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LOCKE, JOHN. WORKS, FOURTH
LOCKE, JOHN. WORKS, FOURTH EDITION (London: Edmund Parker, et al., 1740), three volumes, small folio (14.5 in.), full calf with tooled boards, raised bands on spine, copperplate engraving of Locke as frontispiece for Volume I and a Locke memorial for the frontispiece of Volume 3; the approximately 2,000 page set is fully indexed.
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Locke (J) Works of, 10 vols and
Locke (J) Works of, 10 vols and 65 other volumes (complete runs) in three boxes/Provenance: Spetchley Park
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Locke (John) The Works, Third
Locke (John) The Works, Third Edition, 3 vols., 1727. Folio, cont. panelled calf (old rebacks, some wear, prelims of vol 3 wormed). Engraved frontispiece in vol 1. Bookplate of Robert Berkeley Spetchley (3)
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The Works of John Locke, ninth
The Works of John Locke, ninth edition, 9 vols, London 1794
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WALTER R. LOCKE (UNITED STATES)
WALTER R. LOCKE (UNITED STATES) 1883-1949. IN BEAUFORT S.C. ETCHING, 1937. WINDISCH/COLE 272. ED: 250 OR FEWER, AS PUBLISHED BY ASSO...Walter R. Locke (United States) 1883-1949. In Beaufort S.C. Etching, 1937. Windisch/Cole 272. Ed: 250 or fewer, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with full margins. 318 x 214 mm (12 1/2 x 8 3/8 in.). Framed. Harry Stoner (United States) 1880-1960. My Favorite Village (Swansboro NC). Linoleum cut (?), 1948. Ed: Unknown. Uncommon. Signed and titled with pencil, l.r. Signed and dated in the block, l.r. Inscribed with pencil "Swansboro N.C.", l.l. Printed by the artist with black ink on textured cream laid paper with full margins. 229 x 383 mm. (9 x 15 1/8 in.). Framed. (2)
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Leatherbound books: 18th century
Leatherbound books: 18th century English philosophy and prose Locke John. AN ESSAY CONCERNING HUMAN UNDERSTANDING. Vols. I-II. London: J.F. and C. Rivington 1788.; Chalmers Alexander. THE SPECTATOR. Vols. I-VI. London: F.C. and J. Rivington 1822.; Addison Joseph. THE WORKS OF JOSEPH ADDISON. Vols. I-II. New York: G.P. Putnam 1854. (10pcs) Provenance: Estate of the late Francis D. ''Skeeter'' McNairy Savannah Georgia. Back   Inquiry    Previous Item  Next Item © Charlton Hall Auctions. Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678   © 2012 CHARLTON HALL GALLERIES INC.
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William Lockhart (Scottish
William Lockhart (Scottish 1846-1900) Lockenziemixed media on paper signed and inscribed at lower left ''Lockenzie Harbour / W. E. Lockhart RSA / 188(5?) '' unframed.William Ewart Lockhart was elected a full member of the Royal Scottish Academy in 1878. He was a popular artist and was commissioned by Queen Victoria to paint ''The Jubilee Celebration in Westminster Abbey June 21 1887 '' which is housed in the Royal Collection.Paper 15.5 x 22 in.Glue remnants to edge of paper; some foxing and toning.
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CHARLES LOCKE, FIGURES IN
CHARLES LOCKE, FIGURES IN CITYSCAPE, OIL ON CANVAS Charles Wheeler Locke (American/New York/ Ohio, 1899-1983). "Conversation on City Bench", oil on canvas. Signed lower right; giltwood frame.
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Charles Locke (American
Charles Locke (American 1899-1983) Shipyard Scene Lithograph on paper signed l.r. with artist s monogram in plate with inscription To Dad and Aunt Rose l.l.; Plate 8.5 x 11.75 in.During the 1930s and 40s the WPA program and other federal funding enabled many artists to work for pay and often this is the type of subject matter that was produced- working class genre scenes. ?Companies such as the Associated American Artists and other printing groups encouraged the production of such works as an inexpensive work of art to be collected by the middle class. Condition: Toning and matte burn.
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[DICKINSON, JOHN ] LOCKE, JOHN.
[DICKINSON, JOHN ] LOCKE, JOHN. An Essay Concerning Human Understanding. Volume II.
Estimate:$200-$300
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WALTER R. LOCKE (UNITED STATES)
WALTER R. LOCKE (UNITED STATES) 1883-1949. ON THE BANK OF THE AMELOTE (FLORIDA). ETCHING, 1936. WINDISCH/COLE 204. ED: 250, AS PUBLI...Walter R. Locke (United States) 1883-1949. On the Bank of the Amelote (Florida). Etching, 1936. Windisch/Cole 204. Ed: 250, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with complete margins. 305 x 211 mm. (12 x 8 1/4 in.). Framed. Rival Fishermen. Etching, 1939. Windisch/Cole 405. Ed: 250, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with complete margins. 217 x 278 mm. (8 1/2 x 10 7/8 in.). Framed.
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TWO LEATHERBOUND JOHN LOCKE
TWO LEATHERBOUND JOHN LOCKE TITLESTwo Treatises of Government , London: J. Whiston, etc., 1772, reprinted the 7th time, bound in full leather with morocco spine label; An Essay Concerning Human Understanding , London: William Tegg & Co., 1849, 30th edition, bound in half leather over marbled boards
Provenance: Humber Family, North Carolina
Condition:
Two Treatises with front board detached, rear board partially detached, rubbing at extremities, title page possibly missing, rear preliminaries missing; Human Understanding very good with rubbing at extremities and spine
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Locke Walter Ronald (American
Locke Walter Ronald (American 1883 - ?): ''In Beaufort S.C.'' Limited Edition Original Etching sight size 13'' x 8 3/4'' pencil signed lower right dated '39 titled lower left original AAA Label affixed verso encased in ordinal black frame with wear 18 1/2'' x 14 1/2'' the scene depicts a young African American woman walking in front of an old plantation.CONDITION: Some toning and browning along the mat edges not examined out of the frame.
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Walter Ronald Locke etching
Walter Ronald Locke etching (Florida, born 1883), titled "Edge of the Pines, Fla.", man fishing in skiff in marshy landscape, signed lower right in pencil "W.R. Locke '38", etching on paper, unframed, plate 12-12 x 9 in., page 16 x 13 in.
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An Essay Concerning Human
An Essay Concerning Human Understanding by John Locke (Glasgow, 1819; vol. 1 only of 2); Piscatorial Reminiscences and Gleanings by an Old Angler and Bibliopolist (London, 1835); Mrs. Chapone's Letters (New York, 1827); The Parlour Letter-Writer and Secretary's Assistant by R. Turner (Philadelphia, 1834); The Rainy Day by The American Sunday School Union (Philadelphia, 1842); Original Letters, &c. of Sir John Falstaff (Philadelphia, 1813); and A Grey-Cap for a Green-Head, in a Dialogue Between Father and Son (Philadelphia, 1798).
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SELECTION OF FOUR FRAMED ARTWORKS
SELECTION OF FOUR FRAMED ARTWORKS Including 18th-century engraved portraits of John Locke, Rene Fremin, and Thomas Sydenham; Together With a hand colored lithograph, "Chippeway Squaw and Child," 1st half, 19th century. Largest sight size measures 18 x 13 in., framed.
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Lot of four locks.
Lot of four locks.
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Walter Ronald Locke (American b.
Walter Ronald Locke (American b. 1883) two engravings titled Yellow Birch 8 1/4" x 10 3/4" and the "The Patriarch" Fla. pencil... ?
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Hardbound auction catalogues to
Hardbound auction catalogues to include The William M. Locke Collection Francis P. Garvan Collection three volumes of The... ?
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CHARLES LOCKE, NEW YORK CITYSCAPE
CHARLES LOCKE, NEW YORK CITYSCAPE OIL ON CANVAS Charles Wheeler Locke (American/New York/Ohio,, 1899-1983). "Lunch Break, Central Park", oil on canvas. Signed lower right, framed.
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COLLECTIBLE BOOKS: JOHN LOCKE
COLLECTIBLE BOOKS: JOHN LOCKE (1632-1704) "AN ESSCOLLECTIBLE BOOKS: JOHN LOCKE (1632-1704) "An Essay Concerning Human Understanding," 2 volume set, 13th edition, London, published 1748. Full leather. 8" x 5"
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TWO SYLVIA FLETCHER AT LOCK & CO.
TWO SYLVIA FLETCHER AT LOCK & CO. HATS Lock & Co. Hatters St. James Street, London. One black woven hat and one tan woven hat.
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1 vol. (Locke, John.) A Paraphrase
1 vol. (Locke, John.) A Paraphrase and Notes on The Epistle of Saint Paul to The Galatians. London: For Awnsham and John Churchill, 1705. First edition. 4to, early 20th-Century 3/4 tan calf & marbled bds., maroon morocco spine label; occasionally scuffed. Slightly trimmed. Internally generally clean. Author's name given in ink on title page. Attig
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WALTER R. LOCKE ETCHINGWALTER R.
WALTER R. LOCKE ETCHINGWALTER R. LOCKE (Florida/Massachusetts, 1883-1949) etching, "Along the Beaverkill, N.Y." Signed lower right, titled lower left. Image measures 9.75" x 12.75". In a wood frame; 16.75" x 20.75" overall.
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ILLEGIBLY SIGNED SCOTTISH LOCKE
ILLEGIBLY SIGNED SCOTTISH LOCKE PAINTING: Oil/Masonite, 14'' x 24'', signed lower left, framed, 21'' x 31'', description on frame reads A. J. Buntin.
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Vance Locke (1913-1977 CA)
Vance Locke (1913-1977 CA) Landscape with Boat 1935 Watercolor on Paper Framed 17''x21''
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FIVE MISCELLANEOUS LOCK & CO.
FIVE MISCELLANEOUS LOCK & CO. HATS Lock & Co. Hatters St. James Street, London. Two black and white flat hats, one brown paperboy hat, one brown paperboy hat with a zipper, and one outdoorsy hat in original hat box.
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Two Walter Ronald Locke etchings
Two Walter Ronald Locke etchings (Walter Ronald Locke, Florida, 20th century), Florida scenes, signed lower right in pencil "W.R. Locke", published by Associated American Artist, etchings on paper: "Chinaberry Tree", 1942, plate 8-3/4 x 12-5/8 in., page 11-1/2 x 14-1/2 in. and "No Fence Law", 1932, plate 9-3/4 x 13 in., original labels attached to backings verso; matching painted wood frames. Toning, hinged at top, paper tape verso all edges, unevenly trimmed.
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FOUR STRAW WOVEN LOCK & CO. HATS
FOUR STRAW WOVEN LOCK & CO. HATS Lock & Co. Hatters St. James Street, London. Three small brimmed hats, one sun hat in original hat box.
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Locker (F) Poems, 1868, not
Locker (F) Poems, 1868, not published, with a frontispiece by George Cruikshank, presentation copy from the author to WM Rossetti, with inscription dated 1868, inscribed HW Bruton/see illustration
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Coxe (W) Memoires of the Life and
Coxe (W) Memoires of the Life and Administration of Sir Robert Walpole, 3 vols., 8vo., cont. half red morocco, T Cadell 1800 and 8 other leather bound books
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WALTER RONALD LOCKE
WALTER RONALD LOCKE (FLORIDA/MASSACHUSETTS, 1883-1949), "PORTUGUESE SHRIMP BOATS - ST. AUGUSTINE, FLORIDA"., ETCHING ON PAPER, 9" X 12.5" SIGHT. UNFRAMED.WALTER RONALD LOCKE, Florida/Massachusetts, 1883-1949, "Portuguese Shrimp Boats - St. Augustine, Florida". Signed in pencil lower right "W.R. Locke". Titled lower left. Dimensions: Etching on paper, 9" x 12.5" sight. Unframed.
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TWO FELT LOCK & CO. HATS Lock & Co.
TWO FELT LOCK & CO. HATS Lock & Co. Hatters St. James Street, London. One large brown hat and one red hat in original hat box.
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CHARLES WHEELER LOCKE (AMERICAN,
CHARLES WHEELER LOCKE (AMERICAN, 1899 - 1983) 11 ?" x 16" paper size 8 ¾" x 12 ¼" image size "Waterfront", 1938. Lithograph on paper with GCM watermark, signed in pencil lower right, monogrammed in plate lower right, hinged at top, matted under plexiglass in black frame, overall 16 ¼" x 19".
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An extensive collection of
An extensive collection of principally English brass cabinet locks, 19th - early 20th c, several with key, etc
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5 PC ART LOT MAINS STOWMAN LOCKE
5 PC ART LOT MAINS STOWMAN LOCKE AND POSTLE: 1) MAINS, Zella Bay, (American, 20th Century): ''Royalty'', Florida Landscape with Royal Palms Along a Path, Oil/Canvas en Grisaille, 20'' x 16'', signed lower left, titled on the stretcher verso, old partial label affixed in the lower stretcher bar, unframed. 2) STOWMAN, Annette Burr, (American/French, 1909-?): ''Old Timers,'' Oil/Canvas, 24'' x 30'', signed lower right, titled on the stretcher verso, unframed. 3) 2PC LOCKE, Walter Ronald, (American, 1883-1949): Two Etchings: 3a) Trinity Church, Saint Augustine, Florida, 14'' x 10'' with margins, pencil signed lower right and dated '36, titled lower left, unframed; 3b) ''Rival Fisherman'', Depicts a Fly Fisherman with Muskrat Looking On, 11'' x 16'' with margins, signed lower right and dated '39, titled lower left, unframed. 4) POSTLE, Joy, (American, 1896-1989): ''Glamour Birds'', Gouache/Board, 20'' x 16'', signed lower right, unframed.
CONDITION: 1) Minor stretcher bar wear, small patch visible verso. 3a) Crease along lower left margin edge, scattered bits of loss in the right margin, visible toning in the exposed area. 3b) Small tear in upper right and upper left margin, crease in lower left corner, and a bit of loss in the left margin.