A few examples of appraisal values for
LITHOGRAPH OF TOM

• TOM EVERHART. "SALUTE,"
  TOM EVERHART. "SALUTE," LITHOGRAPH (American, b. 1952). Lithograph in colors, signed in stone "Everhart" lr, image size: 29 x 22 1/2 in., framed.
• TOM E. FINGLASS.Tom E. Finglass.
  TOM E. FINGLASS.Tom E. Finglass. London: S.C. Allen, ca. 1920s. Color portrait lithograph mounted on board. 20 x 30". Chipped near name banner, scattered short tears and scuffs, but good overall.
• PRINT, TOM KILLION Tom Killion
  PRINT, TOM KILLION Tom Killion (American, b. 1953), "McWay Rocks, Big Sur," 2012, inkjet print of a woodcut, pencil signed lower right, titled lower left, monogram and date in plate lower left, edition 67/75, overall (with frame): 36"h x 29"w
• THOMAS HART BENTON. "SPRING
  THOMAS HART BENTON. "SPRING TRYOUT," LITHOGRAPH (American, 1889-1975). Lithograph, 1943, pencil signed "Thomas H. Benton" lr, pencil inscribed "To June from Tom" ll, image size: 9 3/8 x 13 3/4 in., framed.
• TOM FREEMAN. BALTIMORE HARBOR,
  TOM FREEMAN. BALTIMORE HARBOR, LITHOGRAPH Lithograph, ed. 554/1000, signed lr, sight size: 19 3/4 x 28 in., framed.
• TOM FEELINGS. "PORTFOLIO ONE,"
  TOM FEELINGS. "PORTFOLIO ONE," LITHOGRAPHS (American, 1933-2003). "Nine Lithographs from The Black Community America and Africa," portfolio inscribed "To EJ in Blackness/Love in the hope that the two words really become one-Tom Feelings," each lithograph signed, portfolio size: 15 1/2 x 12 1/4 in., all prints unframed.
• TOM PARISH (AMERICAN, B. 1933) 23
  TOM PARISH (AMERICAN, B. 1933) 23 ½" x 34" "Soundings", 1973. Lithograph in colors on wove paper, signed, titled, and numbered in pencil, edition 4 / 20, unframed. Provenance: Private Collection, David Anderson Gallery, Buffalo, NY.
• TOM TOMC "HOMAGE TO EARLY FLIGHT"
  TOM TOMC "HOMAGE TO EARLY FLIGHT" #290/1000Tom Tomc limited edition lithograph "Homage To Early Flight"; ink signed "Tom Tomc 1969 Apr." and numbered "290/1000" to lower left as well as stamped "1971 Tom Tomc" in two places and "W. Thomas" to lower left; unframed; measures approximately 28-3/4" x 36-7/8"; in good overall condition with some wear to corners and discoloration to center.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Jessie and Jake (1942)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 55.Benton's comments in Fath read: Painting of this subject made in 1941 when daughter Jessie was three yrs old. Our shepherd dog Jake impersonated the wolf in this Red Riding Hood theme. The area depicted is in our wood lot on Martha's Vineyard and shows a path leading to my mother's place there. Trees, white oak, grow thick at the trunk but do not get very high in our part of the Island because of the winds. Painting in my possession. Litho was made from it at request of A.A.A.Image measures 13.5 x 10, sheet is 15.75 x 12.5, and frame is 21 x 18 inches.The full untrimmed sheet, not laid down, two deckle edges, no stain, punctures, tears, there appear to be a number of reinforcements and or repairs to the paper, possible rebuilding of thin areas after the sheet was removed from a backing, plus a line across the top edge form a previous mounting.
• 1855 Engraving of a Cat ''Tom''
  1855 Engraving of a Cat ''Tom'' by A. Cooper engraving by W. Giller image area 18'' x 15''
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) Lithograph. Signed (lower right).
• THOMAS HART BENTON SIGNED
  THOMAS HART BENTON SIGNED LITHOGRAPHThomas Hart Benton (American, 1889-1975), lithograph titled "Sunset" from 1941. Signed in pencil, lower right. 10" x 13" in 19" x 22-1/2" frame. Original gallery information on verso. Some light age toning. See images. shipping info This item can be shipped in-house.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Self-Portrait (1972)The lithograph published by Associated American Artists in an edition of 300 prints on Rives watermarked paper is signed by the artist in pencil below the image lower right and listed as Fath catalog number 84. Printed on Rives watermarked paper.Benton's comments in Fath read: This is a study, from the mirror image of an old artist, 'grandaddy Benton' as all the kids call me. I had a belly when I did it but after building a stone retaining wall, 65 feet long and in some places 10 feet high, on our place in Martha's Vinyard, I got rid of it. It hasn't come back.Image measures 19.5 x 13.75, sheet is 24.75 x 18.5 inches.Very good condition, the full untrimmed sheet with four deckle edges, not laid down, no damage, punctures, tears or repair; a faint mat burn surrounds the image, tape residue on the upper edge as shown, presents very well framed and matted.Provenance: Private collection, Des Moines, Iowa.
• Tomkins (PW) Book of Etchings,
  Tomkins (PW) Book of Etchings, London 1790 and two other books
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)I Got a Gal on Sourwood Mountain (1938)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 19.Benton's comments in Fath read: From a tempera painting made in 1937 - now owned by Hymen Cohen, layer of N.Y. City. A color reproduction was made of this picture in England sometime in the middle '30s for The International Studio, a magazine they published in London. This is another of the song and people who sing it - or, in this case, dance it. Mr. Cohen has died and the picture resold. I don't know who owns it now.Image measures 12.5 x 9.25 on a 16 x 12 inch sheet with an overall framed size of 21 x 17.75 inches.Very good to fine condition, the full untrimmed sheet with four deckle edges, not laid down, very clean, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Frankie and Johnnie (1936)The lithograph published by Associated American Artists in an edition of only 100 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 11.Benton often chose heroes of folk lore and the subjects of popular ballads as subjects for his paintings. In the Fath catalog he is quoted as saying: From Section of Missouri Mural at Mo. State Capitol, Jefferson City, Mo. The incident according to legend happened in St. Louis though the Tune in various forms is earlier than the 1890 St. Louis story. Anyhow the story is a part of Missouri Mythology like the Jesse James and Huck Finn stories.Image measures 16 x 22, sheet is 20.5 x 24, with a framed size of 26 x 31.5 inches.An outstanding example. Fine to very fine, the complete sheet with deckle edge along the top and right side, equally wide margin on the left suggests that side is complete as well, original wider margin along the bottom, properly mounted with two minimal acid free hinges, not laid down, no stain, damage or repair, very clean and free from mat burn. A nice, dark impression in slightly better condition than the example sold by our firm in March of 2023.
• TOMAS HARRIS, LITHOGRAPH Tomas
  TOMAS HARRIS, LITHOGRAPH Tomas Harris (British/Spanish, 1908-1964), lithograph on paper, hacienda in landscape, no signature observed, matted and framed under glass, 11.25"h x 14.25"w (sight), 18.75"h x 21.75"w (frame)
• Tom Wesselmann (American 1931-2004)
  Tom Wesselmann (American 1931-2004) Pop Art Portrait Lithograph signed dated 77 and marked 31/75 l.r. with Aeropress watermark l.r.; plate 16.25 x 23 in. Condition: Not examined out of frame.
• Tom Palmore b.1945. Al. 1989,
  Tom Palmore b.1945. Al. 1989, lithograph in colors. 27 h × 24 w in. estimate: $400–600. Signed, titled, dated and inscribed to lower edge ‘BAT al Tom Palmore 89’. This work is a bon à tirer apart from the edition of 75.
• Tom Wesselmann 1931–2004.
  Tom Wesselmann 1931–2004. Untitled (from the One Cent Life portfolio). 1964, lithograph in colors. 16¼ h × 22¾ w in. estimate: $800–1,200. This work is from the edition of 2000 printed by Maurice Beaudet, Paris and published by EW Kornfeld, Bern.
• THOMAS HART BENTON. "CRADLING
  THOMAS HART BENTON. "CRADLING WHEAT," LITHOGRAPH (American, 1889-1975). Lithograph, pencil signed "Benton" lr, image size: 9 1/2 x 12 in., framed.
• PRINT, TOM MARIONI Tom Marioni
  PRINT, TOM MARIONI Tom Marioni (American, b. 1937), "The Hand of the Artist," 1995, photogravure printed in ochre with color aquatint with fingerprints hand-applied by the artist, pencil signed and dated lower right, edition 28/45, Crown Point Press (San Francisco, CA) chop mark lower right, image: 9.75"h x 6.25"w, overall (with frame): 22"h x 18"w. Provenance: Private Collection, California; Crown Point Press (San Francisco, CA)
• Tom Lynch (American, 20th/21st
  Tom Lynch (American, 20th/21st Century) Smelt Fishing lithograph signed in pencil and dated 14 1/2 x 20 inches.
• THOMAS HART BENTON (1889-1975): OLD
  THOMAS HART BENTON (1889-1975): OLD MAN READING Lithograph signed in the plate. 10 x 12 1/8 in. (image sight) 16 5/8 x 20 5/8 x 1 in. (frame).
• TOM MERRY, THE HOUSE OF LORDS APRIL
  TOM MERRY, THE HOUSE OF LORDS APRIL 1888 coloured lithograph, 45cm x 70cm, in later gilt frame and glazed
• TOM LOVELL (1909-1997), UNTITLED
  TOM LOVELL (1909-1997), UNTITLED Fine Art
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Self Portrait (1973)The lithograph signed by the artist in pencil below the image lower right is numbered 57 from an edition of only 100 prints, Fath number 90.Benton's comments in Fath read: This portrait was made at the request of Harry Abrams to accompany a special edition of a book he put together on my career. It is one of the few front-face portraits I have attempted. Image measures 13 x 11, sheet is 18 x 15, and frame is 23 x 21 inches.Very good condition, noting a very, very pale outline of toning framing the image and visible only outside the frame. otherwise very good with full sheet having all four deckle edges, not laid down, no damage or repair.
• THOMAS HART BENTON "SUNSET"
  THOMAS HART BENTON "SUNSET" LITHOGRAPH, 1941 Thomas Hart Benton (American/Missouri, 1889-1975). "Sunset", -1941, lithograph. Pencil signed lower right. Approx. 14.5" x 18.75" (frame), 10.25" x 13.25" (sight)
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Discussion (1969)The nice, clean example in fine condition is published by Associated American Artists in an edition of 250 prints on wove paper and signed by the artist in pencil below the image lower right, Fath catalog number 82.This is a fine, dark impression in exceptional condition.Benton's comments in Fath read: 'In the summer of 1937, Life magazine hired me to report, with drawings, on the famous 'sit down' strikes occurring in the Detroit area at the time. Some newspaper reporters had written of these strikes as if they were the beginnings of revolution. I found neither talk about or desire for revolution, only an itch for more money. The drawing from which this litho was made represents a discussion between a union recruiter and a negro worker. The Union boss sits in the background looking on.'Image measures 9.75 x 12, sheet is 12.75 x 18, and frame is 19.75 x 23.5 inches.Fine to near mint condition, very clean, the full untrimmed sheet with four deckle edges, not laid down, no damage, stain, punctures, tears or repair; a very fine example framed to archival standards in acid free mounts.Provenance: A private Kansas City collection.
• FRANK W. BENSON (1862-1951)Old Tom,
  FRANK W. BENSON (1862-1951)Old Tom, 1926 signed "Frank W. Benson" lower left etching, 14 3/4 by 9 3/4 in. Paff #246, edition of 150 Along with "The Gunner," "Winter Wildfowler," and "Marsh Gunner," "Old Tom" is considered one of Benson's "Big Four" hunting portraits. The original watercolor for this important Benson subject hangs in Boston's Museum of Fine Arts. Provenance: Private Collection, Florida
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Back from the Fields (1945)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 66.Benton's comments in Fath read: This is a diorama scene. Cotton pickers returning home with the last bags picked. Image measures 9.5 x 13, sheet is 11 x 14.5, and frame is 18 x 21 inches.Good condition, not laid down, no damage, punctures, tears or repair; the edges of the sheet have no deckle and are not wide, there is very light, even cream toning across and around the image. framed to archival standards in acid free mounts.
• BENTON Thomas Hart (American
  BENTON Thomas Hart (American 1889-1975): Self Portrait Lithograph sight size 20 1/2'' x 14 1/2'' pencil signed lower right edition of 300 lower left fine silver gilt frame with very minor wear 38 1/2'' x 22 1/4''.CONDITION: The print is not laid has large margins and is free of foxing and staining in the margins. You will be happy to own this print. It is hinge mounted at the top with another small piece 3/4's down the left margin to secure it.
• Tom Denlinger (American b. 1953)
  Tom Denlinger (American b. 1953) Untitled 1995 chromogenic print 18 3/4 x 14 3/4 inches.
• THOMAS HART BENTON (1889-1975):
  THOMAS HART BENTON (1889-1975): MINSTREL SHOW Lithograph on paper 11 1/2 x 16 in. (sheet) signed in the plate and signed in pencil below image unframed.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Frankie and Johnnie (1936)The lithograph from an edition of only 100 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, listed as Fath catalog number 11.Benton's comments in Fath reads: ''From Section of Missouri Mural at Mo. State Capitol, Jefferson City, Mo. The incident according to legend happened in St. Louis though the Tune in various forms is earlier than the 1890 St. Louis story. Anyhow the story is a part of Missouri Mythology like the Jesse James and Huck Finn stories.''Image measures 16 x 22.5, sheet is 20.5 x 24.25, framed size is 25 x 30.25 inches.Very good-plus condition, the complete sheet with deckle edges, clean condition with only a very, very pale shadow from a previous mat visible when removed from the frame as shown here, not laid down, no stain, damage or repair. A nice, dark impression.
• Tom Palmore b.1945. Paint.
  Tom Palmore b.1945. Paint. lithograph in colors. 29½ h × 24¾ w in. estimate: $400–600. Signed and numbered to lower center ‘59/60 Palmore’. This work is number 59 from the edition of 60.