A few examples of appraisal values for
LOCKE CO

• WALTER R. LOCKE (UNITED STATES)
  WALTER R. LOCKE (UNITED STATES) 1883-1949. IN BEAUFORT S.C. ETCHING, 1937. WINDISCH/COLE 272. ED: 250 OR FEWER, AS PUBLISHED BY ASSO...Walter R. Locke (United States) 1883-1949. In Beaufort S.C. Etching, 1937. Windisch/Cole 272. Ed: 250 or fewer, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with full margins. 318 x 214 mm (12 1/2 x 8 3/8 in.). Framed. Harry Stoner (United States) 1880-1960. My Favorite Village (Swansboro NC). Linoleum cut (?), 1948. Ed: Unknown. Uncommon. Signed and titled with pencil, l.r. Signed and dated in the block, l.r. Inscribed with pencil "Swansboro N.C.", l.l. Printed by the artist with black ink on textured cream laid paper with full margins. 229 x 383 mm. (9 x 15 1/8 in.). Framed. (2)
• CHARLES LOCKE, FIGURES IN
  CHARLES LOCKE, FIGURES IN CITYSCAPE, OIL ON CANVAS Charles Wheeler Locke (American/New York/ Ohio, 1899-1983). "Conversation on City Bench", oil on canvas. Signed lower right; giltwood frame.
• WALTER R. LOCKE (UNITED STATES)
  WALTER R. LOCKE (UNITED STATES) 1883-1949. ON THE BANK OF THE AMELOTE (FLORIDA). ETCHING, 1936. WINDISCH/COLE 204. ED: 250, AS PUBLI...Walter R. Locke (United States) 1883-1949. On the Bank of the Amelote (Florida). Etching, 1936. Windisch/Cole 204. Ed: 250, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with complete margins. 305 x 211 mm. (12 x 8 1/4 in.). Framed. Rival Fishermen. Etching, 1939. Windisch/Cole 405. Ed: 250, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with complete margins. 217 x 278 mm. (8 1/2 x 10 7/8 in.). Framed.
• Walter Ronald Locke etching
  Walter Ronald Locke etching (Florida, born 1883), titled "Edge of the Pines, Fla.", man fishing in skiff in marshy landscape, signed lower right in pencil "W.R. Locke '38", etching on paper, unframed, plate 12-12 x 9 in., page 16 x 13 in.
• WALTER R. LOCKE ETCHINGWALTER R.
  WALTER R. LOCKE ETCHINGWALTER R. LOCKE (Florida/Massachusetts, 1883-1949) etching, "Along the Beaverkill, N.Y." Signed lower right, titled lower left. Image measures 9.75" x 12.75". In a wood frame; 16.75" x 20.75" overall.
• THREE LOCKE WALLACE LANDSCAPE
  THREE LOCKE WALLACE LANDSCAPE PAINTINGS(Washington, DC, 20th century) Western Mountains, Wallace Country Road, Riverscape, each signed "Locke Wallace", oil on canvas board, approximately each 15-7/8 x 19-3/4 in.; gilt wood frames, 21-1/2 x 25-1/4 in. Provenance: Property Deaccessioned by the Colonial Williamsburg Foundation from the Joseph and June Hennage Collection; all proceeds to benefit the Joseph and June Hennage Collection Acquisition Fund Condition: surface dirt; frames with abrasions
• CHARLES LOCKE, NEW YORK CITYSCAPE
  CHARLES LOCKE, NEW YORK CITYSCAPE OIL ON CANVAS Charles Wheeler Locke (American/New York/Ohio,, 1899-1983). "Lunch Break, Central Park", oil on canvas. Signed lower right, framed.
• Locke Walter Ronald (American
  Locke Walter Ronald (American 1883 - ?): ''In Beaufort S.C.'' Limited Edition Original Etching sight size 13'' x 8 3/4'' pencil signed lower right dated '39 titled lower left original AAA Label affixed verso encased in ordinal black frame with wear 18 1/2'' x 14 1/2'' the scene depicts a young African American woman walking in front of an old plantation.CONDITION: Some toning and browning along the mat edges not examined out of the frame.
• Vance Locke (1913-1977 CA)
  Vance Locke (1913-1977 CA) Landscape with Boat 1935 Watercolor on Paper Framed 17''x21''
• Two Walter Ronald Locke etchings
  Two Walter Ronald Locke etchings (Walter Ronald Locke, Florida, 20th century), Florida scenes, signed lower right in pencil "W.R. Locke", published by Associated American Artist, etchings on paper: "Chinaberry Tree", 1942, plate 8-3/4 x 12-5/8 in., page 11-1/2 x 14-1/2 in. and "No Fence Law", 1932, plate 9-3/4 x 13 in., original labels attached to backings verso; matching painted wood frames. Toning, hinged at top, paper tape verso all edges, unevenly trimmed.
• Lot of four locks.
  Lot of four locks.
• An 1824 document to the
  An 1824 document to the commissioners of jail in Woodstock VT, regarding the jailing and fines of $7./65 against Royal Keyes of Reading VT, brought by Samuel Bailey and Oliver Holmes. Document 12.5” x 8” Framed 14.5” x 10” Condition: some foxing CT Transfer Fee $10
• Locke (John) The Works, Third
  Locke (John) The Works, Third Edition, 3 vols., 1727. Folio, cont. panelled calf (old rebacks, some wear, prelims of vol 3 wormed). Engraved frontispiece in vol 1. Bookplate of Robert Berkeley Spetchley (3)
• Charles Locke (American
  Charles Locke (American 1899-1983) Shipyard Scene Lithograph on paper signed l.r. with artist s monogram in plate with inscription To Dad and Aunt Rose l.l.; Plate 8.5 x 11.75 in.During the 1930s and 40s the WPA program and other federal funding enabled many artists to work for pay and often this is the type of subject matter that was produced- working class genre scenes. ?Companies such as the Associated American Artists and other printing groups encouraged the production of such works as an inexpensive work of art to be collected by the middle class. Condition: Toning and matte burn.
• M. LOCKE SIGNED SOUTH WEST FRAMED
  M. LOCKE SIGNED SOUTH WEST FRAMED ARTWORK Marla Locke (Oglala Sioux, 20th century) A mounted warrior, signed in the print lr, dated 1994, also inscribed in pencil l.c. and framed with an original pencil sketch on the mat; serigraph, 14 1/4 x 18 1/4 visible.
• MERLE E. LOCKE. WARRIOR RIDING,
  MERLE E. LOCKE. WARRIOR RIDING, SERIGRAPH Serigraph on paper, 1994, signed in the print and hand signed lc, pencil drawings on matte, sight size: 14 x 18 in., framed.
• William Lockhart (Scottish
  William Lockhart (Scottish 1846-1900) Lockenziemixed media on paper signed and inscribed at lower left ''Lockenzie Harbour / W. E. Lockhart RSA / 188(5?) '' unframed.William Ewart Lockhart was elected a full member of the Royal Scottish Academy in 1878. He was a popular artist and was commissioned by Queen Victoria to paint ''The Jubilee Celebration in Westminster Abbey June 21 1887 '' which is housed in the Royal Collection.Paper 15.5 x 22 in.Glue remnants to edge of paper; some foxing and toning.
• Edwin Lockey (20th Cent.
  Edwin Lockey (20th Cent. Canadian) ''Chief Mountain, Montana'' Oil on Board 22''x30'' Image. A colorful impressionist landscape signed l.r. Title label on verso. Original frame 28''x36''. Excellent condition.
• Style of BLAKELOCK. Oil on Canvas
  Style of BLAKELOCK. Oil on Canvas Landscape.Not apparently signed. From an East 94th St NYC estate. Dimensions: 12'' high x 16.25'' wide. Condition: Craquelure wear to extreme edges.
• ILLEGIBLY SIGNED SCOTTISH LOCKE
  ILLEGIBLY SIGNED SCOTTISH LOCKE PAINTING: Oil/Masonite, 14'' x 24'', signed lower left, framed, 21'' x 31'', description on frame reads A. J. Buntin.
• MT. GREYLOCK MASSACHUSETTS
  MT. GREYLOCK MASSACHUSETTS LANDSCAPE SKETCH BY EDWARD SEAGER (ENGLAND / UNITED STATES 1809-1886). Pencil on paper signed lower left. Greylock Mass ca. 1849 scene of cows grazing by a stone bridge Mt. Greylock in background. 9.375'' X 13.25'' image in gilt frame 16''h. 21''w. Ex Hirschl & Adler Galleries (New York). Exhibited at Clark Art Institute Williamstown Massachusetts May-August 1989.
• WALTER RONALD LOCKE
  WALTER RONALD LOCKE (FLORIDA/MASSACHUSETTS, 1883-1949), "PORTUGUESE SHRIMP BOATS - ST. AUGUSTINE, FLORIDA"., ETCHING ON PAPER, 9" X 12.5" SIGHT. UNFRAMED.WALTER RONALD LOCKE, Florida/Massachusetts, 1883-1949, "Portuguese Shrimp Boats - St. Augustine, Florida". Signed in pencil lower right "W.R. Locke". Titled lower left. Dimensions: Etching on paper, 9" x 12.5" sight. Unframed.
• TWO BOXES OF BALTIMORE KILN FILTERS
  TWO BOXES OF BALTIMORE KILN FILTERS From the Locke Insulator Factory, together with two baskets of miscellaneous glass and metalware.
• CAPLOCK MUSKET.
  CAPLOCK MUSKET.
• [Civil War Camp View] E. Sachse;
  [Civil War Camp View] E. Sachse; ''Fortress Monroe Old Point Comfort & Hygeia Hotel Virginia'' (NY: Charles Magnus 1861) chromolithograph 28 x 19 in. framed Estimate $ 500-800 All property is sold as-is. No condition report is supplied. Prospective buyers should submit an inquiry requesting detailed examination prior to bidding. Back   Inquiry   Email Lot   © Alex Cooper. Images descriptions and condition reports used on this site are originalcopyright material and are not to be reproduced without permission. Forfurther information telephone 410-828-4838 Schedule •  Catalogues •  Archives •  Login •  RegisterAbout Us | Consignors | Buyers | Catalogs | Contact Us | FAQ | Join Our Mailing ListHome | Oriental Rugs | Real Estate Auctions | Alex Cooper's Artfact Page | Alex Cooper Live! Blog908 York Road Towson Maryland 21204Baltimore: (410) 828-4838 | Fax: (410) 828-0875 | Toll-Free: (800) 272-3145antiques@alexcooper.comSite by Fastspot
• WALTER RONALD LOCKE (1883 - 1949)
  WALTER RONALD LOCKE (1883 - 1949) "ANCLOTE LIGHT"Walter Ronald Locke (FL, MA, 1883 - 1949) "'Anclote Light' Fla," - Etching Pencil signed, dated ('39), and titled lower margin. Depicting the Anclote Key Lighthouse in Pinellas County, Florida surrounded by palm trees and thatched roof huts. Image Size: 12.5 x 8.5 in. Sheet Size: 19 x 15 in. Unframed. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• LOCK BOX. American mid 19th
  LOCK BOX. American mid 19th century pine. Dovetailed case with traces of original bittersweet paint 7''h. 13''w. Ex Entwistle.
• Rowan County, North Carolina
  Rowan County, North Carolina Ephemera late 18th to mid 19th century, partially printed and manuscript court documents including bonds, judgments, arrest warrants, deeds, with signatures of Francis Locke (circa 1722-1796, Revolutionary War Colonel), Winston Caswell (circa 1764-1799, son of Richard Caswell, first Governor of independent North Carolina), other early Rowan County political figures, approximately 43 pieces
• Lot (11) various early/vintage
  Lot (11) various early/vintage locks.
• LOCKBOX. European 19th century
  LOCKBOX. European 19th century pine. Dovetailed with original hand painted interior. Wrought iron hardware interior till. Age split. 11 3/4''h. 23 1/2''w. 15 1/4''d.
• Lockwood de Forest, Jr.,
  Lockwood de Forest, Jr., (California, 1986-1949) Lone Pine, 1920, signed lower right "L. de F. Jr. Nov 1920", oil on canvas board, 8 x 11 in.; original painted wood frame,
• LOCK BOX. Boston Massachusetts
  LOCK BOX. Boston Massachusetts 2nd half-19th century. Black leather covered pine box lined with blue printed cloth of American eagle and Presidents including Jefferson and Monroe. Underside stamped ''Warranted Soap by E. Davis Boston''. Some damage. 5''h. 10 3/4''w. Ex Charles Momchilov (Ohio). Lid loose (leather hinge damaged) handle separate overall wear.
• Two William Waldo Dodge paintings
  Two William Waldo Dodge paintings (Asheville, North Carolina, 1895-1971), both oil on canvas: one of rocky coast, New England, 14 x 17 in., flaking with voids right center and at edges ; one a spring landscape signed and inscribed verso on canvas "23 May 26…D", 25-1/8 x 20 in., painted wood frame. Both with grime, crackle, cupping, cleavage, original stretcher and tacking edge, canvases loose. Estate of Artist; by descent to Consigner.
• Leatherbound books: 18th century
  Leatherbound books: 18th century English philosophy and prose Locke John. AN ESSAY CONCERNING HUMAN UNDERSTANDING. Vols. I-II. London: J.F. and C. Rivington 1788.; Chalmers Alexander. THE SPECTATOR. Vols. I-VI. London: F.C. and J. Rivington 1822.; Addison Joseph. THE WORKS OF JOSEPH ADDISON. Vols. I-II. New York: G.P. Putnam 1854. (10pcs) Provenance: Estate of the late Francis D. ''Skeeter'' McNairy Savannah Georgia. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• 5 PC ART LOT MAINS STOWMAN LOCKE
  5 PC ART LOT MAINS STOWMAN LOCKE AND POSTLE: 1) MAINS, Zella Bay, (American, 20th Century): ''Royalty'', Florida Landscape with Royal Palms Along a Path, Oil/Canvas en Grisaille, 20'' x 16'', signed lower left, titled on the stretcher verso, old partial label affixed in the lower stretcher bar, unframed. 2) STOWMAN, Annette Burr, (American/French, 1909-?): ''Old Timers,'' Oil/Canvas, 24'' x 30'', signed lower right, titled on the stretcher verso, unframed. 3) 2PC LOCKE, Walter Ronald, (American, 1883-1949): Two Etchings: 3a) Trinity Church, Saint Augustine, Florida, 14'' x 10'' with margins, pencil signed lower right and dated '36, titled lower left, unframed; 3b) ''Rival Fisherman'', Depicts a Fly Fisherman with Muskrat Looking On, 11'' x 16'' with margins, signed lower right and dated '39, titled lower left, unframed. 4) POSTLE, Joy, (American, 1896-1989): ''Glamour Birds'', Gouache/Board, 20'' x 16'', signed lower right, unframed. CONDITION: 1) Minor stretcher bar wear, small patch visible verso. 3a) Crease along lower left margin edge, scattered bits of loss in the right margin, visible toning in the exposed area. 3b) Small tear in upper right and upper left margin, crease in lower left corner, and a bit of loss in the left margin.
• CHARLES WHEELER LOCKE (AMERICAN,
  CHARLES WHEELER LOCKE (AMERICAN, 1899 - 1983) 11 ?" x 16" paper size 8 ¾" x 12 ¼" image size "Waterfront", 1938. Lithograph on paper with GCM watermark, signed in pencil lower right, monogrammed in plate lower right, hinged at top, matted under plexiglass in black frame, overall 16 ¼" x 19".