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CAROLINE M. BELL, OIL ON ARTIST
CAROLINE M. BELL, OIL ON ARTIST BOARDCaroline M. Bell (Long Island, NY, 1874-1970), oil on artist board of New England harbor, signed lower left, 18" x 38", frame - 22 1/2" x 24 1/2".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
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OIL ON ARTIST BOARD BEACH
OIL ON ARTIST BOARD BEACH SCENEOil on artist board beach scene of New Suffolk, Long Island, New York, 16" x 20", frame - 20 1/2" x 24 1/2".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. A little surface dirt in upper left sky.
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CAROLINE M. BELL, OIL ON ARTIST
CAROLINE M. BELL, OIL ON ARTIST BOARD COASTLINECaroline M. Bell (Long Island, NY, 1874 - 1970), oil on artist board coastline, signed lower left, 15 1/2" x 18", frame - 19 1/2" x 22".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
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OIL ON BOARDOil on board Coast
OIL ON BOARDOil on board Coast Guard Boats, Greenport Long Island , signed Clara M. Horvath, 20" x 16", frame - 24" x 20".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) Oil on artist board, pencil signed 'G. Renouard' (on reverse).
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. He was born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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LOUIS COMFORT TIFFANY (AMERICAN,
LOUIS COMFORT TIFFANY (AMERICAN, 1848-1933) "GOSSIPY MARKET WOMEN AT NUREMBERG" Circa 1889, oil on canvas. Inscribed and titled (on paper label verso). Original carved and giltwood frame attributed to Stanford White / Louis C. Tiffany Decorating Company.
Catalogue Note: The work, titled Study of Women at Market, oil on panel; 6 3/4 x 5 in. (17 x 14 cm) CHMF 55-21, currently in the collection of the Charles Hosmer Morse Museum of American Art, Winter Park, Florida is undoubtably the study for this work. Tiffany used wood panels in the early stages of design to perfect details he felt important to the finished paintings. The studies appear to have been very personal to him as they were displayed on shelves in his studios and lined the halls of his personal suite at his Long Island country home, Laurelton Hall.
When the house and contents were sold in the 1940’s, these cherished studies escaped the auction block and were offered first to family. This study was later gifted to the museum by Tiffany’s daughter, Comfort Tiffany Gilder. Although unsigned and undated the study was likely painted during a summer trip from June 15, 1889 - September 2, 1889, when Louis C. Tiffany traveled to the Exposition Universelle in Paris, Nuremburg, Germany, & northern Italy.
Exhibitions: Society of American Artists, Thirteenth Annual Exhibition, The American Art Gallery, Madison Square, New York, 1891.
The Art Institute of Chicago, Fourth Annual Exhibition of American Oil Paintings & Sculpture, Chicago, 1891, no. 335.
Louis Comfort Tiffany (American, 1848-1933)
Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and his best known for his work in stained glass. He is associated with the art nouveau and aesthetic art movements. Tiffany was affiliated with a prestigious collaborate of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Solman. He designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewelry, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.
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WERING, LONG ISLAND SOUND, OIL ON
WERING, LONG ISLAND SOUND, OIL ON CANVASWering, Long Island Sound, Oil on Canvas, (American, 20th C) signed 'Wering' lower right, depicting sailboats on the water under an orange sky. Frame size: 37 in. x 31 in. MEASURMENTS: Height: by sigh
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LARGE CHINESE BLUE & WHITE PEONY
LARGE CHINESE BLUE & WHITE PEONY BOWL,KANGXI PERIO Chinese blue and white peony bowl, Kangxi Period, the deep rounded sides resting on a short foot and rising to an everted rim, painted around sides in vibrant tones of underglaze blue with large scrolling peony and vines, same painting in the center, the base inscribed with six characater mark within a double circle D: 7 3/4"(19.5 cm) H: 3 3/4"(9.5 cm) Collection of a private Long Island collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: in overall good condition with nicks to the rim, surface wear and scratch, minor firing imperfection
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CHINESE RUBY GROUND FAMILLE ROSE
CHINESE RUBY GROUND FAMILLE ROSE CUP ,19TH C. A Chinese famille rose cup, Jiaqing mark but later 19th C, The deep cup has a turquoise interior with rounded bottom and colorful outside with four gilt shou and bat symbols surrounded by dense scrolling floral design, against ruby ground. six iron red mark on the recessed turquoise base. D. 3 3/8" (8.5 cm), H. 2 7/8" (7.3 cm) Collection of a private Long Island Collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: in good condition overall with minor surface wear
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2 MAPS CT AND RI & GENERAL
2 MAPS CT AND RI & GENERAL GRANT'S LONG ISLAND2 18th / 19th century maps. H. Harris Rhode Island & Connecticut, hand colored, circa 1802, Thomas and Andrews, 8" x 13 1/2" (with frame 16" x 20 3/4"); Charles Stedman & William Faden Sketch of General Grant's Position on Long Island, engraved for Stedman's History of the American War, circa 1794, 14 1/4" x 10 3/4" (with frame 22 1/4" x 18 1/4"). Connecticut & Rhode Island waviness to paper, foxing and toning throughout, vertical creases and minor creases to margins; Long Island waviness and some staining to paper, vertical and horizontal creases through center and tears and creases.
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3 ENGRAVED MAPS RHODE ISLAND,
3 ENGRAVED MAPS RHODE ISLAND, CONNECTICUT, MASS3 engraved maps. F.W. Beers & Co. Somerset Village, Massachusetts, circa late 1800s, 14 1/2" x 11" (with frame 19 1/4" x 15 3/4"); Rhode Island, circa late 18th-early 19th century, 7 1/2" x 6 3/8" (with frame 14 1/8" x 12 3/4"); A Map of Connecticut and Rhode Island with Long Island Sound, circa late 18th century, 7" x 9 1/8" (with frame 12 1/4" x 14 1/2"); with a Rhode Island crest print, 10 3/8" x 8 1/2" (with frame 15" x 13"). CT & RI map with vertical creases throughout; all with some toning and discoloration to paper.
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PETER MURDOCH STYLE UPHOLSTERED ARM
PETER MURDOCH STYLE UPHOLSTERED ARM CHAIRS, 4 Set of Four Peter Murdoch (British, b. 1940) Style Arm Chairs with tufted backs, each upholstered in colorful damask fabric. 33" H x 22.5" W x 25" D; seat: 18" H. Provenance: Property from the Long Island residence of a collector and long time friend of Victor Salmones and Karl Springer. Keywords: Furniture, Modern, Seating, Polychrome, Postmodern, Chiclet chairs. Note: This item is only available for preview at our Astoria warehouse, located at 36-01 35th St., Astoria, NY 11106. To see an item, you must make an appointment. Pick-up and shipping arrangements must also be completed at this location. Please contact us to make arrangements.
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VENETIAN BLUE & WHITE GLASS
VENETIAN BLUE & WHITE GLASS MIRROR Venetian Blue and White Glass Mirror with floral motif. 47" H x 20.5" W. Provenance: Property from the Long Island residence of a collector and longtime friend of Victor Salmones and Karl Springer. Keywords: Interior decor, Looking glass, Italian design. Note: This item is only available for preview at our Astoria warehouse, located at 36-01 35th St., Astoria, NY 11106. To see an item, you must make an appointment. Pick-up and shipping arrangements must also be completed at this location. Please contact us to make arrangements.
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LARGE HERON LAWN ORNAMENTS, PAIR
LARGE HERON LAWN ORNAMENTS, PAIR Pair of Large Heron Lawn Ornaments, resin, unmarked. Losses to the foot and minor surface damage consistent with wear. Larger: 57" H x 30" W x 14" D. Provenance: Property from the Long Island residence of a collector and longtime friend of Victor Salmones and Karl Springer. Keywords: Sculptures, Statues, Bird, Crane, Animalier, Palm Beach Modern
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ITALIAN PORCELAIN FIGURE OF A
ITALIAN PORCELAIN FIGURE OF A PEKINGESE DOG Italian Porcelain Figure of a Pekingese Dog on a pillow, stamped "Made in Italy" on the base. 12.75"H x 16.25"W x 10"D. Provenance: Property from the Long Island residence of a collector and and longtime friend of Victor Salmones and Karl Springer. Keywords: Sculpture, Ceramic, Porcelain, Italian, Interior Design, Dogs
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AMISTAD TRIAL, NILES NATIONAL
AMISTAD TRIAL, NILES NATIONAL REGISTER, MARCH 1841 Niles National Register, March 20, 1841. A very important issue, as an inside page has: "The Case of the Amistad" being the report of the Supreme Court on this historic slavery-related event. The "Amistad" was a United States Supreme Court case resulting from the rebellion of slaves on board the Spanish schooner of this name in 1839. The rebellion broke out when the schooner, traveling along the coast of Cuba, was taken over by a group of captives who had earlier been kidnapped in Africa and sold into slavery. The Africans were later apprehended on the vessel near Long Island, New York, by the United States Navy and taken into custody. The ensuing widely publicized court cases in the United States helped the abolitionist movement. In 1840, a federal trial court found that the initial transport of the Africans across the Atlantic (which did not involve the Amistad) had been illegal, because the international slave trade had been abolished, and that they were thus not legally slaves but free. Furthermore, given they were illegally confined, the Africans were entitled to take what legal measures necessary to secure their freedom, including the use of force. The Supreme Court affirmed this finding on March 9, 1841, and the Africans traveled home in 1842. The case influenced numerous succeeding laws. This case was made famous by the 1997 movie "Amistad" by Stephen Spielberg. This issue has extensive reporting on this case taking over 1 1/2 pages, and as noted in the prefacing comments: "...Mr. Justice Story delivered the opinion of the court...", followed by a detailed review of the case from beginning to end, with the verdict of the court as noted above, in a Baltimore newspaper, close to Washington, D.C. where the verdict was given and since the verdict was rendered on March 9 this is likely one of the earliest reports to be found in a newspaper. 16pp.
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DECLARATION OF INDEPENDENCE,
DECLARATION OF INDEPENDENCE, CONN. GAZETTE, 1776 The celebration of the Declaration of Independence was reported in The Connecticut Gazette, August 30th, 1776 as well as a early report of the British attacking Long Island and a report of soldiers killed by lightning. A rare paper. 2pp.
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WILLIAM AND MARY PAINTED CHEST, CA.
WILLIAM AND MARY PAINTED CHEST, CA. 1740William and Mary painted chest, ca. 1740 , probably Long Island, with a paneled façade and two long drawers retaining an old iron red surface, 44" h., 40 3/4" w.
NO in-house shipping for this lot.
Condition:
19 3/4" d. Yellow pine, poplar and oak. Brasses replaced. Front legs replaced.
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LONG ISLAND, NEW YORK SILK ON LINEN
LONG ISLAND, NEW YORK SILK ON LINEN FAMILY RECORDSouthold, Long Island, New York silk on linen family record sampler for the family of Samuel and Sarah Vail, wrought by Emily Vail 1838, frame - 17" x 18". Provenance: A Wilmington, Delaware estate.
Competitive in-house shipping is available for this lot.
Condition:
Good with a couple minor light stains.
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1968 Fraternity paddle Pi Gamma Mu,
1968 Fraternity paddle Pi Gamma Mu, CW Post Long Island University. 32"L overall x 6"W Condition: wear CT Transfer Fee $10
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A vintage glazed concrete owl
A vintage glazed concrete owl figure on a rectangular plinth, sold with separate concrete pedestal. Owl 15" x 14"W x 12.25"D Pedestal 23”H Provenance- purchased by the consignor in the late 60's at the Marconi Estate auction, Long Island. Condition: loss to wings, ears and base, chipping throughout, discoloration from outdoor exposure CT Transfer Fee $20
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) DOCK SCENE Oil on canvas.
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. Born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) "SUMMER SHADOWS" Oil on canvas. Titled on paper label on reverse.
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. Born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) LANDSCAPE Oil on canvas. Signed 'Renouard' (lower right).
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. Born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) WINTER LANDSCAPE Oil on masonite.
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. Born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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ARTHUR HOEBER (AMERICAN, 1854-1915)
ARTHUR HOEBER (AMERICAN, 1854-1915) "THE MEADOW AT SUNSET, 1893" Oil on canvas. Signed 'Arthur Hoeber 1893' (lower right). Period giltwood frame.
Catalogue Note: Arthur Hoeber, a prolific writer, illustrator and landscape painter, was born in New York City. From boyhood, he displayed a particular talent for drawing and sketching, and continually practiced in water colors. One of his pictures was accepted by the American Water Color Society when he was only fourteen years old. Hoeber studied in the night schools of Cooper Union and then entered the Art Students League, where he studied under James Carroll Beckwith.
In 1881, Hoeber set off for Europe with letters of introduction from the noted actor Lew Wallack to his brother-in-law Sir John Everett Millais. Millais recommended that Hoeber study at the Ecole des Beaux Arts under Jean-Leon Gerome and then with Gustave Courtois. During his six years there he became an active member of the colony of American artists in residence. Like them he summered in Normandy and Concarneau, Brittany. He made his debut at the Paris Salon in 1883, and showed again two years later.
Upon his return to the states Hoeber was a regular exhibitor at the National Academy of Design (he later became an Associate Member), received a prize at the Pan-American Exposition in Buffalo in 1901. He held memberships in the Salmagundi Club, the Players and Lotos Clubs. He spent numerous summers on Cape Cod and Long Island where he showed a particular interest in sunsets and marshlands.
The turn of the century saw Hoeber settled in Nutley, New Jersey. He became the most prominent landscapist of a growing community of artists there. During this period Hoeber wrote rather prolifically on the arts and was the art critic for the New York Times. He made regular contributions to the New York Globe, Harper's Weekly and various other leading monthly magazines as well.
Artist has exhibited:
National Academy of Design (1902-1915)
Pan-American Exposition, Buffalo, 1901
Pennsylvania Academy of Fine Arts (1882-1913)
Salmagundi Club
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) Oil on canvas laid on Masonite. Signed 'Renouard' (lower left).
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. Born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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GEORGE A. RENOUARD (AMERICAN,
GEORGE A. RENOUARD (AMERICAN, 1884-1954) Oil on canvas laid on Masonite. Signed 'Renouard' (lower right).
George A. Renouard (American, 1884-1954)
George A. Renouard was a noted painter, printer, and graphic artist. Born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
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ROBERT BRUCE CRANE(American,
ROBERT BRUCE CRANE(American, 1857-1937)
Snow Laden Field, Long Island, signed lower right "Bruce Crane", illegible exhibition label stretcher verso, oil on canvas, 14 x 20 in.; carved gilt wood frame, 17-1/2 x 23-1/2 in.
Provenance: Brunk Auctions, July 2016, sold for $6,500; Private Collection
Condition:
original stretchers and canvas, old patch repair lower left corner verso, scattered small areas of retouch; frame with abrasions
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HUNTINGTON, LONG ISLAND NEW YORK
HUNTINGTON, LONG ISLAND NEW YORK STONEWARE JUGHuntington, Long Island New York stoneware jug, 19th c., impressed S. C. Brown & Co. with cobalt decoration, 11 1/2" h.
Competitive in-house shipping is available for this lot.
Condition:
1'' base rim chip, small surface flake at decoration.
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LONG ISLAND SOUND, 1855
LONG ISLAND SOUND, 1855 NAVIGATION MAP Western Sheet, from a Trigonometrical Survey...of the Coast of the United States, drawn by Fairfax, Wampler & Gluck, engraving by Siebert, Knight, Rolle, & McCoy, with inset showing the Throg's Neck and New York City, and engravings of 5 lighthouses, 25.25"h x 36"w (sight), 32"h x 42.25"w (frame)
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(5) BOOKS: 'LIVES OF CHIEF JUSTICES
(5) BOOKS: 'LIVES OF CHIEF JUSTICES OF ENGLAND'(lot of 5 volumes) Books: "The Lives of the Chief Justices of England," John, Lord Campbell, Edward Thompson Co., Long Island, NY, 1894-1899, many full plate illustrations including some color lithographs, largest: approx 10.5"h, 8"w, 2"d; 25.75lbs total
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PINKERTON DETECTIVE AGENCY ARCHIVE,
PINKERTON DETECTIVE AGENCY ARCHIVE, REWARD, 1870SCollection of Pinkerton National Detective Agency correspondence and related items: (19) hand written, some typed on Pinkerton letter head dated from 1876 to 1921, many signed Benj. Franklin, Supt. of the Pinkerton Philadelphia office, mostly regarding trials of arrested persons for stealing butter, railroad clients, affidavits, telegrams,(1) 1884 letter from William A. Pinkerton regarding case of lady losing $6000 in gold; (1) printed list of investigation costs; (1) booklet of letters from police agencies across the U.S. endorsing Pinkerton services; (1) 1921 letter from the Pinkerton Chicago office regarding labor troubles, an explosion killing four and injuring 20 persons, Socialisgt books, the letter ends with urging voters to approve a particular legislation; (1) a report to the Long Island district attorney regarding weapons search, signed Robert Pinkerton; (1) 1909 reward poster for stolen jewelry in New Orleans on Pinkerton letter head; (1) 1906 notice to "Police Authorities, Pawnbrokers, Loan Offices, Etc." regarding jewelry stolen from a Gilroy, California jewelry store, on Pinkerton letterhead; (1) 1912 notice on Pinkerton letterhead, $1000 reward for stolen registered mail pouches including Waco, Texas bonds, Oklahoma bonds, and more; (1) 1906 notice on Pinkerton letterhead regarding $200 reward for the arrest of burglar; (1) Pinkerton Security Officers Manual, 1990's,
(8) photo post cards including blown safe, others of unknown persons; (2) Pinkerton post cards offering rewards for thefts; (2) police reward post cards, one for murder. (5) prints of photos including three Civil War era of Allan Pinkerton,one copy of Butch Cassidy wanted,
album: 13"h, 14"w, 1.25"d, 5.25lbs *Provenance: Local estate, Austin Spy/Shop Museum. *Note: Allan Pinkerton, 1819-1884, appointed the first police detective in Chicago, 1850, stopped a supposed assassination plot against Abraham Lincoln, reported on Southern fortifications early in the Civil War, was hired to track down Jesse James by railroad companies.
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JEWELRY. RETRO 14KT BI-COLOR GOLD
JEWELRY. RETRO 14KT BI-COLOR GOLD BRACELET. Retro/vintage 14kt bi-color rose and yellow gold articulated link bracelet. Stamped, "14K". Total approx. weight is 7.2 dwt (gross). From a Long Island, NY estate. Dimensions: bracelet measures approx. 0.53" w x 7.25" in length. Condition: Good, with light surface scratches and minor dings/dents.
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JEWELRY. CARTIER 18KT GOLD AND
JEWELRY. CARTIER 18KT GOLD AND PEARL NECKLACE. Signed Cartier 18kt yellow gold sautoire necklace set with (10) 8.5mm semi-baroque pearls. Stamped, "Cartier 18kt". Total approx. weight is 28.9 dwt (gross). From a Long Island, NY estate. Dimensions: necklace measures approx. 36.5" in length. Condition: Good, with light surface scratches and minor dings/dents.
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JEWELRY. PAIR OF SIGNED 14KT GOLD
JEWELRY. PAIR OF SIGNED 14KT GOLD HOOP EAR CLIPS. Pair of signed 14kt yellow gold textured hoop ear clips. Stamped, "14K PM". Total approx. weight is 14.5 dwt (gross). From a Long Island, NY estate. Dimensions: ear clips measure approx. 1.10" w x 1.64" h. Condition: Good, with light surface scratches and minor dings/dents.