 in.; modern gilt wood frame.
• Four Figural Stone Carvings 19th
  Four Figural Stone Carvings 19th century: "Leonardo Da Vinci" bust, inscribed on base, 8-1/8 in.; "Giotto" bust, 6-1/8 in.; bust of laughing boy, 5-7/8 in.; architectural fragment with man's head and partial inscription "VS IN DEO", 6-1/2 x 7 x 3 in.,
• ACHILLE BOSCHI, (3) OIL ON BOARD
  ACHILLE BOSCHI, (3) OIL ON BOARD PORTRAITS Achille Boschi (Italian, 1852-1930), "Michelangelo", "Raphael" and "Leonardo da VInci" portraits, "A. Boschi's Picture Gallery" on verso of each, with name of subject and name of owner, in giltwood frame with carved acanthus leaf border, 8.5"h x 6.75"w (boards), 16"h x 28.5"w (frame)
• 3 SALVADOR DALI PORTRAIT
  3 SALVADOR DALI PORTRAIT ETCHINGS: 1) ''Leonardo Da Vinci'', Artist Proof, sight size 9'' x 6'' with margins, pencil signed lower right, marked EA lower left, framed, 17'' x 12.5''; 2) ''Rembrandt'', sight size 10.5'' x 9'' with margins, pencil signed lower right, numbered lower left 119/250, framed, 23'' x 20''; 3) ''Michaelangelo'', sight size with margins 10.5'' x 9'', pencil signed lower right, numbered lower left 204/250, framed, 22.5'' x 20''.
• Leonardo Cungi Also Known as
  Leonardo Cungi Also Known as Cugni/Congi (fl. 1540??Ts- d.Rome June 1569) Italian THE EVANGELIST ST. MARK WRITING HIS GOSPEL DICTATED TO HIM BY AN ANGEL MID 1500??TS Sepia pen and ink with graphite sketching lines heightened with sepia watercolour wash on grey paper; signed lower left in ink numbered 2 in pencil lower right corner. In a sculpted arch. Matted. 8.75" (height) 22.2cm (height) 14.75" (width) 37.5cm (width)
• Leonardo Cremonini Italian, b. 1925
  Leonardo Cremonini Italian, b. 1925 Rochers Dans la Nuit, 1955-56 Estimate:$5,000-$7,000
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778) "VEDUTA DELL'ARCO DI TITO" Etching, 1771.
• Augostino Veneziano (de Musi)
  Augostino Veneziano (de Musi) (Italian c. 1490-1540) "The Climbers" engraving after Michelangelo's drawing for the Palazzo Vecchio monogrammed and dated 1524 published c. 1773 by Carlo Losi Rome laid paper with fleur-de-lis in double-circle watermark collector's stamp "VC" and old inscription verso plate 13 in. x 17 1/8 in.
• Augostino Veneziano (de Musi)
  Augostino Veneziano (de Musi) (Italian c. 1490-1540) "The Climbers" engraving after Michelangelo's drawing for the Palazzo Vecchio monogrammed and dated 1524 published c. 1773 by Carlo Losi Rome laid paper with fleur-de-lis in double-circle watermark collector's stamp "VC" and old inscription verso plate 13 in. x 17 1/8 in.
• MINIATURE PORTRAIT OF THE MONA LISA
  MINIATURE PORTRAIT OF THE MONA LISA IN A BONE FRAME 5¼" x 4?" frame After Leonardo da Vinci (Italian, 1452-1519). Oval hand enhanced transfer portrait miniature of the Mona Lisa, presented in an octagonal, engraved bone frame with a gilt brass fillet and convex glazing, signed, right center edge, "Berry".
• TASCHEN XL BOOK "LEONARDO DA
  TASCHEN XL BOOK "LEONARDO DA VINCI"- SPANISHDESCRIPTION: Taschen Book "Leonardo da Vinci. Obra pictórica completa y obra gráfica (Spanish Edition)" Hardcover XL Book. "Leonardo Da Vinci. The Complete Paintings and Drawings". Book Table. By Frank Zollner. CIRCA: 2018 ORIGIN: Germany DIMENSIONS: H: 17 1/2" W: 12" D: 3". Weight: approx. 9.63 pounds CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• JOSEPH WALLACE KING "VINCIATA"
  JOSEPH WALLACE KING "VINCIATA" (NC/ITALY, 1911-1996), PORTRAIT OF A BOY Oil on canvas, circa 1960s, signed at lower right, presented in an ornate gilt frame with linen liner.
• Leonardo Roda (1868-1933 Italian)
  Leonardo Roda (1868-1933 Italian) La Vecchia * di Bardonecchia Village Scene in the Province of Turin Italy
• 2 19C RENAISSANCE REVIVAL OLD
  2 19C RENAISSANCE REVIVAL OLD MASTER SEPIA DRAWING Italy,Early 19th CenturyOne depicting a potentially wounded man resting against a rock looking into the background observing a winged figure, the other a monk shoveling.
• WEDGWOOD BLACK BASALT LIBRARY
  WEDGWOOD BLACK BASALT LIBRARY BUST OF LEONARDO DA VINCIWEDGWOOD BLACK BASALT LIBRARY BUST OF LEONARDO DA VINCI , circa 1795-1850, impressed uppercase mark and potter’s mustache cypher under socle and another at shoulder, in artist’s cap and buttoned chemise, truncated at the shoulder, on a waisted circular socle, h: 20 in. Provenance: Heritage Auctions, Dallas, TX, 21-22 June 2014, sale 5175, lot 86220. Jeffrey Milkins Collection, no. 744.
• 3 PIECES RELIGIOUS ARTWORKAfter
  3 PIECES RELIGIOUS ARTWORKAfter Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal relief plaque of Jesus Christ. Plaque: 11 3/4" x 9 1/4" (with frame: 17 3/4 x 14").
• VOLPATO ENGRAVING AFTER RAPHAEL
  VOLPATO ENGRAVING AFTER RAPHAEL FRESCO Johannes Volpato (Italian 1733-1803), engraving after Raphael's (Italian 1483-1520) "The Meeting of Leo the Great and Attila" 1514 fresco in the Vatican, depicting the meeting between Pope Leo I and Attila the Hun which took place in 452 in Northern Italy, framed. Approx. paper h. 22.75", w. 30"l overall h. 29", w. 37.75", d. 1".