A few examples of appraisal values for
LEYLAND

• Ley (Charles) The Nobleman,
  Ley (Charles) The Nobleman, Gentleman, Land Steward and Surveyor's Compleat Guide etc., 1st edition, London 1787, 8vo, old half calf binding, with two others relating to stewardship, estate management (3)
• ATTRIBUTED TO SIR EDWIN HENRY
  ATTRIBUTED TO SIR EDWIN HENRY LANDSEER R.A. (ENGLISH 18...attributed to SIR EDWIN HENRY LANDSEER R.A. (English 1802-1873) A PAINTING, "Rydal Water," MID 19TH CENTURY, oil on canvas. 12 1/2" x 22 1/2" Note: A view of Rydal Hall, the seat of The Le Fleming baronetcy, dating back to the 17th century. Two female figures are seated with a male attendant, watching a hunter with a rifle. Rolling fields are dotted with fluffy sheep, the landscape recedes and at the center a lake and manor house. A record with the Cumbria Archive Service Catalogue preserves that, "The 4th baronet, Sir Michael, was christened 'le' bringing the old family name back into use. The title and the estate split after the male entail was canceled in the 18th century and the estate descended to Sir Michael's daughter, Anne Frederica Elizabeth le Fleming, and her descendants. Anne married the 5th baronet, Sir Daniel Fleming of West Cumbria in 1807 after a short-lived marriage he moved to Hill Top in Crosthwaite where he lived with his mistress and their children while she remained with her mother Lady Diana at Rydal, until her death in 1861." Provenance: Property from a Corporate Art Collection. Condition: Signature not found, craquelure, some mild expected darkening of paint, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• STUDIO OF PETER LELY (BRITISH,
  STUDIO OF PETER LELY (BRITISH, 1618-1680) LADY ELIZABETH BEDINGFELD, ANCESTOR OF MARYLAND WETENHALL FAMILY OIL ON CANVAS: 30 X 25 IN...Original Northern European Auricular Frame Oil on canvas: 30 x 25 in. (canvas) 39 3/4 x 36 in. (framed) Provenance: Owned by Sir Thomas Wetenhall of Hextall Court in Kent, England, and of Maryland, early 18th Century; Inherited by his daughter, who removed the portraits to Cheston in Queen Anne's County, Maryland; Inherited by her great-grandson William Henry de Courcy (1824-1911); Bequeathed to his nephew Henry May (1854-1936); Bequeathed to his son Henry Coleman de Courcy May (1888-1957); Bequest of Henry Coleman de Courcy May, 1958; Property of The Society of the Cincinnati [M.1958.064.01-.03, .06, .10, .12, .14, .16, .18]
• James Lindsay (British, 20th
  James Lindsay (British, 20th Century)/Cotswold Landscapes/a pair of capriccio views including Bisley church, the Slad valley and Cotswold cottages/each in a glazed Gothic tracery frame/watercolour, 104cm x 44cm (in need of restoration)
• ALFRED LEYMAN (ENGLISH 1856-1953)
  ALFRED LEYMAN (ENGLISH 1856-1953) BUCOLIC ENGLISH COUNTRYSIDE SCENES A pair of watercolors on paper: 8 1/2 x 13 in. Framed; one signed and dated lower right: A.Leyman/1880
• HILL Rowland (British 1915-1979):
  HILL Rowland (British 1915-1979): Irish Landscape with Lakeside Cottage OIL/Board 12'' x 18'' signed lower right painted wood frame 16 1/2'' x 22 1/2''.
• James Leakey (1775-1865)/Devon
  James Leakey (1775-1865)/Devon Landscape/oil on canvas, 30cm x 44.5cm/Provenance: David Messum, 3rd October 1975
• REGINALD LANDER (BRITISH 20TH
  REGINALD LANDER (BRITISH 20TH CENTURY), COUNTRY COTTAGE, COLOR LITHOGRAPH, FRAME: 19 X 25 IN. (48.26 X 63.50 CM.)Reginald Lander (British 20th Century), Country Cottage, Color Lithograph,, Dimensions: Frame: 19 x 25 in. (48.26 x 63.50 cm.)
• Dennis Warren (20th century) Lyford
  Dennis Warren (20th century) Lyford Cay Nassau oil on canvas 42 x 66 inches.
• LG WILLIAM CHEWNING LANDSCAPE
  LG WILLIAM CHEWNING LANDSCAPE PAINTING Massachusetts,20th Century Impressionist depiction of rolling hills and valleys lined by trees beneath a clear blue sky.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Coastal Landscape
• H. Longley Lander watercolor (Henry
  H. Longley Lander watercolor (Henry Longley Lander, British, late 19th/early 20th century), stream through a rocky woodland, signed lower left "H. Longley Lander", watercolor over pencil on paper, old label verso "Royal Institute of Painters in Water Colours" with title and artist information, 7 x 10 in.; early 20th century gilt wood and composition frame and liner. Light toning and fading; frame with losses, resurfaced. Private Collection, Cornelia, Georgia.
• William Langley (British,
  William Langley (British, 1852-1922) Landscape Painting, oil on canvas, signed W Langley, 16" x 24", framed 20-3/4" x 28-3/4", good condition, age cracking
• William Langley (British,
  William Langley (British, 1852-1922) Landscape Painting, oil on canvas, signed W Langley, 16" x 24", framed 20-3/4" x 28-3/4", good condition, age cracking
• PAIR LENNARD LEWIS ENGLISH OILS
  PAIR LENNARD LEWIS ENGLISH OILS ON CANVAS , FRAMED Lennard Lewis (British, 1826-1913). Pair of landscape paintings with livestock, oil on canvas. Signed and dated 1885, framed as a pair. Approx. 19.5" x 15.25" (frame), 14" x 10" (canvas)
• Erle (Earle) Loran (American
  Erle (Earle) Loran (American 1905-1999) Abstract landscape. Oil on masonite apprx. 23-3/4" x 36" signed and dated '49 along the lower edge not framed. Old Butterfield's auction sticker verso.
• Oil on canvas landscape painting of
  Oil on canvas landscape painting of a cottage in the Cotswolds signed l.r. "A.L. Jay". 11.5"x17.5"
• WILLIAM MELLOR OIL LANDSCAPE
  WILLIAM MELLOR OIL LANDSCAPE PAINTING, ON THE LLEDR, NO...William Mellor (United Kingdom, 1851-1931) oil on canvas laid down on board vertical landscape titled "On the Lledr, North Wales" depicting sheep grazing near a river surrounded by foliage and rocky terrain with a mountain backdrop under a cloudy blue sky. Signed "William Mellor" lower left. Title and label for Reeves & Sons London, en verso. Housed in a carved Louis XV style giltwood frame. Sight: 23 1/4" H x 17 1/2" W. Framed: 31" H x 25" W. The Estate of Pia Stratton, Nashville, Tennessee. Condition: Painting has been lined on board compromising the texture of the paint in the upper sky area. Some scattered inpainting, largest area 2" L, right margin, and overpainting in sky area. Frame in good condition with expected age cracking.
• WILLIAM HOWARD YORKE (CANADA/UNITED
  WILLIAM HOWARD YORKE (CANADA/UNITED KINGDOM, 1847-1921), THE BARQUE LURLEI OF LIVERPOOL OFF FASTNET ROCK, IRELAND., OIL ON CANVAS, 19.75" X 30". FRAMED 30.25" X 39.5".WILLIAM HOWARD YORKE, Canada/United Kingdom, 1847-1921, The barque Lurlei of Liverpool off Fastnet Rock, Ireland. Signed and dated lower left "W.H. Yorke - 1893" and further inscribed bottom center "Lurlei of Liverpool - T.J. Gill Master". Dimensions: Oil on canvas, 19.75" x 30". Framed 30.25" x 39.5". Provenance: Property of a Glasgow dealer.Christie's East, New York, Maritime Sale, February 1999.The Kelton Collection of Marine Art & Artifacts.Note:The barque Lurlei was an iron-hulled ship, built in Liverpool in 1875 by Thomas Royden & Sons.
• LG UKRAINIAN FARMLAND LANDSCAPE
  LG UKRAINIAN FARMLAND LANDSCAPE PAINTING Ukraine,20th CenturyImpressionist depiction of vast farmland with scattered buildings and a blue tractor hauling a red wagon.
• A. MAXWELL LELAND (AMERICAN,
  A. MAXWELL LELAND (AMERICAN, 1896-1983), OIL ON CANVAS, SEASCAPE WITH WAVES BREAKING ON CLIFF WITH FOREST ABOVE, PILLAR-LIKE ROCK FO...A. Maxwell Leland (American, 1896-1983), oil on canvas, seascape with waves breaking on cliff with forest above, pillar-like rock formations command the foreground to the right, clouds building from the left, signed lower right, not examined out of frame, wear consistent with age, ss: 19 1/4" h. x 23 1/2" w.
• Anderson William Livingston(e)
  Anderson William Livingston(e) [British 1856-1893] English country landscape painting with a stream and cottage titled "Mapledurham-Thames England" signed l.l. and verso "W. Livingstone Anderson" unframed. 26.75"x48"
• Attr: Sir Edwin Landseer (British
  Attr: Sir Edwin Landseer (British 1802-1873) Landscape with Fir Trees. Oil on panel unsigned apprx. 9-1/2" x 7" framed in a wide decorative gilt frame overall apprx. 16-1/4" x 13-5/8". An oil sketch depicting tall trees the tops of which are illuminated by the setting sun. Artist's name hand lettered onto the frame. Multiple and partial old labels verso including McClean Gallleries Philadelphia Norton Gardner Antiques Cleveland and others. Acquired by the current owner from Norton Gardner several years ago.
• Otto Stark (American,
  Otto Stark (American, 1859-1926) "Leland Inlet" Hoosier summer landscape oil on canvas signed and dated 1916 lower left Professionally cleaned and repaired. 18" x 24"
• PR A. LEWIS LANDSCAPESA. Lewis
  PR A. LEWIS LANDSCAPESA. Lewis (British), n.d. A pair of early 20th century oils on canvas, each depicts a port scene with figures in the foreground. One is signed "A. Lewis" lower right and entitled "Old Hulks, Devonport" on the reverse, and the other is signed lower left and entitled "Low Tide, Off Whitby" on the reverse, in matching contemporary frames. Both have craquelure; "Low tide" has small area of overpainting near the center with a 4 x 1 1/4" patch on the reverse. Image 20 x 12 1/2", framed 26 1/2 x 18 1/4" high overall. ESTIMATE $800-1,200 Condition: Both have craquelure; "Low tide" has small area of overpainting near the center with a 4 x 1 1/4" patch on the reverse. I
• A propshaft and a gearbox for a
  A propshaft and a gearbox for a Leyland cub fire engine
• British 19th Century hand-colored
  British 19th Century hand-colored engraving after Sir Edwin Landseer. Titled ''Laying Down the Law.'' Engraved by T. Stansfeld. Lower margin reads ''Painted by Sir Edwin Landseer R.A. Engraved by T. Stansfeld'' with ''Laying Down the Law'' below in bigger print. Framed and matted in contemporary frame. Condition: good see images. Plate measures 17.75'' tall x 19'' wide. Frame measures 28.1'' tall x 29'' wide. Shipping weight 15 lbs.
• James Peel (United Kingdom, 1811
  James Peel (United Kingdom, 1811 - 1906) oil on canvas Lake District landscape of Eagle Crag with figures and cows, signed lower right "J. Peel", sight 15 1/2"h x 25 1/4"w
• WAYNE LAMBERT DAVISAmerican
  WAYNE LAMBERT DAVISAmerican 1904-1988Figure by a lighthouse. Signed lower right Wayne Davis''.Provenance: Country Art Gallery Long Island.Watercolor on paper 16'' x 23''. Framed.''
• Copley Fielding (1787-1855)/Loch
  Copley Fielding (1787-1855)/Loch Lubnaigh, Scotland/a mountainous landscape scene with lake and cattle in the foreground/signed and titled on separate parchment verso/watercolour, 33.5cm x 54cm
• Aaron Edwin Penley (British
  Aaron Edwin Penley (British 1806-1870)/Loch Landscape/with fisherman in boats and cattle watering/signed and dated 1869/oil on canvas, 26cm x 73.5cm
• Leon Lundmark (American,
  Leon Lundmark (American, 1875-1942), seascape with sailboats in the distance; 25 1/2" x 29 1/4; signed lower right.
• Edwin L. Meadows British, fl.
  Edwin L. Meadows British, fl. 1854-1872 Sussex Landscape with Horses and Ploughman in the Foreground Estimate:$4,000-$6,000
• FIELD, Edward Loyal, (American,
  FIELD, Edward Loyal, (American, 1856-1914): Tonalist Landscape, Oil/Canvas on Board, 20'' x 30'', signed, dated, carved and painted frame, 26'' x 36''.CONDITION: Canvas laid on board, minor inpaint.
• LLOYD BRANSON PANORAMIC
  LLOYD BRANSON PANORAMIC WATERCOLOR LANDSCAPELloyd Branson (Tennessee, 1861-1925) panoramic watercolor winter landscape scene, pencil signed and dated lower right "Copyright 1896, Branson". Housed in the original molded gilt wood frame. Sight - 9 1/2" H x 21 7/8" W. Framed - 14 1/2" H x 27" W. Biography ñ Branson is known as the first East Tennessee artist to receive formal art training in Europe (at the National Academy of Design in Paris) and studied at the National Academy of Design in New York. He returned to Tennessee and entered into a business partnership with Frank McCrary from 1885 to 1903, and became a leader in the East Tennessee arts community. Research courtesy of James A. Hoobler, Tennessee State Museum. (Higher-resolution photos are available at www.caseantiques.com) Condition: Some minor toning to paper. Very minor scattered chipping to frame.
• William Lee Hankey
  William Lee Hankey (1869-1952)/Landscape with Cottages/signed lower right/oil on canvas, 50cm x 57.5cm