A few examples of appraisal values for
LIVRE

• THREE FRENCH DESIGN BOOKS,
  THREE FRENCH DESIGN BOOKS, ETC.Three French design books and a German engraving for the decoration of guns, Livre Nouveau de differents Cartouches et Consoles Invented by D. Pineau , by Ches Huquier, Paris, 1738-1749, and Inventaire General du Mobilier de la Couronne Sous Louis XIV by Jules Guiffrey, Vols I and II, 1885; together with an engraved title page for Unterschiedliche Stucke vom Buchsenmachen by Johann Christoph Weigel, ca. 1700 Competitive in-house shipping is available for this lot. Condition: Huquier: Unbound, including five of the original six engraved plates, some foxing and several spots of discoloration. Weigel: foxing, 1'' tear to lower margin and along left plate mark.
• PAUL BERTHON, LE LIVRE DE MAGDA,
  PAUL BERTHON, LE LIVRE DE MAGDA, 1898 ART NOUVEAUPaul Berthon (1872-1909), Le Livre de Magda, 1898 Art Nouveau Lithograph. Measures appx 24 1/2" x 17 1/4" viewed under mat and 36" x 28 1/4 framed. In good original condition.
• PAUL BERTHON, LE LIVRE DE MAGDA,
  PAUL BERTHON, LE LIVRE DE MAGDA, 1898 ART NOUVEAUPaul Berthon (1872-1909), Le Livre de Magda, 1898 Art Nouveau Lithograph. Measures appx 24 1/2" x 17 1/4" viewed under mat and 36" x 28 1/4 framed. In good original condition.
• A NEW BOOK OF ORNAMENTS BY SIMON
  A NEW BOOK OF ORNAMENTS BY SIMON GRIBELINA New Book of Ornaments by Simon Gribelin , London: 1703, eleven engraved plates and a fragment of a twelfth, from the original twelve designs for gold and silversmiths, together with five plates from Livre de Taille d'Espargne by Jean Bourguet and a collection of eighteen church interior designs by Francois Cornille, Paris: Francois Chereau, ca. 1740-1765, engraved by Monchelet. Competitive in-house shipping is available for this lot. Condition: Both unbound. Gribelin: Toning and edge wear. Cornille: Toning, spots of discoloration, edge wear.
• MAXIMILIEN VOX (1894-1974), "O
  MAXIMILIEN VOX (1894-1974), "O MORT, VIEUX CAPITAINE, IL EST TEMPS, LEVONS L'ANCRE" FROM THE "BYBLIS: MIROIR DES ARTS DU LIVRE ET DE L'ESTAMPE PORTFOLIO," 1924, WOODCUT ON WOVE PAPER, WATERMARK ARCHES, IMAGE: 8" H X 6" WMaximilien Vox, (1894-1974) "O Mort, vieux capitaine, il est temps, levons l'ancre" from "Byblis: Miroir des Arts du Livre et de L'Estampe," No. 12, Winter 1924, Woodcut on wove paper, watermark Arches From the edition of unknown size Signed in pencil in the lower margin, at right: Vox; with a pencil notation, possibly in another hand, in the lower margin edge, at left Woodcut on wove paper, watermark Arches Dimensions: Image: 8" H x 6" W; Sheet: 11.125" H x 9" W Provenance: The Collection of Frederick W. Davis Private Collection, Southern California, by descent from the above
• COLLECTION OF ART REFERENCE BOOKS
  COLLECTION OF ART REFERENCE BOOKS ON ASIAN CERAMICS ?????????????????????????????????????????????????????????????????????including art reference books on asian art ceramics, in total 85 publications:Ashmolean Museum, Eastern Ceramics: and other works of art from the collection of Gerald Reitlinger, Oxford: Ashmolean Museum, 1981Battie, David (ed.), Sotheby's Concise Encyclopaedia of Porcelain, London: Conran Octopus Limited, 1994Beurdeley, Cecile, A Connoisseur's Guide to Chinese Ceramics, Office du Livre, 1985Butler, Michael, Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, London: Scala Publishers Limited, 2006Carswell, John, Blue & White: Chinese Porcelain Around the World, London: The British Museum, 2000Carswell, John, Chinese Ceramics in the Sadberk Hanim Museum, Istandbul: Sadberk Hanim Museum, 1995Catalogue of a Special Exhibition of Early Ming Period Porcelain, Taipei: National Palace MuseumChina without Dragons: Rare Pieces from the Oriental Ceramics Society Members, Hong Kong: CA Book Publishing, 2020Chinese Ceramics: Selected articles from Orientations 1982-2003, Hong Kong: Orientations Magazine Ltd., 2004Vainker, S.J., Chinese Pottery and Porcelain: From Prehistory to the Present, London: The British Museum, 1991Crick, Monique (ed.), Celadon: Grès des musées de la province du Zhejiang, Chine, Paris: Paris-Musées, 2005Davidson, Gerald, The Handbook of Marks on Chinese Ceramics, London: Han - Shan Books, 1994Eskenazi: Song ceramics 10th to 13th century (catalogue), 2003Fischell, Rosalind, Blue & White China: Origins/Western Influences, Boston: Little Brown & Company, 1987Foundation Amaverunt, Musée Ariana, La porcelaine chinoise de transition et ses influences sur la céramique japonaise, proche-orientale et européenneFrick Collection, Chinese Blue-and-white Porcelain in the Frick Collection, Frick Collection, 1992Fung, Rebecca, Ming Colours: Polychrome Porcelain from Jingdezhen, London: School of Oriental and African Studies, 2006Garner, Harry, Oriental Blue & White, London: Faber and Faber Limited, 1954Gray, Anita,A Catalogue of Oriental Ceramics and Works of ArtGray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Basil, Sung Porcelain & Stoneware, London: Faber and Faber Limited, 1984Hardy, Sheila Yorke, Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1999Harrison-Hall, Jessica, Ming Ceramics in the British Museum, London: The British Museum, 2001Heaven and Earth Seen Within Song Ceramics from the Robert Barron Collection, New Orleans: New Orleans Museum of Art, 2000Ho, Lee Ying, Antique Ceramics: translated by Goh Beng Choo, Singapore: Asiapac Books PTE Ltd., 1996Illustrated Catalogue of Celadon Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1997Illustrated Catalogue of Ming and Ming Style Polychrome Wares in The Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2006Illustrated Catalogue of Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1989Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, Hardy, Sheila Yorke, London: School of Oriental & African Studies, 1999Jenyns, Soame, Japanese Pottery, London: Faber and Faber Limited, 1971Jenyns, Soame, Ming Pottery and Porcelain, London: Faber and Faber Limited, 1988Kerr, Rose (et al.), The World in Colours: an exhibition of ceramics with coloured decoration dating from 700 to 1920 belonging to members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2006Kerr, Rose, Song Dynasty Ceramics, London: V&A Publications, 2004Krahl, Regina, Dawn of the Yellow Earth: Ancient Chinese Ceramics from the Meiyintang Collection, New York: China Institute Gallery, 2000Kuwayama, George, Chinese Ceramics in Colonial Mexico, Los Angeles: Los Angeles County Museum of Art, 1997Li, He, Chinese Ceramics: The New Standard Guide, London: Thames and Hudson, 1996Little, Stephen, Chinese Ceramicsof the Transitional Period: 1620-1683, New York: China Institute in America, 1983Littleton & Hennessy, Littleton & Hennessy: Exhibition of Qing Porcelain, London: Littleton & Hennessy, 2005Liu, Liang-yu, A Survey of Chinese Ceramics: Ch'ing Official and Popular Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Ming Official Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Sung Wares, Taipei: Aries Gemini Publishing Ltd., 1991Lo, Kai-Yin (ed.), Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998Macintosh, Duncan, Chinese Blue and White Porcelain: Third Edition, Woodbridge: Antique Collectors' Club Ltd., 1994Medley, Margaret, Illustrated Catalogue of Ming Polychrome Wares, London: School of Oriental & African Studies, 1978Medley, Margaret, Illustrated Catalogue of Ting and Allied Wares, London: School of Oriental & African Studies, 1980Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2004Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains, London: School of Oriental & African Studies, 1976Medley, Margaret, Metalwork and Chinese Ceramics, London: School of Oriental & African Studies, 1972Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Oxford, Phaidon Press Limited, 1999Medley, Margaret, Yuan Porcelain & Stoneware, London: Faber and Faber Limited, 1974Mowry, Robert D., Farrell, Eugene, Coolidge Rousmaniere, Nicola, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black-Glazed Ceramics, 400-1400, Cambridge: Harvard University Art Museums, 1997Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition, Bath: The Museum of East Asian Art, 1993Pierson, Stacey (ed.), Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, London: Percival David Foundation of Chinese Art, 2002Pierson, Stacey, Blue and White for China: Porcelain Treasures in the Percival David Collection, London: School of Oriental and African Studies, 2004Pierson, Stacey, Designs as Signs: Decoration and Chinese Ceramics, London: School of Oriental & African Studies, 2001Pierson, Stacey, Earth, Fire and Water: Chinese Ceramic Technology: A Handbook for Non-specialists, London: School of Oriental and African Studies, 1996Pierson, Stacey, Percival David Foundation of Chinese Art: Illustrated Guide to the Collection, London: School of Oriental & African Studies, 2004Pierson, Stacey, Song Ceramics: Objects of Admiration, London: School of Oriental and African Studies, 2003Pope, John Alexander, Chinese Porcelains from the Ardebil Shrine, London: Sotheby Parke Bernet Publications, 1981Priestley & Ferraro, Chinese Art: Song Ceramics & Works of Art, 2014Riggs, Thomas (et al.), Dark Jewels: Chinese Black and Brown Ceramics from the Shatzman Collection, Chapel Hill: Ackland Art Museum, 2002Rinaldi, Maura, Kraak Porcelain: A Moment in the History of Trade, London: Bamboo Publishing, 1989Scott, Rosemary (ed.), Illustrated Catalogue of Qing Enamelled Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1991Scott, Rosemary and Pierson, Stacey, Flawless Porcelains: Imperial Ceramics from the Reign of the Chenghua Emperor, London: School of Oriental and African Studies, 1995Scott, Rosemary E. (ed.), The Porcelains of Jingdezhen (Colloquies on Art & Archaeology in Asia No.16), London: School of Oriental and African Studies, 1993Scott, Rosemary, Imperial Taste: Chinese Ceramics from the Percival David Foundation, San Francisco: Chronicle Books, 1989Shanghai Museum Ancient Chinese Ceramics Gallery, Shanghai MuseumSong Ceramics: Art History, Archaeology and Technology (Colloquies on Art & Archaeology in Asia No.22), London: School of Oriental & African Studies, 2004Sotheby's: Song A Japanese Collection, London: Sotheby's, 2011Sotheby's: Song Ceramics from the Muwen Tang Collection, 2003The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Museum of Oriental Ceramics, Osaka, Song Ceramics, Osaka: Asahi Shimbun, 1999The Tsui Museum of Art, Hong Kong: Tsui Museum of Art, 1991The World in Blue and White: an exhibition of blue and white ceramics, dating between 1320 and 1820, from members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2003The World in Monochromes, London: The Oriental Ceramic Society, 2009Tippett, Paul, Christie's Collectables: Blue and White China The Connoisseur's Guide, London: Little, Brown and Company, 1997Transactions of the Oriental Ceramic Society Volume 68. 2003-2004, London: The Oriental Ceramic Society, 2005Tregear, Mary, Chinese Ceramics in the Ashmolean Museum, Oxford: Ashmolean Museum, 1987Tregear, Mary, Song Ceramics, London: Thames and Hudson, 1982Wang, Qingzheng, A Dictionary of Chinese Ceramics, Shanghai: Shanghai Dictionary Publishing House, 2002Wilson, Ming, Rare Marks on Chinese Ceramics: a joint exhibition from the Percival David Foundation of Chinese Art and the Victoria and Albert Museum, London: School of Oriental & African Studies, 1998Wirgin, Jan, Sung Ceramic Designs, London: Han-Shan Tang Ltd., 1979Wong, Sarah and Pierson, Stacey (ed.), Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society 1921-2021, London: The Oriental Ceramic Society, 2021Wood, Nigel, Chinese Glazes, London: A & C Black Ltd., 1999(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
• BURLE MARX 18K YELLOW GOLD OVAL
  BURLE MARX 18K YELLOW GOLD OVAL AMETHYST PENDANT Vintage Burle Marx 18K yellow gold "Forma Livre" carved oval amethyst pendant, marked: " BURLE MARX / 18K" with maker's mark and obscured hallmarks. Pendant: 1.56"L x 0.62"W x 0.37"H. Approx: 5.5 dwt. inclusive. Provenance: From the estate of Sally B. Henry.
• AMEDEE LYNEN, ORIGINAL
  AMEDEE LYNEN, ORIGINAL ILLUSTRATED MANUSCRIPT Amedee Lynen (Belgian, 1852-1938), "La Legende de Liefkenshoeck: Livre Unique", autograph manuscript signed "Am. Lynen" 25 stiff boards plus title page with 31 watercolors and hand-written text, in custom clamshell case, 13.75"h x 10.5"w
• [MARCEL VERTES] HORTENSE
  [MARCEL VERTES] HORTENSE COUCHE-TOI!, 1938 Georges Courteline. Hortense Couche-toi! L'Article 330. Cercle Parisien du Livre, No. 98/100 with 11 hand-colored drypoint etchings by Marcel Verte, signed note from the author laid in, loose signatures in paper cover, glassine and slipcase, 10.75"h x 8.25"w
• COCTEAU, LE LIVRE BLANC, EDITIONS
  COCTEAU, LE LIVRE BLANC, EDITIONS DU SIGNE, 1930 Number 152 of 416, on Velin d'Arches, with 17 drawings by Jean Cocteau enhanced with colored pencil, softcover in glassine wrapper, with hardcover chemise and slipcase, 11.75"h x 9.5"w
• MODERN FRENCH FURNITURE & ART
  MODERN FRENCH FURNITURE & ART HISTORY BOOKS(lot) Modern French furniture and art history books, mid to late 20th c., many having color illustrations and photos to interior and cover, including boxed set of two volumes studying Van Gogh, three American and international auction catalogs, some with loss to book jacket, together with some with gilt embossed spines, including boxed set of two volumes Le Grand Livre de L'Objet D'Art, (one) with loose pages, overall largest: approx 12.75"h, 10.75"w, 1.5"d; approx 131lbs total
• (55) FRENCH LIBRARY SHELF BOOKS(lot
  (55) FRENCH LIBRARY SHELF BOOKS(lot of 55) French library shelf books, 20th c., some with gilt embossed covers and spines, one set bound in satin with polychrome illustration to cover, including: 12 volumes Le Meilleur Livre D'Histoire and 10 volumes of the work of Honore de Balzac, (one) volume with some loose pages, largest: approx 11"h, 8.75"w, 1.75"d; approx 102.25lbs total
• (40) FRENCH LIBRARY SHELF BOOKS(lot
  (40) FRENCH LIBRARY SHELF BOOKS(lot of 40) French library shelf books, 20th c., some with leather binding, with color illustration, with gilt embossed spines and covers, with marbalized boards, including volumes one thru eight of Le Livre des Millie Nuits en un Nuit, largest: approx 9"h, 6.25"w, 1.25"d, 48.5lbs
• JEAN-BAPTISTE MONNOYER (1636-1699):
  JEAN-BAPTISTE MONNOYER (1636-1699): LIVRE DE PLUSIEURS CORBIELLES DE FLEURS: TWO PLATESTwo engravings in black with later hand-coloring on laid paper, 1670-1680. Both 19 3/4 x 16 1/2 in. (sight), 32 1/2 x 29 1/2 in. (frame). Condition Both with sheets mounted on paper, one with attendant rippling. Staining, foxing and surface soiling. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• LINE VAUTRIN, 'LIVRE' SILVER PLATED
  LINE VAUTRIN, 'LIVRE' SILVER PLATED BOX c. 1945, France, silver plated bronze, the hinged lid cast with high relief rows of words, opening to cork liner, impressed LINE VAUTRIN to side, 1"h x 5"l x 3.5"w
• JOHN W NIETO (1936-2018), "NIETO;
  JOHN W NIETO (1936-2018), "NIETO; LES LIVRES DES PEINTRES," 1996, THE COMPLETE SET OF 37 SCREENPRINTS IN COLORS ON WOVE PAPER IN A LEATHER-BOUND BOOK, LOOSE SCREENPRINT OF THE BUFFALO, DANCER, AND LANDSCAPE: IMAGE: 14" HJohn W Nieto, (1936-2018) "Nieto; Les Livres des Peintres," 1996, The complete set of 37 screenprints in colors on wove paper in a leather-bound book Edition: PP 27/50 (there was also a regular edition of 395, 75 artist's proofs, 20 hors de commerce deluxe edition, and 100 roman numerals) Black leather-bound book with 1 screenprint directly printed on the bound sheet, signed and numbered PP27/50 in pencil underneath the image; 30 unsigned and un-numbered screenprints in colors directly printed on the bound sheets, and with an additional 6 screenprints in colors signed and numbered in silver ink, loose with the original interleaving sheets and affixed with four clear archival corners on the verso of the bound sheets: Nieto / PP 27/50; Marco Fine Arts, Hawthorne, CA, pub. The complete set of 37 screenprints in colors on wove paper in a leather-bound book Dimensions: Loose screenprint of the Buffalo, Dancer, and Landscape: Image: 14" H x 17.625" W (or reverse); Sheet: 16" H x 19.625" W (or reverse); Loose Archer screenprint: Image: 11.625" H x 19" W; Sheet: 13.625" W x 21" W; Loose portrait screenprint: Image: 18.25" H x 14" W; Sheet: 20.25" H x 16" W Provenance: Adagio Galleries, Palm Springs, CA
• Catalogus Codicum Manuscriptorum
  Catalogus Codicum Manuscriptorum Bibliothecae Regiae (4 volumes) Catalogue des Livres Imprimés de la Bibliothèque du Roy (6 volumes) 10 vols, folio, with woodcut Royal Arms on titles, in publishers boards, Paris, Imprimerie Royale, 1739-53. 17.5 x 11.25 in — 44.5 x 28.6 cm
• EMA TSOTOMU, GRAND LIVRE OF
  EMA TSOTOMU, GRAND LIVRE OF JAPANESE PATTERNSEma Tsutomu (1884-1979), a Japanese grand livre compilation, "Continued Dyeing and Weaving Texts", published by Kyoto Shoin. 50-sheet volume containing block printed images of traditional Japanese patterns, each image signed by the author in graphite. Note: Tsutomu was a social historian, considered to have founded the study of Japanese society and customs.15.75" x 11.25" x 1.75".
• BOOKS, TEXTILES PRE-INCA BURYING
  BOOKS, TEXTILES PRE-INCA BURYING GROUNDS, C. 1956A two-volume grand livre boxed set titled "Textiles of Pre-Inca, from burying grounds in Peru". The Kanegafuchi Spinning Company’s Collection. Dated 1956. Condition, the books are in excellent condition, exterior cover faded with separation.
• BAH-KOH LI, CHINESE FAMOUS
  BAH-KOH LI, CHINESE FAMOUS PICTURES, C. 1936Bah-Koh Li, a Chinese grand livre with (a collection of) famous pictures of the Sung Dynasty, formerly preserved by the T'ien Lai Studio in Shanghai. The Commercial Press Ltd (1936?). Includes 15 tipped in historical pictures reproduced using the four-colour process. Chinese and English language. Condition: exterior cover shows slight wear and some staining, interior book in very good condition, with no apparent damage. 19" x 14".
• RUSSIAN BOOK, MOSCOW CITY ART
  RUSSIAN BOOK, MOSCOW CITY ART GALLERY, TRETYAKOVRussian grand livre, this collection appears to be missing a title page, but similar works indicate that this work was titled “Moscow City Art Gallery of P. & S. Tretyakov". It was written by I.S. Ostroukhov and Sergey Glagolya. The collection was likely published in Moscow in 1909, although some parts of the collection were published as early as 1901 or 1903. The purpose of this collection was to give a complete picture of the history of Russian painting. The publication begins with chapters documenting the development of Russian painting. These chapters cover a variety of topics, such as "Russian Ancient Icon Painting", "Kramskoy’s Elder Comrades", "Epigones of Peredvizhinichnosti", and "First Landscape Painters". There are separate chapters dedicated to the most renowned Russian painters: V.A. Repin, V.D. Polenov, I.I. Shishkin, V.A. Serov, K.P. Bryulov, and a number of other artists. The book is accompanied by an album of illustrations of the Gallery’s paintings, which total 76 sheets.
• RUSSIAN BOOK, STATE MUSEUM OF
  RUSSIAN BOOK, STATE MUSEUM OF MODERN WESTERN ARTRussian grand livre, full title on cover, "State Museum of Modern Western Art, Edition by S.A. Abramova, Text by B.N. Ternovets (Boris Nikolaevich Ternovets)". The edition begins with one introductory chapter on the history and creation of the State Museum of Modern Western Art. The rest of the book consists of sheets of colour reproductions of paintings by leading Western artists of the late 19th-early 20th centuries such as: Claude Monet, Auguste Renoir, Paul Cézanne, Vincent Van Gogh, Henri Matisse, Pablo Picasso, etc. Along with each reproduction there is corresponding text containing information on the artist’s biography, their painting manner and peculiarities of creative expression. The State Museum of Modern Western Art was a Museum in Moscow that was created in 1923. The museum was made up of paintings from the collections of Sergei Schukin and Ivan Morozov. It was shut down in 1948 by Stalin and its works were divided between the Hermitage Museum in St. Petersburg and the Pushkin Museum in Moscow.
• RARE & LARGE STORAGE BOX,
  RARE & LARGE STORAGE BOX, UKRAINIAN, MANITOBAA large and rare Ukrainian storage box from Sarto, Manitoba, in red and black paint, embellished with tin cutouts that are both decorative and functional, with original brass lock and decorative tacks. Illustrated on the front cover and page 7 of "Ukrainian Pioneer Furniture" published by the Ukrainian Museum of Ontario (book included ) and partially pictured in "Canadian Folk Art to 1950", page 132. The outward facing horse head motif is found on other Ukrainian boxes, including the companion piece to this box that is in the collection of Alberta's Glenbow Museum. Ex collection John and Pat Fleming. H: 32"; W/L: 45"; D/P: 28". FRANCAIS: Grand et rare coffre de rangement ukrainien de Sarto, Manitoba. Peinture rouge et noire agrémentée de découpes en tôle à la fois décoratives et fonctionnelles, serrure en laiton d'origine et clous décoratifs. Illustré sur la couverture et à la page 7 de "Ukrainian Pioneer Furniture" publié par le Musée Ukrainien de l’Ontario (livre inclus) et partiellement illustré dans "Canadian Folk Art to 1950" page 132. Le motif à tête de cheval tourné vers l'extérieur est représenté sur d’autres boites ukrainienne, dont celle de la collection du Musée Glenbow de l'Alberta. Ex-collection John et Pat Fleming.
• PORTRAIT OF "MAMMY GRAHAM",
  PORTRAIT OF "MAMMY GRAHAM", PERTH, CA. 1860A portrait of "Mammy Graham" from Perth, Ontario. The Graham family operated a store in Perth where this painting was found. Comes with a 1983 letter from Ken Lawless documenting its history. Untouched condition, minor flaking at bottom and drilled hole at top, circa 1860. Ex Lawless collection. Dimensions, 20" x 16". FRANCAIS: Portrait de "Mammy Graham" de Perth, Ont. La famille Graham exploitait un magasin à Perth où cette peinture a été trouvée. Livré avec une lettre de 1983 de Ken Lawless documentant son histoire. État intouché, écaillage mineur en bas et trou percé en haut, circa 1860. Ex-collection Lawless.
• THREE HARDCOVER REFERENCE
  THREE HARDCOVER REFERENCE BOOKSLot of three hardcover reference books: Old Manors Old House (Kings Printer 1927; pub). Historic Monuments Comm. ( 2) The Old Architecture of Quebec, McGill Univ. 1947. (3) Quebec Folk Art book. FRANCAIS: Lot de 3 livres reliés: Old Manors Old House (Kings Printer 1927; pub); Historic Monuments Comm. ; The Old Architecture of Quebec, McGill Univ. 1947; Québec Folk Art book.
• PAIR OF INUIT MUKLUKS & INUIT ART
  PAIR OF INUIT MUKLUKS & INUIT ART BOOKLot of two: A pair of late 20th century First Nations mukluks with red and white felted uppers having outline beadwork on the cuff and toes and a fur band. Also included is a reference book "Our boots -- an Inuit women's art". Dimensions, 14" x 10" x 5". FRANCAIS: Lot de 2: une paire de mukluks des Premières Nations de la fin du 20e siècle, haut en feutre rouge et blanc orné de perlage et d’une bande de fourrure. Un livre de référence est également inclus "Our boots -- an Inuit women's art".
• RARE 'THE CRIES OF LONDON' PLATES
  RARE 'THE CRIES OF LONDON' PLATES COLLECTION"The Cries Of London", rare, complete thirteen plates collection, mid 19th century, painted by F. Wheatley R. A., D’après L. Schiavonetti Mezzotint, 13.75" x 10.75" (image size). Plate 1: Two Bunches a penny primrose, two bunches a penny - Un sol mes deux poignéees de primeroses, à un sol. Plate 2: Milk below Maids - Qui veut du lait il est tout chaud. Plate 3: Sweet China oranges, sweet China. - Oranges sucrées, Oranges fines. Plate 4: Do you want any Matches? - Marchand d’Allumettes achète mes bonne Allumettes. D’après A. Cordon. Plate 5: New Mackrel, New Mackrel - Maquereux, Maquereux frais Et Gros. Plate 6: Knives, Scissors and Razors to Grind. - Couteaux, Ciseaux, Rasoirs à repasser. D’après G. Vendramini. Plate 7: Fresh Gathered Peas, Young Hastings. Pois Rames, Pois Nouveaux écorces. D’après G. Vendramini. Plate 8: Round & Sound Five pence a Pound Duke Cherries. - Cerises douces, Cerises à la douce Cerise. D’après A. Cordon. Plate 9: Strawberries, Scarlet Strawberries. - Fraises, fraises, mes belles fraises. D’après G. Vendramini. Plate 10: Old Chairs to Mend - Vieilles chaises à rempailler. D’après G. Vendramini. Plate 11: A New Love Song only ha’penny a piece. - Chanson nouvelles deux sols le livre. D’après A. Cordon. Plate 12: Hot Spice Gingerbread, Smoking hot! - Du Croquet de Pain d’Épices! D’après G. Vendramini. Plate 13: Turnips & Carrots ho. - Carrottes & Navets. D’après T. Gaugain.
• PHILIPPE HéBERT (1850-1917) PLASTER
  PHILIPPE HéBERT (1850-1917) PLASTER STATUEA plaster statue by Philippe Hébert (1850-1917), of Sir Wilfrid Laurier with a library case holding government/legal books. Original paint with minor flaking, one popped blister at back of base. Dated 1898. FRANCAIS: Statue en plâtre de Philippe Hébert (1850-1917), de Sir Wilfrid Laurier avec une étagère contenant des livres gouvernementaux/juridiques. Peinture d'origine avec écaillage mineur, éclat au dos de la base. Daté 1898.
• TREE OF LIFE SPRUCE GUM BOXA
  TREE OF LIFE SPRUCE GUM BOXA small carved spruce gum box shaped as a box rather than the typical book form. Unpainted wood with multiple geometric motifs on the top and bottom, leaves on the side, and a tree of life on the spine. Late 19th century. Allio Collection. FRANCAIS: Boîte à gomme d'épinette sculptée en forme de boîte plutôt qu'en forme de livre typique. Bois non peint avec multiples motifs géométriques en haut et en bas, des feuilles sur le côté, et arbre de vie sur le dos. Fin 19e siècle. Collection Allio. 4" x 2.75" x 1.25".
• REFERENCE BOOKSA collection of
  REFERENCE BOOKSA collection of reference books: "Canadian Folk Art to 1950" by John Fleming and Michael Rowan; "Painted Furniture of French Canada" by John Fleming; "Portneuf Pottery" by R.W. Finlayson; "A Splendid Harvest" by Michael Bird; and "Naïve Art in the West" by Stefan Czernecki and Timothy Rhodes. FRANCAIS: Collection de livres de référence : «Canadian Folk Art to 1950» de John Fleming et Michael Rowan; «Painted Furniture of French Canada» de John Fleming; "Portneuf Pottery" par R.W. Finlayson; "A Splendid Harvest" de Michael Bird ; et "Naïve Art in the West" de Stefan Czernecki et Timothy Rhodes.
• CARVED BOOK BOX ALBOMME SOUVENIRA
  CARVED BOOK BOX ALBOMME SOUVENIRA profusely carved book box with the spine having six medallions including a soldier, a heart and cross, a fish, and the inscription “ALBOMME SOUVENIR”. The front has maple leaves, a tree of life, two doves, and a peacock while the back is carved with small maple leaves and an elaborate tree of life. Quebec, late 19th century. Allio Collection. FRANCAIS: Coffret livre abondamment sculpté. Le coté présente six médaillons dont un soldat, coeur, croix, poisson, et l'inscription « ALBOMME SOUVENIR ». Le devant a des feuilles d'érable, un arbre de vie, deux colombes et un paon. Le dos est sculpté de feuilles d'érable et d'un arbre de vie élaboré. Qué., fin 19e siècle. Collection Allio. 9" x 6" 2.25".
• GRENFELL MISSION BOOKENDSA pair
  GRENFELL MISSION BOOKENDSA pair of hand-painted bookends from the Grenfell Mission in the form of a crouched man and woman wearing parkas. Carved in a single block with tin base. Circa 1940, Newfoundland. FRANCAIS: Paire de serre-livres peints à la main, de la Grenfell Mission d'un homme et d'une femme accroupis portant des parkas. Sculpté dans un seul bloc, base en métal. Circa 1940, T-N. 6" x 5".
• PORTRAIT MAN WITH BOOKA naïve oil
  PORTRAIT MAN WITH BOOKA naïve oil on canvas portrait of an elegant man in a blue jacket and high collared shirt and holding a book. Original frame. French. 19th century. Allio Collection. FRANCAIS: Portrait naïf à l'huile sur toile d'un homme élégant en veste bleue et chemise à col haut tenant un livre. Cadre d'origine. Français, 19e siècle. Collection Allio. 19" x 16".
• MARC CHAGALL AUTOGRAPHED
  MARC CHAGALL AUTOGRAPHED BOOKSMarc Chagall, four (4) books consisting of: 1) “Ville de Nice, Marc Chagall, Gouaches pour l’affiche de Nice, 1962”, Musée Masséna, signed Marc Chagall in blue ink. 2. “Marc Chagall, Livres”, Foundation Maeght, Saint-Paul 1977, signed & dated Marc Chagall 1978 in black marker. 3. “Hommage à Marc Chagall, Estampes”, Galerie Gérald Cramer, Genève 1967-1968, signed Marc Chagall in black marker. 4. “A Tribute to Marc Chagall”, Israel Museum, The Tel Aviv Museum, December 1977, signed Marc Chagall in black marker. Provenance: The Estate of Joseph Liverant. Pages have note been counted.
• MARC CHAGALL & PABLO PICASSO
  MARC CHAGALL & PABLO PICASSO LITHOGRAPHIC POSTERSMarc Chagall & Picasso, four (4) offset coloured lithographic posters & one coloured lithographic pamphlet, consisting of: 1. "Jacques Montarasso (Nice), Juillet Septembre 1987, (La Fontaine: Les Deux Pigeons), Marc Chagall, Lithographies, Eaux Fortes, Livres Illustrés, Affiches", printer Imprimix Nice. 2. "Un Clavecin Peint Par Marc Chagall, Concert Inaugural, 4 Janvier 1981, Gustav Leonhardt, Nice, printer Pierre Chave Vence. 3. "Marc Chagall, Psaumes de David, Exposition, 26 janvier - 16 juin 1980, Nice, printer Baud St-Laurent-Du-Var. 4. "Hilton Gallery, From June 2 to 17th September 1972, The Great Masters of Lithography, And Honour to Picasso, printer Dereume. 5. A lithographic brochure depicting summer activities (verso), designed by Moretti, "Nice Program of Festivities, Summer 1961", printer Meyerbeer Nice. Largest 25 x 17.5 inches. Provenance: The Estate of Joseph Liverant.
• JANE ATCHé (FRENCH, 1872-1937)
  JANE ATCHé (FRENCH, 1872-1937) 14" image "Femme au Livre", ca. 1897. Art Nouveau chromolithograph with gilt embellishment, signed in the plate, in period style frame, 20 ¼" overall.