A few examples of appraisal values for
LONG DAY AHEAD

• AFTER A LONG DAY Oil on canvas:
  AFTER A LONG DAY Oil on canvas: 26 1/2 x 21 1/2 in. Framed;
• AFTER A LONG DAY Oil on canvas:
  AFTER A LONG DAY Oil on canvas: 26 1/2 x 21 1/2 in. Framed;
• DAY, Stephen, (American, 1954):
  DAY, Stephen, (American, 1954): ''Glowing Sky'', Oil/Canvas Board, 30'' x 40'', signed lower left, signed titled and dated 1995 verso, framed 40'' x 50''.
• DAY, Stephen, (American, b.
  DAY, Stephen, (American, b. 1954): ''Saguaros in the Sun'', Oil/Canvasboard, 12'' x 9'', signed lower right, signed titled and dated 2006 verso, framed, 17.5'' x 14.25''.
• STEPHEN DAY (B.1954) OIL PAINTING
  STEPHEN DAY (B.1954) OIL PAINTING 'WINTER EVENING'Framed oil on board painting, "Winter Evening - Last Light," signed lower right Stephen Day (New Mexico/ Colorado, b.1954), title and additional signature verso, dated 1999 verso, retaining Charlene Cody Gallery, Santa Fe label verso, sight: approx 8.5"h, 11.5"w, overall: approx 14.5"h, 17.5"w, 1.9lbs
• A HARD DAY'S NIGHT.A Hard Day's
  A HARD DAY'S NIGHT.A Hard Day's Night. United Artists, 1964. Japanese B2 (20 x 28"). Color offset poster for the Japanese release of the British comedy featuring The Beatles in their first feature film. Linen-backed. Black metal frame. A. Sold with a modern high-quality reprint of the British Quad style (27 x 40") of the poster in matching frame.
• Day Dreams (British, 1864-1949)
  Day Dreams (British, 1864-1949) 38 x 24 1/2 inches.
• BRONZE OCTAGONAL SUNDIAL 19th c.
  BRONZE OCTAGONAL SUNDIAL 19th c. Heavy Bronze Garden Sundial, with verdigris patinated surface, owl form gnomon, embossed Roman numeral dial, winged hourglass and 'Light Follows Darkness', at the base edge 'Shortest day - Dec. 21, Twelve hour day - Sept. 21, Longest day - June 21', two protruding screws to underside, 3 3/4" high, 10 1/2" x 10 3/4". Surface rust spots.
• Oil head lamp lot: ''Morning Star''
  Oil head lamp lot: ''Morning Star'' and ''The Everlit''.
• VERYL GOODNIGHT (1947- ), BACK FROM
  VERYL GOODNIGHT (1947- ), BACK FROM THE BRINK Fine Art
• American Square Verdigris Bronze
  American Square Verdigris Bronze Sundial, featuring a figure of Father Time and Henry Wadsworth Longfellow\'s adage \"Art is long and Time is fleeting\", first quarter 20th century, the gnomon formed of Father Time\'s scythe and a pair of small mist scrolls, h. 12-1/2\", w. 12-1/2\".
• VERYL GOODNIGHT, "COME FORTH A
  VERYL GOODNIGHT, "COME FORTH A DREAM", 19/25 Veryl Goodnight (American b. 1947), "Come Forth A Dream", 1987, large scale patinated cast bronze Western equestrian sculpture depicting four running horses, signed, dated, and numbered 19 of 25 in mold, on wooden base. Provenance: Private Collection of Wayne Hyatt, San Diego, CA; acquired from Trailside Galleries Scottsdale, AZ. Note: Accompanied by correspondence from Veryl Goodnight Studio. Approx. overall h. 17.5", w. 30", d. 16".
• WILLIAM JURIAN KAULA (MA,
  WILLIAM JURIAN KAULA (MA, 1871-1953) "End of Day", oil on canvasboard, signed and titled verso, and marked "Fenway Studios, Boston, Mass.", in black and gold frame with linen liner, OS: 15" x 17 1/2", SS: 9 1/2" x 12". Foxing to liner.
• PETER HURD (AMERICAN 1904-1984) A
  PETER HURD (AMERICAN 1904-1984) A PRINT, "DAY'S END,"PETER HURD (American 1904-1984) A PRINT, "Day's End," color lithograph on paper, signed L/R, "Peter Hurd," numbered in pencil L/L 48/260, with one blind stamp in margin. 24" x 23 1/2" Condition: Mild handling but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• W. H. DAY (BRITISH 19TH-20TH
  W. H. DAY (BRITISH 19TH-20TH CENTURY), INLET SCENE, MORNING AND EVENING: PAIR OF OILS ON CANVAS, FRAME: 16 X 25 INW. H. Day (British 19th-20th Century), Inlet Scene, Morning and Evening: A Pair of Works, Each Signed, Each Oil on Canvas, 12 x 20 in.,
• PETER HURD (AMERICAN 1904-1984) A
  PETER HURD (AMERICAN 1904-1984) A PRINT, "DAY'S END,"PETER HURD (American 1904-1984) A PRINT, "Day's End," color lithograph on paper, signed L/R, "Peter Hurd," numbered in pencil L/L 48/260, with one blind stamp in margin. 24" x 23 1/2" Condition: Mild handling but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Michael Trovato
  Michael Trovato (American/Contemporary) "End of Day", oil on canvas, 12-1/2" x 22-1/2", signed lower right "Trovato". Presented in a carved giltwood frame.
• PAINTING, JAN VAN DAALEN Jan Van
  PAINTING, JAN VAN DAALEN Jan Van Daalen (Dutch, 20th century), "After the Heat of Day," oil on canvas, signed lower center-right, titled verso, overall (with frame): 35"h x 29"w
• MIGUEL OSUNA , "EVENING WAITS ALL
  MIGUEL OSUNA , "EVENING WAITS ALL DAY"MIGUEL OSUNA, "Evening Waits All Day", Oil on canvas Oil on canvas Dimensions: 30" H x 30" W Provenance: Donated by the artist
• A HARD DAY'S NIGHT.A Hard Day's
  A HARD DAY'S NIGHT.A Hard Day's Night. United Artists, 1964. Stafford & Co., Ltd., Nottingham and London. British quad (30 x 40") poster. This scarce country-of-origin quad is one of the rarest Beatles posters. Strong, vibrant colors. Linen-backed. A.
• Ernest Chiriacka (American/New
  Ernest Chiriacka (American/New York, b. 1920) "End of Day", oil on masonite, 5" x 7", signed lower right. Framed. Provenance: The estates of David and Eula Wintermann.
• Donavon Preiser ''End of Day''
  Donavon Preiser ''End of Day'' Color Photograph Framed 16''x13''
• Robert Blair (American, b. 1937)
  Robert Blair (American, b. 1937) Waitin' for Day Break oil on board signed Robert Blair (lower right) 11 x 14 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• John Gifford (manner of) (British
  John Gifford (manner of) (British d. 1900) THE END OF THE DAY oil on canvas framed signed: lower left illegibly H27'' W36'' Provenance: Atlanta Georgia private collection. Christie's-South Kennsington 30 November 2000 sale 8959 Canvas has been relined UV light examination reveals 2''x2'' L-shaped repair in upper-left sky area and few other specks throughout some light aligatoring and craquelure small abrasions at lower edge probably from rubbing against frame.
• Alphonse Mucha (1860-1939 Czech)
  Alphonse Mucha (1860-1939 Czech) 'Reverie Du Soir' Lithograph, 1899. 'Evening' from the Times of Day series. Print is laid down to cardstock, measures 22x9.5''. Comes in period ornate frame with overall measurements of 24x11.5''. Excellent condition with strong colors; trimmed to image.
• GEORGE RODRIGUE (1944 - 2013)
  GEORGE RODRIGUE (1944 - 2013) "HOT DAYS AHEAD"George Rodrigue (American, 1944 - 2013) "Hot Days Ahead" - 1999 Acrylic on Linen. Signed lower right. Titled, signed and dated verso on canvas. Comes with COA. Sight Size: 18 x 24 in. Overall Framed Size: 27 x 33 x 3.25 in. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• PETER MCINTYE, END OF A LONG
  PETER MCINTYE, END OF A LONG DAY'S RIDEPeter McIntyre, (1910 - 1995) End of a Long Day's Ride, watercolor, ink on paper signed lower right: PETER MCINTYRE watercolor, ink on paper Dimensions: 20 1/4 x 28 3/8 in. (51.4 x 72.1 cm.), Frame: 32 5/8 x 40 1/2 x 1 1/2 in. (82.9 x 102.9 x 3.8 cm.) Provenance: Savageau Gallery, Denver Shriver Gallery, Taos Private Collection, Colorado
• Dang Anh Tuan (Vienamese,
  Dang Anh Tuan (Vienamese, 20th/2st Century) New Day oil on canvas 45 1/4 x 45 1/4 inches
• MARTH SAUDEK (B. 1923): A LOVELY
  MARTH SAUDEK (B. 1923): A LOVELY TIME OF DAYoil on canvas; signed lower left Dimensions: 24 x 36 in. (61 x 91.4 cm.), Frame: 31 x 43 in. (78.7 x 109.2 cm.) Condition:
• HEADING AHEADLee, Henry Jr. Heading
  HEADING AHEADLee, Henry Jr. Heading Ahead. Chicago: Mather & Company, 1929. –Cutting out the faults that hold us back today helps us all forward tomorrow. What's Your Failing?” A work incentive poster produced by Mather. 34 x 40 _”. Mounted on linen. Repaired marginal tears. A-.
• Maxfield Parrish Print ''At Close
  Maxfield Parrish Print ''At Close of Day'' 1956 complete calendar mint.
• Dennis James Logsdon (American,
  Dennis James Logsdon (American, 20th Century) Early Morning Stretch, 1998 engraving on clay signed Dennis James Logsdon (lower left) 16 x 36 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• David Louis Ghilchik
  David Louis Ghilchik (1892-1970)/End of the Day (Stavely Coal and Iron Works)/signed and inscribed/oil on canvas, 50cm x 60cm
• Unknown (American 20th century) The
  Unknown (American 20th century) The Long Road Home pastel 6 x 26 inches.
• A. DAY. URBANSCAPE, OIL ON CANVAS
  A. DAY. URBANSCAPE, OIL ON CANVAS Signed lr, 12 x 16 in., framed.
• Karl Muller (German 1865-1942)
  Karl Muller (German 1865-1942) Day's Endoil on artist's board signed lower left a fisherman relaxes with a drink and a pipe presented in a later wooden fame.Muller specialized in genre paintings.SS 12 x 16.5 in.; DOA 15 x 19.5 in.Some minor scuffs to the surfaces.