A few examples of appraisal values for
LINDNER

• Richard Lindner (German, 1908-1978)
  Richard Lindner (German, 1908-1978) \"Couple I\", limited edition chromolithograph artist\'s proof, 28\" x 22\", pencil signed lower right \"R. C. Lindner\", produced and published by Shorewood Publishers, Inc., New York, New York, 1971. Glazed, matted and presented in a lacquered frame.
• AFTER RICHARD LINDNER
  AFTER RICHARD LINDNER (GERMAN/AMERICAN)After Richard Lindner (German/American, 1901-1978), "Einhorn Auditorium Sale", 1967, lithograph, signed lower left, signed and dated in plate, printed by Contemporary Art Lithographers, Minneapolis, sheet 29 1/4 in. x 20 1/4 in., unframed. Condition: Overall fair condition.
• RICHARD LINDER (1901 - 1978)Richard
  RICHARD LINDER (1901 - 1978)Richard Lindner (1901 - 1978), colored lithograph, "Man's Best Friend", pencil signed artist proof, 27" x 21". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• RICHARD LINDNER, (3) SERIGRAPHS
  RICHARD LINDNER, (3) SERIGRAPHS Richard Lindner (German, 1901-1978), "Changing Sexuality", 1973, set of three serigraphs from an un-numbered edition of 2000, unsigned, unframed, 44.5"h x 32.5"w
• LINDNER, Richard, (American,
  LINDNER, Richard, (American, 1901-1978): Profile, (from Afternoon), Color Lithograph, sight size 25 3/4'' x 20 3/4'', pencil signed lower right, marked artist's proof lower left.
• RICHARD LINDNER (AMERICAN/GERMAN,
  RICHARD LINDNER (AMERICAN/GERMAN, 1901-1978), ROOM FOR RENT, SERIGRAPH IN COLOR, SIGNED L.R. AND NUMBERED 28/150 L.L., FRAME: 45 X 33 1/2 IN. (114.3 X 85.1 CM.)Richard Lindner (American/German, 1901-1978), Room for Rent, Serigraph in color, signed l.r. and numbered 28/150 l.l.,, Dimensions: Frame: 45 x 33 1/2 in. (114.3 x 85.1 cm.)
• RICHARD LINDNER, GERMAN, AMERICAN
  RICHARD LINDNER, GERMAN, AMERICAN (1901-1978), GREEN HAIRED LADY, 1971, SCREENPRINT, 41" X 29 1/4", 41" X 32" (FRAME)Richard Lindner, German, American, (1901-1978) Green Haired Lady, 1971, screenprint Signed lower right, numbered 31/100 dated (1971) lower left. screenprint Dimensions: 41" x 29 1/4", 41" x 32" (frame) Provenance: Richard Lindner (November 11, 1901 – April 16, 1978) was a German-American painter. Richard Lindner was born in Hamburg, Germany. His mother Mina Lindner was American and born in New York as daughter of German parents. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School), now the Academy of Fine Arts Nuremberg. From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 Lindner moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained in Munich until 1933, when he was forced to flee to Paris. Once in Paris, Lindner became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when World War II broke out in 1939 and later served in the French Army. In 1941, Lindner moved to the United States and worked in New York City as an illustrator of books and magazines. There he made contact with New York artists and German emigrants such as Albert Einstein, Marlene Dietrich, and Saul Steinberg. In 1948, Lindner became an American citizen. In 1952, Lindner started teaching at the Pratt Institute, Brooklyn. In 1957 Lindner received the William and Norma Copley Foundation-Award. In 1965, he became Guest Professor at the Hochschule für bildende Künste in Hamburg, Germany. His paintings at this time used the sexual symbolism of advertising and investigated definitions of gender roles in the media. In 1967, Lindner moved to Yale University School of Art and Architecture, New Haven. Richard Lindner died in 1978. He was buried at Westchester Hills Cemetery in Hastings-on-Hudson, New York.
• RICHARD LINDNER FEMALE NUDE
  RICHARD LINDNER FEMALE NUDE GRAPHITE ON PAPER Richard Lindner (German/American, 1901-1978) graphite drawing on paper sketch depicting a study of a nude woman in bondage, pencil signed lower right, housed in a silvered wood frame. Sheet: 16.25" H x 12" W; frame: 21.75" H x 17" W.
• RICHARD LINDNER (1901 -
  RICHARD LINDNER (1901 - 1978)Richard Lindner (1901 - 1978), colored lithograph, "Adam and Eve", pencil signed artist proof, 27" x 21 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• LINDLAR Johann W. O/C Landscape
  LINDLAR Johann W. O/C Landscape with Figures.Signed lower right. Johann Wilhelm Lindlar German 1816 - 1896. From a Long Island NY estate. Dimensions: 31.5'' high x 43'' wide. Condition: Yellowed varnish surface grime craquelure.
• RICHARD LINDNER (NY/GERMANY/FRANCE,
  RICHARD LINDNER (NY/GERMANY/FRANCE, 1901-1978) "Carnival", india ink and gouache on paper, signed lower right and dated 1969, in gold cove frame, matted and glazed, OS: 22 1/2" x 23 1/4", SS: 16" x 13 3/4", fine condition.
• Doris Lindner (1896-1979): a
  Doris Lindner (1896-1979): a remarkable collection of original pencil sketches and designs for many of Doris Lindner's best-known Royal Worcester models, including champion horses, prize bulls and equestrian subjects, about 30 sheets, some double-sided, mostly 28cm x 38cm, together with an album of anatomical drawings of the musculature of dogs/Note: found in her Cotswold cottage after she died, these sketches were gifted to Henry Sandon by Miss Lindner's family/Provenance: from the Henry Sandon
• 5pc Richard Lindner (1901-1978
  5pc Richard Lindner (1901-1978 American) ''Robotic Modernism'' Lithographs 16.5''x12'' Sheets Approx. Includes five various figure lithographs. Hand signed and all with matching 33 of 150 edition numbers. Two are loose, while three are framed (largest size 18''x14''). Excellent condition with strong colors.
• RICHARD LINDNER (american
  RICHARD LINDNER (american 1901-1978) "MAN'S BEST FRIEND" 1970, pencil signed and numbered 227/250 in the margin. Color lithograph. 22 1/4 x 20 1/4 in. provenance: Private Collection, Pennsylvania. Framed. Entire sheet visible through frame. Not examined out of frame. Sheet has some surface soiling. Soiling is most visible near top edge of sheet, bottom of sheet, and in the white space directly ''in front'' of figure''s eyes. There are some soft handling marks along left edge of sheet. Colors are bright and fresh.
• LINDNER, Richard, (American,
  LINDNER, Richard, (American, 1901-1978): Girl w/Lollipop and Male Figure, Lithograph, pencil signed and numbered 158/175, unframed, 26 1/2'' x 20 1/4''.
• RICHARD LINDER (GERMAN/AMERICAN,
  RICHARD LINDER (GERMAN/AMERICAN, 1901-1978) DAME DE COUR COLOR LITHOGRAPH: 12 1/4 X 9 1/2 IN. (SIGHT)RICHARD LINDER, (GERMAN/AMERICAN, 1901-1978) DAME DE COUR, Color lithograph: 12 1/4 x 9 1/2 in. (sight) Framed; lower right signed in plate: R. Linder
• RICHARD LINDNER, GERMAN, AMERICAN
  RICHARD LINDNER, GERMAN, AMERICAN (1901-1978), LOLLIPOP, 1970, LITHOGRAPH, 26 1/2"H X 20 1/8"W, 30"H X 24"W (FRAME)Richard Lindner, German, American, (1901-1978) Lollipop, 1970, lithograph Numbered X/LXXV lower left, signed lower right. Biography from the Archives of askART: Born in 1901 at Hamburg, Germany, Richard Lindner became a fine-art painter of hard-edge abstract figures, a fashion illustrator and art educator. His signature figural works reflect his perception of the un-fulfillment of pop culture and are shown in surreal settings with garish bright colors, flat forms and faces with severe expressions. Among them are streetwalkers, military personnel, mannequins and circus performers---all looking mechanical and unhappy. Richard Lindner spent his childhood in Nuremberg and studied there at the Kunstgewerbeschule. From 1924 to 1927 he lived in Munich where he studied from 1925 at the Kunstakademie. He moved to Berlin and stayed there until 1928 and then returned to Munich to become art director of a publishing firm. He remained there until 1933 when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. Richard Lindner was interred when the war broke out in 1939 and later served in the French army. In 1941 he went to America where he worked in New York as an illustrator of books and magazines and made contact with New York artists and German emigrants. In 1948 he became an American citizen. From 1952 to 1967, Lindner taught at the Pratt Institute, Brooklyn, and from 1967 at Yale University School of Art and Architecture, New Haven. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His paintings at this time used the sexual symbolism of advertising and investigated definitions of gender roles in the media. lithograph Dimensions: 26 1/2"H x 20 1/8"W, 30"H x 24"W (frame)
• COLOR LITHO - 'Circle and Pillow
  COLOR LITHO - 'Circle and Pillow from the Afternoon Portfolio' by Richard (Linder) Lindner (NY/Germany/France 1901-1978) pencil signed lr and numbered 157/250 floated on black background aluminum box frame image size: 24'' x 20'' OS: 34 1/4'' x 24 3/4''
• RICHARD LINDNER LITHOGRAPHRichard
  RICHARD LINDNER LITHOGRAPHRichard Lindner (American 1901-1978)- ''Heart''- lithograph in color, 1969, signed and numbered 209/250 in pencil, from the 'Afternoon' portfolio, good condition. 23 7/8 x 19 7/8''
• RICHARD LINDER (AMERICAN.
  RICHARD LINDER (AMERICAN. 1901-1978)St. Marks, 1971. Signed in pencil in the crescent moon, R. Linder, numbered 17/26. Lithograph, Collage. Measuring 25 by 19.5 in., matted, in a carved gilt frame 37 by 30 in. (Cond: good, image askew in frame)
• LUDWIG GRAEFNER (GERMAN, 1862 -
  LUDWIG GRAEFNER (GERMAN, 1862 - 1939) "THE FALCONER" Bronze on a marble base.
• Johann Wilhelm Lindlar (German,
  Johann Wilhelm Lindlar (German, 1816-1896) Mountain with River oil on canvas signed J.W. Lindlar (lower right); J.W. Lindlar, Düsseldorf label (verso) 28 3/8 x 24 1/8 inches.
• RICHARD LINDNER " RED HEAD "Richard
  RICHARD LINDNER " RED HEAD "Richard Lindner " Red Head " Lithograph On Arches Paper, Hand Signed By The Artist Limited Edition 98/120. unframed ( height: 29 inch, width: 21 inch ) Framed (height: 31 inch, width: 23 inch )
• KASSNER, ALOIS. DIREKTOR
  KASSNER, ALOIS. DIREKTOR KASSNER.Hamburg, Friedländer, ca. 1913. Early one-sheet color lithograph depicting the “Thurston of Germany” amidst bubbles, devils, and other symbols of the magician’s craft. 27 ¼ x 36 ½". Tears along edge of poster, minor tear affecting image. A-.
• LINDERMAN, Earl, (American, b.
  LINDERMAN, Earl, (American, b. 1931): Portrait of a Blonde, Pen and Ink with Watercolor, sight size 13.5'' x 10.5'', signed lower left and dated 1979, framed, 20.25'' x 17''.
• GUNTHERMANN LIMOUSINE Germany
  GUNTHERMANN LIMOUSINE Germany smaller version of luxury model lithographed tin grey body extensive trim wind-up crank at front grille spoke wheels luggage rack on roof. 8 3/4'' l. (VG Cond.)
• S. LINDWASSER, A/C ABSTRACT
  S. LINDWASSER, A/C ABSTRACT COMPOSITIONStanley Lindwasser (Am. 1947-2020) acrylic on canvas, unframed, signed and dated 2011 lower right, numbered "44" verso. 30" high, 40" wide. Lindwasser was a prolific artist for over 35 years with an extensive exhibit history. A native ofBrooklyn, NY, he worked with acrylic paint on canvas to invoke abstract images that he saw as reminiscent of landscapes, weather, water, and other forces of nature. Property of the Estate of Stanley Lindwasser.
• S. LINDWASSER, A/C ABSTRACT
  S. LINDWASSER, A/C ABSTRACT COMPOSITIONStanley Lindwasser (Am. 1947-2020), acrylic on canvas, unframed, signed and dated 2011 lower right, numbered "46 group 11" verso. 30" high, 40" wide. Lindwasser was a prolific artist for over 35 years with an extensiveexhibit history. A native of Brooklyn, NY, he worked with acrylic paint on canvas to invoke abstract images that he saw as reminiscent of landscapes, weather, water, and other forces of nature. Property of theEstate of Stanley Lindwasser. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• S. LINDWASSER, A/C ABSTRACT
  S. LINDWASSER, A/C ABSTRACT COMPOSITIONStanley Lindwasser (Am. 1947-2020), acrylic on canvas, unframed, signed and dated 2013 lower right, numbered "48 group 5" verso. 24" high, 18" wide. Lindwasser was a prolific artist for over 35 years with an extensiveexhibit history. A native of Brooklyn, NY, he worked with acrylic paint on canvas to invoke abstract images that he saw as reminiscent of landscapes, weather, water, and other forces of nature. Property of theEstate of Stanley Lindwasser. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• S. LINDWASSER, A/C ABSTRACT
  S. LINDWASSER, A/C ABSTRACT COMPOSITIONStanley Lindwasser (Am. 1947-2020) acrylic on canvas, unframed, signed and dated 2016 lower right, numbered "76" verso. 36" high, 24" wide. Lindwasser was a prolific artist for over 35 years with an extensive exhibit history. A native ofBrooklyn, NY, he worked with acrylic paint on canvas to invoke abstract images that he saw as reminiscent of landscapes, weather, water, and other forces of nature. Property of the Estate of Stanley Lindwasser.
• RICHARD LINDERUM (GERMAN, 1851 -
  RICHARD LINDERUM (GERMAN, 1851 - 1926) 17 ?" x 23 ¾" Meeting of scholars. Oil on canvas, signed lower left, in a carved gilt frame, overall 24" x 30".
• FISCHER LIMOUSINE Germany c. 1915
  FISCHER LIMOUSINE Germany c. 1915 lithographed tin brown body simulated cloth roof done in tin with wire supports seated driver clockwork driven wear to litho. 10'' l. Ingersoll Collection. Two doors repainted overall (VG Cond.)
• LYONEL FEININGER
  LYONEL FEININGER (AMERICAN/GERMAN, 1871-1956), ACHT MäNNER MIT ZYLINDERHüTEN UND EIN HUND (EIGHT MEN WITH CYLINDER HATS AND A DOG) Woodcut print on paper on Japan paper, 1919, pencil numbered 22/100, blindstamp at lower right, retains Associated American Artists, New York label, unframed.
• FRIEDRICH GORNIK (1877-1943)
  FRIEDRICH GORNIK (1877-1943) AUSTRIANFriedrich Gornik, a finely patinated 20th century bronze inkstand sculpted in the form of a striding lion and lioness atop a naturalistic ground - a lidded compartment opening to access an inkwell, all fitted above a full length pen trough. Signed F. Gornik, Austria. Dimensions, 6" h x 14.5" w x 6" d.
• FISCHER LIMOUSINE Germany c. 1915
  FISCHER LIMOUSINE Germany c. 1915 lithographed tin done in blue body grey striping with ornate gold finished luggage rack black running boards spoke wheels painted in grey seated driver opening doors clockwork driven. 13 1/4'' l. Replaced luggage rack repainted wheels retouch to one door overall (Exc. Cond)
• OTTO LINDIG (1895-1966) FOR
  OTTO LINDIG (1895-1966) FOR STAATLICHE MAJOLIKA KERAMIK MANUFAKTUR, KARLSRUHE, GERMANY BAUHAUS PART TEA-SERVICE, CIRCA 1930 glazed earthenware, comprising a COFFEE POT, 19cm high; and THREE CUPS, 5cm high, each with moulded pottery marks and serial numbers (some pieces indistinct)(4)Note: A similar example of the coffee pot is in the V&A Collection, accession number C.254:1 to 2-1993Otto Lindig joined the Bauhaus as a sculptor in 1919 and in 1920 was apprenticed under Gerhard Marcks at the school’s Dornburg premises. As the school moved closer towards a philosophy of uniting Art & Technology, Lindig became increasingly interested in machine-based production methods and in 1924 he was responsible for the technical management of the pottery. Simple, organic forms dominated his work, as well as a careful selection of glazes in an effort to further emphasise the sculptural quality of the design. A testament to Lindig’s popularity, the Karlsruhe factory contacted Lindig for permissions to use some of his Bauhaus designs as he owned their copyrights. The original designs came into production at Karlsruhe in 1929, some of them produced until 1962.